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358 SECOND PERIOD.
deur Of style in the entire building, that I chose it for the first
Plate in my f oho work. In spite of the sternness of its plan,
however, it is wrought with great care in surface detail; and the
ornamental value of the minute chasing obtained by the delicate plumage of the birds, and the clustered bees on the honeycomb in the bear's mouth, opposed to the strong simplicity of
its general form, cannot be too much admired. There are also
more grace, life, and variety in the sprays of foliage on each
side of it, and under the heads, than in any other capital of the
series, though the earliness of the workmanship is marked by
considerable hardness and coldness in the larger heads. A
Northern Gothic workman, better acquainted with bears and
wolves than it was possible to become in St. Mark's Place,
would have put far more life into these heads, but he could not
have composed them more skilfully.
§ cxix. First side. A lion with a stag's haunch in his
mouth. Those readers who have the folio plate, should observe
the peculiar way in which the ear is cut into the shape of a
ring, jagged or furrowed on the edge; an archaic mode of
treatment peculiar, in the Ducal Palace, to the lions' heads of
the fourteenth century. The moment we reach the Renaissance work, the lions' ears are smooth. Inscribed simply," leo."
Second side. A wolf with a dead bird in his mouth, its
body wonderfully true in expression of the passiveness of
death. The feathers are each wrought with a central quill and
radiating filaments. Inscribed " lupus."
Third side. A fox, not at all like one, with a dead cock in'
his mouth, its comb and pendent neck admirably designed so as
to fall across the great angle leaf of the capital, its tail hanging
down on the other side, its long straight feathers exquisitely
cut. Inscribed " (vulp ?)is."
Fourth side. Entirely broken away.
Fifth side, "aper." Well tusked, with a head of maize
in his mouth; at least I suppose it to be maize, though shaped
like a pine-cone.
Sixth side. " chanis." With a bone, very ill cut; and a
bald-headed species of dog, with ugly flap ears.
| Title | The stones of Venice - 2 |
| Creator | Ruskin, John |
| Publisher | J. Wiley |
| Place of Publication | New York |
| Date | 1889 |
| Language | eng |
| Type | Books/Pamphlets |
| Title | 00000404 |
| Type | Books/Pamphlets |
| Transcript | 358 SECOND PERIOD. deur Of style in the entire building, that I chose it for the first Plate in my f oho work. In spite of the sternness of its plan, however, it is wrought with great care in surface detail; and the ornamental value of the minute chasing obtained by the delicate plumage of the birds, and the clustered bees on the honeycomb in the bear's mouth, opposed to the strong simplicity of its general form, cannot be too much admired. There are also more grace, life, and variety in the sprays of foliage on each side of it, and under the heads, than in any other capital of the series, though the earliness of the workmanship is marked by considerable hardness and coldness in the larger heads. A Northern Gothic workman, better acquainted with bears and wolves than it was possible to become in St. Mark's Place, would have put far more life into these heads, but he could not have composed them more skilfully. § cxix. First side. A lion with a stag's haunch in his mouth. Those readers who have the folio plate, should observe the peculiar way in which the ear is cut into the shape of a ring, jagged or furrowed on the edge; an archaic mode of treatment peculiar, in the Ducal Palace, to the lions' heads of the fourteenth century. The moment we reach the Renaissance work, the lions' ears are smooth. Inscribed simply," leo." Second side. A wolf with a dead bird in his mouth, its body wonderfully true in expression of the passiveness of death. The feathers are each wrought with a central quill and radiating filaments. Inscribed " lupus." Third side. A fox, not at all like one, with a dead cock in' his mouth, its comb and pendent neck admirably designed so as to fall across the great angle leaf of the capital, its tail hanging down on the other side, its long straight feathers exquisitely cut. Inscribed " (vulp ?)is." Fourth side. Entirely broken away. Fifth side, "aper." Well tusked, with a head of maize in his mouth; at least I suppose it to be maize, though shaped like a pine-cone. Sixth side. " chanis." With a bone, very ill cut; and a bald-headed species of dog, with ugly flap ears. |
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