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274 III. TOPICAL INDEX.
Color, its importance in early work, ii, 38, 40, 78, 91; its spirituality, ii. 145, 396; its relation to music, iii. 186; quartering
of, iii. 20; how excusing realization, iii. 186,
Commerce, how regarded by Yenetians, i. 6.
Composition, definition of the term, ii. 182.
Constancy, how symbolized, ii. 333.
Construction, architectural, how admirable, i. 36.
Convenience, how consulted by Gothic architecture, ii. 179.
Cornices, general divisions of, i. 63, iii. 248; of walls, i. 60; of
roofs, i. 149; ornamentation of, i. 305; curvatures of, i. 310;
military, i. 160; Greek, i. 157.
Courses in walls, i. 60.
Crockets, their use in ornamentation, i. 346; their abuse at Venice, iii. 109.
Crosses, Byzantine, ii. 139.
Crusaders, character of the, ii. 263.
Crystals, architectural appliance of, i. 225.
Cupid, representation of, in early and later art, ii. 342.
Curvature, on what its beauty depends, i. 222, iii. 5.
Cusps, definition of, i. 135; groups of, i. 138; relation of, to vegetation, ii. 219; general treatment of, iii. 255; earliest occurrence of, ii. 220.
D
Daguerreotype, probable results of, iii. 169.
Darkness, a character of early churches, ii. 18; not an abstract
evil, iii. 220.
Death, fear of, in Renaissance times, iii. 65, 90, 92; how anciently regarded, iii. 139,156.
Decoration, true nature of, i. 405; how to judge of, i. 44, 45. See
" Ornament."
Demons, nature of, how illustrated by Milton and Dante, iii.
147.
Dentil,Venetian, defined, i. 273, 275.
Design, definition of the term, ii. 183; its relations to naturalism,
ii. 184.
Despair, how symbolized, ii. 334.
Diapei patterns in brick, i. 296; m color, iii. 21,22.
Discord, how symbolized, n. 333.
| Title | The stones of Venice - 3 |
| Creator | Ruskin, John |
| Publisher | J. Wiley |
| Place of Publication | New York |
| Date | 1889 |
| Language | eng |
| Type | Books/Pamphlets |
| Title | 00000304 |
| Type | Books/Pamphlets |
| Transcript | 274 III. TOPICAL INDEX. Color, its importance in early work, ii, 38, 40, 78, 91; its spirituality, ii. 145, 396; its relation to music, iii. 186; quartering of, iii. 20; how excusing realization, iii. 186, Commerce, how regarded by Yenetians, i. 6. Composition, definition of the term, ii. 182. Constancy, how symbolized, ii. 333. Construction, architectural, how admirable, i. 36. Convenience, how consulted by Gothic architecture, ii. 179. Cornices, general divisions of, i. 63, iii. 248; of walls, i. 60; of roofs, i. 149; ornamentation of, i. 305; curvatures of, i. 310; military, i. 160; Greek, i. 157. Courses in walls, i. 60. Crockets, their use in ornamentation, i. 346; their abuse at Venice, iii. 109. Crosses, Byzantine, ii. 139. Crusaders, character of the, ii. 263. Crystals, architectural appliance of, i. 225. Cupid, representation of, in early and later art, ii. 342. Curvature, on what its beauty depends, i. 222, iii. 5. Cusps, definition of, i. 135; groups of, i. 138; relation of, to vegetation, ii. 219; general treatment of, iii. 255; earliest occurrence of, ii. 220. D Daguerreotype, probable results of, iii. 169. Darkness, a character of early churches, ii. 18; not an abstract evil, iii. 220. Death, fear of, in Renaissance times, iii. 65, 90, 92; how anciently regarded, iii. 139,156. Decoration, true nature of, i. 405; how to judge of, i. 44, 45. See " Ornament." Demons, nature of, how illustrated by Milton and Dante, iii. 147. Dentil,Venetian, defined, i. 273, 275. Design, definition of the term, ii. 183; its relations to naturalism, ii. 184. Despair, how symbolized, ii. 334. Diapei patterns in brick, i. 296; m color, iii. 21,22. Discord, how symbolized, n. 333. |
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