<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:title>The method of high-finishing family pictures [graphic].</dc:title><dc:date>publish'd 1st Augt. 1771.</dc:date><dc:language>eng</dc:language><dc:description>An astounded-looking elderly man peeks into a room where a young woman reposes on a couch. Kneeling in front of her is a young man who reaches up and draws with a piece of chalk two horns on her husband's portrait above them</dc:description><dc:description>Title from item.</dc:description><dc:description>Eight lines of verse in two columns on both sides of title: To one alone I cannot constant be, because the life I love is to be free ...</dc:description><dc:description>Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.</dc:description><dc:description>Temporary local subject terms:  Cuckolds -- Pictures amplifying subject -- Letters: billets doux -- Furniture: couch.</dc:description></oai_dc:dc>