<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:title>The paintress [graphic].</dc:title><dc:date>[15 May 1772]</dc:date><dc:language>eng</dc:language><dc:description>A ragged, grinning chimney-sweep posed for his portrait in front of a round table in an elegant room. The artist is a young woman in fashionable mob cap, sitting on the opposite side of the table, palette in her left hand and adding finishing touches to her work. A painting above on the wall shows a group of dancing satyrs</dc:description><dc:description>Title engraved below image.</dc:description><dc:description>One line of quote below title: The proper study of mankind is man.</dc:description><dc:description>Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.</dc:description><dc:description>Temporary local subject terms: Trades: chimney sweeps -- Artists: paintress -- Female dress, 1772 -- Artist's implements: palette and brushes -- Table-top easel with box -- Furnishings: carpet -- Pictures amplifying subject -- Travesties: travesty of artists -- Literature: quotation from An Essay on Man by Alexander Pope (1688-1744).</dc:description></oai_dc:dc>