<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:title>The English farmer's wife converted to a fine lady during his absence in London [graphic].</dc:title><dc:date>[1772]</dc:date><dc:language>eng</dc:language><dc:description>On the right, a clergyman and the farmer's wife sit side-by-side on a high-backed settee in her parlor; he holds in his hand a copy of Ovid's Art of love as he smiles adoringly at her. She has a large nose and her hair has been dressed to an absurd height.  On the table in front of them are two other books: Acting and Art of dressing. To the left, the farmer enters through the front door, his dog at his heels, and exclaims in surprise: "Blessing on us!  Can that be my dame?" Behind him is his coachman in a smock and carrying a whip; he smiles and says "Woundz Maester her head is grown as high as our barley-mew!"</dc:description><dc:description>Title etched below image.</dc:description><dc:description>Dated in the British Museum catalogue: 1 September 1772.</dc:description><dc:description>Sheet trimmed within plate mark.</dc:description><dc:description>Plate from: Every man's magazine or, The monthly repository of science, instruction and amusement. London : [publisher not identified], 1772, v. 2, page 41.</dc:description></oai_dc:dc>