<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:title>Fierce as staring Ajax from his seat, uprose with visage stern the king of meat canto 2d. [graphic]</dc:title><dc:creator>Rowlandson, Thomas, 1756-1827, printmaker</dc:creator><dc:date>[1787]</dc:date><dc:language>eng</dc:language><dc:description>"A room crowded with cooks and scullions : a tall cook addresses the others with clenched fist, holding the queue of his hair. The others make similar gestures of indignation ; one negligently holds a spit transfixing a bird which a dog is eating. Against the wall hang birds, &amp;c., and a poster: Royal Bill of Fare ... second course."--British Museum Catalogue</dc:description><dc:description>Title etched below image.</dc:description><dc:description>Printmaker and date from British Museum catalogue.</dc:description><dc:description>Variant state of plate issued with the title: Cooks, scullions, hear me evr'y mother's son. Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 204.</dc:description><dc:description>Frontispiece to: Pindar, P. The Lousiad. An heroi-comic poem. Canto II. London : Printed for G. Kearsley ..., [1787]</dc:description><dc:description>Sheet trimmed within plate mark.</dc:description><dc:description>Mounted on leaf 72 of volume 2 of 14 volumes.</dc:description></oai_dc:dc>