<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:title>[The recording angel] [graphic]</dc:title><dc:creator>Gillray, James, 1756-1815, printmaker</dc:creator><dc:date>[1 November 1803]</dc:date><dc:language>eng</dc:language><dc:description>"In the upper part of the design the Recording Angel (or Truth) draws or engraves on an oval shield which she rests on a pedestal. On it are depicted French soldiers bayoneting defenceless Turks (apparently adapted from BMSat 10062). In the background are the head of a Sphinx, and clouds. Against the pedestal on which Truth stands rests a picture, filling the lower part of the design. Napoleon kneels on a rock, extending imploring arms towards Nilus, a nude and muscular figure seated on rock from which water gushes. Nilus veils and averts his head. In the background are pyramids and palm-trees."--British Museum online catalogue</dc:description><dc:description>Title devised by cataloger; varying form of title from British Museum catalogue.</dc:description><dc:description>Frontispiece to the second edition of Britannicus to Buonaparte, an heroic epistle, with notes / by Henry Tresham.</dc:description></oai_dc:dc>