<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:title>The laughing audience Rehearsal of the Oratorio of Judith ; An emblematic print on the South Sea / [graphic]</dc:title><dc:creator>Hogarth, William, 1697-1764, printmaker</dc:creator><dc:date>August 1st 180[...]</dc:date><dc:language>eng</dc:language><dc:description>A single plate with Laughing audience in the upper left, Rehearsal of the Oratorio of Judith in the upper right, and An emblematic print on the South Sea below</dc:description><dc:description>Rehearsal of the Oratorio of Judith: First etched as a subscription ticket for "A Midnight Modern Conversation" with seventeen men and boys rehearsing William Huggins's oratorio "Judith". Several of the singers hold sheet music with the notes and lyrics legible</dc:description><dc:description>Titles engraved below images.</dc:description><dc:description>Plate bound in as leaf 70: Hogarth restored / now re-engraved by Thomas Cook, 1806</dc:description><dc:description>Rehearsal of the Oratorio of Judith: Copy after Hogarth.  See Paulson, R. Hogarth's graphic works (3rd ed.), no. 127.</dc:description><dc:description>Laughing audience: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 130.</dc:description><dc:description>Election carried by bribery and the devil: Copy after Hogarth's The South Sea scheme. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 43.</dc:description></oai_dc:dc>