<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:title>A picture of futurity [graphic]</dc:title><dc:creator>Grant, C. J. (Charles Jameson), active 1830-1852, printmaker, artist</dc:creator><dc:date>May 1831.</dc:date><dc:language>eng</dc:language><dc:description>Grey stands in the center pulling back a curtain on the large painting (right) addressing the three men (probably Peel, Cumberland, and Wellington) who look on in amazement. Grey says, "Gentlemen this is a fine color'd picture representing Futurity. The idea of which was concieved [sic] by an injured people and painted by a new and promising artist. Reform." Reading from the left Peel looks at himself in the painting seated in a chair at a loom, "Why if there a'nt me at a spinning Jenny." Cumberland, hat flying off, looking at himself depicted in the painting on his backside, "And me dying on a dunghill." And Wellington closest to the painting that depicts him as a wounded soldier holding a broom and begging with his cap in hand, observes "And me begging."  In the painting is a tower with the British and French flags the former with the year 1814, referencing the Wellington's successful campaign to end the Peninsular War</dc:description><dc:description>Title from text below image.</dc:description><dc:description>Not in the Catalogue of prints and drawings in the British Museum.</dc:description></oai_dc:dc>