<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:title>La danse combiste : projet de monument d'après le groupe de la danse de carpeaux a l'opera</dc:title><dc:date>[approximately 1904?]</dc:date><dc:language>fre</dc:language><dc:description>Satirical image of Christ in the courtroom. The image is of Emile Combes posing as the image of Christ. Combes led earlier efforts to enforce the separation of church and state. Religious images were finally banned from courtrooms by the law of December 9, 1905, separating church and state</dc:description><dc:description>Also available in original print http://morris.law.yale.edu/record=b1282820</dc:description><dc:description>Digital reproduction. New Haven, Connecticut: Yale Law Library, 2019 LM ZA Postcards v.1 no.24 tall.</dc:description><dc:description>Online resource; description based on print version record. </dc:description></oai_dc:dc>