"Rows of French soldiers (left) do infantry drill with muskets seated on the backs of sorry asses (cf. BMSat 9361), with no harness but rope halters. The man in the foreground (the others being concealed by the closeness of the ranks), though smart, is ragged, his foot projecting through the boot. Their officer (right), with raised sword, gives the word of command seated on an ass which brays with outstretched neck at the other asses. He has a saddle and his ass is in slightly better condition. Clouds form a background. See BMSat 9355, &c."--British Museum online catalogue
Description:
Title etched below image., One of seven plates on the French Expedition to Egypt, purported to have been drawn by a fellow expedition member., Sheet trimmed within plate mark., Temporary local subject terms: Egyptian campaign, 1798-1801-- Military: French soldiers -- Military uniforms: French army, 1798 -- Asses -- Reference to Ibrahim Bey, Chief of Mamelukes (1735-1816)., 1 print : etching on wove paper, hand-colored ; plate mark 25.6 x 35.9 cm, on sheet 30.2 x 41.1 cm., and Mounted on leaf 5 of volume 5 of 12.
Publisher:
Pubd. March 12th, 1799, by H. Humphrey, 27 St. Jamess [sic] Street
"Two Frenchmen, who have been attempting to domesticate the crocodile, are seized by the angry beasts. A monster seizes in its jaws the leg of the man who has attempted to ride it; the man clasps halter and whip, his saddle lies on the ground together with a large book, 'Sur l'Education du Crocodile', beside which are three plates: 'Planche 1st', a Frenchman rides a crocodile; 'Pl: 2de', a Frenchman drives a high phaeton drawn by a pair of crocodiles; 'Pl: 3me', a small boat is drawn through the water by a crocodile. In the middle distance (right) a crocodile seizes the coat of a terrified man, who drops a book: 'Les Droits du Crocodile' (cf. BMSat 9352). A third crocodile (left) with hungry jaws climbs from the reeds fringing the river."--British Museum online catalogue
Description:
Title etched below image., One of seven plates on the French Expedition to Egypt, purported to have been drawn by a fellow expedition member., Sheet trimmed within plate mark., Temporary local subject terms: Egyptian campaign, 1798-1801-- Allusion to Institut d'Égypte -- Crocodiles -- Pictures amplifying subject: prints of crocodiles pulling carriage, ship, and used as a mount -- Riding gear -- Books -- Animal attacks., 1 print : etching on wove paper, hand-colored ; plate mark 25.3 x 35.8 cm, on sheet 30.0 x 40.3 cm., and Mounted on leaf 4 of volume 5 of 12.
Publisher:
Pubd. March 12th, 1799, by H. Humphrey, St. Jamess [sic] Street
"A French hussar on a sorry horse flees before a well-mounted Mameluke (cf. BMSat 9272), with a sabre in each hand, who rides him down. The Frenchman (left) turns in his saddle to hold out defensively a sabre whose blade is inscribed 'Vaincre ou Courir'; he spurs his horse viciously. His enemy rides in heel-less slippers, one rein in his teeth, the other on the horse's neck, two pistols on cords fly out behind him. The expressions of the horses reflect those of their masters: abject terror and fierce confidence."--British Museum online catalogue
Description:
Title etched below image., One of seven plates on the French Expedition to Egypt by Gillray, purported to have been drawn by a fellow expedition member., Watermark: Russell & Co., and Mounted on leaf 8 of volume 5 of 12.
Publisher:
Pubd. March 12th, 1799, by H. Humphrey, 27 St. James's Street
"A grotesque, obese, and negroid Copt, holding a mace or staff, rides (right to left) an ass which, though led procession-ally by a Copt, proceeds on account of the bayonet with which a grinning French soldier stabs its hind quarters. The 'Mayor' wears a French military coat and breeches, with a tricolour scarf and cocked hat with large tricolour plumes. He is otherwise naked, and a heavy chain of beads hangs from his ear. The 'Procureur' is naked except for a cocked hat and tricolour scarf; he carries a (?) goad as a staff of office. Behind his ear is a pen."--British Museum online catalogue
Description:
Title etched below image., One of seven plates on the French Expedition to Egypt by Gillray, purported to have been drawn by a fellow expedition member., Sheet trimmed within plate mark., Temporary local subject terms: Egyptian campaign, 1798-1801-- French soldiers -- Military uniforms: French army, 1798 -- Asses -- Inaugurations: Coptic Mayor of Cairo -- Copts -- Procurers -- Staves: goad as a staff of office -- Allusion to Copies of Original Letters From the Army of General Bonapart in Egypt, Intercepted by the Fleet., 1 print : etching on wove paper, hand-colored ; plate mark 25.5 x 37.7 cm, on sheet 30.4 x 42.3 cm., Watermark: Russell & Co., and Mounted on leaf 6 of volume 5 of 12.
Publisher:
Pubd. March 12th, 1799, by H. Humphrey, 27 St. James's Street
"A magnificently mounted Turk (right) raises his spear to transfix a ragged French soldier who is about to be thrown by the donkey (cf. BMSat 9357) whose ear he clutches. The Frenchman's musket is awkwardly held and goes off innocuously; defence is impossible."--British Museum online catalogue
Description:
Title etched below image., One of seven plates on the French expedition to Egypt by Gillray, purported to have been drawn by a fellow expedition member., Sheet trimmed within plate mark., Temporary local subject terms: Egyptian campaign, 1798-1801-- Military: French soldiers -- Military uniforms: French army, 1798 -- Asses -- Horses -- Male costume: Turk -- Weapons: spears -- Guns: rifles., 1 print : etching on wove paper, hand-colored ; plate mark 25.4 x 35.8 cm, on sheet 30.5 x 40.8 cm., Watermark, partially trimmed: Russell & Co., and Mounted on leaf 9 of volume 5 of 12.
Publisher:
Pubd. March 12th, 1799, by H. Humphrey, St. Jamess [sic] Street
"An elderly courtier of the 'ancien régime' (left) bows low, in profile to the right, grimacing: 'Je suis voire tres humble Serviteur'. His features are aquiline; he wears a high toupet wig and a large black bag (which flies into the air as he bows) with a solitaire ribbon round the neck. His small tricorne hat is in his right hand, his left hand is on his breast; his fingers are extravagantly pointed. His successor (right) stands in back view, legs astride, hands thrust deep into his coat-pockets, a bludgeon projecting vertically from the left pocket. His head, with blunt, coarse features, is turned in profile to the left, to say: "Baiser mon Cu [sic]". He has shaggy hair with a long pigtail queue, and wears a large cocked hat, one peak on his neck, round which is a clumsy neck-cloth. His coat is loose with broad collar and projecting revers. His breeches are tied beneath the knee, showing striped stockings above very wrinkled boots with grotesquely pointed toes."--British Museum online catalogue
Alternative Title:
French gentleman of the Court of Egalité, 1799
Description:
Title from text in image., Sheet trimmed within plate mark., Temporary local subject terms: Male costume: French courtier, 1799 -- Wigs: bag wig, 1799 -- Queue wig, 1799 -- Boots., 1 print : etching with engraving on wove paper, hand-colored ; plate mark 26.0 x 36.0 cm, on sheet 28.6 x 40.2 cm., and Mounted on leaf 23 of volume 5 of 12.
Publisher:
Pubd. August 15th, 1799 by H. Humphrey, 27 St. James's Street
"Design in an oval, placed on an oblong background representing a stone wall, and thus simulating the projection of a magic lantern. The figures, except Wilberforce, are light against a dark background. Addington, Hawkesbury, and Fox, as the three witches in Macbeth, cook their hell-broth in a cauldron. From this rises a cloud inscribed 'PEACE' which frames a skeleton (of Britannia). Its long hair shows that it is that of a woman; in one hand is a trident, in the other her shield. From the pot issue the tail and one paw of the British lion. His decollated head lies on the ground (right); on it stands a crowing Gallic cock wearing a tiny bonnet rouge. Addington stands on the left ladling into the pot guineas from a sack inscribed: 'To make Gruel Thick & Slab' [Macbeth, iv. i]. He raises his right arm, holding up an olive branch; a serpent twines round arm and branch; its fangs pointing at the word 'Peace'. Hawkesbury crouches on the right, recklessly feeding the fire with papers inscribed: 'Dominion of the Sea', 'Egypt', 'Malta', 'Cape', 'Continental Alliances', 'Honduras', 'Switzerland', 'Brit[isk] Isles'; beside him are others: 'Gibralter' and 'Ireland'. Among the papers already blazing the word 'West Indies' is just visible. At his side hangs an ink-pot with a pen, suspended from a tricolour ribbon, indicating the Foreign Secretary. Behind him Fox, as a fat old woman, stands full face, holding up a broom tied with a tricolour ribbon. All three wear conical hats; that of Addington has a tricolour favour, that of Fox a tricolour cockade and bunches of olive. Addington is grave, Hawkesbury melancholy, Fox exultant. In front of the cauldron, beside the lion's head, kneels Wilberforce (left), a little figure in Monkish robes, hideously caricatured, chanting a 'Hymn of Peace' from an open book."--British Museum online catalogue
Description:
Title etched below image. and Mounted on leaf 51 of volume 5 of 12.
Publisher:
Pubd. Jany. 5th, 1803, by J. Gillray, 27 St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Wilberforce, William, 1759-1833
"Bonaparte (much caricatured), standing precariously on a 'Dutch Cheese', is attacked by the allies. Austria and Russia pull from his thin leg a large clumsy boot, consisting of a map of 'Italy'; coins (French plunder) pour from the boot, on which 'Naples', 'Rome', 'Florence', and other geographical divisions are indicated. Austria is a fierce hussar, smoking a pipe, on his cap is the Habsburg eagle; he tugs at the boot, the Russian bear (on the extreme left) assists him, its paws clasping his waist. A ferocious Turk holds Bonaparte by the nose and raises a scimitar whose blade, inscribed 'St Jean d'Acre', drips blood; across his shoulders are strung bleeding ears and noses to which Bonaparte's is to be added. A sailor (right), representing the British Navy, seizes Bonaparte from behind; in his hat are ribbons inscribed 'Nelson', 'Duncan', 'Bridport'. A fat Dutchman on the extreme right, with the blunt profile of the Prince of Orange, tugs at the cheese in order to dislodge Bonaparte; he kneels on a paper, 'Secret Expedition'. Bonaparte's uniform is ragged, his left foot is bare, but in each hand is a blood-stained dagger. In the background (right) tiny figures (probably Dutch) dance hand-in-hand round a bonfire in which burns a 'Tree of Liberty', a bonnet-rouge on a pole, cf. BMSat 9214."--British Museum online catalogue
Alternative Title:
Allied powers unbooting Egalitè
Description:
Title etched at bottom of image., Sheet trimmed within plate mark., Temporary local subject terms: Alliances -- Expedition to Holland, August 1799 -- Military: Austrian Hussar -- Emblems: Russian bear -- Turks -- Reference to the siege of Acre, 1799 -- Reference to Napoleon's defeat in Italy, 1799 -- British Navy -- Dutchmen -- Reference to Admiral Horatio Nelson -- Reference to Admiral Adam Duncan., 1 print : etching on wove paper, hand-colored ; plate mark 26.4 x 36.5 cm, on sheet 29.6 x 41.9 cm., and Mounted on leaf XX of volume 5 of 12.
Publisher:
Pubd. Sepr. 1st, 1799, by H. Humphrey, No. 27 St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and William V, Prince of Orange, 1748-1806
"Addington and Napoleon face each other defiantly across a narrow channel. Addington, the nearer, is the larger, and much the taller. He wears regimentals, cocked hat, and shapeless boots; he stands with arms akimbo, sabre in his hand; from each pocket projects a medicine-bottle, one labelled 'Composing Draft', the other 'Stimulating Draft'. He looks at Napoleon with a chop-fallen stare, saying, "who's afraid? damme? - \ O Lord. O Lord - what a Firey Fellow he is! \ - Who's afraid? damme? \ O dear! what will become of ye Roast Beef? \ damme! who's afraid? \ O dear! O dear." (The lines are alternately in large and tiny letters to distinguish between words spoken aloud and to himself.) He straddles across a steaming sirloin on a dish inscribed: 'O the Roast Beef of Old England'. Napoleon, who straddles even more widely, holds the hilt of his sabre; his head is large, his cocked hat grotesquely huge. He glares at the beef, saying, "Ah! ha, sacrè dieu! vat do I see yonder? \ Dat look so invitinly Red & de Vite? - \ Oh by Gar! I see 'tis de Roast Beef of Londres \ Vich I vill chop up, at von letel bite!" (Cf. BMSat 5790.) Behind Addington is the front bench in the House of Commons. Hawkesbury, thin, stooping, and melancholy, his hands on his hips, his arms curiously twisted, says: "Ah who's afraid now of Marching to Paris? ah who's afraid now." Behind Addington's seat stand two dim figures, waving their hats; they say: "who's afraid! Brother Bragg" and "who's afraid Brother Hely" ..."--British Museum online catalogue
Description:
Title etched in upper right corner of image., Two lines of text in curly brackets below title: Throughout the world, heroes but two wee [sic] see, great Doctor A-, and little-bouncing B-., and Mounted on leaf 56 of volume 5 of 12.
Publisher:
Pubd. May 18th, 1803, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Napoleon I, Emperor of the French, 1769-1821
"Addington and Hawkesbury, in the gateway of the Treasury (inscribed 'Granary'), snare three bats with the heads of Grey, Sheridan, and Tierney. Addington kneels on one knee holding out a dark lantern and a hat with a tricolour cockade filled with papers inscribed 'Sinecure', 'Place', 'Annuity', 'Pension', 'Post'. Hawkesbury, standing behind him, holds out a net supported on two sticks in which to catch the creatures which fly, like harpies, straight towards Addington, dazzled by the lantern's rays. Grey's eyes are fixed on the lantern, those of Tierney and Sheridan, the last with an expression of eager greed, on the papers in the hat. Beside Addington is a sack of 'Sterling British Corn', overflowing with guineas. After the title: '"Bat-catching, (says Buffon,) does not require much art, for, flying always in the Night, they are easily attracted by a Dark-Lanthorn & being always hungry, may be easily caught, by a few Cheese-Parings, or Candle Ends; - they are so rapacious, that if they once get into the Granary, they never cease devouring, while there is any thing left." - Vide. Buffon's Nat: His. Article Birds of Night.'"--British Museum online catalogue
Description:
Title etched below image., 1 print : etching & aquatint on wove paper, hand-colored ; plate mark 25.5 x 35.7 cm, on sheet 30.3 x 40.8 cm., and Mounted on leaf 52 of volume 5 of 12.
Publisher:
Pubd. Jany. 19, 1803, by J. Gillray, 27 St. Jamess [sic] Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sheridan, Richard Brinsley, 1751-1816, Tierney, George, 1761-1830, and Grey, Charles Grey, Earl, 1764-1845
"The interior of a carcass-butcher's slaughter-house, the carcasses of animals suspended from the wall. Through the doorway (l.) is seen a rock rising from the sea on which stands a bellowing bull; at the base of the rock is a British fleet. Napoleon, the butcher, with cleaver and knife, makes frantic efforts to reach the (distant) bull, but is restrained by Talleyrand who holds him round the waist. He wears top-boots, one inscribed '7 Leagues', with apron, and rolled-up shirt-sleeves, showing 'R T' [? 'Returned Transport'] branded on his left. arm. On one flap of Talleyrand's oddly shaped cocked hat is a cross, to indicate the ci-devant Bishop of Autun. The head of the Russian bear looks in at the door, gazing menacingly at Napoleon. In the foreground lies a bulky body from which head, hands, and feet have been chopped; to it is skewered a paper: 'Germanic Body'; the severed r. hand lies on a paper inscribed 'Hanover'. On the extreme left. is a round wicker cage surmounted by the Papal tiara, inscribed: 'From Rome and Not worth Killing'; it contains a fox and other small animals. On the extreme right. is a dog-kennel inscribed 'Prussia' and 'Put up to Fatten'; from it a lean greyhound on a short chain puts out its head to lap greedily at a trough of 'Consular Whipt Syllabub'. Behind this is the butcher's block, on which lies a cleaver; blood drips from it into a receptacle inscribed 'Treasury'. Behind Napoleon, in a trough inscribed 'Jaffa Cross Breed', are the bodies of six turbaned Moslems; blood gushes from the trough into a tank inscribed 'Glory'. On the wall hang carcasses, &c. (l. to r.): a ram ticketed 'True Spanish - Fleec'd'; a bleeding calf's head, a simian creature with a tail labelled 'Native Breed'; an ass, ticketed 'From Switzerland', a bloated pig 'From Holland'. Below the title: 'New Style - No Quarter Day!' The verses are a dialogue between 'Boney and Talley' on the possibilities of plunder and conquest. Talleyrand restrains Bonaparte from a mad rush at the bull, regardless of the intervening water. ..."--British Museum online catalogue, description of a later state of the same composition
Alternative Title:
Corsican carcase-butcher's reckoning day
Description:
Title from letterpress text below image., Printmaker from description of a later state in the British Museum catalogue., Date of publication based on that of probable later state. See British Museum catalogue., Probably an earlier state of a plate later published with the imprint: Published by H. Humphrey, 27 St. James's Street, Septr. 1803. Cf. No. 10091 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Text below title: New style-- No quarter day!, Plate serves as a heading for a broadside poem of twenty-nine verses arranged in three columns. The text of the broadside, printed in letterpress below the plate, begins: Says Boney, the butcher*, to Talley his man, one settling-day as they reckon'd ..., At bottom of broadside is printed the additional publication line "Published by J. Ginger, 169 Piccadilly," the printing line "Printed by D.N. Shury, Berwick Street, SOHO," and the price statement "Price two shillings and six pence, coloured." Another edition of the broadside, in a different type and apparently lacking these statements, was also printed in 1803. See British Museum catalogue., Sheet trimmed within plate mark on top edge., and Mounted on leaf 65 of volume 5 of 12.
Publisher:
Published by J. Ginger, Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
"The interior of a carcass-butcher's slaughter-house, the carcasses of animals suspended from the wall. Through the doorway (l.) is seen a rock rising from the sea on which stands a bellowing bull; at the base of the rock is a British fleet. Napoleon, the butcher, with cleaver and knife, makes frantic efforts to reach the (distant) bull, but is restrained by Talleyrand who holds him round the waist. He wears top-boots, one inscribed '7 Leagues', with apron, and rolled-up shirt-sleeves, showing 'R T' [? 'Returned Transport'] branded on his left. arm. On one flap of Talleyrand's oddly shaped cocked hat is a cross, to indicate the ci-devant Bishop of Autun. The head of the Russian bear looks in at the door, gazing menacingly at Napoleon. In the foreground lies a bulky body from which head, hands, and feet have been chopped; to it is skewered a paper: 'Germanic Body'; the severed r. hand lies on a paper inscribed 'Hanover'. On the extreme left. is a round wicker cage surmounted by the Papal tiara, inscribed: 'From Rome and Not worth Killing'; it contains a fox and other small animals. On the extreme right. is a dog-kennel inscribed 'Prussia' and 'Put up to Fatten'; from it a lean greyhound on a short chain puts out its head to lap greedily at a trough of 'Consular Whipt Syllabub'. Behind this is the butcher's block, on which lies a cleaver; blood drips from it into a receptacle inscribed 'Treasury'. Behind Napoleon, in a trough inscribed 'Jaffa Cross Breed', are the bodies of six turbaned Moslems; blood gushes from the trough into a tank inscribed 'Glory'. On the wall hang carcasses, &c. (l. to r.): a ram ticketed 'True Spanish - Fleec'd'; a bleeding calf's head, a simian creature with a tail labelled 'Native Breed'; an ass, ticketed 'From Switzerland', a bloated pig 'From Holland'. Below the title: 'New Style - No Quarter Day!' The verses are a dialogue between 'Boney and Talley' on the possibilities of plunder and conquest. Talleyrand restrains Bonaparte from a mad rush at the bull, regardless of the intervening water. ..."--British Museum online catalogue
Alternative Title:
Corsican carcase-butcher's reckoning day
Description:
Title from letterpress text below image., Printmaker from British Museum catalogue., Probably a later state of a plate originally published with the imprint: Published by J. Ginger, Piccadilly., Text below title: New style-- No quarter day!, Plate serves as a heading for a broadside poem of twenty-nine verses arranged in three columns. The text of the broadside, printed in letterpress below the plate, begins: Says Boney, the butcher*, to Talley his man, one settling-day as they reckon'd ..., Another edition of the broadside, in different type, was also printed in 1803. This edition bore the publication line "Published by J. Ginger, 169 Piccadilly" and the printing line "Printed by D.N. Shury, Berwick Street, SOHO." See British Museum catalogue., Sheet trimmed within plate mark with loss of all letterpress text. Title and broadside verses from the Beinecke Library impression., 1 print : etching & aquatint on wove paper, hand-colored ; plate mark 32.1 x 32.6 cm, on sheet 61.3 x 36.2 cm., and Mounted on leaf 65a (i.e. verso of leaf 64) of volume 5 of 12.
Publisher:
Published by H. Humphrey, 27 St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
A satire of Pitt's return to office in 1804. Pitt is shown in the chamber of Britannia. Britannia sits listlessly on a bed, holding a sword in one hand. Next to her, leaning against the bed, is her shield and olive branches. Pitt holds aloft a bottle labelled "Constitutional Restorative" as he kicks another man, a caricature of Addington, through the door. Addington is in the process of dropping a bottle labelled "Composing Draft". With his other foot, Pitt steps on the face of a flailing and prostrate Fox, who holds a bottle labelled "Rebublican Balsam" towards Britannia. From Fox's pocket dice and a dice container labelled "Whig Pills" have fallen. Emerging from behind the bed curtains, the figure of Death, a skeleton with the face and plumed bicorne of Napoleon, overturns a table and upsets bottles of medicine and points his sword toward the unsuspecting Britannia
Description:
Title etched below image., 1 print : etching on wove paper, hand-colored ; plate mark 25.5 x 37.5 cm, on sheet 28.9 x 41.5 cm., and Mounted on leaf 73 of volume 5 of 12.
Publisher:
Publish'd May 20th 1804 by H. Humphrey
Subject (Geographic):
Great Britain
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Fox, Charles James, 1749-1806, and Pitt, William, 1759-1806
Subject (Topic):
Britannia (Symbolic character) and Politics & government
"Bonaparte stands on the sea-shore, about to embark (on 23 Aug. 1799) in a boat (left) which will take him to a ship in full sail (the 'Muiron'). He looks with a sly leer to the right, where a little band of ragged and emaciated French soldiers hurry towards him making gestures of dismay. He wears the embroidered fastened coat or tunic with a sash of authentic portraits, without a hat; he points up towards a vision in the sky surrounded by massive clouds of a sceptre and imperial crown superimposed on the revolutionary fasces and axe. Above the general flies a figure of Fame, smiling sardonically and pointing down derisively. Two soldiers in cocked hats who stand in the boat waiting for Bonaparte to embark greedily hug large money-bags. A plank slants from the boat to the shore. The boat has a figure-head composed of two heads facing opposite ways wearing a single coronet. Behind the French troops is a small encampment with tricolour tents and flags. Behind this stretches a vast Turkish camp with crescent flags."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Two lines of text below title: For an illustration of the above, see the intercepted letters from the Republican General Kleber to the French Directory respecting the courage, honor & patriotic-views of "the deserter of the Army of Egypt.", Sheet trimmed to plate mark on top and bottom edges., Temporary local subject terms: Expeditions: Napoleon's Egyptian campaign -- Letters -- Reference to Jean-Baptiste Kleber, 1754-1801-- Ships: Muiron -- Military: French soldiers -- Personifications: Fame -- Musical instruments: trumpets -- Visions: imperial crown and scepter with executioner's axe, 1 print : etching on wove paper, hand-colored ; plate mark 36.4 x 26.1 cm, on sheet 41.0 x 29.3 cm., Watermark: J. Whatman 1814., and Mounted on leaf 33 of volume 5 of 12.
Publisher:
Publish'd March 8th, 1800, by H. Humphrey, No. 27 St. James's Street, London
"The head of Napoleon in profile to the left, is held high on a pitchfork by John Bull, whose head and shoulders only are visible. He is a volunteer, an armed yokel, his loose hair and check neckcloth going ill with his military coat and epaulets. He wears a three-cornered hat turned up with a favour inscribed 'Britons strike home', and with a bunch of oak-leaves. A background of similar heads, fat and smiling, recedes in perspective : a crowd holding up their bayoneted muskets and looking up at the bleeding head; some wave their hats. They have a Union flag. John says: "Ha! my little Boney! - what do'st think of Johnny Bull now? - Plunder Old England! hayy? - ravish all our Wives & Daughters! hay - O Lord help that silly Head! - to think that Johnny Bull would ever suffer those Lanthorn Jaws to become King of Old England's Roast-Beef & Plumpudding!" Above the design: 'This is to give information for the benifit of all Jacobin Adventurers, that Policies are now open'd at Lloyd's - where the depositer of One Guinea is entitled a Hundred if the Corsican Cut-throat is Alive 48 Hours after Landing on the British Coast.'"--British Museum online catalogue
Alternative Title:
Buonaparte forty-eight hours after landing!
Description:
Title etched below image., Impression from a worn plate; parts of title and statement of responsibility are lightly printed and nearly illegible., Watermark: E & P., and Mounted on leaf 61 of volume 5 of 12.
Publisher:
Pubd. July 26th, 1803, by H. Humphrey, St. James's Street, London
"Sir Francis Burdett, one hand on the knocker of the large iron-studded door, addresses the gaoler, a burly ruffian with large keys, who stands just inside, holding open one leaf of the door. He says, one finger raised: "Hush! - Harkee! - open the door! - I want only to see if my Brother Citizens have Candles & Fires, & good Beds, & clean Girls, for their accommodation, - that all!!! Hush! open the Door! quick!!" The gaoler answers: "Hay? - what? - let You in, hay? - no! no! - we're bad enough here, already! - let you in! no! - no! - that would be too bad; - You're enough to corrupt the whole College." From Burdett's pocket hangs a paper: 'Secret Correspondence with O'Conner Evans Quigley Despard' (see BMSat 9189). In the background a hackney coach is driving under the high prison wall towards the gate. The profile of Courtenay (on the extreme left) looks from the window to say: "Drive me to the Bastille you dog". The driver answers: "To Cold Bath College, you mean I suppose! - to take up your Degrees Master." Above the massive gateway is inscribed: 'The House of \ Correction for the \ County of Middlesex. \ 1794 \ .'"--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Prisons: House of Corrections, Cold Bath Fields -- Architectural details: prison gates -- Gaolers -- Slang: 'college,' i.e., prison -- Vehicles: hackney coach -- Reference to Bastille -- Emblems: shackles -- Acts: Habeas Corpus Suspension Act, Dec. 21, 1798., 1 print : etching on wove paper, hand-colored ; plate mark 35.3 x 26.5 cm, on sheet 40.6 x 29.8 cm., and Mounted on leaf 1 of volume 5 of 12.
Publisher:
Pubd. Jany. 16th, 1799, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Burdett, Francis, 1770-1844 and Courtenay, John, 1738-1816
"The 'Gods', Hawkesbury, Addington, St. Vincent, lean down from the clouds to defend the 'Treasury' against the assault of the 'Giants', different groups of the Opposition forming a pyramid in the lower, and larger, part of the design. [These identifications are those of Miss Banks (on a B.M. print) confirmed by Lord Holland, who omits Lord Spencer but adds Tierney, called by Miss Banks 'no particular person'. The identifications of Wright and Evans are in several cases incorrect. Grego substitutes Lord Mulgrave for Dr. Lawrence (or Spencer) and omits Spencer and others. Lord Holland notes that only the portraits of Pitt, Addington, Fox, Norfolk, Buckingham, Grenville, and Derby are like their subjects.] These are grouped on rocks, and are naked or nearly so (with one exception). At the apex of the pyramid are Pitt and Dundas, smaller and less dangerous than Fox in the foreground (left). Pitt, much emaciated, stands with legs astride, looking up, and about to hurl a large bundle of papers: 'Knock-down Arguments'; two similar bundles lie at his feet: 'Death and Eternal Sleep' [cf. BMSat 8350], and 'Coup de Grace'. He wears a military cocked hat, jack-boots, and a sword-belt from which hangs a sabre, indicating his volunteer activities (see BMSat 10113, &c); round his loins is a girdle of grapes and vine-leaves (cf. BMSat 8798). Melville (Dundas), behind and below Pitt, raises a sword inscribed 'True Andrew-Ferrara' and a shield; he wears a Scots bonnet; a tartan plaid and kilt adorn his burly nudity. At Pitt's feet stands Wilberforce, a dwarf, holding a large volume, Duty of Man, and directing upwards a fountain which can never approach the clouds. On the lower part of this rock stands Canning, in an attitude like that of Pitt, prepared to hurl a bulky sheaf of papers: 'Killing Detections'; he registers sly amusement, and wears a girdle of feathers suggestive of a Red Indian. From behind the rock appear two shadowy figures, each with the pen in his mouth that indicates a Treasury secretary; one prepares to hurl a bundle of 'Charges', the other, below him, has a bundle of 'Long Charges'. They are Rose and Long, ex-Treasury secretaries, see BMSat 9722. In the foreground (left) is a lower rocky platform on which the obese Buckingham and his burly brother Lord Grenville hold up Fox by the legs. Fox, bulky and hairy, fires a blast of flame, smoke, and bullets from a blunderbuss', doing more execution than all the others together. He is completely nude; drapery hangs from the shoulders of his two supporters, and the pompous Buckingham wears spectacles and Garter ribbon. All register satisfaction, rather than ardour like the Pittites. Beside their rock, and on the extreme left are supporters of Fox: Norfolk with a kettle-drum slung from his neck on which he is performing with two wine-bottles (cf. BMSat 9261). Behind him is Carlisle, banging a marrow-bone on a cleaver inscribed 'Coalition Roast Beef' [reminiscent of the Foxite butchers at Westminster elections]. The profile of Burdett is on the extreme left; he wears a hat on which is a ribbon: 'no Bastile' [see BMSat 9878, &c], and holds a fringed banner on which are equally balanced scales and the motto 'In hoc Signo Vinces' [cf. BMSat 10416]; on its spear-point is poised a cap of liberty terminating in the bell that indicates Folly. Behind him an arm holds up a trumpet to which is attached a banner inscribed 'Honor Property Ability' [symbolic of the Whig oligarchy and stressing the gulf between Foxites and the supposedly levelling Burdett]. ..."--British Museum online catalogue
Alternative Title:
Giants storming heaven
Description:
Title etched below image., Two lines of text below title: "They never complain'd of fatigue, but like giants refreshed, were ready to enter immediately upon the attack! Vide Lord Ch--c-ll-r's Speech, 24th April 1804. "Not to destroy! but root them out of heaven." Milton., and Mounted on leaf 72 of volume 5 of 12.
Publisher:
Pubd. May 1st, 1804, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, St. Vincent, John Jervis, Viscount, 1735-1823, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Wilberforce, William, 1759-1833, Canning, George, 1770-1827, Rose, George, 1744-1818, Long, Charles, 1761-1838, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Carlisle, Frederick Howard, Earl of, 1748-1825, Norfolk, Charles Howard, Duke of, 1746-1815, Spencer, George John Spencer, Earl, 1758-1834, Windham, William, 1750-1810, Sheridan, Richard Brinsley, 1751-1816, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Grey, Charles Grey, Earl, 1764-1845, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, and Jones, Thomas Tyrwhitt, Sir, 1765-1811
"The ugly and ungainly Nicholls, naked except for floating drapery, and with heavy, feathered wings, stands directed to the right, drawing the string of his bow. He stands on clouds which form a background."--British Museum online catalogue
Description:
Title etched below image., No. 4 in a series of six prints with a frontispiece entitled: New pantheon of democratic mythology., Sheet partially trimmed within plate mark., Temporary local subject terms: Mythology: Cupid., 1 print : etching on wove paper, hand-colored ; plate mark 25.0 x 20.1 cm, on sheet 33.5 x 24.2 cm., Watermark: J. Whatman Turkey Mills 1817., and Mounted on leaf 15 of volume 5 of 12.
Publisher:
Pubd. May 7th, 1799, by H. Humphrey, 27 St. James's Street
"George III (left), as a huntsman, stands beside his white (Hanoverian) horse, holding up to a pack of hounds a fox with the head of Napoleon. He is in 'profil perdu', and grips the frantic animal by the neck. On the right are the hounds, eager for the kill; others swim across a stream on the farther side of which members of the hunt are galloping up, tiny figures led by Pitt, who echoes "Tally ho" to the King's "Tally-ho! - Tally-ho! - ho! - ho!- ho!" The King stands under a gnarled oak. The leading dogs have collars inscribed 'St Vincent', 'Nelson', '[Admiral William] Cornwall[is]', 'Sydney S[mith]', 'Gardner' (indicating the predominance of the Navy in the defence of Great Britain, cf. BMSat 10065). The leadership of the hunt by Pitt is also significant, cf. BMSat 9978."--British Museum online catalogue
Description:
Title etched above image., Watermark: J. Whatman., and Mounted on leaf 60 of volume 5 of 12.
Publisher:
Pubd. July 20th, 1803, by H. Humphrey, St. James's Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Napoleon I, Emperor of the French, 1769-1821, and Pitt, William, 1759-1806
"A sequence of eight designs, arranged in two rows. [1] 'DEMOCRATIC INNOCENCE. The young Buonaparte, & his wretched Relatives, in their native Poverty, while Free Booters in the Island of Corsica.' ... [2] 'DEMOCRATIC HUMILITY. Buonaparte, when a boy, receiv'd thro' the King's bounty into the École Militaire at Paris.' ... [3] 'DEMOCRATIC GRATITUDE. Buonaparte, heading the Regicide Banditti which had dethron'd & Murder'd the Monarch, whose bounty had foster'd him.' ... [4] 'DEMOCRATIC RELIGION. Buonaparte turning Turk at Cairo for Interest; after swearing on the Sacrament to support ye Catholic Faith.' ... [5] 'DEMOCRATIC COURAGE. Buonaparte, deserting his Army in Egypt, for fear of ye Turks; after boasting that he would extirpate them all'. ... [6] 'DEMOCRATIC HONOR. Buonaparte, overturning the French Republic which had employ 'd him, & intrusted him with the chief Command.' ... [7] 'DEMOCRATIC GLORY. Buonaparte, as Grand Consul of France, receiving the adulations of Jacobin Sycophants & Parasites.' ... [8] 'DEMOCRATIC CONSOLATIONS. Buonaparte on his Couch, surrounded by the Ghosts of the Murder'd, - ye Dangers which threaten his Usurpation, and all the Horrors of Final Retribution.' ..."--British Museum online catalogue
Alternative Title:
Sketch of the life of Buonaparte
Description:
Title etched below images., Plate is divided in eight compartments in two rows, each with caption title and short description below image., Sheet trimmed to plate mark on sides., Temporary local subject terms: Corsica -- École Militaire, Paris -- Regicide Banditti -- Napoleonic Wars: Egyptian campaign -- Turks -- Reference to the coup of 18 Brumaire -- French government: Consulate -- Nightmares., 1 print : etching on wove paper, hand-colored ; plate mark 29.9 x 45.7 cm, on sheet 34.4 x 50.1 cm., and Mounted on leaf 34 of volume 5 of 12.
Publisher:
Publish'd May 12th, 1800, by H. Humphrey, No. 27 St. James's Street, London
