"A drunken debauch in the new Union Club, see BMSat 9698. A long table, the cloth removed, one end cut off by the left margin, stretches almost across the design, slanting back slightly from the left, where it is in the foreground, and where Fox, grossly corpulent, sits in an armchair asleep, his feet on the table, a pipe in one hand. Nearly opposite his feet is the chair of state, on the table; on the empty seat is the Prince's cocked hat with triple plume, his motto 'Ich Di[en]' within the crown. The chair is backed by an elaborate architectural canopy with ornate pilasters on which swags of fruit and flowers are carved in relief: (left) grapes and lemons (materials for punch), and (right) roses and shamrocks. Above the seat are figures of Britannia and Erin, kissing, standing on a curved base inscribed 'The Union'. On the back of the chair are two clasped hands, elaborately irradiated. The chair is surrounded by broken wine-bottles; its former occupant, the Prince, lies on his back under the table, one arm flung over Lord Stanhope, who lies unconscious, clasping a bottle. On the Prince's stomach rest two feet in shoes with spiked, upcurved toes. In the foreground, opposite the Prince, Norfolk lies with his head against the seat of his overturned chair, looking very ill. All who are not incapacitated or fighting are toasting the Union (except Lansdowne and Parr, see below). On the table sits Moira, dressed as in BMSat 9386, a glass of wine held high above his head, his right leg thrust forward, while he stretches back to take the hand of Lord Clermont, [This is clear from the resemblance to BMSat 9575, and is supported by the shamrock which he and the other Irishmen wear. It is confirmed by 'London und Paris', vii. 80, where it is said that he and Moira were once bitter enemies. He is identified by Grego as General Manners, see BMSat 9288.] seated next Sheridan on the farther side of the table. Facing Clermont and in back view, Camelford sits erect, wearing a Jean de Bry coat (see BMSat 9425) and small round hat, with cropped hair. [The identification (that of Grego) is confirmed by BMSat 9716, Wright and Evans give Burdett, E. Hawkins 'Mr Manners'.] Beside him (right) two waiters bring in a full tub of Whiskey Punch, which they spill; one treads on the face of the prostrate Nicholls. Near the end of the table (right) sits Derby, his large head and crumpled features grotesquely caricatured. In the foreground on the extreme right Montagu Mathew (as in BMSat 9560) and Skeffington (as in BMSat 9557) advance dancing arm-in-arm, with tipsy grace, the former with a bottle in each hand; one reversed, the other, held above his head, splashes its contents over his partner's uplifted glass. (The pair, according to 'London und Paris', vii, 1801, p. 76, were known as inseparables in fashionable London resorts, cf. BMSat 9755.) ..."--British Museum online catalogue
Description:
Title etched below image., Four lines of verse on either side of title: "We'll join hand in hand, all party shall cease, "and glass after glass, shall our union increase ..., Watermark: J. Whatman 1808., and Mounted on leaf 36 of volume 5 of 12.
Publisher:
Publish'd Jany. 21st, 1801, by H. Humphrey, St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, George IV, King of Great Britain, 1762-1830, Stanhope, Charles Stanhope, Earl, 1753-1816, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Pitt, Thomas, Baron Camelford, 1775-1804, Nicholls, John, 1745?-1832, Smith-Stanley, Edward, 1752-1834, Skeffington, Lumley St. George, Sir, 1771-1850, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Walpole, George, 1761-1830, Lansdowne, William Petty, Marquis of, 1737-1805, Parr, Samuel, 1747-1825, Queensberry, William Douglas, Duke of, 1725-1810, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, Kirkcudbright, John Maclellan, Lord, 1729-1801, Hanger, George, 1751?-1824, Jones, Thomas Tyrwhitt, Sir, 1765-1811, and Sturt, Charles, 1763-1812
"A centaur with the body of the Duke of Bedford flees in terror from the angry British lion, whose head and fore-paws appear on the left. He is dressed as a jockey, with tricolour jacket and tricolour ribbons in his cap (as in other prints, e.g. BMSat 9261)."--British Museum online catalogue
Alternative Title:
Affrighted centaur and lion britanique and Affrighted centaur & lion britannique
Description:
Title etched below image., No. 6 in a series of six prints with a frontispiece entitled: New pantheon of democratic mythology., Sheet partially trimmed within plate mark., Temporary local subject terms: Mythology: centaurs -- Male dress: jockey -- British Lion., 1 print : etching on wove paper, hand-colored ; plate mark 26.3 x 20.2 cm, on sheet 34.3 x 23.9 cm., Watermark: J. Whatman Turkey Mills 1817., and Mounted on leaf 17 of volume 5 of 12.
Publisher:
Pubd. May 7th, 1799, by H. Humphrey, 27 St. James's Street
"A winding river flows (left to right) towards a hill in the background surmounted by a temple of Fame. In the foreground (left) is a 'Dunghill of Republican Horse Turds'; in the stream float turds from the dunghill, while farther up are golden apples, crowned and inscribed. The foremost is 'English-Pippin', close behind are 'Imperial-Pippin' and 'Russian-Pippin'; they are followed by a (turbaned) 'Turkish-Pippin' and a small 'Neapolitan' [Pippin]. From a mass of floating dung emerges the profile head of Bonaparte, wearing a feathered cocked hat inscribed 'First Horse Turd'; this is the central and dominating object in the river; from his mouth issues a large label: 'A ha! par ma foi - how We Apples Swim!' Lumps of dung close behind him are inscribed 'Second Horse Turd' [Cambacérès], 'Third Horse Turd' [Lebrun], and 'Seyes' [sic]. They are followed by 'Massena', 'Jourdan', 'Talleyrand'. Bonaparte swims between 'Spanish-Pippin' and 'Prussian-Pippin', both in proximity to dung. Behind him float 'Papal P[ippin]', a triple crown, and 'Sardinian [Pippin]', both half submerged. Under water are submerged (or dead) turds: 'Robespierre', 'Marat', 'Condorcet', 'Roland'. A spreading column of thick smoke arises from the dunghill, which is composed of inscribed fragments, from which in the left foreground tiny heads emerge, the dominant one being Fox, who says: "Caira! Caira! - chacun à son tour! We shall all Swim in our turns"; next him is 'Envy'. Tierney, the second head, says: "Yes! Yes! - none of Us was born to be Drowned". The others are Sheridan, Nicholls, Erskine, and (slightly smaller) Burdett, Derby, Taylor. Those indicated by names only are: 'Voltaire', 'Rosseau' [sic], 'd'Alembert', 'Godwin', 'Price', 'Priestley', 'Holcroft', '(?) Darwin', close to (scarcely legible) 'Mo[rning] Po[st]', 'Morn. Chronicle', 'Courier [see BMSat 9194]. Larger turds are: 'Atheism', 'Falshood', 'Regicide', 'Egalité', 'Disappointment', 'Beggary', 'Poverty', 'Plunder', 'Paines Rights of Man' [see BMSat 7867, &c], 'Republican Faith', 'Theophilanthropy' [see BMSat 9240], 'Deceit [twice]', 'Lies', 'Licentiousness', 'Hypocrisy'."--British Museum online catalogue
Alternative Title:
Buonaparte among the golden pippins
Description:
Title etched below image., Two lines of text below title: Explanation. Some horse turds being washed by the current from a neighbouring dunghill, espied a number of fair apples swimming up the stream ..., Sheet trimmed within plate mark., Temporary local subject terms: Reference to Second Coalition, 1798-1801-- Opposition: members of the Opposition -- Allusion to Voltaire -- Allusion to Rousseau -- Allusion to Paine's The Rights of Man -- Allusion to Robespierre -- Allusion to Marat -- Emblems: pippins., 1 print : etching on wove paper, hand-colored ; plate mark 26.1 x 36.4 cm, on sheet 29.7 x 41.7 cm., and Mounted on leaf 32 of volume 5 of 12.
Publisher:
Pubd. Feby. 24th, 1800, by H. Humphrey, 27 St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tierney, George, 1761-1830, Taylor, Michael Angelo, 1757-1834, Nicholls, John, 1745?-1832, Erskine, Thomas Erskine, Baron, 1750-1823, Burdett, Francis, 1770-1844, and Smith-Stanley, Edward, 1752-1834
"The centre of the design is an oval enclosed in a buckled garter, inscribed 'The Sun of the French Constitution', containing the 'Arms of France': a guillotine, dripping with blood, and irradiated by a large sun, partly below the horizon. The supporters are an important part of the design: dexter, a seated ape; sinister, a very rampant tiger; each holds a tricolour flag fringed with gold, and inscribed respectively 'Atheism', 'Desolation'. The ape wears a tricolour sash and a large bonnet rouge, forming a fool's cap, trimmed with bells and tricolour cockade. He sits on two thick volumes: 'Rosseau' [sic] and 'Voltaire', beneath which is a pamphlet: 'Tom Paine' [see BMSat 9240]. The crest is a boar. From the garter hangs an oval medallion or cameo, with the head of Bonaparte, cadaverous and sinister, in profile to the left., and having the inscription: 'And God made Buonapartè, and rested from his labours'; 'Vide French Bishops Address to the First Consul 1803'. The medallion has a background of foliage with pendent fleurs-de-lis. Below the medallion is an oval tablet with the inscription: 'Gallic Fraternity. \ - Spain, Inchain'd - \ - Holland, Plunder'd, - \ - Switzerland, Ruin'd; - \ - Italy, Destroy'd. - \ France, in Slavery.' Scrolls issuing from this extend symmetrically across the design, and form a base for the supporters; inscription : 'Invasion - Plunder \ And Destruction.' The Arms have an elaborate setting or background: Below are victims of the guillotine - piles of bleeding heads with a scroll: 'Death is an eternal Sleep'. On the left are the decollated heads of women and infants with a rosary and open book: 'Ave Maria'. These heads are comparatively few, and behind them ls a heavily barred dungeon window flanked by shackles and inscribed 'Toussaint'. On the r. the heads are much more numerous, and form a pile which balances the window. The foreground heads include a bishop, from whom a mitre has fallen, and a turbaned Moslem (cf. BMSat 10062). Above, the background is a piece of drapery framed by festooned tricolour curtains which form a border to the design. On the red stripes of the tricolour are the names of 'French Worthies'. Upper margin: (l.) 'Robespierre', 'Marat', 'Fouché', (r.) 'Buonaparte', 'Talleyrand', 'Cambaceres'. Side margins (l.): 'Barras Massena', 'Reubell', 'Rapp', 'Mengaud', 'Lepaux', 'Thibaudeau', 'Boisy [sic] d'Anglas'; (r.) 'Sieyès', 'Barrere', 'Tallien', 'Carnot', 'Lannes', 'Jambon' [sic] 'St André', 'Menou', 'Junot'."--British Museum online catalogue
Description:
Title etched below image. and Mounted on leaf 66 of volume 5 of 12.
Publisher:
Pubd. Septr. 6, 1803, by J. Hatchard, No. 190 Piccadilly
"Britannia (right), fat, good-natured, and richly dressed, holding a fan, is kissed by a tall lean French military officer who bends forward, holding her below the shoulders. He is war-worn, his pigtail stands awkwardly erect and his hair straggles over his face, while the crown of his head is almost bald, as if plucked (cf. BMSat 10072). He wears jackboots ; his hat and sword lie on the ground beside him. She is almost spherical; her shield and trident, replacing the usual spear, lean against the wall behind her and out of sight. He says: "Madame, permittez me, to pay my profound esteem to your engaging person! & to seal on your divine Lips my everlasting attachment!!!" A cynical and sensual grin indicates the character of his advances. She smiles with coy complacency, saying, "Monsieur, you are truly a well-bred Gentleman! - & tho' you make me blush, yet, you Kiss so delicately, that I cannot refuse you; tho' I was sure you would Deceive me again!!!" Above their heads are oval bust portraits of Napoleon (left) and George III (right), the two men extending their arms as if to shake hands; the King scowls, Napoleon regards him with brooding suspicion. The frames are bordered by olive branches and palm-branches."--British Museum online catalogue
Alternative Title:
Meeting of Britannia & Citizen Francois and Meeting of Britannia and Citizen Francois
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted on leaf 49 of volume 5 of 12.
Publisher:
Publishd. Jany. 1st, 1803, by H. Humphrey, 27 St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and George III, King of Great Britain, 1738-1820
Title etched above image., Printmaker identified as Starcke and the artist as Gillray in the British Museum catalogue., Publication information extrapolated from the place and date of publication of the periodical for which the plate was etched., Plate from: London und Paris. Weimar: Im Verlage des Industrie-Comptoirs, 1803, v. 12., Numbered 'No. XIII' in upper right corner., Annotated in a contemporary hand below plate mark in lower right: Lond. u. Par. 17r Jahrg. 5s St.[?]., Sheet numbered "VI No. 1" in manuscript in lower left., and Mounted on leaf 57a (i.e. verso of leaf 56) of volume 5 of 12.
"France, a savage virago, dandles a tiny Napoleon seated on her right. hand and wearing a royal robe over his military dress. Above her head she holds a rattle with bells surmounted by a crown. She grins at the mannikin, singing: "There's a little King Pippin "He shall have a Rattle & Crown, Bless thy five Wits my Baby "Mind it dont throw itself down! Hey my Kitten, my kitten &c &c. Below the design is a note: '"False of Heart, light of Ear, bloody of Hand, "Fox in Stealth, Wolf in Greediness, Dog in Madness, "Lion in Prey: - bless thy Five Wits" - vide Shakespeares King Lear' Beside her (l.) is the plain wicker cradle from which she has snatched Napoleon, who points eagerly at the crown on the rattle, holding up a sceptre. She wears a bonnet rouge with tricolour cockade, a loose dress defining her figure, and sits in a small armchair, decorated with little decollated heads and a guillotine. Hand, dress, and the heads on the chair are blood-stained. Beside her are her spear, dripping blood, and shield; this is tricolour; on it is the bleeding head of Louis XVI above a reversed crown, with the inscriptions: 'Vive la Republique' and 'The Last of Kings'. Pose, shield, and spear suggest a comparison (and contrast) with Britannia."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted on leaf 77 of volume 5 of 12.
Publisher:
Publishd. Novr. 26, 1804, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Louis XVI, King of France, 1754-1793
"Napoleon presides at a feast with Josephine seated on his left. A sumptuous dessert is on the table, with dishes moulded to represent English buildings, &c. Napoleon has begun to devour 'St James's', but has dropped his fork, and looks round in horror at the words 'Mene Mene, Tekel, Upharsin' (l.) at which the arm of Jehovah points. This emerges from clouds, the other arm holds over the head of Napoleon a pair of scales; one, inscribed 'Vive le Roi', contains a crown and outweighs the other, 'Despotism', which flies in the air, spilling the contents, shackles and a bonnet rouge. The room is lined with grenadiers at attention, with drawn sabres and pistols in their belts; they are partly obscured by clouds, but their eyes are turned to the writing on the wall. This is also seen by three grenadiers who stand rigidly behind Napoleon's chair, their sabres dripping blood, their eyes turned to the left. Of those at the feast only Napoleon has seen the message, but the general on his right. looks with alarm at his master who has overturned three bottles of wine. The others are absorbed in food or women. Josephine, grossly fat, drinks avidly, spilling her wine. Behind her chair stand three slim and meretricious young women, looking down at her: they are scantily clad, with hair arranged in the French manner in snaky ringlets. They are Napoleon's three sisters, Elisa, Pauline, and Caroline. The upper end of the table stretches across the foreground. On the extreme left. Arthur O'Connor, the only civilian, ogles a lady, holding her chin and offering her a dish of 'Pommes d'Am[our]', while she holds up a tumbler of wine. In front of him is a decanter labelled 'Maidstone'. Between this lady and the general on Napoleon's r. is a grotesque officer greedily devouring a large fragment of the 'Tower de Londres'. An officer (r.) ogles a woman with whom he drinks wine. All the women have the patched faces that in these prints indicate dissoluteness. Two of the officers have the plucked scalp of the Frenchman in BMSat 9960. Before Napoleon is a dish containing the 'Bank of England', flying a tricolour flag. The back of his chair is decorated with a carved eagle or vulture whose eyes are turned to the fatal message. Before Josephine is a dish inscribed 'Prune Monsieur' containing two plums; beside it are two bottles of 'Maraschino', one overturned. The decollated head of a bishop fills a dish inscribed 'Oh de Roast Beef of Old England'. Wine, fruit, and jelly-glasses fill the spaces on the table."--British Museum online catalogue
Alternative Title:
Handwriting upon the wall
Description:
Title etched below image., Watermark: 1801., and Mounted on leaf 63 of volume 5 of 12.
Publisher:
Pubd. Augt. 24th, 1803, by Js. Gillray, 27 St. James's Street, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814, Piombino, Elisa Bonaparte Baciocchi, principessa di, 1777-1820, Bonaparte, Paolina, 1780-1825, Caroline Bonaparte, consort of Joachim Murat, King of Naples, 1782-1839, and O'Connor, Arthur, 1763-1852
"Two ferocious Austrian hussars have decapitated the two French envoys. One (left) holds his victim feet in air, the head between the feet. The other stands still, blood spouting from his neck, while the soldier displays to the victim the head spiked on his sabre. The third (De Bry), slashed with sabre-cuts and dropping a dispatch-box, flees before a mob of soldiers. On the left is the back of the travelling carriage, with three trunks inscribed respectively: 'Roberjot', 'Bonnier', 'Jean Debry'. An open dispatch-box with papers is on the ground. After the title: '"Now you shall see! how the cruel Austrians turn'd the Heads of \ "two French Gentlemen, whose brains were deraigned.'"--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Artist questionably identified in the British Museum catalogue as Marquis Townshend, based on the drawing for this print in the British Museum collection., Sheet trimmed within plate mark., Temporary local subject terms: Military uniforms: Austrian hussars -- Congress of Rastadt, April 1799 -- Plenipotentiaries: French envoys -- Murder : decapitation -- Vehicles: carriages., 1 print : etching on wove paper, hand-colored ; plate mark 26.0 x 36.6 cm, on sheet 30.0 x 39.9 cm., and Mounted on leaf 20 of volume 5 of 12.
Publisher:
Pubd. May 22d, 1799, by H. Humphrey, No. 27 St. Jamess [sic] Street
Subject (Name):
Debry, Jean-Antoine-Joseph, 1760-1834, Roberjot, Claude, 1752-1799, and Bonnier d'Alco, Ange Elisabeth Louis Antonin, 1750-1799
"Pitt stands beside John Bull in a basket, inscribed 'Sinking Fund', which is attached to an elaborate pagoda-like parachute. On the apex of the parachute is a solid ball or weight inscribed. 'Million pr Annum at Interest & Compd I[nterest]'. From this floats upwards into the clouds a tattered ribbon inscribed 'National Debt', by which the parachute was attached to the base of the balloon. The umbrella of the parachute is covered with the words 'Compd Interest \ Interest', many times repeated. The ropes which attach it to the basket are encircled by a 'Hoop of National Security'. John Bull looks down grinning and cheering, waving his hat. Pitt's right hand is on his shoulder, his left points out the earth beneath: the tiny British isles in a curving ocean near the edge of the globe. Over Great Britain, inscribed 'Land of Emancipation', flies a large Union flag. Unless the parachute drifts to the right, it will fall into the sea."--British Museum online catalogue
Alternative Title:
John Bull conducted to plenty & emancipation
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted on leaf 46 of volume 5 of 12.
Publisher:
Publishd. July 10th, 1802, by H. Humphrey, 27 St. James's Street
