An artist with a crazed look on his face paints at his easel the picture of Hebrew prophet (?) with wild hair and clenched fists. The artist is only half-dressed, his foot in the contents of an overturned chamber pot. He is surrounded by other pursuits of genius: a violin, scientific and medical equipment, a Roman bust, a French horn, a pile of books, etc. On the wall are three drawings: an air balloon, a dancer, and a portrait of Peter Jesta. He sits at the foot of a bed where his pretty wife sleeps peacefully, unaware that her young child is pouring out wine into a glass while a slightly older child sits with bellows before a stove, the spout of a kettle dangerously aimed in her direction
Description:
Title etched below image., Two lines of verse below title: Want is the scorn of every wealthy fool, and genius in rags is turn'd to ridicule. Juvl. Satires., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; sheet 23.5 x 28.6 cm., and Mounted on leaf 10 of volume 12 of 14 volumes.
Publisher:
Pubd. April 2nd, 1812, by T. Rowlandson, N. 1 James Street, Adelphi
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A Quaker (left), standing on his toes, faces four stout and elderly Commissioners seated at a small table, who register surprise and disapproval. Three of them say: "What an impertinent fellow to keep on his hat before such a dignified Assembly!"; "None of your theese and thous here Sir--come to the point--we know you have evaded certain duties," and, "Pray Sir do you know what we sit here for?" The Quaker, his hands folded, answers: "Verily I do--some sit here for £500 others for a £1000--and more over I have heard it reported that some sit here for two--thousand pounds per annum"."--British Museum online catalogue
Description:
Title etched below image., Reissue, with date burnished from imprint statement leaving a gap between "London, Published" and "by Thos. Tegg, No. 111 Cheapside." For earlier state numbered "23" and published 9 July 1807, see Lewis Walpole Library call no.: 807.07.09.02.1+., Date of publication from British Museum catalogue and Grego., Plate numbered "276" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shilling coloured.", 1 print : etching on wove paper, hand-colored ; plate mark 24.6 x 34.7 cm, on sheet 25.4 x 35.5 cm., Sheet trimmed to plate mark on top edge., and Mounted on leaf 63 of volume 12 of 14 volumes.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A crowded turbulent scene in the market square, Norwich. In the foreground, on trestles, is the carcass of a bull which two butchers are cutting up. Men struggle or clamour for fragments, or gnaw and fight over bones. On the right a huge cask has been broached; women fill pitchers and pails; one lies senseless. In the background a dense crowd is in procession, backed by the houses of the city; a bonfire burns unattended. The cheering crowd moves from right to Ieft, following banners, one inscribed 'Downfall of the Tyrant', and an effigy of Napoleon raised high on a pole and surrounded by pikes."--British Museum online catalogue
Alternative Title:
Glory and gluttony
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "232" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Sheet trimmed to plate mark on bottom edge., 1 print : etching on wove paper, hand-colored ; sheet 23.8 x 33.9 cm., Sheet trimmed within plate mark., and Mounted on leaf 45 of volume 12 of 14 volumes.
Publisher:
Pubd. November 22, 1813, by Thos. Tegg, No. 111 Cheapside
"Napoleon (right) lies on his face under the sharp teeth of a harrow; two ropes are attached to it, at each of which representatives of three nations are tugging. In the foreground a British sailor hauls behind him a Spanish don in slashed tunic and breeches, feathered hat, cloak, and ruff. The third is a man of nondescript appearance wearing a cap with a drooping peak, probably intended to represent Sicily, which the British had held as an outpost against Napoleon. On the other rope the chief figure is a Prussian hussar; next him is (?) a Swede in a fur cap, and on the end of the rope a man wearing a cavalry helmet of French type is probably intended for an Austrian. These six fill the left of the design. Russia is represented by a bearded Cossack who stands on the right, prodding at Napoleon with his long spear. On the harrow sits a fat Dutchman, smoking his pipe with a fiercely preoccupied expression, with his left hand in his breeches pockets. Napoleon, much distressed, cries: "Oh this heavy Dutchman. O had I not enough to bear before!!!" Two birds swoop down from the left; one says: "I smell Carrion"."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted on leaf 46 of volume 12 of 14 volumes.
Publisher:
Pubd. Novr. 27, 1813, by R. Ackermann, N. 101 Strand
"A design based on Gillray's 'Maniac Ravings', British Museum Satires No. 9998. Napoleon, scarcely caricatured, but poorly characterized, stands addressing an audience of seated men who listen with varying expressions, the corner of his platform projecting into a sea of heads (left), while on the right a file of soldiers with fixed bayonets or drawn swords is indicated. At his side, the little King of Rome, in officer's uniform, with a plumed bicorne, gapes down at the audience; his over-long sabre trails on the ground, he bestrides a tall military cane; his profile resembles without repeating (as in other prints) that of his father, but remains childish and blank. Napoleon stands in a commanding attitude with his right arm extended, his left hand on the hilt of his sabre, legs apart. He wears military dress with a plumed bicorne in which a tricolour cockade is unusually conspicuous. Behind him (right) his arm-chair, closely copied from the 'Consular Chair' of British Museum Satires No. 9998 and with a similar Medusa head, falls, all its legs in air. Beside it, a damaged terrestrial globe, as in British Museum Satires No. 9998, has fallen, but is directed to the left instead of to the right; it has the inscriptions 'America' and 'Atlantic Ocean'. As before, Napoleon's words radiate from his head as if inscribed on clouds. On the right, reading downward: 'Did I not swear I would destroy Austria? Did I not swear I would destroy Prussia Did I not leave the Russians 1200 pieces of cannon to build a monument of the victory of Moscow Did I not lead 498,000 men to gather fresh Laurels in Russia--Did I not burn Moscow--and leave 400,000 brave soldiers to perish in the snow for the good of the French nation?' On the left: 'Did I not swear I would destroy Sweden Did I not swear "I would have" Colonies & Commerce [see British Museum Satires No. 10439, &c.] Did I not build more ships than you could find Sailors for" Did I not burn all the British produce bought and paid for by my faithful merchants--before their faces, for the good of them and my good people of Paris? Have I not called my troops from Holland--that they might not winter in that foggy climate? [see British Museum Satires No. 12102, &c.] Have I not called my troops from Spain and Portugal to the ruin of the English? Did I not change my religion and turn Turk, for the good of the French Nation [see British Museum Satires No. 9973, &c.]. Have I not blown up [the earliest instance in the 'O.E.D.' of blow up, meaning to scold, is Lytton's 'Pelham', 1827] the Corporal, for blowing up the Bridge [see British Museum Satires No. 12108] Have I not robbed the Churches of twenty flags to send to my Empress, for the loss of my own flags & Eagles? And now for the good of my Empire, Behold! O ye Lads of Paris! I have put the King of Rome in Breeches!!!'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted on leaf 48 of volume 12 of 14 volumes.
Publisher:
Pubd. December 4, 1813, by R. Ackermann, N. 101 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"In the foreground is a low cliff or bank overlooking the sands; from this four elderly men are eagerly and delightedly looking through telescopes at naked ladies disporting in the sea. An angry woman (right) tugs at the coat-tails of one of them; she has a tiny sunshade, and like her husband is grossly fat. Bathing machines are in the water, with hoods covering the steps to the sea. A fat bathing woman pushes a lady up the steps of a machine. Behind the spectators is a 'Circulating Library'; above the lower floors is a large balcony from which more men are gazing through telescopes. On the extreme right is a doorway placarded: 'Hot Sea Baths'; a fat man with a crutch walks in. In the background a jetty projects from the sands, with a windlass, and packages of goods. Behind are small vessels."--British Museum online catalogue
Alternative Title:
Peep at the mermaids
Description:
Title etched below image., Probably reissue; first half of imprint statement has been burnished from plate., Date of publication from British Museum catalogue and Grego., Plate numbered "211" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shilling coloured."--Lower right corner of design., 1 print : etching with stipple on wove paper, hand-colored ; sheet 23.4 x 31.7 cm., Imperfect; sheet trimmed within plate mark with loss of plate number and partial loss of printmaker's signature., and Mounted on leaf 40 of volume 12 of 14 volumes.
A scene in a hunting lodge with tired hunters are relaxing on comfortable chairs and sofas, surrounded by their hunting dogs. A woman in a riding habit blows a French horn as one of the huntsman grasps her around the waist. On the wall are a hunting trophy (stag), a painting of a hunt in progress, and three rifles
Alternative Title:
Fox-hunters relaxing
Description:
Title etched below image., A seemingly reversed version of the same design is given the title "Fox-hunters relaxing" by Grego. See: Grego, J. Rowlandson the caricaturist, v. 1, pages 279, 281., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; sheet 23.1 x 31.3 cm., Imperfect; sheet trimmed within plate mark with loss of title from bottom edge., and Mounted on leaf 27 of volume 12 of 14 volumes.
Publisher:
publisher not identified
Subject (Topic):
Dogs, French horns, Hunting, Hunting dogs, Hunting trophies, and Riding habits
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A mountainous woman, with traces of comeliness, sits squarely in an arm-chair, plying a fan, between her husband (left) and a servant who stands (right), his hat under his arm and his hands in his coat-pockets. The latter says: "An please you Master and Mississ, The Sailor Man has sent word as how the Wessel is ready to swim." The husband, a paunchy 'cit' in old-fashioned dress, stands leaning towards his wife, saying, "Why my Dove--I am loaded with provisions like a tilt cart on a fair day, and my pockets stick out as if I was just return'd from a City Feast." The heads of two geese hang from his pocket. His wife says: "Dont be so Wulgar Mr Dripping--you are now among gentill folks, and must behave yourself--we shall want all the Wickalls on the Woyage depend upon it--bless me how Varm it is, I am all over in a muck"."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; place and date of publication have been removed from beginning of imprint statement. For an earlier state missing the final two digits of the year of publication but with the imprint otherwise intact, see no. 11968 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Date from Grego., Probably etched on a reused plate; ghost images, scratches, and faint upside-down text are visible in and around the design., Plate numbered "166" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shilling coloured.", Sheet trimmed to plate mark on bottom edge leaving thread margin., 1 print : etching on wove paper, hand-colored ; sheet 22.9 x 32.2 cm., Imperfect; sheet trimmed within plate mark with loss of plate number., and Mounted on leaf 16 of volume 12 of 14 volumes.
"A handsome young military officer, seated in an armchair, drinks wine with two Jewish money-lenders, who sit facing him across a round table. He listens with a reckless smile to one of the Jews; the other peers through spectacles at 'Title Deeds'. The Jews are old, thin, and bearded, but one wears a bag-wig. On the ground by the latter (right) is a paper: 'Money Lent on good Securities. Annuities Jointers [sic] bought and Sold.' By the spendthrift's chair lies a greyhound. The background is a wall closely covered with pictures in ornate frames, which combine to tell the young man's story. Above his head is a 'Prodigal Son' kneeling among the swine; above this a reclining Venus is partly visible, and below, 'Diane', a horse and foal. Gamesters at a 'Hazard Table' hangs above 'Sir Matthew Mite', a miser with money-bags, weighing coin in sacks. Below this is a bust portrait of 'Sir Peter Plumb' in a tie-wig. A bust portrait of a scraggy woman wearing jewels is 'Lady Crane'. Below this is a picture of a fighting-cock, the frame decorated by a baron's coronet. On the right are two pictures, a jockey on a race-horse, 'Sancho', with the winning-post in the background, and a large gabled country house: 'View of the Yorkshire Estate'."--British Museum online catalogue
Description:
Title etched below image., Reissue of a plate first published in 1805; the final two digits of the year in printmaker's signature have been altered, and the year "1805" at end of imprint statement has been scored through. See British Museum catalogue., Two lines of quoted verse below title: "When noblemen have lost race horse, and all their rino spent -, then little Isaac draws the bond, and lends for cent per cent., Sheet trimmed within plate mark., For the original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 2, page 52., and Mounted on leaf 18 of volume 12 of 14 volumes.
Publisher:
Pubd. by T. Rowlandson, N. 1 James St., Adelphi
Subject (Topic):
Jews, Eyeglasses, Soldiers, British, Usury, and Wine
"In a goblet-shaped glass vessel on the top of a cylindrical 'German Stove' a little Napoleon is being heated to dissolution point. Two retorts are connected with this vessel inscribed 'Intrigue and Villainy' and 'Ambition and Folly'; four others issue symmetrically from the stove: 'Gasconade and Lies', 'Fire and Sword', 'Arrogance and Atrocity', 'Murder and Plunder'. In the front of the stove is an opening for the fire; this is being stoked by John Bull (left), a fat 'cit' who leans forward, supporting 'Iohn Bulls Coal Tub', and holding out a lump of coal in a pair of tongs. His vis-à-vis is a fat Dutchman (right) who crouches on his knees plying a pair of 'Dutch Bellows'. He wears a cap and is smoking a pipe; beside him is a pot marked 'Gall'. Behind John stand five sovereigns or personifications of their countries: the King of Würtemberg, grotesquely obese, gazes up, pointing a finger as if giving directions; he holds an open book: 'Publishd Wirtemburgh'. Bernadotte, wearing several orders, triumphantly empties into the steaming vessel a bottle labelled 'Sulphat of Swedish Iron'. Behind him are the hussar who stands in these prints for Prussia or Frederick William III, and (?) Francis I. Between Bernadotte and the glass is an older face, perhaps the King of Saxony. All look up exultingly at the tortured Napoleon. Facing this group stands a German officer (right) stretching up to hold a lid which he is about to clap down on the vessel, though this reaches only to below the victim's waist. Napoleon, in profile to the left, puts one hand to his head with a despairing gesture, and flings out his left arm as if to ward off the extinguishing lid; he exclaims: "Oh Spare me till the King of Rome / Is ripe for mischief yet to come." On the extreme right a Spanish don pounds with a pestle in a large mortar inscribed 'Saragossa'. On the left are four men seated close together at a round table where one of them, a large Cossack, is mixing chemicals. He is directed to the left and holds a book while he mixes the contents of a small pot; a pair of scales lies on the table on which are also jars and an hour-glass. The other three watch intently; next him is a man wearing a fur cap inscribed 'Polar Star' (? Sweden or Poland) who also appears in British Museum Satires No. 12117. His neighbour resembles the Emperor of Austria, but he and the man on the extreme left may be the King of Bavaria and the Duke of Baden, princes of the Confederation of the Rhine. On the ground near the table three books are propped up. The largest is open; on the left page but scored through are the words 'Napoleon Protecter of the Rhenish Confederacy'; on the right page: 'Francis Emperor of Germany restored 1813'. The others are 'Liberty of Germany' and 'The Downfall of Boney'. Behind the Cossack, but directed to the right and watching Napoleon, stands the Pope, wearing his tiara and holding a bottle in each hand containing 'Fulminating Powder' and 'Vial of Wrath'. Chemical appliances are indicated in the background."--British Museum online catalogue
Alternative Title:
Dissolving the Rhenish Confederacy
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted on leaf 52 of volume 12 of 14 volumes.
Publisher:
Pubd. December 14, 1813, by R. Ackermann, N. 101 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Francis I, Emperor of Austria, 1768-1835., Charles XIV John, King of Sweden and Norway, 1763-1844., Pius VII, Pope, 1742-1823., and Frederick I, King of Württemberg, 1754-1816
