"A handsome young military officer, seated in an armchair, drinks wine with two Jewish money-lenders, who sit facing him across a round table. He listens with a reckless smile to one of the Jews; the other peers through spectacles at 'Title Deeds'. The Jews are old, thin, and bearded, but one wears a bag-wig. On the ground by the latter (right) is a paper: 'Money Lent on good Securities. Annuities Jointers [sic] bought and Sold.' By the spendthrift's chair lies a greyhound. The background is a wall closely covered with pictures in ornate frames, which combine to tell the young man's story. Above his head is a 'Prodigal Son' kneeling among the swine; above this a reclining Venus is partly visible, and below, 'Diane', a horse and foal. Gamesters at a 'Hazard Table' hangs above 'Sir Matthew Mite', a miser with money-bags, weighing coin in sacks. Below this is a bust portrait of 'Sir Peter Plumb' in a tie-wig. A bust portrait of a scraggy woman wearing jewels is 'Lady Crane'. Below this is a picture of a fighting-cock, the frame decorated by a baron's coronet. On the right are two pictures, a jockey on a race-horse, 'Sancho', with the winning-post in the background, and a large gabled country house: 'View of the Yorkshire Estate'."--British Museum online catalogue
Description:
Title etched below image., Reissue of a plate first published in 1805; the final two digits of the year in printmaker's signature have been altered, and the year "1805" at end of imprint statement has been scored through. See British Museum catalogue., Two lines of quoted verse below title: "When noblemen have lost race horse, and all their rino spent -, then little Isaac draws the bond, and lends for cent per cent., Sheet trimmed within plate mark., For the original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 2, page 52., and Mounted on leaf 18 of volume 12 of 14 volumes.
Publisher:
Pubd. by T. Rowlandson, N. 1 James St., Adelphi
Subject (Topic):
Jews, Eyeglasses, Soldiers, British, Usury, and Wine
"In a goblet-shaped glass vessel on the top of a cylindrical 'German Stove' a little Napoleon is being heated to dissolution point. Two retorts are connected with this vessel inscribed 'Intrigue and Villainy' and 'Ambition and Folly'; four others issue symmetrically from the stove: 'Gasconade and Lies', 'Fire and Sword', 'Arrogance and Atrocity', 'Murder and Plunder'. In the front of the stove is an opening for the fire; this is being stoked by John Bull (left), a fat 'cit' who leans forward, supporting 'Iohn Bulls Coal Tub', and holding out a lump of coal in a pair of tongs. His vis-à-vis is a fat Dutchman (right) who crouches on his knees plying a pair of 'Dutch Bellows'. He wears a cap and is smoking a pipe; beside him is a pot marked 'Gall'. Behind John stand five sovereigns or personifications of their countries: the King of Würtemberg, grotesquely obese, gazes up, pointing a finger as if giving directions; he holds an open book: 'Publishd Wirtemburgh'. Bernadotte, wearing several orders, triumphantly empties into the steaming vessel a bottle labelled 'Sulphat of Swedish Iron'. Behind him are the hussar who stands in these prints for Prussia or Frederick William III, and (?) Francis I. Between Bernadotte and the glass is an older face, perhaps the King of Saxony. All look up exultingly at the tortured Napoleon. Facing this group stands a German officer (right) stretching up to hold a lid which he is about to clap down on the vessel, though this reaches only to below the victim's waist. Napoleon, in profile to the left, puts one hand to his head with a despairing gesture, and flings out his left arm as if to ward off the extinguishing lid; he exclaims: "Oh Spare me till the King of Rome / Is ripe for mischief yet to come." On the extreme right a Spanish don pounds with a pestle in a large mortar inscribed 'Saragossa'. On the left are four men seated close together at a round table where one of them, a large Cossack, is mixing chemicals. He is directed to the left and holds a book while he mixes the contents of a small pot; a pair of scales lies on the table on which are also jars and an hour-glass. The other three watch intently; next him is a man wearing a fur cap inscribed 'Polar Star' (? Sweden or Poland) who also appears in British Museum Satires No. 12117. His neighbour resembles the Emperor of Austria, but he and the man on the extreme left may be the King of Bavaria and the Duke of Baden, princes of the Confederation of the Rhine. On the ground near the table three books are propped up. The largest is open; on the left page but scored through are the words 'Napoleon Protecter of the Rhenish Confederacy'; on the right page: 'Francis Emperor of Germany restored 1813'. The others are 'Liberty of Germany' and 'The Downfall of Boney'. Behind the Cossack, but directed to the right and watching Napoleon, stands the Pope, wearing his tiara and holding a bottle in each hand containing 'Fulminating Powder' and 'Vial of Wrath'. Chemical appliances are indicated in the background."--British Museum online catalogue
Alternative Title:
Dissolving the Rhenish Confederacy
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted on leaf 52 of volume 12 of 14 volumes.
Publisher:
Pubd. December 14, 1813, by R. Ackermann, N. 101 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Francis I, Emperor of Austria, 1768-1835., Charles XIV John, King of Sweden and Norway, 1763-1844., Pius VII, Pope, 1742-1823., and Frederick I, King of Württemberg, 1754-1816
Title etched below image., Probably a reissue; publisher's name appears to have been removed from end of imprint statement., Numbered "123" in upper right corner of design., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., The word "whoring," on the frame of the leftmost picture hanging on the background wall in the design, is mostly erased from sheet., and Mounted on leaf 6 of volume 12 of 14 volumes.
"An elopement. A fat woman has fallen on her back from a ladder, knocking down her lover, who lies on his back beneath her. He wears military uniform. Both scream angrily, and a dog (left) barks at her. The ladder, one rung of which is broken, leans against a first-floor window (left) from which the husband looks out, holding a candle. Behind (right), a laughing postilion holds open the door of a post-chaise. A full moon with grinning features looks down from clouds. A lamp projects from the corner of the house."--British Museum online catalogue
Description:
Title etched below image., Reissue, with the year of publication crossed out in imprint statement. For the original issue with the intact imprint "Pubd. Decer. 24, 1808, by Thos. Tegg, No. 11 [sic] Cheapside," see: Royal Collection Trust, RCIN 810732., Date of publication from British Museum catalogue and Grego., Plate numbered "289" in upper right corner., Imperfect; sheet trimmed within plate mark with loss of plate number. Missing number supplied from impression in the British Museum., and Mounted on leaf 22 of volume 12 of 14 volumes.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A mounted hussar receives in his arms a pretty young woman who is climbing down from a high wall. She puts her face to his, and rests her hand on his shoulders while he supports her ample posterior. The horse, directed to the right, is almost knee-deep in water. A corner of a house among trees appears over the wall (right)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. December 9, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12149 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "231" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Temporary local subject terms: Hussar., 1 print : etching with stipple on wove paper, hand-colored ; sheet 34.1 x 25 cm., Sheet trimmed within plate mark., and Mounted on leaf 42 of volume 12 of 14 volumes.
"A travesty of a French print, an apotheosis of Napoleon by Tardieu after Dabos. As in the original, the title is on a piece of fringed drapery between two naturalistic eagles; these flank an arc of the globe, its northern summit, more flattened than in the original. On the globe is a map, with 'France' in the centre, flanked (left) by 'Golfe of Venice' and 'Italy' and (right) 'Espagne' and 'Pologne'. On the north are 'Amsterdam Pres Unie' [sic] and 'Whestphalia'. From the summit of the globe rises a pole supporting the face of Napoleon, copied from the original but with the addition of a melancholy frown and transformed by the pole into a decollated head. It is inscribed 'Polar Star' and enclosed in a circle of writhing serpents which takes the place of a laurel wreath. Rays extend from the circle over the greater part of the design, with inscriptions radiating outwards: 'Assisting in the Assassination of Louis the 16th my Benefactor'; 'Murdering the Citizens of Paris under Roberspierre' [cf. British Museum Satires No. 9534]; 'Murdering the Citizens of Toulon' [see British Museum Satires No. 10095]; 'Insulting the Pope robbing and plundering the Churches &c &c.' [see British Museum Satires No. 8997]; 'Poisoning my own Sick Soldiers in the Hospital at Jaffa' [see British Museum Satires No. 10063]; 'Murdering the Duke Danguilme' [d' Enghien, see British Museum Satires No. 10251]; 'Treacherously betraying the king of Spain and his Family' [see British Museum Satires No. 10990]; 'Murdering the inhabitants of Madrid in cold Blood' [see British Museum Satires No. 11000]; 'Murdering Captain Wright in the Temple at Paris' [see British Museum Satires No. 11057]; 'Marrying two Wives and intriguing with the Daughter of one of them' [Hortense, cf. British Museum Satires No. 10362]; 'The Murder of Palm [see British Museum Satires No. 11053] of Hoffer &c &c.'; 'Leading 500000 Frenchmen to perish in Russia by the Severity of the Season 1812' [see British Museum Satires No. 11917, &c.]; 'Loosing another similar Army the following Year in Germany 1813' [see British Museum Satires No. 12093]; 'Writing lying Bulletins' [see British Museum Satires No. 11920]; 'Loosing all the Colonies Commerce and Shipping' [cf. British Museum Satires No. 10439, &c.]. At this point, in the upper right corner, an open cask inscribed 'Dutch Comet', divides the inscriptions. A fat Dutchman smoking a pipe sits astride it; he directs the contents of the cask against Napoleon (see British Museum Satires No. 12102). The final inscription: 'And for all these brilliant Exploits am now to be sent headlong to the Devil.' In the original the rays are faintly inscribed 'Marie Louise' and 'Roi de Rome'. The design is surmounted by the head of the Devil wearing a spiky crown inscribed 'Damnation', between two oval shields: on one a heart, 'Heart of a Tyrant', on the other a 'Vulture'. These emblems replace a crown between two shields, one with the Napoleonic eagle, the other with the Habsburg eagle. From this centre-piece flames and smoke (replacing olive branches) stream left and right, with a scourge and a barbed trident. The lower corners are decorated with trophies slanting outwards from the eagles: spears, eagles, axes, &c., one spear supporting a placard: 'Flags manufactured for the Empress'. In the original spears are faintly indicated."--British Museum online catalogue
Alternative Title:
Astre brillant, immense, il éclaire, il feconde ...
Description:
Title from text in image., Two lines of text below image: Astre brillant, immense, il éclaire, il feconde, et seul fait, a son gré, tous les destins du monde, 'Vigée.', Attributed to Rowlandson in the British Museum catalogue., Date of publication from British Museum catalogue; Grego gives a date of 14 December 1813., "Deposée a le Bibloteque Impereale [sic]."--Below lower right corner of image., Sheet trimmed within plate mark., and Mounted on leaf 53 of volume 12 of 14 volumes.
"A street scene at the corner of 'Petticoat Lane' (left) and 'Smock Alley' (right). An ugly and bedizened woman wearing pattens, holding an umbrella and kilting up her skirt, walks painfully over the cobbles, bending forward; her stockings heavily spattered with mud; her breast and arms are bare except for a scarf looped over her shoulders. Heavy slanting rain descends; it pours from the hat of an old woman (left), who stoops over a heavy basket she is carrying. Above her head a woman leans from a window, emptying a chamber-pot. Behind (right), two scavengers shovel mud into a cart. The houses are old and dilapidated, with casement windows. The lantern-sign of a penny-barber (cf. British Museum Satires No. 7605) hangs from a pent-house projection, inscribed 'Shave . . .' There is no pavement, but a solid post (left) protects a large grating let into the cobbles."--British museum online catalogue, description of an earlier state
Description:
Title etched below image., Printmaker from description of earlier state in the British Museum catalogue., Reissue, with altered title and imprint statement, of a print originally published 10 February 1812 by Hannah Humphrey. For the earlier state entitled "Wet under foot," see no. 11956 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Date of publication based on publisher's active dates. See British Museum online catalogue., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 225., and Mounted on leaf 4 of volume 12 of 14 volumes.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
2
Resource Type:
still image
Abstract:
Two designs on one plate, divided by the first title (Mock turtle). The first design shows the profiles of an ugly, elderly couple (he has a large carbuncular or bulbous nose) sticking out their tongues to touch; between them is a large bowl and above their heads two doves bill on a branch. The second design below, titled 'Puff paste', is an image of a fat cook, smiling contentedly, rolling out puff paste, while a hideous footman caresses her. To the left of the pastry on the table-top is a bowl of apples labeled 'Codling tart'; to the right, a bag labeled 'Apple Dumpling' and a tied bag labeled 'Batter Pudding' in a bowl
Description:
Titles from text below images., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Novr. 20, 1810, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11639 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured."--Lower left., Sheet trimmed within plate mark on right and left sides., 1 print : etching on wove paper, hand-colored ; sheets 15.9 x 22.7 cm and 16.1 x 22.3 cm., Imperfect; sheet cut into upper and lower halves that are mounted separately, with series title and numbering trimmed away from upper half., and Mounted on leaf 25 of volume 12 of 14 volumes.
"Napoleon stands in profile to the right on a low platform at a desk on which he leans, his auctioneer's hammer in his right hand, the left hand extended. The Allies are crowded together on or beside a bench facing a second bench on which are four elderly French officers. One of these, rather younger than the others, identified in Van Stolk as Marshal Berthier, stands holding up a crown above his head. A Spanish don stands extending both arms towards the crown with a gesture of dismissal; he says: "That a CROWN! It's not worth half a Crown." Napoleon, who wears uniform and a cocked hat and is scarcely caricatured, says: "What no bidding for the Crown of Spain Then take the other crowns and lump them into one lot." The two most prominent figures on the front bench, and the nearest to the rostrum, are a fat Dutchman smoking a pipe and turning his head in profile, and a rough British sailor who sprawls behind him, one hand protectingly on the Dutchman's shoulder, the other pointing to Napoleon. John's back is to the other Allies; the obese King of Würtemberg, with a conspicuous flowered waistcoat, cf. British Museum Satires No. 12114, is immediately behind him. The others are a Cossack and a Prussian hussar with the Spanish don. The French officers watch with rage or intense melancholy. Stepping on to Napoleon's little platform is Marie Louise (left), holding in her arms the little King of Rome with the face of a monkey, wearing military uniform with a cocked hat. He says: "I suppose daddy will put us up for sale." The Empress is one of Rowlandson's buxom English girls. Napoleon leans on a large document which is on his desk: 'Speedily will be sold the Thirteen Cantons of Switserland.' In the foreground (left) in front of the rostrum the goods for sale are piled. There are three crowns and a papal tiara, a sheaf of flag-staffs, with a paper: 'Lot 2 Twenty flags the property of the Empress' [see British Museum Satires No. 12111, See.]; a sheaf of Eagles with a paper: 'Lot of Useless Eagles', with other papers inscribed respectively: 'Kingdom of Bavaria', 'Kingdom of Prussia', 'Saxony' [see British Museum Satires No. 12096], 'Kingdom of Westphalia' [see British Museum Satires No. 12549], 'United Provinces'."--British Museum online catalogue
Alternative Title:
Boney selling stolen goods
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted on leaf 54 of volume 12 of 14 volumes.
Publisher:
Pubd. December 25th, 1813, by R. Ackermann, No. 101 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Berthier, Louis-Alexandre, 1753-1815, and Frederick I, King of Württemberg, 1754-1816
