"A street scene at the corner of 'Petticoat Lane' (left) and 'Smock Alley' (right). An ugly and bedizened woman wearing pattens, holding an umbrella and kilting up her skirt, walks painfully over the cobbles, bending forward; her stockings heavily spattered with mud; her breast and arms are bare except for a scarf looped over her shoulders. Heavy slanting rain descends; it pours from the hat of an old woman (left), who stoops over a heavy basket she is carrying. Above her head a woman leans from a window, emptying a chamber-pot. Behind (right), two scavengers shovel mud into a cart. The houses are old and dilapidated, with casement windows. The lantern-sign of a penny-barber (cf. British Museum Satires No. 7605) hangs from a pent-house projection, inscribed 'Shave . . .' There is no pavement, but a solid post (left) protects a large grating let into the cobbles."--British museum online catalogue, description of an earlier state.
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 225., Date of publication based on publisher's active dates. See British Museum online catalogue., Printmaker from description of earlier state in the British Museum catalogue., Reissue, with altered title and imprint statement, of a print originally published 10 February 1812 by Hannah Humphrey. For the earlier state entitled "Wet under foot," see no. 11956 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Title etched below image.
Publisher:
Thomas MacLean, 26 Haymarket
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and McLean, T. (Thomas), publisher.
"A travesty of a French print, an apotheosis of Napoleon by Tardieu after Dabos. As in the original, the title is on a piece of fringed drapery between two naturalistic eagles; these flank an arc of the globe, its northern summit, more flattened than in the original. On the globe is a map, with 'France' in the centre, flanked (left) by 'Golfe of Venice' and 'Italy' and (right) 'Espagne' and 'Pologne'. On the north are 'Amsterdam Pres Unie' [sic] and 'Whestphalia'. From the summit of the globe rises a pole supporting the face of Napoleon, copied from the original but with the addition of a melancholy frown and transformed by the pole into a decollated head. It is inscribed 'Polar Star' and enclosed in a circle of writhing serpents which takes the place of a laurel wreath. Rays extend from the circle over the greater part of the design, with inscriptions radiating outwards: 'Assisting in the Assassination of Louis the 16th my Benefactor'; 'Murdering the Citizens of Paris under Roberspierre' [cf. British Museum Satires No. 9534]; 'Murdering the Citizens of Toulon' [see British Museum Satires No. 10095]; 'Insulting the Pope robbing and plundering the Churches &c &c.' [see British Museum Satires No. 8997]; 'Poisoning my own Sick Soldiers in the Hospital at Jaffa' [see British Museum Satires No. 10063]; 'Murdering the Duke Danguilme' [d' Enghien, see British Museum Satires No. 10251]; 'Treacherously betraying the king of Spain and his Family' [see British Museum Satires No. 10990]; 'Murdering the inhabitants of Madrid in cold Blood' [see British Museum Satires No. 11000]; 'Murdering Captain Wright in the Temple at Paris' [see British Museum Satires No. 11057]; 'Marrying two Wives and intriguing with the Daughter of one of them' [Hortense, cf. British Museum Satires No. 10362]; 'The Murder of Palm [see British Museum Satires No. 11053] of Hoffer &c &c.'; 'Leading 500000 Frenchmen to perish in Russia by the Severity of the Season 1812' [see British Museum Satires No. 11917, &c.]; 'Loosing another similar Army the following Year in Germany 1813' [see British Museum Satires No. 12093]; 'Writing lying Bulletins' [see British Museum Satires No. 11920]; 'Loosing all the Colonies Commerce and Shipping' [cf. British Museum Satires No. 10439, &c.]. At this point, in the upper right corner, an open cask inscribed 'Dutch Comet', divides the inscriptions. A fat Dutchman smoking a pipe sits astride it; he directs the contents of the cask against Napoleon (see British Museum Satires No. 12102). The final inscription: 'And for all these brilliant Exploits am now to be sent headlong to the Devil.' In the original the rays are faintly inscribed 'Marie Louise' and 'Roi de Rome'. The design is surmounted by the head of the Devil wearing a spiky crown inscribed 'Damnation', between two oval shields: on one a heart, 'Heart of a Tyrant', on the other a 'Vulture'. These emblems replace a crown between two shields, one with the Napoleonic eagle, the other with the Habsburg eagle. From this centre-piece flames and smoke (replacing olive branches) stream left and right, with a scourge and a barbed trident. The lower corners are decorated with trophies slanting outwards from the eagles: spears, eagles, axes, &c., one spear supporting a placard: 'Flags manufactured for the Empress'. In the original spears are faintly indicated."--British Museum online catalogue.
Alternative Title:
Astre brillant, immense, il éclaire, il feconde ...
Description:
"Deposée a le Bibloteque Impereale [sic]."--Below lower right corner of image., Attributed to Rowlandson in the British Museum catalogue., Date of publication from British Museum catalogue; Grego gives a date of 14 December 1813., Title from text in image., and Two lines of text below image: Astre brillant, immense, il éclaire, il feconde, et seul fait, a son gré, tous les destins du monde, 'Vigée.'
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"A mounted hussar receives in his arms a pretty young woman who is climbing down from a high wall. She puts her face to his, and rests her hand on his shoulders while he supports her ample posterior. The horse, directed to the right, is almost knee-deep in water. A corner of a house among trees appears over the wall (right)."--British Museum online catalogue, description of an earlier state.
Description:
Also issued separately., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "231" in upper right corner., Publication information inferred from earlier state with the imprint "Pubd. December 9, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12149 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Reissue; imprint has been completely burnished from plate., Temporary local subject terms: Hussar., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"An elopement. A fat woman has fallen on her back from a ladder, knocking down her lover, who lies on his back beneath her. He wears military uniform. Both scream angrily, and a dog (left) barks at her. The ladder, one rung of which is broken, leans against a first-floor window (left) from which the husband looks out, holding a candle. Behind (right), a laughing postilion holds open the door of a post-chaise. A full moon with grinning features looks down from clouds. A lamp projects from the corner of the house."--British Museum online catalogue.
Description:
Date of publication from British Museum catalogue and Grego., Plate numbered "289" in upper right corner., Reissue, with the year of publication crossed out in imprint statement. For the original issue with the intact imprint "Pubd. Decer. 24, 1808, by Thos. Tegg, No. 11 [sic] Cheapside," see: Royal Collection Trust, RCIN 810732., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Numbered "123" in upper right corner of design., Probably a reissue; publisher's name appears to have been removed from end of imprint statement., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
"In a goblet-shaped glass vessel on the top of a cylindrical 'German Stove' a little Napoleon is being heated to dissolution point. Two retorts are connected with this vessel inscribed 'Intrigue and Villainy' and 'Ambition and Folly'; four others issue symmetrically from the stove: 'Gasconade and Lies', 'Fire and Sword', 'Arrogance and Atrocity', 'Murder and Plunder'. In the front of the stove is an opening for the fire; this is being stoked by John Bull (left), a fat 'cit' who leans forward, supporting 'Iohn Bulls Coal Tub', and holding out a lump of coal in a pair of tongs. His vis-à-vis is a fat Dutchman (right) who crouches on his knees plying a pair of 'Dutch Bellows'. He wears a cap and is smoking a pipe; beside him is a pot marked 'Gall'. Behind John stand five sovereigns or personifications of their countries: the King of Würtemberg, grotesquely obese, gazes up, pointing a finger as if giving directions; he holds an open book: 'Publishd Wirtemburgh'. Bernadotte, wearing several orders, triumphantly empties into the steaming vessel a bottle labelled 'Sulphat of Swedish Iron'. Behind him are the hussar who stands in these prints for Prussia or Frederick William III, and (?) Francis I. Between Bernadotte and the glass is an older face, perhaps the King of Saxony. All look up exultingly at the tortured Napoleon. Facing this group stands a German officer (right) stretching up to hold a lid which he is about to clap down on the vessel, though this reaches only to below the victim's waist. Napoleon, in profile to the left, puts one hand to his head with a despairing gesture, and flings out his left arm as if to ward off the extinguishing lid; he exclaims: "Oh Spare me till the King of Rome / Is ripe for mischief yet to come." On the extreme right a Spanish don pounds with a pestle in a large mortar inscribed 'Saragossa'. On the left are four men seated close together at a round table where one of them, a large Cossack, is mixing chemicals. He is directed to the left and holds a book while he mixes the contents of a small pot; a pair of scales lies on the table on which are also jars and an hour-glass. The other three watch intently; next him is a man wearing a fur cap inscribed 'Polar Star' (? Sweden or Poland) who also appears in British Museum Satires No. 12117. His neighbour resembles the Emperor of Austria, but he and the man on the extreme left may be the King of Bavaria and the Duke of Baden, princes of the Confederation of the Rhine. On the ground near the table three books are propped up. The largest is open; on the left page but scored through are the words 'Napoleon Protecter of the Rhenish Confederacy'; on the right page: 'Francis Emperor of Germany restored 1813'. The others are 'Liberty of Germany' and 'The Downfall of Boney'. Behind the Cossack, but directed to the right and watching Napoleon, stands the Pope, wearing his tiara and holding a bottle in each hand containing 'Fulminating Powder' and 'Vial of Wrath'. Chemical appliances are indicated in the background."--British Museum online catalogue.
Alternative Title:
Dissolving the Rhenish Confederacy
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Charles--XIV John,--King of Sweden and Norway,--1763-1844., Francis--I,--Emperor of Austria,--1768-1835., Frederick--I,--King of Württemberg,--1754-1816--Caricatures and cartoons., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Pius--VII,--Pope,--1742-1823.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"A handsome young military officer, seated in an armchair, drinks wine with two Jewish money-lenders, who sit facing him across a round table. He listens with a reckless smile to one of the Jews; the other peers through spectacles at 'Title Deeds'. The Jews are old, thin, and bearded, but one wears a bag-wig. On the ground by the latter (right) is a paper: 'Money Lent on good Securities. Annuities Jointers [sic] bought and Sold.' By the spendthrift's chair lies a greyhound. The background is a wall closely covered with pictures in ornate frames, which combine to tell the young man's story. Above his head is a 'Prodigal Son' kneeling among the swine; above this a reclining Venus is partly visible, and below, 'Diane', a horse and foal. Gamesters at a 'Hazard Table' hangs above 'Sir Matthew Mite', a miser with money-bags, weighing coin in sacks. Below this is a bust portrait of 'Sir Peter Plumb' in a tie-wig. A bust portrait of a scraggy woman wearing jewels is 'Lady Crane'. Below this is a picture of a fighting-cock, the frame decorated by a baron's coronet. On the right are two pictures, a jockey on a race-horse, 'Sancho', with the winning-post in the background, and a large gabled country house: 'View of the Yorkshire Estate'."--British Museum online catalogue.
Description:
For the original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 2, page 52., Reissue of a plate first published in 1805; the final two digits of the year in printmaker's signature have been altered, and the year "1805" at end of imprint statement has been scored through. See British Museum catalogue., Title etched below image., and Two lines of quoted verse below title: "When noblemen have lost race horse, and all their rino spent -, then little Isaac draws the bond, and lends for cent per cent.
Publisher:
T. Rowlandson, N. 1 James St. Adelphi
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
Subject (Topic):
Eyeglasses. , Jews,--depicted., Soldiers--British., Usury., and Wine.
"A mountainous woman, with traces of comeliness, sits squarely in an arm-chair, plying a fan, between her husband (left) and a servant who stands (right), his hat under his arm and his hands in his coat-pockets. The latter says: "An please you Master and Mississ, The Sailor Man has sent word as how the Wessel is ready to swim." The husband, a paunchy 'cit' in old-fashioned dress, stands leaning towards his wife, saying, "Why my Dove--I am loaded with provisions like a tilt cart on a fair day, and my pockets stick out as if I was just return'd from a City Feast." The heads of two geese hang from his pocket. His wife says: "Dont be so Wulgar Mr Dripping--you are now among gentill folks, and must behave yourself--we shall want all the Wickalls on the Woyage depend upon it--bless me how Varm it is, I am all over in a muck"."--British Museum online catalogue, description of an earlier state.
Description:
"Price one shilling coloured.", Date from Grego., Later state; place and date of publication have been removed from beginning of imprint statement. For an earlier state missing the final two digits of the year of publication but with the imprint otherwise intact, see no. 11968 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "166" in upper right corner., Probably etched on a reused plate; ghost images, scratches, and faint upside-down text are visible in and around the design., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
A scene in a hunting lodge with tired hunters are relaxing on comfortable chairs and sofas, surrounded by their hunting dogs. A woman in a riding habit blows a French horn as one of the huntsman grasps her around the waist. On the wall are a hunting trophy (stag), a painting of a hunt in progress, and three rifles.
Alternative Title:
Fox-hunters relaxing
Description:
A seemingly reversed version of the same design is given the title "Fox-hunters relaxing" by Grego. See: Grego, J. Rowlandson the caricaturist, v. 1, pages 279, 281., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
Subject (Topic):
Dogs., French horns., Hunting dogs. , Hunting trophies., Hunting., and Riding habits.
"In the foreground is a low cliff or bank overlooking the sands; from this four elderly men are eagerly and delightedly looking through telescopes at naked ladies disporting in the sea. An angry woman (right) tugs at the coat-tails of one of them; she has a tiny sunshade, and like her husband is grossly fat. Bathing machines are in the water, with hoods covering the steps to the sea. A fat bathing woman pushes a lady up the steps of a machine. Behind the spectators is a 'Circulating Library'; above the lower floors is a large balcony from which more men are gazing through telescopes. On the extreme right is a doorway placarded: 'Hot Sea Baths'; a fat man with a crutch walks in. In the background a jetty projects from the sands, with a windlass, and packages of goods. Behind are small vessels."--British Museum online catalogue.
Alternative Title:
Peep at the mermaids
Description:
"Price one shilling coloured."--Lower right corner of design., Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "211" in upper right corner., Probably reissue; first half of imprint statement has been burnished from plate., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.