For a description of the reissue or alternate version of this design from 1812, see: Grego, J. Rowlandson the caricaturist, v. 2, page 230., Manuscript notion identifies the seated man as "Morland the artist" and the man standing behind him as "Rowlandson"., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Tankards -- Pictures amplifying subjects: 3 prints of pugilists., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Morland, George,--1763-1804--Caricatures and cartoons., and Rowlandson, Thomas,--1756-1827--Caricatures and cartoons.
"A fat lady, much décolletée, whose hair is blazing, in her frantic gestures has overturned a chair; tea- and coffee-things lie on the ground. Screaming servants rush in from the right, headed by two footmen; one holds up a table-cloth to fling over her head, but is hampered by his companion, a negro, who flings the liquid contents of a (?) large flowerpot in her face, but stands on the cloth. A fat cook follows; a pretty young woman kneels on the ground throwing up her arms, a dog howls. Four older servants look through the doorway. Two candles, the cause of the disaster, blaze on the chimneypiece where a clock shows that it is 2.25."--British Museum online catalogue, description of an earlier state.
Alternative Title:
Miss Fubby Fatarmin's wig caught fire
Description:
"Price one shilling coloured."--Lower right corner of design., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 255., Date of publication based on earlier state with the complete imprint "Pubd. September 20th, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12147 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "212" in upper right corner., Reissue, with beginning of imprint statement burnished from plate., Text following title: Vide Bath guide., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Rowlandson, Thomas, 1756-1827, artist., and Tegg, Thomas, 1776-1846, publisher.
"A doctor (left), grotesquely obese, stands in profile regarding with a satisfied smile his dead or dying patient, who leans back in an arm-chair with closed eyes. The patient, old and emaciated, wears night-cap and dressing-gown over breeches and stockings. Behind him are the curtains of his bed (right). At his side is a round table with a bowl, medicine-bottle, and a paper: 'Prescriptions, Bolus, Blisters'. On the ledge of a casement window is a close array of medicine-bottles. The doctor says: "My Dear Sir you look this Morning the Picture of health I have no doubt at my next visit I shall find you intirely cured of all your earthly infirmitys." He wears old-fashioned dress, with tricorne hat and gold-headed cane. A fat woman stands in the doorway (left), her hands clasped."--British Museum online catalogue.
Alternative Title:
A going! A going!!!
Description:
Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "291" in upper right corner., Reissue, with beginning of imprint statement burnished from plate. For an earlier state with imprint intact except for a crossed-out year of publication, see Lewis Walpole Library call no.: 813.06.10.01.1+., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Newton, Richard, 1777-1798, artist., and Tegg, Thomas, 1776-1845, publisher.
For a possible earlier state from 1806, see: Grego, J. Rowlandson the caricaturist, v. 2, page 63., Letter "M" etched in lower left corner of design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
"A portrait of George, 3rd Earl of Pomfret (see British Museum Satires No. 9923), standing in profile to the left, with his left hand in his breeches pocket. He is obese, with powdered hair in a small tail, and a dark whisker. He wears an open double-breasted coat, long breeches with short Hessian boots."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Pomfret, George Fermor,--Earl of,--1768-1830--Caricatures and cartoons.
"A companion plate to British Museum Satires No. 11924 by Rowlandson, with the same imprint. Lord Petersham stands full-face, as if on a flight of steps, the right foot advanced below the left, right hand on hip, holding a long cane, his hat in his left hand. He looks to the left, with a pleasing smile (for which he was noted). He has large whiskers, and wears a (brown) double-breasted tail-coat with high collar and sleeves gathered at the shoulders to form a peak, in the manner of a Jean de Bry coat, see British Museum Satires No. 9425, with long close-fitting breeches and spurred Hessian boots with large tassels."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harrington, Charles Stanhope,--Earl of,--1780-1851--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"The Duke of Cumberland walks in profile to the left, putting his spy-glass to his right eye. He holds hat and cane, wears a high-collared coat with a star, blue with red facings (the Windsor uniform), leather breeches, and spurred top-boots. Behind is the pagoda in Kew Gardens, with a background of distant trees rising to a great height. A companion plate to British Museum Satires No. 11925 by Rowlandson, with the same imprint."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Ernest Augustus,--King of Hanover,--1771-1851--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"An ugly decrepit old doctor, in old-fashioned dress and wig, stands with his back to the fire (right) receiving a pair of country-bumpkins, shown in by a servant out of livery, who stands at the door (left), grinning delightedly. The man, a burly fellow, is followed by his plainly-dressed and anxious wife. He says: "Do you see Doctor my Dame and I become [sic] to ax your advice--we both of us eat well, and drink well, and sleep well--yet still we be somehow queerish". The doctor, holding his cane to his nose, answers: "You eat well--you drink well and you sleep well--very good-- You was perfectly right in coming to me, for depend upon it I will give you something that shall do away all these things". On the chimney-piece are jars and bottles with a bust of 'Galen', Against the wall is a heavy book-case with glass doors containing large volumes."--British Museum online catalogue.
Description:
Also issued separately., Date of publication from British Museum catalogue; Grego suggests a date of 1812., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "208" in upper right corner., Probably a reissue; first half of imprint statement has been burnished from plate., Temporary local subject terms: Physicians -- Physician's office -- Books -- Statues: Bust of Claudius Galen -- Fireplace -- Male domestic servant., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"A family of sweeps sitting before the smoking hearth (at right) in a low hovel, eating, drinking and smoking; all have sooty skin apart from the grotesque mother who leans back, barebreasted and negligently holding a long pipe, against a heap of sacks; a man sitting alongside and smoking a long pipe leers at her, another beside him; four children lie or sit on the floor eating with spoons from bowls, at one of which a cat also sits; on the rafters, above the billowing smoke, a caged black bird and an uncaged white bird."--British Museum online catalogue.
Alternative Title:
Sweeps regaling
Description:
Date of publication from Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Possibly a companion print to: Love and dust., Probably a reissue of a plate first published in 1802; the year etched above Rowlandson's signature might have originally been "1802," and was seemingly modified to "1808" and then possibly "1812" before being mostly obscured with crosshatching. See Grego., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
"An elderly couple kept awake in their double bed by fleas."--British Museum online catalogue, description of original issue.
Description:
Attributed to Rowlandson by Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Reissue, with year in imprint altered from "1806" to "1812." For original issue, see British Museum online catalogue, registration no.: 1935,0522.9.51., and Title etched below image.
Publisher:
T. Rowlandson, N. 1 James St. Adelphi
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
Subject (Topic):
Bedbugs., Bedrooms. , Beds., Couples. , Fans (Accessories), and Sleepwear.
"Price one shilling.", Date of publication from Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "272" in upper right corner., Reissue, with date removed from imprint statement. For an earlier state with the date "Jany. 1st, 1808" at end of imprint, see Lewis Walpole Library call no.: 808.01.01.02+., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Two handsome young courtesans coax an enormously obese and carbuncled 'cit' towards the door of a bagnio (right). One (right) takes him by the wrist, throwing back a cloak to reveal her charms; he leers hideously at her. The other takes him by the shoulders and chin. Above the door are the words 'Warm Bath'. A placard beside it: 'Restorative Drops -Old Age Debility of ever so long standing quickly restored to Youth and Vigour - Prepar'd & Sold by the . . .' They are under an archway inscribed 'Bagnio Court' in an arcade, suggesting Covent Garden."--British Museum online catalogue, description of an earlier state.
Description:
"Price one shilling coloured."--Lower right corner of design., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 226., Date of publication based on complete imprint on earlier state: Pubd. March 1st, 1812, by Thos. Tegg, No. 111 Cheapside. Cf No. 11957 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Later state, with beginning of imprint statement burnished from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "146" in upper right corner., Temporary local subject terms: Bagnio -- Lighting -- Carbuncle., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"Two men sit in a dilapidated room, the floor completely covered by water in which three pigs wade, ducks swim and dive, and geese run aggressively towards a dog. Their feet rest on boulders. One stout man in a broken chair sits with his elbows on a small round table, holding up a large watch, the hands showing that it is 9.40, and yawning deeply. On the table are a decanter containing a tiny 'blue devil', cf. British Museum Satires No. 8745, and a guttering candle stuck in a potato at which a rat is nibbling. Another rat runs up the table leg. The other man (right), with closed eyes, and hands on knees, sits on a stool, registering melancholy resignation. One pig (left) devours a 'Racing Calendar' which floats on the water. A fire of sticks burns smokily on a wide hearth; a large pot is overturning, the contents gushing over. Above the chimney-piece hangs a picture in a broken frame of a country house. There is one small casement window, half boarded up, the other half partly stuffed up with a pair of breeches. A ham and a hare hang from hooks in the ceiling. High up on the wall is a small shelf on which is broken china; a cat stands on it."--British Museum online catalogue.
Description:
Possibly etched after a design by Bunbury; see British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bunbury, Henry William, 1750-1811, attributed name., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Two men drink and smoke together, a jug of 'Stingo' on the table between them. The more proletarian, who wears a small cap on short tousled hair, turns up his eyes to a large louse on his forehead, saying, "Whats that you say Neighbour? You see a Creeper on my Forhead! Come--Come--you Joke!" The other answers: "I tell you what my good Friend if you have any more such Jokes I advise you to crack them as soon as possible"."--British Museum online catalogue.
Description:
Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "296" in upper right corner., Probably a reissue; beginning of imprint statement has been burnished from plate., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
In a crowded tavern before a large roaring fire, Dr. Syntax sits on a bench smoking his pipe as he engages in debate with three companions. A man leans over the back of the bench and blows a large cloud of smoke into the back of Dr. Syntax's head. The room is filled with military personnel who frolic and flirt with pretty girls; the barmaid stands at the bar pouring wine. Everyone has a full glass at hand. The signs on either side of a large clock read "Real Yorkshie stinco" and "No trust here".
Alternative Title:
Doctor Syntax, in the middle of a smoking hot political squabble, wishes to whet his whistle
Description:
"Price one shilling coloured.", Also issued separately., Date of publication from Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "209" in upper right corner., Probably a reissue; first half of imprint statement has been burnished from plate., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1846, publisher.
Subject (Topic):
Discussion. , Manners and customs., Military personnel., and Taverns (Inns)
"Napoleon lies in bed, with a fat Dutchman seated on his chest, puffing tobacco smoke at his face, and saying "Orange Boven." He grips Napoleon's neck between his legs; the two men face each other in profile, one staring up, terrified, the other looking down. Napoleon's right arm hangs down from the bed, his fist is clenched, his feet (right), with crisped toes, project from under the coverlet. The Dutchman wears a high-crowned hat, with a large (orange) cockade, and bulky breeches; his left hand is in his breeches pocket. The curtains and counterpane are patterned with eagles; the curtains hang from a circular canopy topped by a large crown and a trophy of sword, sceptre, and eagle. They are drawn aside to frame the two figures. On the fringed pelmet eagles alternate with crowns and a papal tiara, emblem of the humiliation of the Papacy. On the right stand two enormous fasces with projecting lictor's axes, the blades turned towards Napoleon. On a stool in front of the bed are the Emperor's bicorne and sword."--British Museum online catalogue.
Alternative Title:
Dutch nightmare, or, The fraternal hug returned with a Dutch squeeze and Fraternal hug returned with a Dutch squeeze
Description:
Printmaker from British Museum catalogue. and Title etched below image; letter "z" in final word "squeeze" is etched backwards.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"Satirical print showing a fat Englishman mocked by a group of Parisians. The Englishman, built along the lines of John Bull, stands at right in his shirtsleeves, clapping his right hand to his forehead in wonder; at left, at least five French people stand together within his buttoned up waistcoat, gesticulating festively; behind at left, a fat woman admired by sketchily drawn thin onlookers."--British Museum online catalogue.
Alternative Title:
French people astonished at our improvement in the breed of fat cattle
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Wigs -- Male costume, 1812 -- Walking-sticks --Waistcoat., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
"Four elderly parsons, grossly fat, apparently Fellows of Brasenose College, are seated in stuffed arm-chairs at a small dinner-table. One (right) carves a capon, another ladles soup from a tureen, the others drink. One servant hands wine, another brings in a bowl, into which his nose drips as in Swift's 'Directions to Servants' (cf. British Museum Satires No. 10918). A third in the doorway, more unkempt than the others, brings in a sucking-pig. On the floor (right) is a paper: 'A New form of Prayer, Gravy Soup, Mock Turtle, 'Cods Head', 'Turbott', 'Haunch of Venison', 'Stewed Carp', 'Roast Ducks', 'Pidgeon Rye', 'Woodcocks', 'Jelly', 'Marrow Pudding'. On the left are a wine-cooler, many bottles, three labelled 'Burg[undy]', 'Ho[ck]', 'Clar[et]', a loving-cup, a punchbowl inscribed 'Bowl for a Bishop', with lemons, a cork-screw, and the lid of the tureen. On the walls are pictures: 'Bench of Bi[shops]' [in reversed characters], parsons carousing at a table, some lolling in easy chairs; 'Ecclesiastical Court', an elderly man (or woman) doing penance in a sheet and holding a candle; 'View of Brazen Nose Col.', a college quadrangle; a picture of an anchorite in the wilderness, holding a cross; 'Susannah' [and the Elders]; 'Portrait of S . . . Fellow Commoner of Braze[nose]' [the subject cut off by the upper margin]. There are also two notices, partly obscured, on the wall: 'This Day Being Proclaimed A Fast . . . Church', and 'List of Great Tythes Church Lands . . '."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
T. Rowlandson, N. 1 James St. Adelphi
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
"The Powers of Europe toss Napoleon in a blanket. He flies into the air, legs above his head, dropping crown and sceptre, his sword also falls. He exclaims with an agonized expression: "O Misericordé." Three figures hold the front of the sheet, in back view, but with upturned profiles: in the centre is John Bull, a fat 'cit', bald-headed, his hat and wig on the ground. On his left, their hands touching, is a Dutchman smoking, and with a big orange cockade in his hat. On his right is a Spanish don, in feathered hat, ruff, cloak, slashed tunic and breeches. At the extreme ends of the sheet are (left) a Cossack, next the Dutchman, and (right) the fat King of Würtemberg. Seven men hold the farther side of the blanket (left to right): the Pope, wearing his tiara, a man wearing a fur cap with a star, inscribed 'Polar Star', identified in a contemporary hand as Poland, despite the association with Sweden (see British Museum Satires No. 10997). His neighbour is identified as Bernadotte, but resembles Francis I. The next two are identified as Russia and Austria, one is perhaps Bavaria (Russia being represented by the Cossack as England is by John Bull). Next is the hussar who commonly stands for Prussia. A man wearing cocked hat and star is identified as Hanover, but does not resemble the Duke of Cambridge or of Cumberland and is not unlike Bernadotte."--British Museum online catalogue.
Alternative Title:
Friends and foes, up he goes :
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Charles--XIV John,--King of Sweden and Norway,--1763-1844., Francis--I,--Emperor of Austria,--1768-1835., Frederick--I,--King of Württemberg,--1754-1816--Caricatures and cartoons., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Pius--VII,--Pope,--1742-1823.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"Napoleon, surrounded by the Powers of Europe who puff smoke at him, dances, frantic with rage and fear, upon the head of a large cask of 'Real Hollands Geneva'. The cask-head tilts under his feet, the contents splash out, and he is on the point of disappearing inside it. On the cask are the words: 'The Fly that sips Treacle is lost in the sweet' [Gay, 'Beggar's Opera']. The most prominent smoker, nearest the cask on the left, is a fat Dutchman in bulky breeches, with a big orange cockade in his small hat. He sits on a small barrel inscribed 'Dutch Herrings' and 'Crimp Cod' and leans forward and to the right, puffing upwards a cloud of smoke. In his left hand he holds up his long pipe, his right is on the handle of a jug inscribed 'Success to his Serene Highness'. Beside him are a 'Dutch Cheese' [cf. British Museum Satires No. 9412], a 'Tobacco Pouch', three closely coiled twists of tobacco, and a jug of 'Dutch Drops' [a balsam or popular nostrum, prepared with oil of turpentine, nitric ether, &c. 'O.E.D.'; see British Museum Satires No. 12118]. Almost equally prominent is an obese John Bull, a 'cit' holding a pipe and a frothing tankard of 'Brown Stout', who stands close to the cask in profile to the left, looking up with amused satisfaction, a cloud of smoke rising from his mouth. Next him and on the right, a Prussian hussar sits on a cannon, holding a pipe with a long curved stem, and turning a grotesque profile toward Napoleon. Behind John Bull is a (?) Hanoverian wearing a helmet, puffing steadily. Above them and near the upper margin are four heads: one very close to Napoleon, emerging from cloud, is perhaps a Saxon. A man wearing a high fur-bordered cap is probably a Russian, and a profile smoking a pipe with an ornate bowl may be Swedish. The man on the extreme right smoking a German pipe may represent Bavaria. On the left, standing behind the Dutchman, the bulky King of Würtemberg is conspicuous. His antique dress, with a long flowered and gold-laced waistcoat, is reminiscent of the caricatures of his courtship and marriage, see British Museum Satires No. 9014, &c. He holds a bottle of 'Wirtemberg Drops', and smokes a large curved German pipe. Above him are the heads of two men, an Austrian and a Spanish don, probably the Emperor of Austria and Ferdinand of Spain. Napoleon stands among clouds of smoke, which also form a background to the heads. He storms: "Oh you base Traitors and Deserters. Eleven Hundred Thousand Lads of Paris [cf. British Museum Satires No. 12113, &c.] shall roast every one of you alive, as soon as they can catch you!"."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Ferdinand--VII,--King of Spain,--1784-1833--Caricatures and cartoons., Francis--I,--Emperor of Austria,--1768-1835--Caricatures and cartoons., Frederick--I,--King of Württemberg,--1754-1816--Caricatures and cartoons., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
A satire set in an assembly room: Two well-dressed older men with caricatured faces, one with gloves and a large belly, bow to a old woman equally caricatured. The other members of the party are also caricatured in the background, some dancing. Musicians play in the balcony above on the right.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Probably a reissue; date following Rowlandson's signature has most likely been altered from "1802." See Grego., Text below title: Graces, the Graces, remember the Graces., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
Subject (Topic):
Balls (Parties), Couples. , Dance., Manners & customs., and Musicians.
"A hand-coloured print of a portly rector who is suspended above his horse by means of a crane secured to the wall of the rectory. Two women pull on the rope that has heaved the rector into the air whilst a grinning groom stands alongside the horse."--Royal Collection Trust online catalogue, description of an earlier state.
Alternative Title:
New invented patent crane for the accomodation of rheumatic rump'd rectors
Description:
Date of publication based on earlier state with the partial imprint "Pubd. December 30th, 1813, by [...]." Cf. Royal Collection Trust, RCIN 810909., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "270" in upper right corner., Publisher inferred from the inclusion of this plate in Tegg's Caricature magazine and the presence of Tegg's serial numbering in the upper right., Reissue; former plate number "314" has been replaced with a new number, and imprint statement has been completely burnished from plate., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A plump Jewess leans over the wooden barrier across the street doorway, to kiss a sucking-pig which her husband holds out to her, affectionately putting his arm round her shoulders. He is bearded, with a long coat, with a bag slung from his arm, showing that he deals in old clothes. A sow (right) looks up anxiously at the pig. A comely young woman wearing a necklace and ear-rings leans over Mrs. Shevi, admiring the pig. From an adjacent window or doorway, an elderly Jew leans, registering outraged horror. The doorway is vaulted, and has a heavy wooden door. A caged bird hangs just inside. On a wall (right) is a bill: 'Lost supposed to have been Stolen a Sow and Seven Pigs Whoever gives Information Five Pound Reward'."--British Museum online catalogue, description of an earlier state.
Alternative Title:
Mrs. Shevi in a longing condition
Description:
"Price one shilling colourd.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 254-5., Date of publication based on earlier state with the complete imprint "Pubd. September 20th, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12146 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "213" in upper right corner., Reissue, with beginning of imprint statement burnished from plate., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"Satire on the gullibility of Englishmen travelling abroad; an Italian dealer at right showing a framed painting supposedly by Guido Reni representing Mary Magdalene to a young Englishman and his advisor at left; paintings attributed to old masters on the walls behind: Titian, Carracci, Rubens, Rosa, Parmigianino, Teniers."--British Museum online catalogue.
Alternative Title:
Italian picture dealers humbugging My Lord Anglaise
Description:
Final two digits of year at end of printmaker's signature are obscured with crosshatching., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Publisher:
T. Rowlandson, N. 1 James St. Adelphi
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
Subject (Topic):
Art dealers--Italy--19th century., Dandies., Paintings., and Quizzing glasses.
"An unidentified portrait. A very stout man with small neat features rides a well-bred horse in profile to the right; his obesity forces him to lean backwards. He wears a cylindrical hat, double-breasted coat, frilled shirt, Hessian boots, and holds a hunting-crop."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humphries, St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A vast and hideous negress (left), almost spherical, is embraced by a lean and elderly military officer with a long pigtail. They are on the ramparts of a heavily fortified castle, indicated by a massive pillar and a raised portcullis beyond which is another lean officer, in back view but looking over his shoulder. In the background are cannon and a sentry. Behind the woman's head is a placard: 'Voluntary Subscription for a Soldiers Widow the smallest donation will be gratefully received--By Rachel Ram Part'."--British Museum online catalogue.
Description:
"Price one shilling couloured [sic]."--Lower right corner of design., Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "145" in upper right corner; the digit "5" is etched backwards., Probably a later state; beginning of imprint statement has been burnished from plate., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A fat woman laden with basket, bottles, bundle, &c. descends steps to the waterside, blown by the wind and beset by five bawling watermen, who point towards their boats. Behind (right), other men hail an approaching passenger. The bows of two Thames wherries are on the left; in one a young waterman stands punting his boat. The watermen wear short full-skirted coats with knee-breeches and have large oval badges on the arm. Part of an old timber building forms a background to the group on the stairs. It has a large placard: 'Wapping Old Stairs'. From a projecting upper floor a man and girl look down, amused, the man smoking a long pipe. In the foreground (right) a chubby fisherman's boy sleeps in a dinghy on a pile of nets. There is a background of ships at anchor, a riverside church flying a flag, and a timber building with a large beam projecting over the water from which hangs a barrel."--British Museum online catalogue.
Description:
Temporary local subject terms: Fish nets -- Watermen., Title etched below image., and Two lines of text below title: Entering upon any of the bridges of London, or any of the passages leading to the Thames, being assailed by a groupe of watermen, holding up their hands and bawling out. Oars Sculls. Sculls. Oars Oars.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
"Napoleon stands in profile to the right on a low platform at a desk on which he leans, his auctioneer's hammer in his right hand, the left hand extended. The Allies are crowded together on or beside a bench facing a second bench on which are four elderly French officers. One of these, rather younger than the others, identified in Van Stolk as Marshal Berthier, stands holding up a crown above his head. A Spanish don stands extending both arms towards the crown with a gesture of dismissal; he says: "That a CROWN! It's not worth half a Crown." Napoleon, who wears uniform and a cocked hat and is scarcely caricatured, says: "What no bidding for the Crown of Spain Then take the other crowns and lump them into one lot." The two most prominent figures on the front bench, and the nearest to the rostrum, are a fat Dutchman smoking a pipe and turning his head in profile, and a rough British sailor who sprawls behind him, one hand protectingly on the Dutchman's shoulder, the other pointing to Napoleon. John's back is to the other Allies; the obese King of Würtemberg, with a conspicuous flowered waistcoat, cf. British Museum Satires No. 12114, is immediately behind him. The others are a Cossack and a Prussian hussar with the Spanish don. The French officers watch with rage or intense melancholy. Stepping on to Napoleon's little platform is Marie Louise (left), holding in her arms the little King of Rome with the face of a monkey, wearing military uniform with a cocked hat. He says: "I suppose daddy will put us up for sale." The Empress is one of Rowlandson's buxom English girls. Napoleon leans on a large document which is on his desk: 'Speedily will be sold the Thirteen Cantons of Switserland.' In the foreground (left) in front of the rostrum the goods for sale are piled. There are three crowns and a papal tiara, a sheaf of flag-staffs, with a paper: 'Lot 2 Twenty flags the property of the Empress' [see British Museum Satires No. 12111, See.]; a sheaf of Eagles with a paper: 'Lot of Useless Eagles', with other papers inscribed respectively: 'Kingdom of Bavaria', 'Kingdom of Prussia', 'Saxony' [see British Museum Satires No. 12096], 'Kingdom of Westphalia' [see British Museum Satires No. 12549], 'United Provinces'."--British Museum online catalogue.
Alternative Title:
Boney selling stolen goods
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Berthier, Louis-Alexandre,--1753-1815--Caricatures and cartoons., Bonaparte, François-Charles-Joseph,--Herzog von Reichstadt,--1811-1832--Caricatures and cartoons., Frederick--I,--King of Württemberg,--1754-1816--Caricatures and cartoons., Harvey, Francis--Ownership., Marie Louise,--Empress, consort of Napoleon I, Emperor of the French,--1791-1847--Caricatures and cartoons., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
2
Resource Type:
still image
Abstract:
Two designs on one plate, divided by the first title (Mock turtle). The first design shows the profiles of an ugly, elderly couple (he has a large carbuncular or bulbous nose) sticking out their tongues to touch; between them is a large bowl and above their heads two doves bill on a branch. The second design below, titled 'Puff paste', is an image of a fat cook, smiling contentedly, rolling out puff paste, while a hideous footman caresses her. To the left of the pastry on the table-top is a bowl of apples labeled 'Codling tart'; to the right, a bag labeled 'Apple Dumpling' and a tied bag labeled 'Batter Pudding' in a bowl
Description:
Titles from text below images., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Novr. 20, 1810, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11639 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured."--Lower left., Sheet trimmed within plate mark on right and left sides., 1 print : etching on wove paper, hand-colored ; sheets 15.9 x 22.7 cm and 16.1 x 22.3 cm., Imperfect; sheet cut into upper and lower halves that are mounted separately, with series title and numbering trimmed away from upper half., and Mounted on leaf 25 of volume 12 of 14 volumes.
"A street scene at the corner of 'Petticoat Lane' (left) and 'Smock Alley' (right). An ugly and bedizened woman wearing pattens, holding an umbrella and kilting up her skirt, walks painfully over the cobbles, bending forward; her stockings heavily spattered with mud; her breast and arms are bare except for a scarf looped over her shoulders. Heavy slanting rain descends; it pours from the hat of an old woman (left), who stoops over a heavy basket she is carrying. Above her head a woman leans from a window, emptying a chamber-pot. Behind (right), two scavengers shovel mud into a cart. The houses are old and dilapidated, with casement windows. The lantern-sign of a penny-barber (cf. British Museum Satires No. 7605) hangs from a pent-house projection, inscribed 'Shave . . .' There is no pavement, but a solid post (left) protects a large grating let into the cobbles."--British museum online catalogue, description of an earlier state.
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 225., Date of publication based on publisher's active dates. See British Museum online catalogue., Printmaker from description of earlier state in the British Museum catalogue., Reissue, with altered title and imprint statement, of a print originally published 10 February 1812 by Hannah Humphrey. For the earlier state entitled "Wet under foot," see no. 11956 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Title etched below image.
Publisher:
Thomas MacLean, 26 Haymarket
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and McLean, T. (Thomas), publisher.
"A travesty of a French print, an apotheosis of Napoleon by Tardieu after Dabos. As in the original, the title is on a piece of fringed drapery between two naturalistic eagles; these flank an arc of the globe, its northern summit, more flattened than in the original. On the globe is a map, with 'France' in the centre, flanked (left) by 'Golfe of Venice' and 'Italy' and (right) 'Espagne' and 'Pologne'. On the north are 'Amsterdam Pres Unie' [sic] and 'Whestphalia'. From the summit of the globe rises a pole supporting the face of Napoleon, copied from the original but with the addition of a melancholy frown and transformed by the pole into a decollated head. It is inscribed 'Polar Star' and enclosed in a circle of writhing serpents which takes the place of a laurel wreath. Rays extend from the circle over the greater part of the design, with inscriptions radiating outwards: 'Assisting in the Assassination of Louis the 16th my Benefactor'; 'Murdering the Citizens of Paris under Roberspierre' [cf. British Museum Satires No. 9534]; 'Murdering the Citizens of Toulon' [see British Museum Satires No. 10095]; 'Insulting the Pope robbing and plundering the Churches &c &c.' [see British Museum Satires No. 8997]; 'Poisoning my own Sick Soldiers in the Hospital at Jaffa' [see British Museum Satires No. 10063]; 'Murdering the Duke Danguilme' [d' Enghien, see British Museum Satires No. 10251]; 'Treacherously betraying the king of Spain and his Family' [see British Museum Satires No. 10990]; 'Murdering the inhabitants of Madrid in cold Blood' [see British Museum Satires No. 11000]; 'Murdering Captain Wright in the Temple at Paris' [see British Museum Satires No. 11057]; 'Marrying two Wives and intriguing with the Daughter of one of them' [Hortense, cf. British Museum Satires No. 10362]; 'The Murder of Palm [see British Museum Satires No. 11053] of Hoffer &c &c.'; 'Leading 500000 Frenchmen to perish in Russia by the Severity of the Season 1812' [see British Museum Satires No. 11917, &c.]; 'Loosing another similar Army the following Year in Germany 1813' [see British Museum Satires No. 12093]; 'Writing lying Bulletins' [see British Museum Satires No. 11920]; 'Loosing all the Colonies Commerce and Shipping' [cf. British Museum Satires No. 10439, &c.]. At this point, in the upper right corner, an open cask inscribed 'Dutch Comet', divides the inscriptions. A fat Dutchman smoking a pipe sits astride it; he directs the contents of the cask against Napoleon (see British Museum Satires No. 12102). The final inscription: 'And for all these brilliant Exploits am now to be sent headlong to the Devil.' In the original the rays are faintly inscribed 'Marie Louise' and 'Roi de Rome'. The design is surmounted by the head of the Devil wearing a spiky crown inscribed 'Damnation', between two oval shields: on one a heart, 'Heart of a Tyrant', on the other a 'Vulture'. These emblems replace a crown between two shields, one with the Napoleonic eagle, the other with the Habsburg eagle. From this centre-piece flames and smoke (replacing olive branches) stream left and right, with a scourge and a barbed trident. The lower corners are decorated with trophies slanting outwards from the eagles: spears, eagles, axes, &c., one spear supporting a placard: 'Flags manufactured for the Empress'. In the original spears are faintly indicated."--British Museum online catalogue.
Alternative Title:
Astre brillant, immense, il éclaire, il feconde ...
Description:
"Deposée a le Bibloteque Impereale [sic]."--Below lower right corner of image., Attributed to Rowlandson in the British Museum catalogue., Date of publication from British Museum catalogue; Grego gives a date of 14 December 1813., Title from text in image., and Two lines of text below image: Astre brillant, immense, il éclaire, il feconde, et seul fait, a son gré, tous les destins du monde, 'Vigée.'
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"A mounted hussar receives in his arms a pretty young woman who is climbing down from a high wall. She puts her face to his, and rests her hand on his shoulders while he supports her ample posterior. The horse, directed to the right, is almost knee-deep in water. A corner of a house among trees appears over the wall (right)."--British Museum online catalogue, description of an earlier state.
Description:
Also issued separately., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "231" in upper right corner., Publication information inferred from earlier state with the imprint "Pubd. December 9, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12149 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Reissue; imprint has been completely burnished from plate., Temporary local subject terms: Hussar., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"An elopement. A fat woman has fallen on her back from a ladder, knocking down her lover, who lies on his back beneath her. He wears military uniform. Both scream angrily, and a dog (left) barks at her. The ladder, one rung of which is broken, leans against a first-floor window (left) from which the husband looks out, holding a candle. Behind (right), a laughing postilion holds open the door of a post-chaise. A full moon with grinning features looks down from clouds. A lamp projects from the corner of the house."--British Museum online catalogue.
Description:
Date of publication from British Museum catalogue and Grego., Plate numbered "289" in upper right corner., Reissue, with the year of publication crossed out in imprint statement. For the original issue with the intact imprint "Pubd. Decer. 24, 1808, by Thos. Tegg, No. 11 [sic] Cheapside," see: Royal Collection Trust, RCIN 810732., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Numbered "123" in upper right corner of design., Probably a reissue; publisher's name appears to have been removed from end of imprint statement., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
"In a goblet-shaped glass vessel on the top of a cylindrical 'German Stove' a little Napoleon is being heated to dissolution point. Two retorts are connected with this vessel inscribed 'Intrigue and Villainy' and 'Ambition and Folly'; four others issue symmetrically from the stove: 'Gasconade and Lies', 'Fire and Sword', 'Arrogance and Atrocity', 'Murder and Plunder'. In the front of the stove is an opening for the fire; this is being stoked by John Bull (left), a fat 'cit' who leans forward, supporting 'Iohn Bulls Coal Tub', and holding out a lump of coal in a pair of tongs. His vis-à-vis is a fat Dutchman (right) who crouches on his knees plying a pair of 'Dutch Bellows'. He wears a cap and is smoking a pipe; beside him is a pot marked 'Gall'. Behind John stand five sovereigns or personifications of their countries: the King of Würtemberg, grotesquely obese, gazes up, pointing a finger as if giving directions; he holds an open book: 'Publishd Wirtemburgh'. Bernadotte, wearing several orders, triumphantly empties into the steaming vessel a bottle labelled 'Sulphat of Swedish Iron'. Behind him are the hussar who stands in these prints for Prussia or Frederick William III, and (?) Francis I. Between Bernadotte and the glass is an older face, perhaps the King of Saxony. All look up exultingly at the tortured Napoleon. Facing this group stands a German officer (right) stretching up to hold a lid which he is about to clap down on the vessel, though this reaches only to below the victim's waist. Napoleon, in profile to the left, puts one hand to his head with a despairing gesture, and flings out his left arm as if to ward off the extinguishing lid; he exclaims: "Oh Spare me till the King of Rome / Is ripe for mischief yet to come." On the extreme right a Spanish don pounds with a pestle in a large mortar inscribed 'Saragossa'. On the left are four men seated close together at a round table where one of them, a large Cossack, is mixing chemicals. He is directed to the left and holds a book while he mixes the contents of a small pot; a pair of scales lies on the table on which are also jars and an hour-glass. The other three watch intently; next him is a man wearing a fur cap inscribed 'Polar Star' (? Sweden or Poland) who also appears in British Museum Satires No. 12117. His neighbour resembles the Emperor of Austria, but he and the man on the extreme left may be the King of Bavaria and the Duke of Baden, princes of the Confederation of the Rhine. On the ground near the table three books are propped up. The largest is open; on the left page but scored through are the words 'Napoleon Protecter of the Rhenish Confederacy'; on the right page: 'Francis Emperor of Germany restored 1813'. The others are 'Liberty of Germany' and 'The Downfall of Boney'. Behind the Cossack, but directed to the right and watching Napoleon, stands the Pope, wearing his tiara and holding a bottle in each hand containing 'Fulminating Powder' and 'Vial of Wrath'. Chemical appliances are indicated in the background."--British Museum online catalogue.
Alternative Title:
Dissolving the Rhenish Confederacy
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Charles--XIV John,--King of Sweden and Norway,--1763-1844., Francis--I,--Emperor of Austria,--1768-1835., Frederick--I,--King of Württemberg,--1754-1816--Caricatures and cartoons., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Pius--VII,--Pope,--1742-1823.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"A handsome young military officer, seated in an armchair, drinks wine with two Jewish money-lenders, who sit facing him across a round table. He listens with a reckless smile to one of the Jews; the other peers through spectacles at 'Title Deeds'. The Jews are old, thin, and bearded, but one wears a bag-wig. On the ground by the latter (right) is a paper: 'Money Lent on good Securities. Annuities Jointers [sic] bought and Sold.' By the spendthrift's chair lies a greyhound. The background is a wall closely covered with pictures in ornate frames, which combine to tell the young man's story. Above his head is a 'Prodigal Son' kneeling among the swine; above this a reclining Venus is partly visible, and below, 'Diane', a horse and foal. Gamesters at a 'Hazard Table' hangs above 'Sir Matthew Mite', a miser with money-bags, weighing coin in sacks. Below this is a bust portrait of 'Sir Peter Plumb' in a tie-wig. A bust portrait of a scraggy woman wearing jewels is 'Lady Crane'. Below this is a picture of a fighting-cock, the frame decorated by a baron's coronet. On the right are two pictures, a jockey on a race-horse, 'Sancho', with the winning-post in the background, and a large gabled country house: 'View of the Yorkshire Estate'."--British Museum online catalogue.
Description:
For the original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 2, page 52., Reissue of a plate first published in 1805; the final two digits of the year in printmaker's signature have been altered, and the year "1805" at end of imprint statement has been scored through. See British Museum catalogue., Title etched below image., and Two lines of quoted verse below title: "When noblemen have lost race horse, and all their rino spent -, then little Isaac draws the bond, and lends for cent per cent.
Publisher:
T. Rowlandson, N. 1 James St. Adelphi
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
Subject (Topic):
Eyeglasses. , Jews,--depicted., Soldiers--British., Usury., and Wine.
"A mountainous woman, with traces of comeliness, sits squarely in an arm-chair, plying a fan, between her husband (left) and a servant who stands (right), his hat under his arm and his hands in his coat-pockets. The latter says: "An please you Master and Mississ, The Sailor Man has sent word as how the Wessel is ready to swim." The husband, a paunchy 'cit' in old-fashioned dress, stands leaning towards his wife, saying, "Why my Dove--I am loaded with provisions like a tilt cart on a fair day, and my pockets stick out as if I was just return'd from a City Feast." The heads of two geese hang from his pocket. His wife says: "Dont be so Wulgar Mr Dripping--you are now among gentill folks, and must behave yourself--we shall want all the Wickalls on the Woyage depend upon it--bless me how Varm it is, I am all over in a muck"."--British Museum online catalogue, description of an earlier state.
Description:
"Price one shilling coloured.", Date from Grego., Later state; place and date of publication have been removed from beginning of imprint statement. For an earlier state missing the final two digits of the year of publication but with the imprint otherwise intact, see no. 11968 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "166" in upper right corner., Probably etched on a reused plate; ghost images, scratches, and faint upside-down text are visible in and around the design., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
A scene in a hunting lodge with tired hunters are relaxing on comfortable chairs and sofas, surrounded by their hunting dogs. A woman in a riding habit blows a French horn as one of the huntsman grasps her around the waist. On the wall are a hunting trophy (stag), a painting of a hunt in progress, and three rifles.
Alternative Title:
Fox-hunters relaxing
Description:
A seemingly reversed version of the same design is given the title "Fox-hunters relaxing" by Grego. See: Grego, J. Rowlandson the caricaturist, v. 1, pages 279, 281., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
Subject (Topic):
Dogs., French horns., Hunting dogs. , Hunting trophies., Hunting., and Riding habits.
"In the foreground is a low cliff or bank overlooking the sands; from this four elderly men are eagerly and delightedly looking through telescopes at naked ladies disporting in the sea. An angry woman (right) tugs at the coat-tails of one of them; she has a tiny sunshade, and like her husband is grossly fat. Bathing machines are in the water, with hoods covering the steps to the sea. A fat bathing woman pushes a lady up the steps of a machine. Behind the spectators is a 'Circulating Library'; above the lower floors is a large balcony from which more men are gazing through telescopes. On the extreme right is a doorway placarded: 'Hot Sea Baths'; a fat man with a crutch walks in. In the background a jetty projects from the sands, with a windlass, and packages of goods. Behind are small vessels."--British Museum online catalogue.
Alternative Title:
Peep at the mermaids
Description:
"Price one shilling coloured."--Lower right corner of design., Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "211" in upper right corner., Probably reissue; first half of imprint statement has been burnished from plate., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A design based on Gillray's 'Maniac Ravings', British Museum Satires No. 9998. Napoleon, scarcely caricatured, but poorly characterized, stands addressing an audience of seated men who listen with varying expressions, the corner of his platform projecting into a sea of heads (left), while on the right a file of soldiers with fixed bayonets or drawn swords is indicated. At his side, the little King of Rome, in officer's uniform, with a plumed bicorne, gapes down at the audience; his over-long sabre trails on the ground, he bestrides a tall military cane; his profile resembles without repeating (as in other prints) that of his father, but remains childish and blank. Napoleon stands in a commanding attitude with his right arm extended, his left hand on the hilt of his sabre, legs apart. He wears military dress with a plumed bicorne in which a tricolour cockade is unusually conspicuous. Behind him (right) his arm-chair, closely copied from the 'Consular Chair' of British Museum Satires No. 9998 and with a similar Medusa head, falls, all its legs in air. Beside it, a damaged terrestrial globe, as in British Museum Satires No. 9998, has fallen, but is directed to the left instead of to the right; it has the inscriptions 'America' and 'Atlantic Ocean'. As before, Napoleon's words radiate from his head as if inscribed on clouds. On the right, reading downward: 'Did I not swear I would destroy Austria? Did I not swear I would destroy Prussia Did I not leave the Russians 1200 pieces of cannon to build a monument of the victory of Moscow Did I not lead 498,000 men to gather fresh Laurels in Russia--Did I not burn Moscow--and leave 400,000 brave soldiers to perish in the snow for the good of the French nation?' On the left: 'Did I not swear I would destroy Sweden Did I not swear "I would have" Colonies & Commerce [see British Museum Satires No. 10439, &c.] Did I not build more ships than you could find Sailors for" Did I not burn all the British produce bought and paid for by my faithful merchants--before their faces, for the good of them and my good people of Paris? Have I not called my troops from Holland--that they might not winter in that foggy climate? [see British Museum Satires No. 12102, &c.] Have I not called my troops from Spain and Portugal to the ruin of the English? Did I not change my religion and turn Turk, for the good of the French Nation [see British Museum Satires No. 9973, &c.]. Have I not blown up [the earliest instance in the 'O.E.D.' of blow up, meaning to scold, is Lytton's 'Pelham', 1827] the Corporal, for blowing up the Bridge [see British Museum Satires No. 12108] Have I not robbed the Churches of twenty flags to send to my Empress, for the loss of my own flags & Eagles? And now for the good of my Empire, Behold! O ye Lads of Paris! I have put the King of Rome in Breeches!!!'."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Bonaparte, François-Charles-Joseph,--Herzog von Reichstadt,--1811-1832--Caricatures and cartoons., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"Napoleon (right) lies on his face under the sharp teeth of a harrow; two ropes are attached to it, at each of which representatives of three nations are tugging. In the foreground a British sailor hauls behind him a Spanish don in slashed tunic and breeches, feathered hat, cloak, and ruff. The third is a man of nondescript appearance wearing a cap with a drooping peak, probably intended to represent Sicily, which the British had held as an outpost against Napoleon. On the other rope the chief figure is a Prussian hussar; next him is (?) a Swede in a fur cap, and on the end of the rope a man wearing a cavalry helmet of French type is probably intended for an Austrian. These six fill the left of the design. Russia is represented by a bearded Cossack who stands on the right, prodding at Napoleon with his long spear. On the harrow sits a fat Dutchman, smoking his pipe with a fiercely preoccupied expression, with his left hand in his breeches pockets. Napoleon, much distressed, cries: "Oh this heavy Dutchman. O had I not enough to bear before!!!" Two birds swoop down from the left; one says: "I smell Carrion"."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"A crowded turbulent scene in the market square, Norwich. In the foreground, on trestles, is the carcass of a bull which two butchers are cutting up. Men struggle or clamour for fragments, or gnaw and fight over bones. On the right a huge cask has been broached; women fill pitchers and pails; one lies senseless. In the background a dense crowd is in procession, backed by the houses of the city; a bonfire burns unattended. The cheering crowd moves from right to Ieft, following banners, one inscribed 'Downfall of the Tyrant', and an effigy of Napoleon raised high on a pole and surrounded by pikes."--British Museum online catalogue.
Alternative Title:
Glory and gluttony
Description:
Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "232" in upper right corner., Printmaker from British Museum catalogue., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A Quaker (left), standing on his toes, faces four stout and elderly Commissioners seated at a small table, who register surprise and disapproval. Three of them say: "What an impertinent fellow to keep on his hat before such a dignified Assembly!"; "None of your theese and thous here Sir--come to the point--we know you have evaded certain duties," and, "Pray Sir do you know what we sit here for?" The Quaker, his hands folded, answers: "Verily I do--some sit here for £500 others for a £1000--and more over I have heard it reported that some sit here for two--thousand pounds per annum"."--British Museum online catalogue.
Description:
"Price one shilling coloured.", Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "276" in upper right corner., Reissue, with date burnished from imprint statement leaving a gap between "London, Published" and "by Thos. Tegg, No. 111 Cheapside." For earlier state numbered "23" and published 9 July 1807, see Lewis Walpole Library call no.: 807.07.09.02.1+., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
An artist with a crazed look on his face paints at his easel the picture of Hebrew prophet (?) with wild hair and clenched fists. The artist is only half-dressed, his foot in the contents of an overturned chamber pot. He is surrounded by other pursuits of genius: a violin, scientific and medical equipment, a Roman bust, a French horn, a pile of books, etc. On the wall are three drawings: an air balloon, a dancer, and a portrait of Peter Jesta. He sits at the foot of a bed where his pretty wife sleeps peacefully, unaware that her young child is pouring out wine into a glass while a slightly older child sits with bellows before a stove, the spout of a kettle dangerously aimed in her direction.
Description:
Title etched below image. and Two lines of verse below title: Want is the scorn of every wealthy fool, and genius in rags is turn'd to ridicule. Juvl. Satires.
Publisher:
T. Rowlandson, N. 1 James St. Adelphi
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
"The cobbler leans savagely over his wife who is tied to a chair, and with her wrists bound. With his awl between his teeth he pulls at the thread with which he is stitching up her mouth. She is an elderly virago with pendent breasts, who glares up at him, crisping her fingers; their faces are close together. A buxom young woman leans delightedly over the pair, holding up a candle."--British Museum online catalogue, description of an earlier state.
Alternative Title:
Cobblers cure for a scolding wife
Description:
Date of publication from Grego; a questionable date of 1813 is also assigned in the British Museum catalogue for the earlier reissue., For an earlier reissue with the title corrected, the plate number added, and the year of publication in imprint crossed out, see no. 12148 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Later reissue; plate number has been added and beginning of imprint statement has been burnished from plate., Originally issued without plate number, with the word "wife" in title misspelled "wiff," and with the imprint "London, Pub. Aug. 4, 1809, by Thos. Tegg, No. 111 Cheapside." Cf. Lewis Walpole Library call no.: 809.08.04.01+., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "294" in upper right corner., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Also issued separately., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Numbered in upper right corner of design: 274., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Publisher and date of publication from Grego., Temporary local subject terms: Food -- Cruet -- Night cap., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Rowlandson, Thomas, 1756-1827, artist., and Tegg, Thomas, 1776-1845, publisher.
Hopes of the family, or, Miss Marrowfat at home for the holidays, Hopes of the fammily, or, Miss Marrowfat at home for the holidays, and Miss Marrowfat at home for the holidays
Description:
Also issued separately., Date of publication from Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "293" in upper right corner., Probably a reissue; date appears to have been burnished from end of imprint statement., Temporary local subject terms: Fire place -- Blacks -- Musical mandolin -- Butcher., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"An elderly old-fashioned doctor, holding his gold-headed cane, sits bending forward to inspect the tongue of his agonized patient. The latter, grotesquely obese, sits in a low arm-chair (right) with his lean and hideous wife beside him; a thin grotesque footman, his hair standing on end, stands behind the doctor's chair, leaning towards his master. All three put out their tongues, and all register dismay; the equally ugly doctor gapes in unhelpful concern. The grotesque heads are closely grouped against a high window. A grandfather clock (left) shows that the time is 2.22. A thermometer hangs on the wall."--British Museum online catalogue, description of an earlier state.
Alternative Title:
Toadstools mistaken for mushrooms
Description:
"Price one shilling coloured."--Lower right corner of design., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 254., Date of publication based on earlier state with the complete imprint "Pubd. September 1st, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12145 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "210" in upper right corner., Reissue, with beginning of imprint statement burnished from plate., Temporary local subject terms: Thermometer -- Doctor -- Clock., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A gouty 'cit' (right), using an ear-trumpet, sits in an arm-chair facing a delinquent in Highland dress, who bows low. One swathed leg rests on a stool, on the other foot is a slashed shoe. At his right hand is a table with writing-materials; on the other side of this sits a bedizened wife, holding a fan against her hideous profile. Behind the Scot stands a fat constable holding a long staff. The Scot: "I own your Worship-- I was a little inebriated but your Worship knaws "Nemo Mortatium [sic]-- Omnibus / "Hooris Saupit [horis sapit]!!" The Justice: "What's that you say fellow about Whores in a Saw Pit--a very improper place to go with such company--I wonder you are not ashamed to mention such a thing and before my Wife too!!--but however as it is your first offence I will discharge you this time--but never come here with such a story again!!"."--British Museum online catalogue.
Alternative Title:
Magistrates mistake
Description:
"Price one shilling coloud.", Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "150" in upper left corner., Reissue, with date burnished from end of imprint statement and plate number changed. For an earlier state numbered "33" in upper left and with the date "15th Decr. 1807" at end imprint, see Beinecke Library call no.: Auchincloss Rowlandson v. 8., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Criminals., Ethnic stereotypes., Gout,--depicted, Judges. , and Spouses.
"Napoleon emerges from the flames of a huge fire burning on the summit of a rock, on the face of which is an opening, like the door of an oven, whence issue flames and serpents. These are being stirred up by the long spear of a Cossack (right), who gazes up at Napoleon, while a sturdy Dutchman (left) plies a huge pair of bellows. The head of Napoleon is based on Gillray's 'Apotheosis of the Corsican-Phoenix', British Museum Satires No. 11007, but as a 'Mock Phoenix', he has not the wings and body of a bird, but the body of a man, though one claw extends from the fire, dropping an orb, as in that print. His flaming crown rises from his head, as in British Museum Satires No. 11007, but he clutches his breast with the right hand, and raises the left arm in a gesture of agonized despair; his sceptre falls into the fire. The flames and smoke have more lateral spread than in British Museum Satires No. 11007, and are filled with demons, ranging from quasi-human devils and imps to serpents. The Dutchman, in bulky breeches, wears a large orange cockade in his hat; he looks up, the smoke from his pipe merging with that of the pyre. The Cossack is bearded, with the high furred cap of other prints. The scene is a plateau surrounded by rocky peaks."--British Museum online catalogue.
Alternative Title:
Vain attempt to rise again
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"Six scenes arranged in two rows, divided by lines, each with a caption, and inscriptions above the design. The figures have large heads, broadly caricatured, in the manner of Woodward's Lilliputian designs, cf. British Museum Satires No. 9635, &c. [1] 'Conscience'. A fat florid woman gesticulates wildly, watched by a sour-looking man. They say: "Oh Im Undone! Im Undone!" and "Then I wish you would undo me--for they have fined me five Shillings for my bit of fun." [2] 'An Airing'. A fashionably dressed and grotesque couple walk arm-in-arm, registering anger. She says: "Now let us pretend to walk out as if nothing was the matter." He says, registering anguish, "Oh what a prize in the Lottery." [3] 'Alarm'. A woman holds a man on her knee. He says, registering dismay, "But if Mr Spriggins should come home what should we do then." She answers, calculatingly amorous: "Be not alarmed sweet Lily of the Valley." [4] 'A Walk to the Shubbery' [sic]. A not uncomely woman, holding up a fan, leads a hideous man towards a shrubbery. He says: "Let me lead you lovely fair one--Nothing loath." She answers: "Oh spare my Blushes." [5] 'A scene in a Stone Coffin'. A couple embrace in a stone coffin beside which lie a skull and bones. She says: "O Dear o dear if the Gostesses should come." He answers: D--n the Gostesses." (An Irish scandal of 1784, see British Museum Satires No. 6699, &c.) [6] 'Observation'. An old man wearing a night-cap and huge spectacles stands with bent knees gazing through a doorway. He says: "Mercy on me, what do I see--well a pair of spectacles is tantamount to two Witnesses"."--British Museum online catalogue.
Description:
Also issued separately., Companion print to: The secret history of crim con. Figr. 1., Date of publication from Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "162" in upper right corner., Probably a reissue; beginning of imprint statement has been burnished from plate., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Six scenes arranged in two rows, divided by lines, each with a caption, and inscriptions above the design. The figures have large heads, broadly caricatured, in the manner of Woodward's Lilliputian designs, cf. British Museum Satires No. 9635, &c. All are ugly except the woman in [4]. [1] 'Morality'. Sourly sanctimonious parsons sit together, each with clasped hands. They say: "Sad times sad times Friend Nicodemus, this Crim Con Business is quite shocking," and Ah it is of no use talking to them--they will have their own way--shocking doings indeed." [2] 'A Kitchen Scene'. A hideous and fashionably dressed old woman (? a cook) reclines in an arm-chair while (?) a steward or clerk of the kitchen stands before her adjusting her large ear-rings. They say: "Do my sweet Creature let me fasten on your ear rings" and "Oh fie Mr Clerk you are really too bad." [3] 'A Lecture'. Two elderly and ugly women stand glaring angrily at each other. They say: "Mrs Amelia Caroline Skeggs [one of the courtesans in 'The Vicar of Wakefield']--I am afraid you give too much encouragement to Mr Spriggins" and "Take care what you say Maam my Character is not to be sported with." The first speaker holds a fan, her breasts are immodestly bare, the other wears a wide straw hat, her hands in a muff. [4] 'An Affair on the Dickey'. A couple embrace on the box-seat of a carriage; the young woman is comely, the other is a coachman in livery. They say: "O you Angel" and "I'm afraid my love you will get the whip hand of me." [5] 'Information'. Two hideous men stand facing each other, one uses an ear-trumpet, and wears spectacles and a night-cap. They say: "Speak louder;, only one shilling damages --why I shall be ruined--" and: "Never mind--you have lost a bad wife, and got a good shilling." [6] 'A Compromise'. A burly fellow threatens with his fists a smaller one who cowers in terror. They say: "you little Scoundrel did not I catch you with my wife--I'll break every bone in your skin" and "Dont be so obstropolous Ill give thee a quartern of gin to make it up and thats better than going to La--"."--British Museum online catalogue.
Description:
Date of publication from Grego., Plate numbered "161" in upper right corner., Probably a reissue; beginning of imprint statement has been burnished from plate., Temporary local subject terms: Parsons -- Female costume, 1812 -- Domestic service -- Coachman, in livery -- Ear-trumpets -- Spectacles -- Male costume: Night-cap -- Male costume, 1812., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"A tall strapping Irishman wearing a flamboyant cocked hat and quasi-military uniform looks down, with a sly smile, at his squat and bedizened bride. Under his right arm is a long cudgel or shillelagh. She takes his arm and looks up rapturously. They walk (right to left) across the 'Crescent', Bath, whose houses form a background. A gouty old man on crutches behind them (right) looks sourly at them, and a chair-man (left) between the shafts of his sedan-chair, gapes in astonishment."--British Museum online catalogue.
Alternative Title:
Captain Shelalee leading Miss Marrowfat to the Temple of Hymen
Description:
Reissue, with the year following Rowlandson's signature altered from "1802" to "1812." For the original issue of the plate, see Lewis Walpole Library call no.: 802.00.00.19+. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
"A street scene at the corner of 'Petticoat Lane' (left) and 'Smock Alley' (right). An ugly and bedizened woman wearing pattens, holding an umbrella and kilting up her skirt, walks painfully over the cobbles, bending forward; her stockings heavily spattered with mud; her breast and arms are bare except for a scarf looped over her shoulders. Heavy slanting rain descends; it pours from the hat of an old woman (left), who stoops over a heavy basket she is carrying. Above her head a woman leans from a window, emptying a chamber-pot. Behind (right), two scavengers shovel mud into a cart. The houses are old and dilapidated, with casement windows. The lantern-sign of a penny-barber (cf. British Museum Satires No. 7605) hangs from a pent-house projection, inscribed 'Shave . . .' There is no pavement, but a solid post (left) protects a large grating let into the cobbles."--British museum online catalogue.
Description:
Printmaker from British Museum catalogue., Temporary local subject terms: Pattens -- Lantern -- Petticoat Lane., and Title etched below image.
Publisher:
H. Humphrey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.