"A street scene at the corner of 'Petticoat Lane' (left) and 'Smock Alley' (right). An ugly and bedizened woman wearing pattens, holding an umbrella and kilting up her skirt, walks painfully over the cobbles, bending forward; her stockings heavily spattered with mud; her breast and arms are bare except for a scarf looped over her shoulders. Heavy slanting rain descends; it pours from the hat of an old woman (left), who stoops over a heavy basket she is carrying. Above her head a woman leans from a window, emptying a chamber-pot. Behind (right), two scavengers shovel mud into a cart. The houses are old and dilapidated, with casement windows. The lantern-sign of a penny-barber (cf. British Museum Satires No. 7605) hangs from a pent-house projection, inscribed 'Shave . . .' There is no pavement, but a solid post (left) protects a large grating let into the cobbles."--British museum online catalogue, description of an earlier state.
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 225., Date of publication based on publisher's active dates. See British Museum online catalogue., Printmaker from description of earlier state in the British Museum catalogue., Reissue, with altered title and imprint statement, of a print originally published 10 February 1812 by Hannah Humphrey. For the earlier state entitled "Wet under foot," see no. 11956 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Title etched below image.
Publisher:
Thomas MacLean, 26 Haymarket
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and McLean, T. (Thomas), publisher.
"Two handsome young courtesans coax an enormously obese and carbuncled 'cit' towards the door of a bagnio (right). One (right) takes him by the wrist, throwing back a cloak to reveal her charms; he leers hideously at her. The other takes him by the shoulders and chin. Above the door are the words 'Warm Bath'. A placard beside it: 'Restorative Drops -Old Age Debility of ever so long standing quickly restored to Youth and Vigour - Prepar'd & Sold by the . . .' They are under an archway inscribed 'Bagnio Court' in an arcade, suggesting Covent Garden."--British Museum online catalogue, description of an earlier state.
Description:
"Price one shilling coloured."--Lower right corner of design., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 226., Date of publication based on complete imprint on earlier state: Pubd. March 1st, 1812, by Thos. Tegg, No. 111 Cheapside. Cf No. 11957 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Later state, with beginning of imprint statement burnished from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "146" in upper right corner., Temporary local subject terms: Bagnio -- Lighting -- Carbuncle., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A vast and hideous negress (left), almost spherical, is embraced by a lean and elderly military officer with a long pigtail. They are on the ramparts of a heavily fortified castle, indicated by a massive pillar and a raised portcullis beyond which is another lean officer, in back view but looking over his shoulder. In the background are cannon and a sentry. Behind the woman's head is a placard: 'Voluntary Subscription for a Soldiers Widow the smallest donation will be gratefully received--By Rachel Ram Part'."--British Museum online catalogue.
Description:
"Price one shilling couloured [sic]."--Lower right corner of design., Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "145" in upper right corner; the digit "5" is etched backwards., Probably a later state; beginning of imprint statement has been burnished from plate., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
For a description of the reissue or alternate version of this design from 1812, see: Grego, J. Rowlandson the caricaturist, v. 2, page 230., Manuscript notion identifies the seated man as "Morland the artist" and the man standing behind him as "Rowlandson"., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Tankards -- Pictures amplifying subjects: 3 prints of pugilists., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Morland, George,--1763-1804--Caricatures and cartoons., and Rowlandson, Thomas,--1756-1827--Caricatures and cartoons.
"A fat woman laden with basket, bottles, bundle, &c. descends steps to the waterside, blown by the wind and beset by five bawling watermen, who point towards their boats. Behind (right), other men hail an approaching passenger. The bows of two Thames wherries are on the left; in one a young waterman stands punting his boat. The watermen wear short full-skirted coats with knee-breeches and have large oval badges on the arm. Part of an old timber building forms a background to the group on the stairs. It has a large placard: 'Wapping Old Stairs'. From a projecting upper floor a man and girl look down, amused, the man smoking a long pipe. In the foreground (right) a chubby fisherman's boy sleeps in a dinghy on a pile of nets. There is a background of ships at anchor, a riverside church flying a flag, and a timber building with a large beam projecting over the water from which hangs a barrel."--British Museum online catalogue.
Description:
Temporary local subject terms: Fish nets -- Watermen., Title etched below image., and Two lines of text below title: Entering upon any of the bridges of London, or any of the passages leading to the Thames, being assailed by a groupe of watermen, holding up their hands and bawling out. Oars Sculls. Sculls. Oars Oars.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
"Six scenes arranged in two rows, divided by lines, each with a caption, and inscriptions above the design. The figures have large heads, broadly caricatured, in the manner of Woodward's Lilliputian designs, cf. British Museum Satires No. 9635, &c. [1] 'Conscience'. A fat florid woman gesticulates wildly, watched by a sour-looking man. They say: "Oh Im Undone! Im Undone!" and "Then I wish you would undo me--for they have fined me five Shillings for my bit of fun." [2] 'An Airing'. A fashionably dressed and grotesque couple walk arm-in-arm, registering anger. She says: "Now let us pretend to walk out as if nothing was the matter." He says, registering anguish, "Oh what a prize in the Lottery." [3] 'Alarm'. A woman holds a man on her knee. He says, registering dismay, "But if Mr Spriggins should come home what should we do then." She answers, calculatingly amorous: "Be not alarmed sweet Lily of the Valley." [4] 'A Walk to the Shubbery' [sic]. A not uncomely woman, holding up a fan, leads a hideous man towards a shrubbery. He says: "Let me lead you lovely fair one--Nothing loath." She answers: "Oh spare my Blushes." [5] 'A scene in a Stone Coffin'. A couple embrace in a stone coffin beside which lie a skull and bones. She says: "O Dear o dear if the Gostesses should come." He answers: D--n the Gostesses." (An Irish scandal of 1784, see British Museum Satires No. 6699, &c.) [6] 'Observation'. An old man wearing a night-cap and huge spectacles stands with bent knees gazing through a doorway. He says: "Mercy on me, what do I see--well a pair of spectacles is tantamount to two Witnesses"."--British Museum online catalogue.
Description:
Also issued separately., Companion print to: The secret history of crim con. Figr. 1., Date of publication from Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "162" in upper right corner., Probably a reissue; beginning of imprint statement has been burnished from plate., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Six scenes arranged in two rows, divided by lines, each with a caption, and inscriptions above the design. The figures have large heads, broadly caricatured, in the manner of Woodward's Lilliputian designs, cf. British Museum Satires No. 9635, &c. All are ugly except the woman in [4]. [1] 'Morality'. Sourly sanctimonious parsons sit together, each with clasped hands. They say: "Sad times sad times Friend Nicodemus, this Crim Con Business is quite shocking," and Ah it is of no use talking to them--they will have their own way--shocking doings indeed." [2] 'A Kitchen Scene'. A hideous and fashionably dressed old woman (? a cook) reclines in an arm-chair while (?) a steward or clerk of the kitchen stands before her adjusting her large ear-rings. They say: "Do my sweet Creature let me fasten on your ear rings" and "Oh fie Mr Clerk you are really too bad." [3] 'A Lecture'. Two elderly and ugly women stand glaring angrily at each other. They say: "Mrs Amelia Caroline Skeggs [one of the courtesans in 'The Vicar of Wakefield']--I am afraid you give too much encouragement to Mr Spriggins" and "Take care what you say Maam my Character is not to be sported with." The first speaker holds a fan, her breasts are immodestly bare, the other wears a wide straw hat, her hands in a muff. [4] 'An Affair on the Dickey'. A couple embrace on the box-seat of a carriage; the young woman is comely, the other is a coachman in livery. They say: "O you Angel" and "I'm afraid my love you will get the whip hand of me." [5] 'Information'. Two hideous men stand facing each other, one uses an ear-trumpet, and wears spectacles and a night-cap. They say: "Speak louder;, only one shilling damages --why I shall be ruined--" and: "Never mind--you have lost a bad wife, and got a good shilling." [6] 'A Compromise'. A burly fellow threatens with his fists a smaller one who cowers in terror. They say: "you little Scoundrel did not I catch you with my wife--I'll break every bone in your skin" and "Dont be so obstropolous Ill give thee a quartern of gin to make it up and thats better than going to La--"."--British Museum online catalogue.
Description:
Date of publication from Grego., Plate numbered "161" in upper right corner., Probably a reissue; beginning of imprint statement has been burnished from plate., Temporary local subject terms: Parsons -- Female costume, 1812 -- Domestic service -- Coachman, in livery -- Ear-trumpets -- Spectacles -- Male costume: Night-cap -- Male costume, 1812., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"A mountainous woman, with traces of comeliness, sits squarely in an arm-chair, plying a fan, between her husband (left) and a servant who stands (right), his hat under his arm and his hands in his coat-pockets. The latter says: "An please you Master and Mississ, The Sailor Man has sent word as how the Wessel is ready to swim." The husband, a paunchy 'cit' in old-fashioned dress, stands leaning towards his wife, saying, "Why my Dove--I am loaded with provisions like a tilt cart on a fair day, and my pockets stick out as if I was just return'd from a City Feast." The heads of two geese hang from his pocket. His wife says: "Dont be so Wulgar Mr Dripping--you are now among gentill folks, and must behave yourself--we shall want all the Wickalls on the Woyage depend upon it--bless me how Varm it is, I am all over in a muck"."--British Museum online catalogue, description of an earlier state.
Description:
"Price one shilling coloured.", Date from Grego., Later state; place and date of publication have been removed from beginning of imprint statement. For an earlier state missing the final two digits of the year of publication but with the imprint otherwise intact, see no. 11968 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "166" in upper right corner., Probably etched on a reused plate; ghost images, scratches, and faint upside-down text are visible in and around the design., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"A family of sweeps sitting before the smoking hearth (at right) in a low hovel, eating, drinking and smoking; all have sooty skin apart from the grotesque mother who leans back, barebreasted and negligently holding a long pipe, against a heap of sacks; a man sitting alongside and smoking a long pipe leers at her, another beside him; four children lie or sit on the floor eating with spoons from bowls, at one of which a cat also sits; on the rafters, above the billowing smoke, a caged black bird and an uncaged white bird."--British Museum online catalogue.
Alternative Title:
Sweeps regaling
Description:
Date of publication from Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Possibly a companion print to: Love and dust., Probably a reissue of a plate first published in 1802; the year etched above Rowlandson's signature might have originally been "1802," and was seemingly modified to "1808" and then possibly "1812" before being mostly obscured with crosshatching. See Grego., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
"An elopement. A fat woman has fallen on her back from a ladder, knocking down her lover, who lies on his back beneath her. He wears military uniform. Both scream angrily, and a dog (left) barks at her. The ladder, one rung of which is broken, leans against a first-floor window (left) from which the husband looks out, holding a candle. Behind (right), a laughing postilion holds open the door of a post-chaise. A full moon with grinning features looks down from clouds. A lamp projects from the corner of the house."--British Museum online catalogue.
Description:
Date of publication from British Museum catalogue and Grego., Plate numbered "289" in upper right corner., Reissue, with the year of publication crossed out in imprint statement. For the original issue with the intact imprint "Pubd. Decer. 24, 1808, by Thos. Tegg, No. 11 [sic] Cheapside," see: Royal Collection Trust, RCIN 810732., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.