"A design in two compartments, separated by a vertical line. [1] Napoleon stands on the dais in front of a chair of state addressing rows of (burlesqued) Senators and Deputies, who listen with hostility and scepticism; some close their eyes, two take snuff. The Devil, a winged monster, clutches the back of Napoleon's chair, and leans towards him like a gargoyle-bird of prey, inspiring the speech. The dais is supported on crowns of varying patterns. The Emperor is in profile to the left, extending both arms in a propitiatory gesture; he wears plain military uniform with boots. His words are in a large label across the design ... This label hides the upper part of two pictures on the wall: a battle-piece (left), and (above Napoleon's head) '20 Flags Presented to the Empress': tiny obsequious figures present the flags, see British Museum Satires No. 12111, &c. [2] Napoleon, in profile to the right, kneels abjectly before the Allies, presenting to them a collection of crowns, including the Pope's tiara, and a sheaf of flags; these are on the ground with his cocked hat and sword; he keeps one crown tucked under his right arm. The Allies stand menacingly on the right. They are (left to right): John Bull, a fat 'cit' pugnaciously clenching his fists; a morose-looking Spaniard; a Cossack, his right hand on his sabre; an (?) Austrian officer, his sword in his left hand, and on the extreme right a Dutchman in bulky breeches, with a long pipe in his mouth. Other heads are indicated behind. Napoleon's words are in a large label ... Behind Napoleon is Talleyrand supported on a crutch; he leans forward obsequiously, saying, "What my Master has said is true So help me G--d Amen"."--British Museum online catalogue.
Alternative Title:
Devils imp praying for peace
Description:
Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"Household goods are being piled into an open cart, which stands beside a corner house, the door being partly visible on the extreme right. The cart is already stacked high with mattresses, tables, &c. A burly muscular man stands inside it, taking things from a fat and slatternly but comely woman (right). She hands up a child's commode and is laden with bellows, warming-pan, chamber-pots, gridiron, &c. A pretty girl (left) brings a trap containing a mouse and a cage containing a bird. A pretty young woman is in the doorway. In the foreground two burly children play with a monstrous cat, surrounded by goods ready for transport. These are cooking utensils, mop and pail, flat-irons, &c."--British Museum online catalogue, description of an earlier state.
Alternative Title:
Clearing the premises without consulting your landlord and Clearing the premisses without consulting your landlord
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 274., Date of publication inferred from earlier state with the imprint: Pubd. Jany. 30th, 1814. Cf. No. 12399 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Later state; former plate number "318" has been replaced with a new number, and imprint statement has been completely burnished from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "259" in upper right corner., Publisher from description of earlier state in the British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A confused scene. A beadle, cane in hand, grasps the side of an overturned barrow, from which a basket, scales, and black puddings (coloured green) have fallen. A powerful young woman grasps his nose, and prepares to use her fist; an older woman clutches his back and belabours him with a basket. Both are shrieking termagants with bare breasts. A dog between the beadle's legs barks. The spectators, all close to the fray, are amused: a butcher, shouldering a tray of meat, stands outside his stall (left), which is immediately behind the combatants; from it dangle large joints and a carcase. A woman passes, pushing a barrow (left). A man's grinning face watches from the right. Behind (right) is a shop placarded 'Bob Giblet Poulterer', its ancient front hidden by bunches of hares and turkeys."--British Museum online catalogue, description of an earlier state.
Alternative Title:
Barrow women basting a beadle
Description:
Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 274-6., Date of publication based on complete imprint on earlier state: Pub. Feb. 10th, 1814, by T. Tegg, 111 Cheapside. Cf. No. 12401 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Later state; former plate number "310" has been replaced with a new number, and beginning of imprint statement has been burnished from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "283" in upper right corner., Sheet trimmed within plate mark on three sides., Temporary local subject terms: Butcher -- Poulterer -- Beadle., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"In a bare room with a raftered roof couples are energetically dancing, holding hands behind their backs, or above their heads. The women, with one exception, are young and handsome, the men ugly and plebeian. A seated fiddler plays with closed eyes (right). Through a doorway partly covered with curtains the bride and bridegroom are seen embracing. On the wall is a placard: 'They dance in a round, cutting capers and ramping. A mercy the ground did not burst with their stamping.The floor is all wett, with leaps and with jumps, while the water and sweat, splish splash in their pumps'."--British Museum online catalogue.
Description:
Plate numbered "315" in upper right corner. and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Subject (Topic):
Couples. , Dance., Musicians. , Tailors. , and Weddings.
"A handsome strapping woman stands in the doorway of a brothel, a corner house of some size (right), tugging hard at the neck-cloth of a plainly dressed man, saying, "Wont you come, wont you come Mr Mug [a popular song, see British Museum Satires No. 11205]." He leans back, pushing against the door-post, and the woman's chest, trying to escape, and saying: "Avaunt thee Satan." Two laughing prostitutes lean against him (left), pushing their posteriors against his, to prevent his escape; one of them, for better purchase, presses her hands and a foot against the post of the sign-board before the door. On this is a pictorial sign: 'Cat and Bagpipes'. A dog rushes barking towards the struggle. Behind (left), across the street, is a row of old houses with casement windows; washing hangs from a projecting pole."--British Museum online catalogue, description of an earlier state.
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 176-7., Date of publication based on complete imprint on earlier state: Pubd. March 1st, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12404 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Later state; former plate number "317" has been replaced with a new number, and beginning of imprint statement has been burnished from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "261" in upper right., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
'verliehrt auf der Heimreise von der Leipziger Messe alles' (reproduced Broadley, ii. 117). Napoleon runs in profile to the left, holding in both hands a pole like that of a running footman, but topped by the head of the sceptre of Charlemagne (an emblem of the Empire) inscribed 'Carolus Magnus'. His head and uniform evidently derive from Dähling's engraving of Napoleon in the uniform of the Colonel of the Chasseurs of the Guard (reproduced, Dayot, 'Napoléon', p. 205), on which British Museum Satires No. 12177 is based, but on his back is the hairy knapsack of a private (as in British Museum Satires No. 12308). Its contents fly out as he runs. On the ground are two prints of French soldiers at attention, 'Alte Garde' and 'Junge Garde'; maps fall to the ground: 'Poland', 'Rhein Bund', 'Hanstat [sic] Departement', 'Sewitszerla[nd]' [sic], 'Holland', 'Italy', which has hardly left the knapsack; two rolled maps are about to fall: 'Brabant' and 'Bheisufer' [i.e. Rheinufer or Bouches du Rhin]. He runs diagonally towards a broad river, the Rhine; on the farther side are the buildings of 'Maynz', reflected in the water. Just before him runs a hare. The original, including inscriptions, is closely followed, but the hare (cf. British Museum Satires No. 12564) has been added and a bush removed."--British Museum online catalogue. and "A copy, probably much enlarged, of a German print, der rheinische courier
Alternative Title:
Head runner of runaways, from Leipzig fair
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"An adaptation of British Museum Satires No. 10039, by Gillray, the place of George III being taken by 'Blucher', the name on a ribbon worn over his uniform. The horse (left) is a restive charger instead of a hunter standing quietly. Blücher leans towards the pack in a fierce attitude, unlike that of the King. The grip of the hand on the fox's neck is as before, and the fox with the profile head of Napoleon registering despair is closely copied. In place of six hounds there are fourteen, six with names on their collars: 'Wellington', 'Swartsenberg', 'Crown Prince' [Bernadotte], 'D. York', 'Kutusoff', 'Row' [with a fourth letter which is perhaps 'L'], Two monarchs wearing crowns gallop up from the right, on a larger scale than the tiny horsemen headed by Pitt in British Museum Satires No. 10039. In the background (right) is a flaming town."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Blücher, Gebhard Leberecht von,--1742-1819--Caricatures and cartoons., Charles--XIV John,--King of Sweden and Norway,--1763-1844., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827., Harvey, Francis--Ownership., Kutuzov, Mikhail Illarionovich,--svetleĭshiĭ kni︠a︡zʹ Smolenskiĭ,--1745-1813., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Schwarzenberg, Karl Philipp,--Fürst zu,--1771-1820., and Wellington, Arthur Wellesley,--Duke of,--1769-1852.
"Napoleon runs away from Talleyrand, who aims a violent kick at him with the heavy surgical shoe on his right foot, raising his crutched stick to smite the fugitive. Napoleon holds his hat, a bicorne, and looks over his shoulder with a terrified stare to say: "Votre tres humble Serviteur Monsieur Tally." Talleyrand, furiously vindictive, exclaims: "Va ten Cocquin I'll crack your Crown you pitiful Vagabond." He holds a bulky document: 'Abdication or the Last Dying Speech of a Murderer Who is to be difered [sic] into the hands of the Devil the first fair Wind.' Beside Napoleon a gibbet with a dangling noose serves as sign-post, pointing 'To the Isle of Elba'. Across a piece of water on the extreme left is an islet on which is a high gallows from which hang six tiny corpses. In the background a British sailor with a bludgeon is running by the shore; he says: "What let him sneak of without a Mark or a Scratch No No I'll darken his Day Lights for him." Behind Talleyrand maimed French soldiers are running forward as fast as crutches and infirmity allow. Three have fallen; the foremost says: "Bone him my Tight little Tally"."--British Museum online catalogue.
Alternative Title:
Kick for kick
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons.
And take their own for Joys--." The sword has a jagged blade, intended to symbolize flames. He wears plain uniform with epaulets; his small bicorne is falling off. On the right, beneath the avenging arm, is Napoleon's chair of state, overturned; beside it are heaped a large fringed canopy or curtain, a spiky crown (cf. British Museum Satires No. 12252), and sceptre. From behind the folds of the curtain the Devil emerges, winged and ferocious; he grasps Napoleon's leg. Beside Napoleon is a pile of crowns and gold plate. There are heavy clouds behind Napoleon and on the right, above and below the arm and sword."--British Museum online catalogue. and "Napoleon (left) looks up terrified at an arm holding a sword emerging from clouds (right), with the words: "Thou'rt doom'd to Pain, at which the Damn'd will tremble
Description:
Printmaker from British Museum catalogue., Text below title: Empire and victory be all forsaken, to plagues, poverty, disgrace & shame, strip me of all my dignities and crowns. Take O take your sceptres back. Spare me but life., and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
In a series of three images Napoleon Bonaparte is first shown on the left as Emperor wearing royal regalia, with other crowns and pharaoh's insignia at his feet, the Tuilleries Palace behind him, signed "What I was," below and "A cruel tyrant" above. In the second image his weeping figure in military uniform is shown on the tiny island of Elba, and is signed "What I am," below and "A snivelling wretch" above. Lastly, on the right, his corpse hangs from a gibbet, his hat fallen to the ground and ass's ears exposed on his head, with caption "What I ought to be" below and "Hung for a fool" above.
Alternative Title:
What I was, what I am, what I ought to be
Description:
Title etched at bottom of plate.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
Subject (Topic):
Crowns. , Gallows., Military uniforms--French--19th century., and Scepters.