Title supplied by cataloger, based on title given by Grego for the original drawing., For the original drawing by Rowlandson, see: Grego, J. Rowlandson the caricaturist, v. 2, page 422., Date assigned by curator., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 57 of volume 13 of 14 volumes.
Title devised by curator., Design attributed to Rowlandson by curator., Date assigned by curator., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 57 of volume 13 of 14 volumes.
Title etched below image., Imperfect; sheet trimmed within plate mark with partial loss of artist's signature., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 56 of volume 13 of 14 volumes.
"A tall French soldier, swarthy, mustachioed, muscular, and sinister stands almost full-face, his mouth open as if shouting. In his large cocked hat are three large favours, one white inscribed 'Vive Le Roi', one tricolour inscribed 'Vive Le Empereur', the uppermost and largest, 'Vive Le Diable', is pink. He holds his musket by the barrel, the butt resting on the ground, in his left hand he holds out a snuff-box. His uniform is neat, but his feet are bare, except for remnants of leather across the instep. By his head in large letters: 'French Constancy' (left) and 'French Integrity' (right). Behind and on a smaller scale are emblems of fickleness: a windmill (left) represents 'French Stability'; an ape and cat embracing, both on their hind-legs, represents: 'French Union between the National Guard and Troops of the Line'."--British Museum online catalogue
Alternative Title:
Vive le roi! Vive le empereur. Vive le diable
Description:
Title etched below image., Printmaker, publisher, and date of publication from British Museum catalogue., Sheet trimmed within plate mark on bottom edge., and Mounted on leaf 42 of volume 13 of 14 volumes.
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 60 of volume 13 of 14 volumes.
Three man stand full-length with speech balloons above each figure. On the left, a man in coat, hat, and whip with the title "Dress like a coachman". In the middle a more sturdely built man with a walking stick under his arm -- "Study boxing and bull baiting". On the right, a man also in hat, coat and walking stick -- "Speak the slang language fluently".
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J. Whatman., and Mounted on leaf 31 of volume 13 of 14 volumes.
Publisher:
Pubd. September 15th, 1814, by Thos. Tegg, No. 111 Cheapside
"Two men lie in the small truckle-beds (i.e., trundle bed) of a cheap lodging-house, one (left) asleep. An old woman holding a candle kneels at the foot of the other bed, and tugs at the wooden leg of its occupant. She says: "There is nothing like looking after Servants I always like to see that my lodgers are comfortable. --Aye here's a pretty careless trick--the warming pan left in the gentleman's bed I declare". Its owner, an angry sailor, shouts: "Hollo --Avast heaving Zounds dont pull off my timber--I went to bed half seas over and forgot to stow it alongside the hammock"."--British Museum online catalogue, description of a later state
Alternative Title:
Careful landlady
Description:
Title etched below image., Printmaker identified as Rowlandson and artist questionably identified as Woodward in the British Museum catalogue., Reissue of a print apparently first published 10 May 1809; in this reissued state, the day and year of publication in imprint are heavily scored through but still legible. For a later state with beginning of imprint burnished from plate, see no. 11466 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "300" in upper right corner., 1 print : etching with stipple on wove paper, hand-colored ; sheet 24.1 x 33.7 cm., Sheet trimmed within plate mark., and Mounted on leaf 66 of volume 13 of 14 volumes.
Publisher:
Pubd. May [10th, 1809, by] Thos. Tegg, No. 111 Cheapside
"Napoleon (left) looks up terrified at an arm holding a sword emerging from clouds (right), with the words: "Thou'rt doom'd to Pain, at which the Damn'd will tremble | And take their own for Joys--." The sword has a jagged blade, intended to symbolize flames. He wears plain uniform with epaulets; his small bicorne is falling off. On the right, beneath the avenging arm, is Napoleon's chair of state, overturned; beside it are heaped a large fringed canopy or curtain, a spiky crown (cf. British Museum Satires No. 12252), and sceptre. From behind the folds of the curtain the Devil emerges, winged and ferocious; he grasps Napoleon's leg. Beside Napoleon is a pile of crowns and gold plate. There are heavy clouds behind Napoleon and on the right, above and below the arm and sword."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text below title: Empire and victory be all forsaken, to plagues, poverty, disgrace & shame, strip me of all my dignities and crowns. Take O take your sceptres back. Spare me but life., Sheet trimmed within plate mark., and Mounted on leaf 22 of volume 13 of 14 volumes.
Publisher:
Pubd. May 1, 1814, by R. Ackermann, No. 101 Strand
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 59 of volume 13 of 14 volumes.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequence of four designs divided by intersecting lines. 'Spring'. An ugly tailor kneels with clasped hands at the feet of a plain woman, who holds up a fan encouragingly. A card of patterns hangs from his pocket. He says: "Oh you bewitching Angel behold at your feet a Swain as tender as a Veal Cutlet, You are the very Broad Cloth of perfection--have pity on me Adorable Mrs Griskin." She answers: "You enchanting Devil I do not know what to say to you. however Mr Thimble--that Mole between your eye-brows-- put me so much in mind of my poor departed Husband, that I think I cant refuse you." 'Summer'. The pair walk arm-in-arm in a landscape. He has become plump and wears trousers in place of the breeches worn in the other three designs. She flourishes a parasol. A dog follows. He says: "O thou wert born to please me My Life my only Dear." She answers: "Ay now you look a little stylish You are a--Charming Man who would not be married." 'Autumn'. They face each other defiantly, she holds a letter beginning 'Dear Mr Thimble,' and shrieks: "Here you feller here's a pretty commence. An interspected letter from one of your Naughty Women I knew you was going to Gallivant." He answers: "Well Ma'am, since you come for to go to that, who was it Galivanted with Mr Dip the Dyer to White conduit House last Sunday answer me that however I'll have a separation." 'Winter'. The pair are seated each side of a writing-table at which a lawyer sits reading a paper: 'Articles of Seperation between Jeremiah and Tabitha Thimble'. Her hands are in a muff; she says with a painful smile: "I never felt myself so Comfortable in all my Life." He has grown thin and sits with clasped hands, saying, "O Blessed day for Jerry Thimble I hope to pass the next Year in Peace and quietness"."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Septr. 15th, 1814, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12407 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "253" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 286., Temporary local subject terms: Male Costume, 1814: Trousers -- Fans -- Tailors -- Female Costume, 1814: Fur muff -- Parasols -- Dogs -- Lawyers -- Furniture: Writing-table., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 35.2 cm, on sheet 25.3 x 36.7 cm., Sheet trimmed to plate mark on top edge., and Mounted on leaf 32 of volume 13 of 14 volumes.
"A design in two compartments, separated by a vertical line. [1] Napoleon stands on the dais in front of a chair of state addressing rows of (burlesqued) Senators and Deputies, who listen with hostility and scepticism; some close their eyes, two take snuff. The Devil, a winged monster, clutches the back of Napoleon's chair, and leans towards him like a gargoyle-bird of prey, inspiring the speech. The dais is supported on crowns of varying patterns. The Emperor is in profile to the left, extending both arms in a propitiatory gesture; he wears plain military uniform with boots. His words are in a large label across the design ... This label hides the upper part of two pictures on the wall: a battle-piece (left), and (above Napoleon's head) '20 Flags Presented to the Empress': tiny obsequious figures present the flags, see British Museum Satires No. 12111, &c. [2] Napoleon, in profile to the right, kneels abjectly before the Allies, presenting to them a collection of crowns, including the Pope's tiara, and a sheaf of flags; these are on the ground with his cocked hat and sword; he keeps one crown tucked under his right arm. The Allies stand menacingly on the right. They are (left to right): John Bull, a fat 'cit' pugnaciously clenching his fists; a morose-looking Spaniard; a Cossack, his right hand on his sabre; an (?) Austrian officer, his sword in his left hand, and on the extreme right a Dutchman in bulky breeches, with a long pipe in his mouth. Other heads are indicated behind. Napoleon's words are in a large label ... Behind Napoleon is Talleyrand supported on a crutch; he leans forward obsequiously, saying, "What my Master has said is true So help me G--d Amen"."--British Museum online catalogue
Alternative Title:
Devils imp praying for peace
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted on leaf 1 of volume 13 of 14 volumes.
Publisher:
Pubd. Jany. 1st, 1814, by R. Ackermann, No. 101 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
"Napoleon runs away from Talleyrand, who aims a violent kick at him with the heavy surgical shoe on his right foot, raising his crutched stick to smite the fugitive. Napoleon holds his hat, a bicorne, and looks over his shoulder with a terrified stare to say: "Votre tres humble Serviteur Monsieur Tally." Talleyrand, furiously vindictive, exclaims: "Va ten Cocquin I'll crack your Crown you pitiful Vagabond." He holds a bulky document: 'Abdication or the Last Dying Speech of a Murderer Who is to be difered [sic] into the hands of the Devil the first fair Wind.' Beside Napoleon a gibbet with a dangling noose serves as sign-post, pointing 'To the Isle of Elba'. Across a piece of water on the extreme left is an islet on which is a high gallows from which hang six tiny corpses. In the background a British sailor with a bludgeon is running by the shore; he says: "What let him sneak of without a Mark or a Scratch No No I'll darken his Day Lights for him." Behind Talleyrand maimed French soldiers are running forward as fast as crutches and infirmity allow. Three have fallen; the foremost says: "Bone him my Tight little Tally"."--British Museum online catalogue
Alternative Title:
Kick for kick
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted on leaf 19 of volume 13 of 14 volumes.
Publisher:
Pubd. 17th April 1814 by R. Ackermann, No. 101 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
"Napoleon, not caricatured, stands on a balcony, leaning forward to look down at the scene which Death, a skeleton, points out. He wears his petit-chapeau, and his uniform, without orders, is buttoned to the neck. Death is perched on the parapet, turning his head to the left, to stare in Napoleon's face; in his right hand is his javelin; he points with outstretched left hand. His hour-glass stands on the parapet, which is inscribed 'More Horrors' and 'Death and Destruction'. Below (right) are the heads and shoulders of a mob with pikes, bayonets, and imperial eagles. There are two heads on pikes. Behind them are the roofs and towers of a corner of Paris, with a domed church surmounted by a cross. Close behind Napoleon stand four of his marshals or generals, staring down at the scene of bloodshed. Next the Emperor is Ney, his hand on his sword; the others are probably Vandamme, Davout, and Lefebvre, as in British Museum Satires No. 12527. The Devil stands behind, grasping Ney and Napoleon in his hairy arms. His grinning head looks to the left, between those of his victims. Two pistols, a dagger, and axe lie on the parapet."--British Museum online catalogue
Alternative Title:
Corsican and his bloodhounds at the window of the Thuilleries looking over Paris
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted on leaf 44 of volume 13 of 14 volumes.
Publisher:
Pubd. April 16th, 1815, by R. Ackermann, No. 101 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Ney, Michel, duc d'Elchingen, 1769-1815, Vandamme, Dominique, 1770-1830, Davout, Louis Nicolas, duc d'Auerstædt et prince d'Eckmühl, 1770-1823, and Lefèbvre, Francois-Joseph, duc de Dantzick, maréchal de France, 1755-1820
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 61 of volume 13 of 14 volumes.
"The scene is the throne-room in the Tuileries, indicated by a part of the throne on its dais on the extreme right, on which are the (discarded) throne and sceptre, and by a large whole length portrait of Louis XVIII, scowling and caricatured, inscribed 'Louis le Bien Aimé'. Napoleon as Harlequin (as in British Museum Satires Nos. 10060, 12515), in parti-coloured tights, a dagger in each hand, leaps through an opening cut in the canvas, hounded by the monarchs of Europe. The portrait (right) shows the fat king holding orb and sceptre, with eyes closed or downcast. The canvas from waist to knees of the portrait is cut neatly away, leaving the King's gouty feet resting squarely on a footstool. Just behind Harlequin is the fat King of Würtemberg on his knees (and paunch) firing a pair of pistols at the fugitive. Across his posterior is the word 'Clown'. Beside him Ferdinand of Spain falls backwards, overbalanced by an attempt to kick ; his crown falls off and he flourishes a sword. He is identified by his slashed doublet, cloak, and flapped boots. Behind (left) a fat powerful Cossack, representing Russia, prods Napoleon with his long spear. He wears a fur cap, trousers tucked into his boots, and has a pair of pistols in his belt. Farther back is the Emperor of Austria wearing a wallet inscribed 'Pantaloon'. He is bearded, slippered, spectacled, and lean, wearing a crown and a dressing-gown. He shuffles forward with clenched fists, holding a dagger. On the extreme left is the Pope, wearing a mitre and holding a headsman's axe against his shoulder. Other figures are nearer the wall which forms a background. Foremost of these is the King of Prussia, close behind Napoleon and firing a blunderbuss. Next is the grotesque Dutchman who stands for the new King of Holland, smoking a pipe, and firing a musket with a fiercely intent expression. Three unidentified crowned heads, and a sharp profile ( ? Bernadotte) with bayonets and spear, and an arm holding up a spiked club make up the crowd of attackers. One of the monarchs takes down from the wall (or hangs up) a three-quarter length portrait of 'Columbine', a young woman with a feathered hat and plump arms held akimbo. She is either Marie Louise (as in British Museum Satires No. 12515), or, according to Broadley, the Duchesse d'Angoulême, an identification supported by the position of her portrait in the same room as that of Louis XVIII."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Two lines of text below title: With entire new music, dances, dresses, scenery, machinery &c &c. The principle [sic] characters to be supported by most of the great potentates in Europe, Harlequin by Mr. Napoleon, Clown by King Wirtemberg, Pantaloon Emperor of Austria. To conclude with a comic song to be sung by the Pope and a grand chorus by the crown'd heads. Vivant Rex et Regina., Sheet trimmed within plate mark., and Mounted on leaf 43 of volume 13 of 14 volumes.
Publisher:
Pubd. April 12th, 1815, by R. Ackermann, N. 101 Strand
Subject (Name):
Louis XVIII, King of France, 1755-1824, Napoleon I, Emperor of the French, 1769-1821, Frederick I, King of Württemberg, 1754-1816, Ferdinand VII, King of Spain, 1784-1833, Pius VII, Pope, 1742-1823, Francis I, Emperor of Austria, 1768-1835, Frederick William III, King of Prussia, 1770-1840, Charles XIV John, King of Sweden and Norway, 1763-1844, and Angoulême, Marie-Thérèse Charlotte, duchesse d', 1778-1851
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A hayfield, with small haycocks in the background; girls with pitchforks stand by a large laden wagon. In the foreground two men and two girls romp on the ground, while two other girls prepare to smother them in hay."--British Museum online catalogue
Alternative Title:
Pleasant way of making hay
Description:
Title etched below image., Publisher from British Museum catalogue., Date of publication based on variant state with the imprint "Publish'd June 20th, 1814." See British Museum catalogue., Plate numbered "16" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., 1 print : etching with stipple on wove paper, hand-colored ; sheet 33.1 x 23.4 cm., Sheet trimmed within plate mark., Watermark: Smith & Allnutt 1819., Window mounted to 33.3 x 23.8 cm., and Mounted on leaf 28 of volume 13 of 14 volumes.
"Napoleon, on a galloping horse, is confronted by Blücher (right) who fires a blunderbuss at close range. He is pursued by Wellington (left) who gallops towards him, sabre in hand. Napoleon has lost his stirrups; he faces Blücher with arms thrown wide in a gesture of despair. His crown flies from his head, and six eagles (or geese) fly off to the left, above Wellington. In the background, among smoke, cavalry in wild flight (right) and wild pursuit (left) are indicated."--British Museum online catalogue
Alternative Title:
Rudolph Ackermann's transparency on the victory of Waterloo
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed within plate mark., Annotated in ink in lower right corner: General illumination June 22 - 1815., and Mounted on leaf 46 of volume 13 of 14 volumes.
Publisher:
Pub. at R. Ackermann's, 101 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Blücher, Gebhard Leberecht von, 1742-1819, and Wellington, Arthur Wellesley, Duke of, 1769-1852
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Household goods are being piled into an open cart, which stands beside a corner house, the door being partly visible on the extreme right. The cart is already stacked high with mattresses, tables, &c. A burly muscular man stands inside it, taking things from a fat and slatternly but comely woman (right). She hands up a child's commode and is laden with bellows, warming-pan, chamber-pots, gridiron, &c. A pretty girl (left) brings a trap containing a mouse and a cage containing a bird. A pretty young woman is in the doorway. In the foreground two burly children play with a monstrous cat, surrounded by goods ready for transport. These are cooking utensils, mop and pail, flat-irons, &c."--British Museum online catalogue, description of an earlier state
Alternative Title:
Clearing the premisses without consulting your landlord and Clearing the premises without consulting your landlord
Description:
Title etched below image., Later state; former plate number "318" has been replaced with a new number, and imprint statement has been completely burnished from plate., Publisher from description of earlier state in the British Museum catalogue., Date of publication inferred from earlier state with the imprint: Pubd. Jany. 30th, 1814. Cf. No. 12399 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "259" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 274., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.1 x 24.7 cm, on sheet 37.5 x 25.8 cm., and Mounted on leaf 4 of volume 13 of 14 volumes.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
An obese, elderly sailor stands atop a fortified battlement looking out to sea through a telescope. Beside him a young woman turns to kiss a handsome young military officer as she holds up her wind-swept parasol. In front of him, at his feet, another young woman looks down at a sailor who gazes up at her with admiration. An old man shivers in the wind beside a sentry who stands with his back to the sea, smiling at the scene before him
Alternative Title:
Stolen kisses sweetest
Description:
Title etched below image., Later state; former plate number "313" has been replaced with a new number, and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Feby. 14, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12402 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "279" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 275-6., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.2 x 24.8 cm, on sheet 37.1 x 25.7 cm., and Mounted on leaf 6 of volume 13 of 14 volumes.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A wide space leads to the harbour. On one side (left) is the corner of a large old clothes shop: 'Moses Levy Money Lent', with garments, &c., hanging from it. Opposite is the old-fashioned 'Ship Tavern'. Off shore are ships in full sail, boats are making towards them. In the foreground is a bustle of departure: baggage is being carried, casks are rolled, sailors and their women embrace or fight; a one-legged sailor plays a fiddle, a child plays with dogs. At the door of the 'Ship' an officer takes leave of his family; from the bow-window above spectators lean out, an officer using a telescope."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "319" has been replaced with a new number, and date in lower left corner of design has been removed from plate., Publisher from description of earlier state in the British Museum catalogue., Date of publication inferred from earlier state, which has the year "1814" etched in lower left corner of design. Cf. No. 12408 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "255" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed to plate mark leaving thread margins., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 284-6., 1 print : etching with stipple on wove paper, hand-colored ; sheet 23.5 x 33.7 cm., Imperfect; sheet trimmed within plate mark with loss of plate number., and Mounted on leaf 29 of volume 13 of 14 volumes.
