"An elderly judge holding a large open book, 'Law . . . Statutes', addresses a juryman, who stands facing him in the jury-box, where the rest of the jury are registering disgust. He says: "Mr Juryman-- you have requested permission to retire for a few moments--I have been looking some time for a precedent, and have at last found by the 25th of William Rufus, Chap 531, that a Juryman on any urgent occasion may retire backwards for the space of ten minutes only--therefore you may withdraw." The juryman answers that it is no longer necessary. Between judge and juryman are three grinning barristers."--British Museum online catalogue, description of an earlier state.
Alternative Title:
Lamentable case of a juryman
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 290., Later state; former plate number "347" has been replaced with a new number, and most of imprint statement has been burnished from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "240" in upper right corner., Publication information inferred from earlier state with the imprint "Pubd. March 10th, 1815, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12647 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Attributed to Rowlandson by Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Donkeys -- Sailors -- Bird-cages -- Walking-stick -- Menageries., and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Blücher, Gebhard Leberecht von,--1742-1819., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Wellington, Arthur Wellesley,--Duke of,--1769-1852.
"In a bare room with a raftered roof couples are energetically dancing, holding hands behind their backs, or above their heads. The women, with one exception, are young and handsome, the men ugly and plebeian. A seated fiddler plays with closed eyes (right). Through a doorway partly covered with curtains the bride and bridegroom are seen embracing. On the wall is a placard: 'They dance in a round, cutting capers and ramping. A mercy the ground did not burst with their stamping.The floor is all wett, with leaps and with jumps, while the water and sweat, splish splash in their pumps'."--British Museum online catalogue.
Description:
Plate numbered "315" in upper right corner. and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Subject (Topic):
Couples. , Dance., Musicians. , Tailors. , and Weddings.
In a series of three images Napoleon Bonaparte is first shown on the left as Emperor wearing royal regalia, with other crowns and pharaoh's insignia at his feet, the Tuilleries Palace behind him, signed "What I was," below and "A cruel tyrant" above. In the second image his weeping figure in military uniform is shown on the tiny island of Elba, and is signed "What I am," below and "A snivelling wretch" above. Lastly, on the right, his corpse hangs from a gibbet, his hat fallen to the ground and ass's ears exposed on his head, with caption "What I ought to be" below and "Hung for a fool" above.
Alternative Title:
What I was, what I am, what I ought to be
Description:
Title etched at bottom of plate.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
Subject (Topic):
Crowns. , Gallows., Military uniforms--French--19th century., and Scepters.
"Scene in an English court of law. The judge, Blücher, wearing a legal wig with regimentals, stands up with left arm extended, addressing Napoleon, who crouches in the dock (right), handkerchief in hand, pleading for mercy. Beside the judge are the sovereigns of Europe, two on his right, three on his left, all gazing at the prisoner. In the well of the court aged and grotesque counsel, typical of Rowlandson's lawyers, surround the green-covered table. The jury (left) have stupid, morose, or astonished expressions. The usher, with a long rod, seated on a raised chair, faces the jury on the opposite side of the court. Corpulent constables with staves stand beside and in front of the dock. Freely sketched spectators look down from a crowded gallery above the dock. Almost all eyes are on the prisoner, behind whom stand the Devil, with folded arms, fiercely gloating over his victim. Behind the usher is a high white screen on which Napoleon's offences are inscribed: 'NAPOLEAN BONAPARTE The first and last by the Wrath of Heaven Ex Emperor of the Jacobins & head Runner of Runaways [see British Museum Satires No. 12192], Stands indicted 1ts [sic] for the Murder of Captain Wright in the Temple at Paris 2d for the murder of the Duke Dangulem [d'Enghien] Pichegrew & Georges 3 for the Murder of Palm Hoffer &c & 4th for the murder of the 12 inhabitants of Moscow 5th for inumerable Robberies committed on all Nations in Christendom & elsewhere, 6th for Bigamy & lastly for returning from Transportation, and setting the World in an uproar.' Blücher says fiercely: "You Nap Boneparte being found Guilty of all these Crimes it is fell to my lot to pronounce Sentence of Death on You--You are to be hung by the Neck for one hour till you are Dead, Dead, Dead, & your Body to be chained to a Mill Stone & sunk in the Sea at Torbay." Napoleon says: "Oh cruel Blucher, Oh! cruel Wellington it is you that have brought me to this End. Oh Magnanimous Emperors Kings & Princes intercede for me and spare my life; and give me time to attone for all my Sins, My Son Napoleon the Second will reward you for Mercy shewn me." The sovereigns are poorly characterized. On the extreme left is Alexander, next him and on Blücher's right is the Prince Regent. On Blücher's left is Louis XVIII. Next (?) the King of Prussia, then the Emperor of Austria; next, the Pope with clasped hands, wearing his tiara. On the extreme right is (?) Ferdinand of Spain looking through an eye-glass."--British Museum online catalogue.
Alternative Title:
Europe's injuries revenged
Description:
Printmaker from British Museum catalogue., Sheet trimmed within plate mark on bottom edge., Temporary local subject terms: Courtrooms -- Judges -- Military uniform: Regimentals --Lawyers -- Ushers -- Constables -- Constables' staves -- Devils -- Satan -- Popes -- Trials., and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Alexander--I,--Emperor of Russia,--1777-1825--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Blücher, Gebhard Leberecht von,--1742-1819--Caricatures and cartoons., Ferdinand--I,--Emperor of Austria,--1793-1875--Caricatures and cartoons., Ferdinand--VII,--King of Spain,--1784-1833--Caricatures and cartoons., Frederick William--III,--King of Prussia,--1770-1840--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Louis--XVIII,--King of France,--1755-1824--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Pius--VII,--Pope,--1742-1823--Caricatures and cartoons.
"An adaptation of British Museum Satires No. 10039, by Gillray, the place of George III being taken by 'Blucher', the name on a ribbon worn over his uniform. The horse (left) is a restive charger instead of a hunter standing quietly. Blücher leans towards the pack in a fierce attitude, unlike that of the King. The grip of the hand on the fox's neck is as before, and the fox with the profile head of Napoleon registering despair is closely copied. In place of six hounds there are fourteen, six with names on their collars: 'Wellington', 'Swartsenberg', 'Crown Prince' [Bernadotte], 'D. York', 'Kutusoff', 'Row' [with a fourth letter which is perhaps 'L'], Two monarchs wearing crowns gallop up from the right, on a larger scale than the tiny horsemen headed by Pitt in British Museum Satires No. 10039. In the background (right) is a flaming town."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Blücher, Gebhard Leberecht von,--1742-1819--Caricatures and cartoons., Charles--XIV John,--King of Sweden and Norway,--1763-1844., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827., Harvey, Francis--Ownership., Kutuzov, Mikhail Illarionovich,--svetleĭshiĭ kni︠a︡zʹ Smolenskiĭ,--1745-1813., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Schwarzenberg, Karl Philipp,--Fürst zu,--1771-1820., and Wellington, Arthur Wellesley,--Duke of,--1769-1852.
"A handsome strapping woman stands in the doorway of a brothel, a corner house of some size (right), tugging hard at the neck-cloth of a plainly dressed man, saying, "Wont you come, wont you come Mr Mug [a popular song, see British Museum Satires No. 11205]." He leans back, pushing against the door-post, and the woman's chest, trying to escape, and saying: "Avaunt thee Satan." Two laughing prostitutes lean against him (left), pushing their posteriors against his, to prevent his escape; one of them, for better purchase, presses her hands and a foot against the post of the sign-board before the door. On this is a pictorial sign: 'Cat and Bagpipes'. A dog rushes barking towards the struggle. Behind (left), across the street, is a row of old houses with casement windows; washing hangs from a projecting pole."--British Museum online catalogue, description of an earlier state.
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 176-7., Date of publication based on complete imprint on earlier state: Pubd. March 1st, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12404 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Later state; former plate number "317" has been replaced with a new number, and beginning of imprint statement has been burnished from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "261" in upper right., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A drinking scene; a drunken man carousing with two women, raising a glass into which Death, a crowned skeleton standing behind him, pours a liquid from a small bottle, a great quantity of steam or smoke rising off; one of the women lies asleep on the floor in front of the table, breasts exposed and a spilling glass in her hand, the other is falling off her chair at left, horrified, having spied Death; a dog and discarded flagon at lower left, a caged bird hanging from the ceiling, barrels of 'Old Tom' behind."--British Museum online catalogue.
Description:
Date of publication from Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"A skeleton, Death (left), seated on a cannon, his elbows on his knees, faces Napoleon, not caricatured, in a similar attitude on a drum. The 'two Kings' gaze fixedly at each other, Death menacing, Napoleon as if trying to read a terrifying riddle. Death's left foot rests on a cannon-ball, the right on the broken shaft of an eagle. Behind is a symbolical representation of the battle. The Allies advance from the left in regular formation with bayonets levelled at fleeing French soldiers. Four flags, with the eagles of Russia, Prussia, and Austria, and the Swedish cross, are held up by standard-bearers in the third rank: they recede in perspective from left to right. On the left wing are two hussars, riding down the fugitives. The main French army is streaming in wild confusion up and over a hill, diminishing in perspective. Other soldiers, pursued by hussars, flee down a hill behind Napoleon (right). Bodies of Frenchmen lie on the ground."--British Museum online catalogue, description of an earlier state.
Description:
For an earlier state lacking the etched title and serving as the heading to a printed broadside entitled "The two kings of terror," see no. 12093 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Publisher and date of publication from Grego., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Rowlandson, Thomas, 1756-1827, artist.
"A scene near the sea. Two naval officers carry off two plump and pretty girls and run towards a boat, where two sailors wait (left). They are followed by a fat old woman, screaming furiously and brandishing an umbrella. She runs (right to left) at the head of a flock of schoolgirls, mature young women, two and two, who watch their captured companions with excited envy. They emerge from a shady lane where a signpost points (right) to 'Mrs Crostich's Boarding School for Young Ladies'. In the foreground (right) a grotesque lean and elderly man has fallen in the chase, losing his hat and wig, but clenching a fist, and clutching his cane in frantic anger. A dog joins in the chase."--British Museum online catalogue, description of an earlier state.
Alternative Title:
Shipping of goods not fairly entered
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 289-90., Date of publication based on imprint on earlier state: Pubd. 1st March 1815. Cf. No. 12645 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Later state; former plate number "344" has been replaced with a new number, and imprint statement has been completely burnished from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "246" in upper right corner., Publisher from description of earlier state in the British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"An altered version (like British Museum Satires No. 12205) of British Museum Satires No. 11057, from the original plate. ... The shield, sinister supporter, crest and motto are the same, but the dexter supporter is altered, apparently by Rowlandson, from 'The French Devil' (Talleyrand, now a supporter of Louis XVIII) to Death, a skeleton holding up an hour-glass. This has necessitated the re-drawing of the Gallic cock at his feet, but it pecks at a crucifix as before. The (printed) text is as before (allusions to Jaffa, d'Enghien, &c.) except for the addition to the title and the descriptions of the supporters: '. . . The Gallic Cock, vainly pecking the crucifix, is symbolic of the Corsican's impiety.' The description of 'The Corsican Devil' is altered to 'Satan, wearing an Iron Crown,... cutting down the Cap of Liberty, and accompanied by the Serpent and Hyaena, the attributes of the Corsican Emperor's wily and sanguinary reign'. The inscriptions (now obsolete) hanging from the mouth of the hyena are altered to: 'Cambaceres', 'Davoust', 'Augereau', 'Sebastiani', 'Vandamme', 'Savory'."--British Museum online catalogue.
Description:
Attributed to George Cruikshank in the British Museum online catalogue, registration no.: 1978,U.827., Date of publication from British Museum catalogue., Imperfect; sheet trimmed within plate mark with substantial loss of letterpress text, including publisher's and printer's statements, from bottom edge. Missing text supplied from impression in the British Museum., Six lines of letterpress text, followed by four additional columns of text, below title: ... the tyrant of France, who created himself Emperor of the French 18th May 1803 ..., and Title from letterpress text below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Enghien, Louis-Antoine-Henri de Bourbon,--duc d',--1772-1804--Caricatures and cartoons., Ferdinand--VII,--King of Spain,--1784-1833--Caricatures and cartoons., Harrison & Leigh, publisher., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Pius--VII,--Pope,--1742-1823--Caricatures and cartoons., and Wright, John Wesley,--1769-1805--Caricatures and cartoons.
'verliehrt auf der Heimreise von der Leipziger Messe alles' (reproduced Broadley, ii. 117). Napoleon runs in profile to the left, holding in both hands a pole like that of a running footman, but topped by the head of the sceptre of Charlemagne (an emblem of the Empire) inscribed 'Carolus Magnus'. His head and uniform evidently derive from Dähling's engraving of Napoleon in the uniform of the Colonel of the Chasseurs of the Guard (reproduced, Dayot, 'Napoléon', p. 205), on which British Museum Satires No. 12177 is based, but on his back is the hairy knapsack of a private (as in British Museum Satires No. 12308). Its contents fly out as he runs. On the ground are two prints of French soldiers at attention, 'Alte Garde' and 'Junge Garde'; maps fall to the ground: 'Poland', 'Rhein Bund', 'Hanstat [sic] Departement', 'Sewitszerla[nd]' [sic], 'Holland', 'Italy', which has hardly left the knapsack; two rolled maps are about to fall: 'Brabant' and 'Bheisufer' [i.e. Rheinufer or Bouches du Rhin]. He runs diagonally towards a broad river, the Rhine; on the farther side are the buildings of 'Maynz', reflected in the water. Just before him runs a hare. The original, including inscriptions, is closely followed, but the hare (cf. British Museum Satires No. 12564) has been added and a bush removed."--British Museum online catalogue. and "A copy, probably much enlarged, of a German print, der rheinische courier
Alternative Title:
Head runner of runaways, from Leipzig fair
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"A yokel in a long smock (right) stands, hat in hand, before three elderly J.P.s in old-fashioned dress; he tugs at his rough hair. One of the justices sits in an arm-chair, with folded hands and downcast frown. The other two, leaning across a table on which are writing materials, scowl angrily; one, clenching his fist, says: "How dare you Fellow to say it is unfair to bring you before one hundred Magistrates when you see there are but three of us!" He answers: "Why please your Worship you maun know--when I went to school, they Taught I that a one and two O's stood for a hundred--so do you see your Worship be One and the other two be Cyphers!"."--British Museum online catalogue, description of an earlier state.
Description:
Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 290., Date of publication based on complete imprint on earlier state: Pubd. March 1st, 1815, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12643 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Later state; former plate number "345" has been replaced with a new number, and beginning of imprint statement has been burnished from plate, Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "245" in upper right corner., Temporary local subject terms: Male costume: Smock -- Justices of the Peace., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed within plate mark on two sides., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Design is nearly identical to that of a print entitled "Batchelor's fare, bread cheese and kisses," which was etched by Rowlandson and published 10 February 1814 by Thomas Tegg. Cf. No. 12400 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Vehicles: Irish jaunting car -- Dogs -- Horses -- Female costume, 1814 -- Male costume, 1814 -- Parasols -- Walking-sticks., and Title etched below image.
Publisher:
T. Rowlandson, N. 1 James St. Adelphi
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
"Quayside with a sailor leaning on a bollard talking to two prostitutes, one black, one white; in the background two sailing ships and a rowing boat."--British Museum online catalogue.
Description:
Design is similar to that of a Rowlandson print from 1812 entitled "Sea stories." Cf. No. 11960 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"A confused scene. A beadle, cane in hand, grasps the side of an overturned barrow, from which a basket, scales, and black puddings (coloured green) have fallen. A powerful young woman grasps his nose, and prepares to use her fist; an older woman clutches his back and belabours him with a basket. Both are shrieking termagants with bare breasts. A dog between the beadle's legs barks. The spectators, all close to the fray, are amused: a butcher, shouldering a tray of meat, stands outside his stall (left), which is immediately behind the combatants; from it dangle large joints and a carcase. A woman passes, pushing a barrow (left). A man's grinning face watches from the right. Behind (right) is a shop placarded 'Bob Giblet Poulterer', its ancient front hidden by bunches of hares and turkeys."--British Museum online catalogue, description of an earlier state.
Alternative Title:
Barrow women basting a beadle
Description:
Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 274-6., Date of publication based on complete imprint on earlier state: Pub. Feb. 10th, 1814, by T. Tegg, 111 Cheapside. Cf. No. 12401 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Later state; former plate number "310" has been replaced with a new number, and beginning of imprint statement has been burnished from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "283" in upper right corner., Sheet trimmed within plate mark on three sides., Temporary local subject terms: Butcher -- Poulterer -- Beadle., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"An obese, elderly man, completely bald, sits in an arm-chair while a shopman pours oil from a bottle (straw-covered like a Chianti flask) on to his scalp, pressing down his head with the left hand. At his feet is a basin to receive the overflow. On the ground is a tall 'Fools Cap', with ears. Behind them stands a woman with a shock of red hair standing on end; she looks in horror at its reflection in a wall-mirror (right). On the wall above her head is a placard: 'Wonderful Discovery Carrotty or Grey Whiskers Changed to Black Brown or Blue--' High on the wall are shelves where bottles of the oil are closely ranged, one inscribed 'Wig Oil One Guinea Pr Bottle'. Behind the shopman (left) stands a big Ali Baba jar. Across the wall is a large placard inscribed: 'Macassar Oil, for the Growth of Hair is the finest invention ever known for encreasing hair on bald Places, Its virtues are pre-eminent for improving and beautifying the Hair of Ladies and Gentlemen--This invaluable Oil recommended on the basis of truth and experience is sold at One Guinea Pr Bottle by all the Perfumers and Medicine Venders in the Kingdom'."--British Museum online catalogue, description of an earlier state.
Description:
Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 284., Later state; former plate number "316" has been replaced with a new number, and imprint statement has been completely burnished from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "265" in upper right corner., Publication information inferred from earlier state with the imprint: Pubd. May 15th, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12405 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Temporary local subject terms: Hair -- Macassar oil., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A justice-room in an old-fashioned country house with uncurtained mullioned window (right), raftered roof from which hangs a wicker bird-cage, and a truckle-bed turned up against the wall (left). A smart officer measures the height of a small thin yokel in a smock, under the inspection of a fat old justice, a similar old man wearing spectacles and in uniform, and a clerk, all seated at a small table. In the doorway stands a fat and pompous constable holding a staff and keeping back a crowd of countrymen who wait their turn outside the door. On the wall behind the measuring-post is a placard: 'Subtitutes [sic] for the Army of Reserve 30 Per Man Bounty.'"--British Museum online catalogue.
Description:
For an apparent reissue dated 1815, see: Grego, J. Rowlandson the caricaturist, v. 2, pages 295-6., Imperfect; sheet trimmed within plate mark with loss of title from bottom edge. Title supplied from impression in the British Museum, registration no.: 1981,U.253., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
"A stout and disappointed coachman standing outside a house at night, holding out his hand in which there is a single coin; at left, a smartly dressed but uncouth looking couple standing in their doorway making jeering faces, the man with his hand in his pocket, a maid with a candle behind; the coach behind at right."--British Museum online catalogue.
Alternative Title:
Surly saucy Hackney coachman
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
Subject (Topic):
Carriages & coaches., Coach drivers. , Light fixtures., and Passengers.
"Heading to a printed broadside. A copy of British Museum Satires No. 12177, with the same inscriptions, except that 'f' is omitted after the rivers and 'Veichsel' (Vistula) is spelt 'Weichsel R. Ehrefort' ['loss of honour' punningly combined with Erfurt, scene of Napoleon's triumph in 1808, and his headquarters before Leipzig; cf. British Museum Satires No. 12248] is on a red ribbon. The web is larger in proportion to the coat, the spider much larger in proportion to the web. On the collar are waves of the sea, with an inconspicuous ship. On the cuff is 'R' (for Regent), round the wrist 'Honi Soit', on the fingers are the letters 'A', 'R', 'P', 'S', 'E' (for the Allies)."--British Museum online catalogue.
Description:
Copy of a print by Johann Michael Voltz. See British Museum catalogue., Date of publication from British Museum catalogue., Imperfect; sheet trimmed within plate mark on three sides, and sheet trimmed on bottom edge with loss of printer's statement. Missing text supplied from impression in the British Museum., Publisher's and printer's statements in letterpress at bottom of sheet; additional imprint statement "Pubd. by R. Ackermann, 101 Strand, London" is etched below image., Title from letterpress text below image., and Twenty lines of letterpress text below title: The first, and last, by the wrath of Heaven Emperor of the Jacobins, Protector of the Confederation of Rogues, Mediator of the Hellish League ...
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harrison & Leigh, publisher., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Voltz, Johann Michael, 1784-1858, artist.
"Two wooden shutters, the upper parts of two adjacent doors, hinged on one post between two cottages, are opened inwards, to allow a handsome young couple to lean out and kiss. Behind the young woman (left) stands a bald and aged man, raising an admonishing forefinger. Behind the man an elderly virago screams with a threatening gesture. On a hook on the central post is a cage with two billing birds, which the young man is holding up. A cat clambers up towards the girl; a dog (right) dashes in fury towards a cock which is pecking a hen."--British Museum online catalogue.
Description:
Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "235" in upper right corner., Probably a reissue; final digit of "1815" in printmaker's signature appears to have been altered, and beginning of imprint statement has been burnished from plate. See British Museum catalogue., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A dying and aged man reclines in an arm-chair, facing his lawyer who is writing at a table, evidently on the will; beside him is a treasure-chest. A pretty young woman leans over the scarcely conscious man, taking his chin, while her lover, a young military officer wearing a cocked hat, watches her through an eye-glass from behind the curtains of a bed."--British Museum online catalogue, description of an earlier state.
Alternative Title:
Will of her own
Description:
A copy of a Rowlandson watercolor. See British Museum catalogue., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 408., Date of publication based on earlier state with the imprint "Published by Reeve and Jones, No. 7 Vere Strt., Novr. 1, 1808." See British Museum catalogue., Later state, with a darker and thinner aquatint border replacing a lighter border that had probably worn from the plate. For an earlier state, see no. 11117 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Sheet trimmed within plate mark with possible loss of imprint., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"A coastal fortification: a sentry stands beside a cannon, but in the foreground three soldiers amuse themselves with a buxom laughing woman; one is a drummer-boy, his drum slung from his back. Another soldier sleeps, his head on a drum; cannon-balls lie beside him, and on the left is a mortar and balls. Behind, two men flirt with a woman whose profile is on the extreme left Above them flies the Royal Standard, with the fleur-de-lis quartering abandoned in 1801, and otherwise incorrect. On a distant promontory is a castle."--British Museum online catalogue.
Description:
Also issued separately., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Plate numbered "324" in upper right corner., Temporary local subject terms: Guns: Cannon -- Military uniforms: Soldier -- Female costume, 1814 -- Military: Drummer-boy -- Musical instruments: Drum -- Weapons: Mortar and balls -- Flags: Royal Standard., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A wide space leads to the harbour. On one side (left) is the corner of a large old clothes shop: 'Moses Levy Money Lent', with garments, &c., hanging from it. Opposite is the old-fashioned 'Ship Tavern'. Off shore are ships in full sail, boats are making towards them. In the foreground is a bustle of departure: baggage is being carried, casks are rolled, sailors and their women embrace or fight; a one-legged sailor plays a fiddle, a child plays with dogs. At the door of the 'Ship' an officer takes leave of his family; from the bow-window above spectators lean out, an officer using a telescope."--British Museum online catalogue, description of an earlier state.
Description:
Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 284-6., Date of publication inferred from earlier state, which has the year "1814" etched in lower left corner of design. Cf. No. 12408 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Later state; former plate number "319" has been replaced with a new number, and date in lower left corner of design has been removed from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "255" in upper right corner., Publisher from description of earlier state in the British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., and Title etched below image.
Subject (Geographic):
Portsmouth (England)--Harbor.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
An obese, elderly sailor stands atop a fortified battlement looking out to sea through a telescope. Beside him a young woman turns to kiss a handsome young military officer as she holds up her wind-swept parasol. In front of him, at his feet, another young woman looks down at a sailor who gazes up at her with admiration. An old man shivers in the wind beside a sentry who stands with his back to the sea, smiling at the scene before him.
Alternative Title:
Stolen kisses sweetest
Description:
Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 275-6., Date of publication based on complete imprint on earlier state: Pubd. Feby. 14, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12402 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Later state; former plate number "313" has been replaced with a new number, and beginning of imprint statement has been burnished from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "279" in upper right corner., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1846, publisher. http://id.loc.gov/authorities/names/no89020646
"Household goods are being piled into an open cart, which stands beside a corner house, the door being partly visible on the extreme right. The cart is already stacked high with mattresses, tables, &c. A burly muscular man stands inside it, taking things from a fat and slatternly but comely woman (right). She hands up a child's commode and is laden with bellows, warming-pan, chamber-pots, gridiron, &c. A pretty girl (left) brings a trap containing a mouse and a cage containing a bird. A pretty young woman is in the doorway. In the foreground two burly children play with a monstrous cat, surrounded by goods ready for transport. These are cooking utensils, mop and pail, flat-irons, &c."--British Museum online catalogue, description of an earlier state.
Alternative Title:
Clearing the premises without consulting your landlord and Clearing the premisses without consulting your landlord
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 274., Date of publication inferred from earlier state with the imprint: Pubd. Jany. 30th, 1814. Cf. No. 12399 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Later state; former plate number "318" has been replaced with a new number, and imprint statement has been completely burnished from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "259" in upper right corner., Publisher from description of earlier state in the British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"Napoleon, on a galloping horse, is confronted by Blücher (right) who fires a blunderbuss at close range. He is pursued by Wellington (left) who gallops towards him, sabre in hand. Napoleon has lost his stirrups; he faces Blücher with arms thrown wide in a gesture of despair. His crown flies from his head, and six eagles (or geese) fly off to the left, above Wellington. In the background, among smoke, cavalry in wild flight (right) and wild pursuit (left) are indicated."--British Museum online catalogue.
Alternative Title:
Rudolph Ackermann's transparency on the victory of Waterloo
Description:
Printmaker and date of publication from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Blücher, Gebhard Leberecht von,--1742-1819--Caricatures and cartoons., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Wellington, Arthur Wellesley,--Duke of,--1769-1852--Caricatures and cartoons.
"A hayfield, with small haycocks in the background; girls with pitchforks stand by a large laden wagon. In the foreground two men and two girls romp on the ground, while two other girls prepare to smother them in hay."--British Museum online catalogue.
Alternative Title:
Pleasant way of making hay
Description:
Date of publication based on variant state with the imprint "Publish'd June 20th, 1814." See British Museum catalogue., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Plate numbered "16" in upper right corner., Publisher from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"The scene is the throne-room in the Tuileries, indicated by a part of the throne on its dais on the extreme right, on which are the (discarded) throne and sceptre, and by a large whole length portrait of Louis XVIII, scowling and caricatured, inscribed 'Louis le Bien Aimé'. Napoleon as Harlequin (as in British Museum Satires Nos. 10060, 12515), in parti-coloured tights, a dagger in each hand, leaps through an opening cut in the canvas, hounded by the monarchs of Europe. The portrait (right) shows the fat king holding orb and sceptre, with eyes closed or downcast. The canvas from waist to knees of the portrait is cut neatly away, leaving the King's gouty feet resting squarely on a footstool. Just behind Harlequin is the fat King of Würtemberg on his knees (and paunch) firing a pair of pistols at the fugitive. Across his posterior is the word 'Clown'. Beside him Ferdinand of Spain falls backwards, overbalanced by an attempt to kick ; his crown falls off and he flourishes a sword. He is identified by his slashed doublet, cloak, and flapped boots. Behind (left) a fat powerful Cossack, representing Russia, prods Napoleon with his long spear. He wears a fur cap, trousers tucked into his boots, and has a pair of pistols in his belt. Farther back is the Emperor of Austria wearing a wallet inscribed 'Pantaloon'. He is bearded, slippered, spectacled, and lean, wearing a crown and a dressing-gown. He shuffles forward with clenched fists, holding a dagger. On the extreme left is the Pope, wearing a mitre and holding a headsman's axe against his shoulder. Other figures are nearer the wall which forms a background. Foremost of these is the King of Prussia, close behind Napoleon and firing a blunderbuss. Next is the grotesque Dutchman who stands for the new King of Holland, smoking a pipe, and firing a musket with a fiercely intent expression. Three unidentified crowned heads, and a sharp profile ( ? Bernadotte) with bayonets and spear, and an arm holding up a spiked club make up the crowd of attackers. One of the monarchs takes down from the wall (or hangs up) a three-quarter length portrait of 'Columbine', a young woman with a feathered hat and plump arms held akimbo. She is either Marie Louise (as in British Museum Satires No. 12515), or, according to Broadley, the Duchesse d'Angoulême, an identification supported by the position of her portrait in the same room as that of Louis XVIII."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Title etched below image., and Two lines of text below title: With entire new music, dances, dresses, scenery, machinery &c &c. The principle [sic] characters to be supported by most of the great potentates in Europe, Harlequin by Mr. Napoleon, Clown by King Wirtemberg, Pantaloon Emperor of Austria. To conclude with a comic song to be sung by the Pope and a grand chorus by the crown'd heads. Vivant Rex et Regina.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Angoulême, Marie-Thérèse Charlotte,--duchesse d',--1778-1851--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Charles--XIV John,--King of Sweden and Norway,--1763-1844--Caricatures and cartoons., Ferdinand--VII,--King of Spain,--1784-1833--Caricatures and cartoons., Francis--I,--Emperor of Austria,--1768-1835--Caricatures and cartoons., Frederick William--III,--King of Prussia,--1770-1840--Caricatures and cartoons., Frederick--I,--King of Württemberg,--1754-1816--Caricatures and cartoons., Harvey, Francis--Ownership., Louis--XVIII,--King of France,--1755-1824--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Pius--VII,--Pope,--1742-1823--Caricatures and cartoons.
"Napoleon, not caricatured, stands on a balcony, leaning forward to look down at the scene which Death, a skeleton, points out. He wears his petit-chapeau, and his uniform, without orders, is buttoned to the neck. Death is perched on the parapet, turning his head to the left, to stare in Napoleon's face; in his right hand is his javelin; he points with outstretched left hand. His hour-glass stands on the parapet, which is inscribed 'More Horrors' and 'Death and Destruction'. Below (right) are the heads and shoulders of a mob with pikes, bayonets, and imperial eagles. There are two heads on pikes. Behind them are the roofs and towers of a corner of Paris, with a domed church surmounted by a cross. Close behind Napoleon stand four of his marshals or generals, staring down at the scene of bloodshed. Next the Emperor is Ney, his hand on his sword; the others are probably Vandamme, Davout, and Lefebvre, as in British Museum Satires No. 12527. The Devil stands behind, grasping Ney and Napoleon in his hairy arms. His grinning head looks to the left, between those of his victims. Two pistols, a dagger, and axe lie on the parapet."--British Museum online catalogue.
Alternative Title:
Corsican and his bloodhounds at the window of the Thuilleries looking over Paris
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Davout, Louis Nicolas,--duc d'Auerstædt et prince d'Eckmühl,--1770-1823--Caricatures and cartoons., Harvey, Francis--Ownership., Lefèbvre, Francois-Joseph,--duc de Dantzick, maréchal de France,--1755-1820--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Ney, Michel,--duc d'Elchingen,--1769-1815--Caricatures and cartoons., and Vandamme, Dominique,--1770-1830--Caricatures and cartoons--Caricatures and cartoons.
"Napoleon runs away from Talleyrand, who aims a violent kick at him with the heavy surgical shoe on his right foot, raising his crutched stick to smite the fugitive. Napoleon holds his hat, a bicorne, and looks over his shoulder with a terrified stare to say: "Votre tres humble Serviteur Monsieur Tally." Talleyrand, furiously vindictive, exclaims: "Va ten Cocquin I'll crack your Crown you pitiful Vagabond." He holds a bulky document: 'Abdication or the Last Dying Speech of a Murderer Who is to be difered [sic] into the hands of the Devil the first fair Wind.' Beside Napoleon a gibbet with a dangling noose serves as sign-post, pointing 'To the Isle of Elba'. Across a piece of water on the extreme left is an islet on which is a high gallows from which hang six tiny corpses. In the background a British sailor with a bludgeon is running by the shore; he says: "What let him sneak of without a Mark or a Scratch No No I'll darken his Day Lights for him." Behind Talleyrand maimed French soldiers are running forward as fast as crutches and infirmity allow. Three have fallen; the foremost says: "Bone him my Tight little Tally"."--British Museum online catalogue.
Alternative Title:
Kick for kick
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons.
"A design in two compartments, separated by a vertical line. [1] Napoleon stands on the dais in front of a chair of state addressing rows of (burlesqued) Senators and Deputies, who listen with hostility and scepticism; some close their eyes, two take snuff. The Devil, a winged monster, clutches the back of Napoleon's chair, and leans towards him like a gargoyle-bird of prey, inspiring the speech. The dais is supported on crowns of varying patterns. The Emperor is in profile to the left, extending both arms in a propitiatory gesture; he wears plain military uniform with boots. His words are in a large label across the design ... This label hides the upper part of two pictures on the wall: a battle-piece (left), and (above Napoleon's head) '20 Flags Presented to the Empress': tiny obsequious figures present the flags, see British Museum Satires No. 12111, &c. [2] Napoleon, in profile to the right, kneels abjectly before the Allies, presenting to them a collection of crowns, including the Pope's tiara, and a sheaf of flags; these are on the ground with his cocked hat and sword; he keeps one crown tucked under his right arm. The Allies stand menacingly on the right. They are (left to right): John Bull, a fat 'cit' pugnaciously clenching his fists; a morose-looking Spaniard; a Cossack, his right hand on his sabre; an (?) Austrian officer, his sword in his left hand, and on the extreme right a Dutchman in bulky breeches, with a long pipe in his mouth. Other heads are indicated behind. Napoleon's words are in a large label ... Behind Napoleon is Talleyrand supported on a crutch; he leans forward obsequiously, saying, "What my Master has said is true So help me G--d Amen"."--British Museum online catalogue.
Alternative Title:
Devils imp praying for peace
Description:
Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"A sequence of four designs divided by intersecting lines. 'Spring'. An ugly tailor kneels with clasped hands at the feet of a plain woman, who holds up a fan encouragingly. A card of patterns hangs from his pocket. He says: "Oh you bewitching Angel behold at your feet a Swain as tender as a Veal Cutlet, You are the very Broad Cloth of perfection--have pity on me Adorable Mrs Griskin." She answers: "You enchanting Devil I do not know what to say to you. however Mr Thimble--that Mole between your eye-brows-- put me so much in mind of my poor departed Husband, that I think I cant refuse you." 'Summer'. The pair walk arm-in-arm in a landscape. He has become plump and wears trousers in place of the breeches worn in the other three designs. She flourishes a parasol. A dog follows. He says: "O thou wert born to please me My Life my only Dear." She answers: "Ay now you look a little stylish You are a--Charming Man who would not be married." 'Autumn'. They face each other defiantly, she holds a letter beginning 'Dear Mr Thimble,' and shrieks: "Here you feller here's a pretty commence. An interspected letter from one of your Naughty Women I knew you was going to Gallivant." He answers: "Well Ma'am, since you come for to go to that, who was it Galivanted with Mr Dip the Dyer to White conduit House last Sunday answer me that however I'll have a separation." 'Winter'. The pair are seated each side of a writing-table at which a lawyer sits reading a paper: 'Articles of Seperation between Jeremiah and Tabitha Thimble'. Her hands are in a muff; she says with a painful smile: "I never felt myself so Comfortable in all my Life." He has grown thin and sits with clasped hands, saying, "O Blessed day for Jerry Thimble I hope to pass the next Year in Peace and quietness"."--British Museum online catalogue, description of an earlier state.
Description:
Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 286., Later state; imprint statement has been completely burnished from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "253" in upper right corner., Publication information inferred from earlier state with the imprint "Pubd. Septr. 15th, 1814, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12407 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Temporary local subject terms: Male Costume, 1814: Trousers -- Fans -- Tailors -- Female Costume, 1814: Fur muff -- Parasols -- Dogs -- Lawyers -- Furniture: Writing-table., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
And take their own for Joys--." The sword has a jagged blade, intended to symbolize flames. He wears plain uniform with epaulets; his small bicorne is falling off. On the right, beneath the avenging arm, is Napoleon's chair of state, overturned; beside it are heaped a large fringed canopy or curtain, a spiky crown (cf. British Museum Satires No. 12252), and sceptre. From behind the folds of the curtain the Devil emerges, winged and ferocious; he grasps Napoleon's leg. Beside Napoleon is a pile of crowns and gold plate. There are heavy clouds behind Napoleon and on the right, above and below the arm and sword."--British Museum online catalogue. and "Napoleon (left) looks up terrified at an arm holding a sword emerging from clouds (right), with the words: "Thou'rt doom'd to Pain, at which the Damn'd will tremble
Description:
Printmaker from British Museum catalogue., Text below title: Empire and victory be all forsaken, to plagues, poverty, disgrace & shame, strip me of all my dignities and crowns. Take O take your sceptres back. Spare me but life., and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"Two men lie in the small truckle-beds (i.e., trundle bed) of a cheap lodging-house, one (left) asleep. An old woman holding a candle kneels at the foot of the other bed, and tugs at the wooden leg of its occupant. She says: "There is nothing like looking after Servants I always like to see that my lodgers are comfortable. --Aye here's a pretty careless trick--the warming pan left in the gentleman's bed I declare". Its owner, an angry sailor, shouts: "Hollo --Avast heaving Zounds dont pull off my timber--I went to bed half seas over and forgot to stow it alongside the hammock"."--British Museum online catalogue, description of a later state.
Alternative Title:
Careful landlady
Description:
Plate numbered "300" in upper right corner., Printmaker identified as Rowlandson and artist questionably identified as Woodward in the British Museum catalogue., Reissue of a print apparently first published 10 May 1809; in this reissued state, the day and year of publication in imprint are heavily scored through but still legible. For a later state with beginning of imprint burnished from plate, see no. 11466 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Three man stand full-length with speech balloons above each figure. On the left, a man in coat, hat, and whip with the title "Dress like a coachman". In the middle a more sturdely built man with a walking stick under his arm -- "Study boxing and bull baiting". On the right, a man also in hat, coat and walking stick -- "Speak the slang language fluently".
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A tall French soldier, swarthy, mustachioed, muscular, and sinister stands almost full-face, his mouth open as if shouting. In his large cocked hat are three large favours, one white inscribed 'Vive Le Roi', one tricolour inscribed 'Vive Le Empereur', the uppermost and largest, 'Vive Le Diable', is pink. He holds his musket by the barrel, the butt resting on the ground, in his left hand he holds out a snuff-box. His uniform is neat, but his feet are bare, except for remnants of leather across the instep. By his head in large letters: 'French Constancy' (left) and 'French Integrity' (right). Behind and on a smaller scale are emblems of fickleness: a windmill (left) represents 'French Stability'; an ape and cat embracing, both on their hind-legs, represents: 'French Union between the National Guard and Troops of the Line'."--British Museum online catalogue.
Alternative Title:
Vive le roi! Vive le empereur. Vive le diable
Description:
Printmaker, publisher, and date of publication from British Museum catalogue., Sheet trimmed within plate mark on bottom edge., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
Imperfect; sheet trimmed within plate mark with partial loss of artist's signature., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Date assigned by curator., Design attributed to Rowlandson by curator., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title devised by curator.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Date assigned by curator., For the original drawing by Rowlandson, see: Grego, J. Rowlandson the caricaturist, v. 2, page 422., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title supplied by cataloger, based on title given by Grego for the original drawing.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
