Title etched below image., Printmaker and date from Grego., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 33 of volume 3 of 14 volumes.
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 11 of volume 3 of 14 volumes.
Publisher:
Pubd. by William Holland, printseller, No. 50 Oxford Street
"The royal party on board a vessel which, though the sail is inscribed 'Southampton Frigate', resembles a fishing-vessel. They are seated in the stern in the worst throes of sea-sickness: the King (centre), his hat tied on with a handkerchief, clasps his stomach. One of the princesses, holding a smelling-bottle, supports the Queen. The helmsman is impeded by a fat lady who drinks from a bottle. A princess (left) droops despairingly, another (right) appeals to Heaven for mercy. A sailor (left) carries off a bucket, holding his nose. Below the deck appear the heads of two beef-eaters, vomiting."--British Museum online catalogue
Alternative Title:
Southampton Frigate
Description:
Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Southampton frigate -- Naval uniforms: sailors' uniforms -- Sails -- Beefeaters -- Sea sickness., 1 print : etching on laid paper, hand-colored ; sheet 27.1 x 37.5 cm., Sheet trimmed within plate mark., and Mounted on leaf 56 of volume 3 of 14 volumes.
Publisher:
Pubd. Augst. 4, 1789, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, consort of George III, King of Great Britain, 1744-1818
Title etched below image., Printmaker from Grego., Sheet trimmed within plate mark on bottom edge., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 46 of volume 3 of 14 volumes.
Publisher:
Pubd. Febry. 7, 1789, by H. Holland, Oxford Street
Subject (Name):
Pitt, William, 1759-1806 and Sidmouth, Henry Addington, Viscount, 1757-1844
"The interior of a sale-room lit by a candelabra hanging from the ceiling. The buyers and connoisseurs sit on the outer side of a line of trestle-tables arranged in the arc of a circle. Others stand behind them. In the centre sits the auctioneer Hutchins, stout and smiling, his hammer raised. The clerk (Judd) sits facing him in shadow, writing at a small table lit by two candles. Two attendants stand on the inner side of the trestles showing the lots. One (left) shows a large volume to a group of five, the centre figure being the spectacled Dr. Lort. On the walls of the room are framed pictures, including one of a reclining Venus. On the high chimney-piece are statuettes. The persons are portraits, slightly caricatured, and drawn with humour and expressiveness."--British Museum online catalogue
Description:
Title etched below image., From a series entitled: Imitations of modern drawings. See British Museum online catalogue., and Mounted on leaf 16 of volume 3 of 14 volumes.
Publisher:
publisher not identified
Subject (Topic):
Auctions, Candelabras, Auctioneers, Pictures, Sculpture, and Chimneypieces
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a penny-barber's shop showing one corner of a small raftered room lit by a lamp hung from the roof and inscribed 'Shave with Ease & Expedetion for one Penny'. The barber (right) flourishes his razor above the head of a lean client whose face a boy (left) coats with lather, using a large brush; a bucket hangs on the boy's arm. In the background (right) a second customer in back view is also being shaved. Two wig-blocks lie on the ground (right)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; plate has been slightly cut down with removal of imprint statement from bottom edge, and plate number has been added to upper right corner., Date of publication inferred from imprint on earlier state: Pubd. as the Act directs June 20, 1789, by Mrs. Lay, on the Steine, Bright-helmstone. Cf. No. 7604 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate numbered "63" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Companion print to: A penny barber., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 257., 1 print : etching and aquatint on wove paper, hand-colored ; sheet 34.1 x 20.9 cm., Sheet trimmed within plate mark resulting in loss of plate number., Watermark, partially trimmed: [S]mith & Allnut[t] 1816., and Mounted on leaf 52 of volume 3 of 14 volumes.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Topic):
Barbershops, Shaving equipment, Signs (Notices), and Wigs
"The interior of a penny-barber's shop showing one corner of a small raftered room lit by a lamp hung from the roof and inscribed 'Shave with Ease & Expedetion for one Penny'. The barber (right) flourishes his razor above the head of a lean client whose face a boy (left) coats with lather, using a large brush; a bucket hangs on the boy's arm. In the background (right) a second customer in back view is also being shaved. Two wig-blocks lie on the ground (right)."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark resulting in loss of imprint statement. Imprint supplied from impression in the British Museum, Companion print to: A penny barber., and Mounted on leaf 53 of volume 3 of 14 volumes.
Publisher:
Pubd. as the act directs June 20, 1789, by Mrs. Lay, on the Steine, Bright-helmstone
"Two doctors (left) stoke the fires of a row of seven cylindrical vessels or furnaces from which their patients (half length) emerge. These recede slightly in perspective from right to left. On the extreme right is Burke ('B------e'), drooping dejectedly, and saying, "By Jasus I have got no Juice left". Next him Fox ('F--x') declaims, hat in hand, "I have sweated enough. Sheridan ('S------n') gesticulates furiously with clenched fists, saying, "This is Scandalous the Baily's have sufficiently sweated me" (executions in Sheridan's house were frequent). Next him is the Prince ('P------'), clasping his hands, and saying, "I suppose they call this a Regency Sweat". A young woman on his right, 'Mrs J------n', (? Jordan) says "I sweat with desire". Next is ('W------e') Weltje (cf. BMSat 7509), saying, "I never sweat so much at Cooking in all my Life". On the extreme left Mrs. Fitzherbert ('F--T--T'), her arms extended in a frenzy, says, "And I with Jealousy what disregard the Marriage Rights". On the ground, below their patients, are the two doctors: Willis on the extreme left, indicated by his clerical bands, holds coal on a shovel, while Dominicetti, wearing a nightcap, kneels on one knee to stir up the furnace under Sheridan with a long poker. On the right is a 'Coal Tub'. Clouds of steam rise from the baths."--British Museum online catalogue
Alternative Title:
Sweating for opposition by Dr. Willis Dominisweaty and Co.
Description:
Title etched below image., Attributed to Rowlandson in British Museum catalogue., and Mounted on leaf 67 of volume 3 of 14 volumes.
Publisher:
Pubd. March 6, 1789, by S. Fores, No. 3 Piccadilly
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, George IV, King of Great Britain, 1762-1830, Jordan, Dorothy, 1761-1816, Fitzherbert, Maria Anne, 1756-1837, and Willis, Francis, 1718-1807
"The Prince and Britannia stand on each side of the Coronation Chair as in BMSat 7386. Its Gothic carvings are altered to satyrs' heads. On the back of the Chair is a small money-bag inscribed Virtue. The Prince and Britannia stand as before, but the foot which she places on the step inscribed 'The Voice of the People' is a cloven hoof. The next step, 'Publick Safety', is badly cracked; the other steps are blank. No words come from Britannia's mouth; the Prince says, "I woud do the best to please my People". Liberty and Justice are transformed into Sheridan and Fox. Sheridan, wearing ragged clothes, holds the cap of 'Liberty' on a broom; he puts one hand on the Prince's shoulder while he steals a handkerchief from his coat-pocket. Fox, in place of Justice's sword, holds a bludgeon in the head of which is an eye which drips blood (in the coloured version); he holds up an evenly-balanced pair of scales, formed of two dice-boxes. His eye-bandage is pushed up on his forehead and he says, "I have the Voice of the People in my Eye". 'Commerce' is transformed from a comely young woman into a drunken hag who holds up a glass of gin. The Mayor says, "We have not been taxed this twelvemonth". Pitt, instead of being the colleague of the Furies, attacks them: in his left hand he holds up a large conical extinguisher with which he is about to put out the torch of 'Rebellion'. He says, "I could soon extinguish these Puppet Shew Vapours if properly supported". The Fury holds up two torches, one of 'Rebellion', the other 'Puppet Shew'. He puts his left foot on the prostrate head of 'Envy', who is holding up a fire-brand. The third fury (Falsehood) has disappeared. The British Lion looks from behind Britannia's shield snarling ferociously in defence of Pitt."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Lord William Gill, 1720-1798: Mayor of London -- Lord Mayors -- Chairs: Satyrs' heads on coronation chair -- Broom as staff of liberty -- Emblems: drunken hag / commerce -- Scales: dice boxes -- Huge candle snuffers -- British lion -- Furies -- Regency crisis., 1 print : etching on laid paper, hand-colored ; sheet 26.2 x 36.4 cm., Sheet trimmed within plate mark., and Mounted on leaf 32 of volume 3 of 14 volumes.
Publisher:
Pub. Decr. 29, 1788, by S. Fores No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Pitt, William, 1759-1806
A tour guide leading two men with astonished looks on their caricatured faces (one holds a simple walking stick and his hat) and a fashionably dressed women through Westminster Abbey, points to a monument decorated with the effigies of three knights
Description:
Title etched below image., Former questionable attribution to Newton from local card catalog record., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., Publisher's advertisement below title: In Holland's exhibition rooms may be seen the largest collection in Europe of humorous prints. Admitce. 1 shillg., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on laid paper ; plate mark 38 x 28.5 cm, on sheet 38.9 x 28.7 cm., and Mounted on leaf 59 of volume 3 of 14 volumes.
Publisher:
Pubd. by W. Holland, No. 50 Oxford Street
Subject (Name):
Westminster Abbey.
Subject (Topic):
Staffs (Sticks), Tombs & sepulchral monuments, Tour guides, and Tourists
A tour guide leading two men with astonished looks on their caricatured faces (one holds a simple walking stick and his hat) and a fashionably dressed women through Westminster Abbey, points to a monument decorated with the effigies of three knights
Description:
Title etched below image., Former questionable attribution to Newton from local card catalog record., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., Publisher's advertisement below title: In Holland's exhibition rooms may be seen the largest collection in Europe of humorous prints. Admitce. 1 shillg., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on laid paper, hand-colored ; sheet 36.1 x 27 cm., and Mounted on leaf 58 of volume 3 of 14 volumes.
Publisher:
Pubd. by W. Holland, No. 50 Oxford Street
Subject (Name):
Westminster Abbey.
Subject (Topic):
Staffs (Sticks), Tombs & sepulchral monuments, Tour guides, and Tourists
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 12 of volume 3 of 14 volumes.
"Pitt, very drunk, leans against the wall of a room, his right arm rests on a map inscribed 'Gold Coast Bengal'; he points to the former name, saying, "de Claret - Claret - Claret - Tory - tory - tory." His chair (right) has been overturned, under his feet are papers inscribed 'List of India Directors'; in his left hand is the 'de-Claretory Bill'. On a table (left) are wine-glasses and a decanter of Claret, empty bottles lie on the ground."--British Museum online catalogue
Description:
Title etched below image., Questionable attribution to Kingsbury from British Museum catalogue., Temporary local subject terms: Walpole refers to subject of print -- Tablecloth of green baize -- Maps: Bengal -- Declaratory Bill., 1 print : etching on laid paper, hand-colored ; plate mark 24.6 x 17.4 cm, on sheet 27.2 x 19.1 cm., and Mounted on leaf 19 of volume 3 of 14 volumes.
Publisher:
Pub. Marh. 17, 1788, by S.W. Fores, No. 3 Piccadilly
Title from item., Plate possibly first published in 1789. See: Grego, J. Rowlandson the caricaturist, v. 1, p. 262, Imperfect; sheet trimmed within plate mark with loss of title from lower edge. Title supplied from Grego., Companion print to: Chealsea Reach., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Boat or ship -- Storms -- Reference to Bay of Biscay., 1 print : etching and aquatint on wove paper, hand-colored ; sheet 18.5 x 27 cm., Sheet trimmed within plate mark., and Mounted on leaf 45 of volume 3 of 14 volumes.
"Scene on the Thames near Chelsea; a large pleasure party of young men and women on a boat, drinking toasts, rowed by six watermen wearing jockey caps, a servant and two men playing French horns at the helm at right, where a union jack is flying from a pole; other boats on the water behind, bridge and church at left, the Chelsea Hospital on the bank beyond at centre."--British Museum online catalogue
Alternative Title:
Chelsea Reach
Description:
Title etched below image., Plate possibly first published in 1789. See: Grego, J. Rowlandson the caricaturist, v. 1, page 262., Imperfect; sheet trimmed within plate mark with loss of title from lower edge. Title supplied from impression in the British Museum., Companion print to: Bay of Biscay., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Boats: shallop -- Chelsea -- Flute -- Watermen -- Buildings: Battersea Church., 1 print : etching on wove paper, hand-colored ; sheet 18.6 x 27 cm., Sheet trimmed within plate mark., and Mounted on leaf 45 of volume 3 of 14 volumes.
"Two designs on one plate. Above, a group of spectators seated in a gallery and watching a comedy, all intent and either amused or surprised. Below, a similar group, all of whom weep or look distressed. A man holds a smelling-bottle to a lady's nose (right). A play-bill is inscribed 'Romeo and Juliet' (reversed)."--British Museum online catalogue
Description:
Each title etched below corresponding image., Printmaker signature etched within top image in bottom right; imprint statement etched within lower image in bottom right., Reissue of a plate originally published by T. Rowlandson in 1787; publisher name changed in imprint statement and the year in printmaker signature and imprint changed from "1787" to "1789". Cf. Grego, J. Rowlandson the caricaturist v. 1, pages 217-19., Sheet trimmed within plate mark., 1 print : etching on laid paper, hand-colored ; sheet 37.2 x 27 cm., and Mounted on leaf 57 of volume 3 of 14 volumes.
Publisher:
Publishd. as the act directs, Octr. 8th 1789, by S.W. Fores, N. 3 Piccadilly
Subject (Topic):
Theater audiences, Children, Fans (Accessories), Monocles, Loss of consciousness, and Staffs (Sticks)
"A youth walks right to left, but looking to front, holding a long stick or staff. His hair hangs loosely on his shoulders, his dress is careless, with shirt open at the neck, breeches unbuttoned at the knees, and the buckles of his shoes unlatched."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Companion print to: London refinement., Sheet trimmed within plate mark., 1 print : etching on laid paper, hand-colored ; sheet 25.2 x 16.6 cm., Sheet trimmed within plate mark on left side., and Mounted on leaf 8 of volume 3 of 14 volumes.
Publisher:
Pubd. Jan. 1, 1787, by S.W. Fores at the Caricature Warehouse, No. 3 Piccadilly
"A stout elderly man (left) seated in a chair shaves himself, while a pretty young woman (right) stands before him holding up a hand-mirror. A little girl is seated in a child's chair beside her father, she watches a cat and kitten at her feet."--British Museum online catalogue
Description:
Title engraved below image., 1 print : stipple engraving on wove paper, hand-colored ; sheet 26.7 x 20 cm., Sheet trimmed within plate mark resulting in loss of imprint., and Mounted on leaf 36 of volume 3 of 14 volumes.
Publisher:
Publish'd August 21st, 1786, by J.R. Smith, No. 83 Oxford Street
"A fat and ugly lady (left) and a young and pretty one (right) are being dressed for a Birthday at St. James's. A huge wig decked with feathers and roses is being placed by a maid on the bald head of the elder lady, who stands holding a bouquet and looking in a mirror which reflects a delighted grin. A little black page supports the mirror; he turns to a dog which fawns on him. Another maid fastens in front a false 'derrière', which will distend her dress below the waist, see BMSat 7100, &c. The girl is seated; a friseur dresses her long hair; a man-milliner, 'chapeau-bras', prepares to adjust a 'derrière'; she touches approvingly the dress which an ugly old woman wearing a hat holds out to her. On the floor is a round box containing roses."--British Museum online catalogue, description of later state of similar composition
Description:
Title etched below image., Signed and dated by Rowlandson in lower right corner of design; second statement of responsibility etched below image in lower left., For later state published by S.W. Fores, on 3 March 1789, see no. 9678 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Companion print to: Dressing for a masquerade., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 272., and Mounted on leaf 35 of volume 3 of 14 volumes.
Publisher:
Publish'd as the act directs, March 3, 1788, by F. Chesham & M. Hatton, No. 32 Pall Mall
"A fat and ugly lady (left) and a young and pretty one (right) are being dressed for a Birthday at St. James's. A huge wig decked with feathers and roses is being placed by a maid on the bald head of the elder lady, who stands holding a bouquet and looking in a mirror which reflects a delighted grin. A little black page supports the mirror; he turns to a dog which fawns on him. Another maid fastens in front a false 'derrière', which will distend her dress below the waist, see BMSat 7100, &c. The girl is seated; a friseur dresses her long hair; a man-milliner, 'chapeau-bras', prepares to adjust a 'derrière'; she touches approvingly the dress which an ugly old woman wearing a hat holds out to her. On the floor is a round box containing roses."--British Museum online catalogue, description of later state of similar composition
Description:
Title etched below image., Signed and dated by Rowlandson in lower right corner of design; second statement of responsibility etched below image in lower left., For later state published by S.W. Fores, on 3 March 1789, see no. 9678 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Companion print to: Dressing for a masquerade., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 272., 1 print : etching on laid paper ; sheet 33.2 x 45.4 cm., Sheet trimmed within plate mark resulting in loss of imprint., and Mounted on leaf 35 of volume 3 of 14 volumes.
Publisher:
Publish'd as the act directs, March 3, 1788, by F. Chesham & M. Hatton, No. 32 Pall Mall
Title etched within image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 7 of volume 3 of 14 volumes.
Publisher:
publisher not identified
Subject (Topic):
Arrivals & departures, Boats, Beaches, Anchors, and Luggage
"Design in two strips; the upper, eight bored and gloomy Englishmen fidgetting uncomfortably in armchairs, one yawning, one contemplating a dagger with a discarded copy of Goethe's 'Werter' at his feet, another firing a pistol at his jaw; the lower, seven Frenchmen joyously celebrating, one dancing, one setting out to a hunt, another stroking a dog wearing a cape and with its paws in a muff, a fat monk partaking of victuals."--British Museum online catalogue, description of a later state with similar composition
Description:
Titles etched below each image., Printmaker from signature on later state., Plate reissued by S.W. Fores on 25 November 1788., Sheet trimmed within plate mark., For reduced versions of the two images, published in 1790 in Hibernian magazine, see nos. 7764-5 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 392., and Mounted on leaf 65 of volume 3 of 14 volumes.
Publisher:
Publishd. May 1, 1788, by T. Rowlandson, No. 50 Poland Street
"Design in two strips; the upper, eight bored and gloomy Englishmen fidgetting uncomfortably in armchairs, one yawning, one contemplating a dagger with a discarded copy of Goethe's 'Werter' at his feet, another firing a pistol at his jaw; the lower, seven Frenchmen joyously celebrating, one dancing, one setting out to a hunt, another stroking a dog wearing a cape and with its paws in a muff, a fat monk partaking of victuals."--British Museum online catalogue
Description:
Titles from text etched below each image., Statement of responsibilty etched below top image; publication line etched below bottom image., Sheet trimmed within plate mark., For reduced versions of the two images, published in 1790 in Hibernian magazine, see nos. 7764-5 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted on leaf 25 of volume 3 of 14 volumes.
Publisher:
Pub. Nov. 25, 1788, by S.W. Fores, No. 3 Piccadilly
"The Prince of Wales, seated in a ramshackle state coach, is drawn (left to right) by eight miserable hacks; the procession is watched by Ministers and others from windows. On the coach door are the Prince's feathers, upside-down. One wheel is broken, the hammer-cloth is ragged; the harness consists partly of rope, partly of chains; the horses are of grotesquely varying sizes and breeds, on one is a saddle. The one dishevelled postilion raises his whip to lash the off-leader, a veritable skeleton, which falls on its knees. The coachman and the two footmen behind the coach are lean and unsuitably dressed. An angry crowd follows the coach ..."--British Museum online catalogue
Alternative Title:
Picture of English magnificence!!!
Description:
Title etched below image., Questionable attribution to Rowlandson in British Museum catalogue and Grego., Publisher's advertisment below title: In Holland's exhibition rooms may be seen the largest collection in Europe of political and other humorous prints. Admttance [sic] one shilling., Sheet trimmed to within plate mark on top and bottom edges., Two large sets of monogrammed initials written in pencil in lower right, possibly in contemporary hand., and Mounted on leaf 66 of volume 3 of 14 volumes.
Publisher:
Pubd. by William Holland, No. 50 Oxford Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, La Luzerne, Anne-César, chevalier de, 1741-1791, Amherst, Jeffery Amherst, Baron, 1717-1797, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Hood, Samuel Hood, Viscount, 1724-1816, and Chatham, John Pitt, Earl of, 1756-1835
"A procession of seven men riding galloping bulls; the leader (right) is a bishop (St. Patrick) wearing a mitre and carrying a cross; he has a beard, and says, "Make haste, my dear Honeys". The others are the six 'ambassadors'; all wear fool's caps, all flourish shillelaghs, and all carry sacks of potatoes at their backs. Their leader, who wears a ducal coronet, says "No Restrictions, by the Holy Cross of St Patrick!!!" His sack is labelled 'Leinster potatoes'. Next, wearing an earl's coronet, is Charlemont; he stoops over his bull's neck, saying, "We'll let the English see what Upright Members we have in Ireland; never lose an Inch in any Engagement!" His sack is labelled 'Ulster Potatoes'. The next 'Ambassador' says, "Christ Jasus how our majority will astonish the young King". The bull of the next man snorts and kicks ..."--British Museum online catalogue
Description:
Title etched below image., Questionable attribution to Rowlandson from British Museum catalogue., Date from British Museum catalogue., Publisher's advertisment in lower right: In a few days will be pubd. The return of the embassadors [sic]., Companion print to: The ambassadors extraordinary return on bulls without horns., and Mounted on leaf 48 of volume 3 of 14 volumes.
Publisher:
publisher not identified
Subject (Name):
Charlemont, James Caulfeild, Earl of, 1728-1799, Leinster, William Robert FitzGerald, Duke of, 1749-1804, and Patrick, Saint, 373?-463?
"An ugly and elderly naval officer (left) puts his left arm round the shoulder of a pretty young woman, who puts her left hand on his left hand, taking with her right hand the purse which he offers. He has a wooden leg and a patch over his right eye; under his right arm is a stick."--British Museum online catalogue, description of variant state
Description:
Title etched below image., Attribution to Rowlandson from descriptions of variant states in Grego and British Museum catalogue., For variant state lacking S.W. Fores imprint statement, see no. 7442 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Traces of burnished text visible at end of Wm. Rowlandson imprint statement. For probable earlier state with longer imprint statement and possibly the variant title "Luxury and desire," see: Grego, J. Rowlandson the caricaturist, v. 1, page 237., Wm. Rowlandson imprint statement etched in lower left corner of design; S.W. Fores imprint statement etched below image., Companion print to: Lust and avarice., Sheet trimmed within plate mark., and Mounted on leaf 26 of volume 2 of 14 volumes.
Publisher:
Pubd. Novr. 29, 1788, by Wm. Rowlandson, No. 49 and Pubd. by S.W. Fores, No. 3 Piccadilly
"An ugly and elderly naval officer (left) puts his left arm round the shoulder of a pretty young woman, who puts her left hand on his left hand, taking with her right hand the purse which he offers. He has a wooden leg and a patch over his right eye; under his right arm is a stick."--British Museum online catalogue, description of variant state
Description:
Title etched below image., Attribution to Rowlandson from descriptions of variant states in Grego and British Museum catalogue., For variant state lacking S.W. Fores imprint statement, see no. 7442 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Traces of burnished text visible at end of Wm. Rowlandson imprint statement. For probable earlier state with longer imprint statement and possibly the variant title "Luxury and desire," see: Grego, J. Rowlandson the caricaturist, v. 1, page 237., Wm. Rowlandson imprint statement etched in lower left corner of design; S.W. Fores imprint statement etched below image., Companion print to: Lust and avarice., Sheet trimmed within plate mark., 1 print : etching and aquatint on wove paper ; sheet 37.3 x 26.9 cm., and Mounted on leaf 27 of volume 3 of 14 volumes.
Publisher:
Pubd. Novr. 29, 1788, by Wm. Rowlandson, No. 49 and Pubd. by S.W. Fores, No. 3 Piccadilly
"A foppish young man wearing a looped hat with cockade, double-breasted waistcoat, ruffled shirt, striped stockings, and low shoes with rosettes, walks (left to right) rapidly but affectedly. His head is turned to the left and he looks downwards; his left hand held up in a finicking manner."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., Companion print to: Country simplicity., Temporary local subject terms: Foppish young man., 1 print : etching on laid paper, hand-colored ; plate mark 23.5 x 15.5 cm, on sheet 25.5 x 17.5 cm., and Mounted on leaf 8 of volume 3 of 14 volumes.
Publisher:
Pubd. Jan. 1, 1787, by S.W. Fores at the Caricature Warehouse, No.3 Piccadilly
"Fox rises from a close-stool; Sheridan (left) is about to apply a syringe, inscribed 'R------ts [Regent's] Clyster', to his rectum. Burke (right), wearing a Jesuit's biretta (cf. British Museum Satires No. 6026), gropes in the close-stool, holding in his left hand its lid, inscribed 'Not searching from Precedents but Consequences' (a characteristic dictum); he says, "To Ordure - Ordure" (Burke was often called to order for his speeches on the Regency, cf. British Museum Satires No. 7499, &c). Fox says, "Exegi Monumentum cere perennias, or the finishing Stroke" (perhaps an allusion to the revolution Pillar, see British Museum Satires No. 7396). In his hand is a paper inscribed 'Magna Charta Non Posteris sed Posterioribus'; his posterior is inscribed 'Patriotic Bum' and 'Vox Populi'. He stands on a paper inscribed 'Resolutions of P------l------t.' Sheridan is 'Principal Promoter of loose Principles'; under his right foot is an open book: 'Congreve Plays School for Scandal', probably implying plagiarism by Sheridan (cf. Moore, 'Life of Sheridan', p. 180, where resemblances between 'The School for Scandal' and 'The Double Dealer' are noted). The background is a library wall: a book-case containing folio volumes in some disorder is flanked by scowling busts of 'Wat Tyler' and 'Jack Kade'. The books are inscribed: 'The Laws of Pharaoh' (Faro, cf. British Museum Satires No. 5972), 'Political Prints', 'Life of Oliver Cromwell' (cf. British Museum Satires No. 6380, &c), 'Cataline' (cf. British Museum Satires No. 6784), 'Memoirs of Sam House'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., The number "3" in publisher's street address in imprint is etched backwards., and Mounted on leaf 41 of volume 3 of 14 volumes.
Publisher:
Pubd. Jany. 21, 1789, by S. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Burke, Edmund, 1729-1797
Subject (Topic):
Regency, Defecation, Medical equipment & supplies, and Bookcases
"A courtesan, wearing a hat and cloak and plainly dressed, puts her left arm round the shoulders of an elderly man (right), brazenly holding out her hand for money. The man, who is lean and ugly, and dressed in an old-fashioned manner with a tie-wig, leers at her as he gropes in his breeches-pocket."--British Museum online catalogue, description of variant state
Description:
Title etched below image., Attribution to Rowlandson from descriptions of variant states in Grego and British Museum catalogue., For variant state lacking S.W. Fores imprint statement, see no. 7443 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Wm. Rowlandson imprint statement etched in lower left corner of design; S.W. Fores imprint statement etched below image., Companion print to: Liberality and desire., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 237., 1 print : etching and aquatint on wove paper ; sheet 37 x 26.8 cm., and Mounted on leaf 29 of volume 3 of 14 volumes.
Publisher:
Pubd. Novr. 29, 1788, by Wm. Rowlandson, No. 49 Broad Street, Bloomsbury and Pubd. by S.W. Fores, No. 3 Piccadilly
"A courtesan, wearing a hat and cloak and plainly dressed, puts her left arm round the shoulders of an elderly man (right), brazenly holding out her hand for money. The man, who is lean and ugly, and dressed in an old-fashioned manner with a tie-wig, leers at her as he gropes in his breeches-pocket."--British Museum online catalogue, description of variant state
Description:
Title etched below image., Attribution to Rowlandson from descriptions of variant states in Grego and British Museum catalogue., For variant state lacking S.W. Fores imprint statement, see no. 7443 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Wm. Rowlandson imprint statement etched in lower left corner of design; S.W. Fores imprint statement etched below image., Companion print to: Liberality and desire., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 237., and Mounted on leaf 28 of volume 3 of 14 volumes.
Publisher:
Pubd. Novr. 29, 1788, by Wm. Rowlandson, No. 49 Broad Street, Bloomsbury and Pubd. by S.W. Fores, No. 3 Piccadilly
"Burke kneels before a throne, from which the Prince of Wales has risen, eagerly holding out his hands for the head of Charles I which Burke proffers in a round box inscribed 'Treasury Box'; he says, "My Liege I told them in the House no day so proper to settle the Regency as Charles's Martyrdom". Sheridan stands behind Burke, leaning eagerly forward, and saying with a sinister scowl: "I too am for Dispatch such days best suit our Purpose"; from his pocket hangs a paper: 'Horn Tooke's Letter on the Princes Marriage' ('Prince' appears to have been scored through) ..."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified in the British Museum catalogue as Rowlandson imitating James Sayers's signature., Two lines of text below title: "Why not debate it on Friday, I say it is the only day in the year on which it ought to be debated (Charles's martyrdom) and carried up in the black box." Vide Mr. Burk-s speech on Tuesday last., Sheet trimmed within plate mark., Temporary local subject terms: Emblems: Prince of Wales's feathers -- Treasury boxes -- Allusion to Prince of Wales's letter on Regency restrictions, 30 Dec. 1788 -- Speeches: Burke's in the House of Commons, Jan. 27, 1789 -- Satire on Regency resolutions -- Regency crisis, 1788 -- Thrones -- Execution of Charles I, Jan. 30, 1649 -- Literature: Tooke, John Horne, A letter to a friend on a reported marriage ... ., 1 print : etching on laid paper, hand-colored ; sheet 25 x 35.3 cm., and Mounted on leaf 43 of volume 3 of 14 volumes.
Publisher:
Pubd. 30 Janry., 1789, by S. Fores, No. 3 Picadilly [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, and Charles I, King of England, 1600-1649
"Wesley (left) leans from a pulpit addressing a congregation who listen to him with expressions and gestures of horror and grief; they are plain, elderly, and plebeian. He holds out to them an open book on one page of which is a man with the appendages of the Devil, inscribed 'Devil Towned', on the other is a man with wings inscribed 'Saint Hood'. He says: "Lord Hood is a Saint, my dear brethren, as immaculate as a new born babe; but as for Lord Townshend he'll be d------n'd to all eternity! I shudder when I tell ye he loves a pretty girl; the Opposition to a man are all fond of pretty girls! They go about like Lions in pursuit of your wives and daughters! Lord Hood's pious Committee will swear to it - Oh! well may ye groan, my dear Sisters of the Elect! I should not wonder if this Rampant Candidate was to enter this sanctified place this moment and ravish every one of ye!" Beneath the pulpit sits the clerk who displays to the congregation an open book, pointing to the words 'Blessed be they that hearken unto me'. In the pulpit behind Wesley are Hood, listening devoutly with his hands held out as if in surprised assent, and a sailor of dissolute appearance who tipsily flourishes a bludgeon with a satisfied grin. A large flag with a St. Andrew's cross leans against the pulpit and forms a background for Hood and Wesley."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Paddy whack -- Congregations -- Elections: Westminster by-election, 1788 -- Flags: St. Andrew's cross -- Literature quotation: John Wesley, 1703-1791: Journal vii.419., 1 print : etching on laid paper, hand-colored ; sheet 23.8 x 32.9 cm., and Mounted on verso of leaf 19 of volume 3 of 14 volumes.
Publisher:
publisher not identified and Sold at the caricature shops of London & Westminster
Subject (Name):
Wesley, John, 1703-1791, Hood, Samuel Hood, Viscount, 1724-1816, and Townshend, John, Lord
Title etched below image., Sheet trimmed within plate mark., Two previous imprint statements, one within border below image and the other below border in lower left, have been mostly burnished from plate and are illegible., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching and aquatint with stipple on wove paper ; sheet 31.7 x 39 cm., and Mounted on leaf 51 of volume 3 of 14 volumes.
Title etched below image., Sheet trimmed within plate mark., Two previous imprint statements, one within border below image and the other below border in lower left, have been mostly burnished from plate and are illegible., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Additional border, drawn in ink, exterior to aquatint border., and Mounted on leaf 50 of volume 3 of 14 volumes.
Sherwin, J. K. (John Keyse), 1751-1790, printmaker
Published / Created:
[10 April 1787]
Call Number:
Auchincloss Rowlandson v. 3
Image Count:
1
Resource Type:
still image
Abstract:
"Seven men (three-quarter length) are grouped round a card-table in a Smithfield tavern. One (right), young and innocent, inspects his cards; beside him an older countryman lies back asleep (right), his dog resting his head on his knee. The other gambler (left), holding his cards, looks at his victim. Three onlookers have crafty expressions. A fat man, smoking, approaches with a bowl of punch. In the bar (left) a fat woman chalks up a score. Coins, a watch, and pocket-book are on the table. A broken mirror and a picture of a horse decorate the walls."--British Museum online catalogue
Alternative Title:
Countrymen defrauded
Description:
Title etched below image., Twelve lines of verse below image, six lines on each side of title: Old Trusty with his town made friends ..., and Mounted on leaf 10 of volume 3 of 14 volumes.
Publisher:
Pubd. April 10, 1787, by I. Read, No. 133 Pall Mall
"The Prince of Wales lies on his back on an operating-table (cf. BMSat 7512), wearing his feathers as a coronet. Members of the Ministry holding knives surround the Prince; their operations are directed by Pitt, who is seated in a throne-like chair raised above the others. He points with a long wand at the Prince's star, saying to Dundas, "The good Qualities of his heart will certainly ruin our plan therefore cut that out first". Dundas holds a knife, looking up at Pitt, as if to read a paper which he holds out: 'Thanks from the City of London with £50,000'. Next Dundas, and at Pitt's feet, sits Sydney, holding a knife, and looking ferociously at the Prince. In an armchair by the Prince's feet sits Grafton, staring fiercely at the Prince, and holding a knife in each hand. His left foot rests on a basket containing surgeon's tools; a pair of shears and a saw lie beside it. Beside Grafton and on the extreme left stands Richmond, also glaring fiercely at the Prince; he holds a headsman's axe. At the Prince's head, seated with folded arms and closed or lowered eyes is Thurlow (right), his position indicative of his temporizing attitude, see BMSat 7377. The Prince's left arm droops over blank papers, which appear to be intended for some inscription."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date from British Museum catalogue., Sheet trimmed within plate mark., and Mounted on leaf 70 of volume 3 of 14 volumes.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, and Sydney, Thomas Townshend, Viscount, 1733-1800
"A game of marbles (taw, cf. BMSat 7393) for the crown is in progress; the Prince of Wales is dressed as a toddling child in petticoats but is larger in scale than the other figures; he leans towards Fox, Sheridan, and Burke (who are aiming at the crown) but is restrained by Pitt (right) who holds him in leading-strings, saying, "Hold, Not so fast Georgy". The Prince wears one of the cushioned caps ('puddings') then used to protect children's heads; in it are three feathers. The crown is at his feet, surrounded by a ring of marbles. Fox and Sheridan kneel side by side; Fox is about to play, saying, "My Game for a Crown". Sheridan, holding his marble, says, "Knuckle down and dont funck, [To funk = to advance the hand unfairly in playing marbles. Partridge, 'Dict. of Slang', 1937.] Charley". Burke stands behind them, leaning eagerly forward, saying, "My turn next Sherry". He wears a Jesuit's biretta (cf. BMSat 6026). Pitt, 'chapeau-bras', wears court dress. Behind the Prince is a circular stand on wheels for supporting a toddling child."--British museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Clerical hats: Jesuit's biretta -- Hats: Child's cushioned cap or 'pudding' -- Emblems: Prince of Wales's feathers -- Vehicles: go-cart -- Leading-strings -- Games: marbles -- Crowns -- George IV as a toddler -- Regency restrictions -- Regency crisis, 1788 -- Satire on children., 1 print : etching on laid paper, hand-colored ; plate mark 23.4 x 34.5 cm, on sheet 24.2 x 35.5 cm., and Mounted on leaf 42 of volume 3 of 14 volumes.
Publisher:
Pubd. by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"A game of marbles (taw, cf. BMSat 7393) for the crown is in progress; the Prince of Wales is dressed as a toddling child in petticoats but is larger in scale than the other figures; he leans towards Fox, Sheridan, and Burke (who are aiming at the crown) but is restrained by Pitt (right) who holds him in leading-strings, saying, "Hold, Not so fast Georgy". The Prince wears one of the cushioned caps ('puddings') then used to protect children's heads; in it are three feathers. The crown is at his feet, surrounded by a ring of marbles. Fox and Sheridan kneel side by side; Fox is about to play, saying, "My Game for a Crown". Sheridan, holding his marble, says, "Knuckle down and dont funck, [To funk = to advance the hand unfairly in playing marbles. Partridge, 'Dict. of Slang', 1937.] Charley". Burke stands behind them, leaning eagerly forward, saying, "My turn next Sherry". He wears a Jesuit's biretta (cf. BMSat 6026). Pitt, 'chapeau-bras', wears court dress. Behind the Prince is a circular stand on wheels for supporting a toddling child."--British museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Clerical hats: Jesuit's biretta -- Hats: Child's cushioned cap or 'pudding' -- Emblems: Prince of Wales's feathers -- Vehicles: go-cart -- Leading-strings -- Games: marbles -- Crowns -- George IV as a toddler -- Regency restrictions -- Regency crisis, 1788 -- Satire on children., 1 print : etching on laid paper ; sheet 23.1 x 36.3 cm., Sheet trimmed within plate mark on top and bottom edges., and Mounted on leaf 42 of volume 3 of 14 volumes.
Publisher:
Pubd. by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Title etched below image., Attributed to Rowlandson by curator., Two lines of text etched below imprint: In Holland's exhibition rooms may be seen the largest collection of humorous prints and drawings in Europe. Admittance one shilling., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 24 of volume 3 of 14 volumes.
Publisher:
Pubd. by Wm. Holland, printseller, No. 50, Oxford Street
"The six Commissioners from Ireland seated on bulls, facing and clutching the tails of the animals (as in Gillray's 'Paddy', BMSat 5605), gallop towards the façade of Carlton House, where the Prince of Wales (left) and the Duke of York (right) look from behind pillars at the embarrassing deputation. Their leader, Leinster (left), holds a long document, saying, "Aye Aye the M------ of B------k------m will remember me when I go back". The others say (left to right), "By Jasus the folks stare at us as they do at Wild beastises"; "Lord what a nice Errand is this make him Regent whether or no"; "I say my Friend C------n-----y [Connolly] we shall be there the Day before the Fair"; "Well? Yes I dare say well why he was so bad he could say nothing but What, What, What, when we left Dublin" (it was noted (8 Feb.) as a sign of the King's recovery that he had resumed his habitual 'What, what', a phrase never used during his illness, F. Greville, 'Diaries', p. 213); "What no occasion for a R--g--t then by Jasus we will go back again and tell the Lads we are all mad & by the Lord 'tis my opinion we are come over for nothing at all at all." The bulls are being urged on by two men in court-suits with long rat's tails to show that they are 'rats'. They are (left) 'D . . . Q------', the Duke of Queensberry, and (right) 'M------s L------', Marquis of Lothian. From an upper window on the extreme right, inscribed 'Pall Mall Ordinary', Weltje (cf. BMSat 7509) looks down at the scene, saying, "Begar I must go prepare more Sourcrout for dese Wild Bullocks."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., Temporary local subject terms: Irish Commissioners -- Irish Regency offered to George IV in 1789 -- Exterior of Carlton House -- Expressions of speech: 'What, what,' -- Inns: Pall Mall Ordinary -- Irish bulls -- Butchers' steels -- William John Kerr, 5th M. of Lothian, 1737-1815 -- John O'Neill, 1st Viscount, 1740-1798 -- William Brabazon Ponsonby, 1744-1806 -- James Stuart, fl. 1789 -- Thomas Connolly, ca 1738-1803., 1 print : etching on laid paper, hand-colored ; sheet 26.3 x 36.5 cm., and Mounted on leaf 47 of volume 3 of 14 volumes.
Publisher:
Pubd. March 7, 1789, by S. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Queensberry, William Douglas, Duke of, 1725-1810, Weltje, Louis, 1745-1810, Charlemont, James Caulfeild, Earl of, 1728-1799, and Leinster, William Robert FitzGerald, Duke of, 1749-1804
"Pitt and his followers are in wild pursuit of the crown which soars on widespread wings in the upper right corner of the design. Pitt, reaching up to it, is about to fall over a cliff into the pit of hell, from which flames and smoke are rising. He says, "I'll have thee or perish in the attempt, for my ambition knows no bounds". Richmond falls head first into the pit, saying to two demons who wait for him with extended pitchforks, "Spare me this time and you shall have Coals in future without duty" (an allusion to the 'Richmond shilling'). One answers, "All your Great grandfather's [Charles II's] Whores are waiting dinner for you". Immediately behind Pitt runs Thurlow, his wig falling from his head; he raises the mace in both hands to strike at the flying crown ..."--British Museum online catalogue
Alternative Title:
Pit fall
Description:
Title etched below image., Printmaker and date from British Museum catalogue., and Mounted on leaf 37 of volume 3 of 14 volumes.
Publisher:
publisher not identified
Subject (Name):
Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Charles II, King of England, 1630-1685.
"Pitt rides (right to left) a zebra; he sits on the animal's hind quarters, flourishing a whip; before him are two panniers filled with jewels, one inscribed 'Rights and Wrongs'. From the zebra's neck hangs a large jewel inscribed 'Bulse'. He says, "I have thrown off the Mask. I can blind the people no longer and must now carry every thing by my bought Majority." The zebra (the Queen) is led by Dundas (left) [Identified by Miss Banks as Thurlow: the resemblance to either is inconclusive, though pointing to Thurlow, but the inscription indicates Dundas.] and urged on by Richmond (right), who prods it with a goad. It says, "What are Childrens rights to Ambition - I will rule in spite of them if I can conceal things at Q." [Kew.] In front of Dundas (left) is a signpost: "To Tower Hill by B------m [Buckingham] house". Dundas turns his head to shout at Pitt: "So many Scotchmen have left their heads behind in this d------d tower for treason I begin to tremble as much as thief in the rear for my own." Richmond, noted for his unfailing support of Pitt, says, "Skulking in the rear out of sight suits best my character." Behind him (right) is a cannon."--British Museum online catalogue
Alternative Title:
Queen's ass loaded with the spoils of India and Britain
Description:
Title etched below image., Printmaker and date fom British Museum catalogue., Grego suggests a publication date of March 6, 1788., and Mounted on leaf 18 of volume 3 of 14 volumes.
Publisher:
publisher not identified
Subject (Name):
Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, and Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818.
"A strip design of a procession (left to right) of isolated figures, the names etched beneath, the words spoken above, as in BMSat 7482. The stout 'M--t--ws M--y--r' (Matthews, Mayor) heads the procession, he carried a pole across his shoulder on one end of which is he 'Rochester Address', a large yellow (buff) placard, decorated with blue gibbons, at the other end a bundle of wood; he says "I'll send him some Chips' (suggesting a post in the Dockyard). He is followed by 'A------n Sp------e' (Alderman Spice or Spence), an obese tallow-chandler, carrying a bunch of candles, and saying, "I'll assist him with my long Sixes". Next is a very lean apothecary with a large syringe, 'A------n T--m--n' (Alderman Thompson), saying, "he stand in Need of my Preventative." These three and the last man wear civic gowns. Next is 'A------n Fr--w--r' who turns the tap of a cask held under his arm, saying, "Aye Aye he shall have some Chatham Butt." Next is 'P--t--ce' (Prentice), with three bottles of wine; he turns to say to the barber who follows him, "I'll give him 13 to the Dozen and all sour". 'F--n--s' (as a 'flying barber', cf. BMSat 6834), carries a wig box, a covered pot of hot water, and a barber's bowl under his arm, saying, "I'll shave him I warrant you." A lean and elderly lawyer 'Sp------ks' (Sparks) follows, A case in Law protruding from his pocket; he says, "I'll beg to speak to Sherry for his business, bailing Actions, Demands writs of error &c That is if he'I promise to see me paid." A foppish man, 'B--st--w' (Bristow), with his hands thrust in his breeches pockets, says, "he shall never be tried by the Court of Conscience" (a court for the recovery of small debts). The next man 'R--b--n' (Robinson), also fashionably dressed, holds up a small rectangular object, saying, "There are your right sort none of your Quack". The last man, very obese, 'A------n N---h---n' (Alderman Nicholson), holds a brick and a trowel, saying, "I hope to have a Job to make him some Fortifications."--British Museum online catalogue
Alternative Title:
Corporation going to eat roast pork and oysters with the R-g-t
Description:
Title etched below image., Printmaker from British Museum catalogue., Annotation in contemporary hand in lower right corner of sheet, partially trimmed: 3/[...], and Mounted on leaf 68 of volume 3 of 14 volumes.
"The seven men ride (right to left) on asses, a signpost (right) pointing 'To Dublin'; they carry 'Regency cakes' in place of potatoes. On the extreme left three men lean eagerly forward, one shouts: "What news, What News the tidings tell make haste and tell us all, Say why are Thus mounted Is Regent come and all." St. Patrick, whose galloping donkey has a head-dress of the Prince of Wales's feathers, answers, "By Jasus I'll tell you all in no time why you must know the K-----g is better than the Reg------t that is all". Next comes Charlemont, identified by his earl's coronet; his donkey kicks violently ..."--British Museum online catalogue
Alternative Title:
Ambassadors extraordinry return on bulls without horns and Ambassadors extraordinary return on bulls without horns
Description:
Title from item., Tentatively attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Irish ambassadors extraordinary!!!, Temporary local subject terms: Irish Commissioners -- Irish Commissioners' address, 1784 -- Clubs: Shillelaghs -- Coronets -- Regency crisis -- Signposts: "To Dublin" -- Emblems: Regency cakes -- Irish asses -- Food: potato cakes -- Allusion to George III -- Allusion to George IV -- Allusion to Louis Weltje, 1745-1810 -- Allusion to Francis Willis, 1718-1807 -- James Stuart, fl. 1789 -- Thomas Connolly, ca. 1738-1803 -- William Brabazon Ponsonby, 1744-1806, John O'Neill, 1st Viscount, 1740-1798., Two pencil drawings of churches on verso., 1 print : etching on laid paper, hand-colored ; plate mark 20.3 x 69.2 cm, on sheet 26.8 x 72.7 cm., and Mounted on leaf 49 of volume 3 of 14 volumes.
Publisher:
Pubd. March 16th, 1789, by S. Fores, No. 3 Piccaddilly [sic]
Subject (Name):
Leinster, William Robert FitzGerald, Duke of, 1749-1804, Charlemont, James Caulfeild, Earl of, 1728-1799, and Patrick, Saint, 373?-463?
"The seven men ride (right to left) on asses, a signpost (right) pointing 'To Dublin'; they carry 'Regency cakes' in place of potatoes. On the extreme left three men lean eagerly forward, one shouts: "What news, What News the tidings tell make haste and tell us all, Say why are Thus mounted Is Regent come and all." St. Patrick, whose galloping donkey has a head-dress of the Prince of Wales's feathers, answers, "By Jasus I'll tell you all in no time why you must know the K-----g is better than the Reg------t that is all". Next comes Charlemont, identified by his earl's coronet; his donkey kicks violently ..."--British Museum online catalogue
Alternative Title:
Ambassadors extraordinry return on bulls without horns and Ambassadors extraordinary return on bulls without horns
Description:
Title from item., Tentatively attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Irish ambassadors extraordinary!!!, Temporary local subject terms: Irish Commissioners -- Irish Commissioners' address, 1784 -- Clubs: Shillelaghs -- Coronets -- Regency crisis -- Signposts: "To Dublin" -- Emblems: Regency cakes -- Irish asses -- Food: potato cakes -- Allusion to George III -- Allusion to George IV -- Allusion to Louis Weltje, 1745-1810 -- Allusion to Francis Willis, 1718-1807 -- James Stuart, fl. 1789 -- Thomas Connolly, ca. 1738-1803 -- William Brabazon Ponsonby, 1744-1806, John O'Neill, 1st Viscount, 1740-1798., 1 print : etching on laid paper ; plate mark 20.3 x 69 cm, on sheet 23.1 x 70 cm., and Mounted on leaf 49 of volume 3 of 14 volumes.
Publisher:
Pubd. March 16th, 1789, by S. Fores, No. 3 Piccaddilly [sic]
Subject (Name):
Leinster, William Robert FitzGerald, Duke of, 1749-1804, Charlemont, James Caulfeild, Earl of, 1728-1799, and Patrick, Saint, 373?-463?
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 44 of volume 3 of 14 volumes.
Publisher:
Published Feby. 1st, 1789, by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Interiors, Stairways, Eating & drinking, Hunters, Dogs, and Whips
"A charming lady, elegantly dressed, plays the harp and sings close to her unconscious husband, asleep in a stiff arm-chair. Pose and expression are both provoked and provocative. Behind her (right) is a square piano with an open music-book, at her feet a lute-like instrument and a music-book. An oval fire-screen protects the man's head from a blazing fire in a fire-place of Adam type. A picture of (?) Apollo with a lyre is in an ornate frame."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted on leaf 60 of volume 3 of 14 volumes.
Title etched below image., Four lines of verse etched on both sides of title: See the course thronged with gazers ..., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 55 of volume 3 of 14 volumes.
Publisher:
Pub. June 30, 1789, by S.W. Fores, N. 3 Piccadilly
Subject (Topic):
Horse racing, Horseback riding, and Carriages & coaches
