A confrontation in a bedchamber between a black woman in a nightgown in bed and four men who surround her canopy bed. One man holds a candle. The woman is slapping the one man to her right on the cheek while another pulls him away. A fourth man is pointing towards her shoulder
Description:
Title from ms. note. Date from curator., Ms. note in pencil in Steevens's hand above sheet: Gin-Drinkers. Spurious., Ms. note in pencil in Steevens's hand below sheet: See Mr. Nichols's book, 3d. edit. p. 429., and On page 154 in volume 2.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Description:
Title, imprint, artist, printmaker and state from Paulson., Sheet trimmed with plate mark., Ms. note in pencil in Steevens's hand below print: Aqua fortis proof. See Mr. Nichols's book, 3d. edit. p. 299., and On page 149 in volume 2.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Description:
Title, imprint, artist, printmaker and state from Paulson., Sheet trimmed within plate mark., and On page 150 in volume 2.
Tom Nero's body is laid out on a round table in a dissecting theatre. In niches on either side are two skeletons labeled "Gentn: Harry" and "Macleane" after two recently hanged criminals. Three doctors work on dissecting Tom's body as a dogs feeds on his entrails. The room is filled with doctors reading and discussing, the whole presided over by the chief surgeon in a large chair emblazoned with the arms of the Royal College of Physicians
Description:
Title and printmaker from British Museum catalogue., State, publisher, and series title from Paulson., Final plate in a series of four: The four stages of cruelty., Temporary local Medical Library subject terms: Dissection -- Anatomical Theatres -- Prevention of Cruelty to Animals -- Company of Surgeons -- Surgeon's Hall -- Freke, John (1688-1756)., and On page 158 in volume 2. Sheet trimmed to: 51.6 x 40 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Anatomy, Criminals, Dogs, Dissections, Medical education, Rake's progress, Physicians, and Skeletons
Night scene, a couple interrupted in flagrante by the night watch, she lying on the ground at right with dishevelled clothing, he held back on the left, with his breeches undone; a censorious old woman on the far left; a watchman on the right holding up a lantern, illuminating the pillory behind
Description:
Title and date from Paulson, Questionable attribution to Hogarth, but Paulson is inclined to accept as an early work by Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 245., According to Samuel Ireland in his Graphic illustrations of Hogarth (v.1 , p. 9-10) Hogarth executed this design when he was under twenty on the lid of a tobacco box for a Captain Johnson., A copy by Ireland. Plate from: Ireland, S. Graphic illustrations of Hogarth, v. 1, p. 8., Trimmed sheet., Ms. note I in Steevens's hand in pencil above image: Copy., and On page 180 in volume 2.
Night scene, a couple interrupted in flagrante by the night watch, she lying on the ground at right with dishevelled clothing, he held back on the left, with his breeches undone; a censorious old woman on the far left; a watchman on the right holding up a lantern, illuminating the pillory behind
Description:
Title and date from Paulson, Questionable attribution to Hogarth, but Paulson is inclined to accept as an early work by Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 245., According to Samuel Ireland in his Graphic illustrations of Hogarth (v.1 , p. 9-10) Hogarth executed this design when he was under twenty on the lid of a tobacco box for a Captain Johnson., Trimmed sheet., Ms. note in pencil in Steevens's hand above print: Original., Ms. note in pencil in Steevens's hand at top of print: Impression from the top of Captain Johnson's tobacco., Ms. note at bottom: Given me by the Right Honble William Windham., and On page 180 in volume 2.
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, behind him a boy holds out a hat for tips; to the left a refreshment seller yells out advertising her goods, two drunken guests lean out from a window above with a pipe and a horn, and two figures embrace in the doorway below, the watchdog lies asleep in his kennel on the right; a crowd of election campaigners at the far end of the inn."--British Museum online catalogue
Alternative Title:
Country inn yard
Description:
Title and state from Paulson., Date from Paulson: 26 June 1747., "Price one shilling"--Lower left corner, below image., Ms. note in pencil in Steevens's hand above print: Stage Coach. See Mr. Nichols's book, 3d edit. p. 284., and On page 130 in volume 2. Sheet trimmed wtihin plate mark: 21.6 x 30.5 cm.
Publisher:
Wm. Hogarth.
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
Plate 58. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, behind him a boy holds out a hat for tips; to the left a refreshment seller yells out advertising her goods, two drunken guests lean out from a window above with a pipe and a horn, and two figures embrace in the doorway below, the watchdog lies asleep in his kennel on the right; a crowd of election campaigners at the far end of the inn"--British Museum online catalogue
Alternative Title:
Country inn yard
Description:
Title and state from Paulson., Date from Paulson: 26 June 1747., Lower left corner, below image: "Price one shilling"., Ms. note in pencil in Steevens's hand above print: 2nd. impression., and On page 130 in volume 2. Sheet trimmed within plate mark to: 21.7 x 30.5 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
Plate 72. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A companion to Plate I, the firefighters have become gardeners and the water flows onto the trees in pots that surround the statue of George III, royal steams of benevolence. Lord Bute is the head gardener
Alternative Title:
Times. Plate 2
Description:
Title etched below image., Third state as described by Paulson, with publication line and inscription engraved., Ms. note in pencil in Steevens's hand beneath image: Proof taken by Mr. Boydell., and On page 194 in volume 2.
Publisher:
Publish'd May 29, 1790 by J & J Boydell, Cheapside & at the Shakspeare Gallery, Pall Mall, London
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778 and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Seven Years' War, 1756-1763, Cities & towns, and Gardens
A companion to Plate I, the firefighters have become gardeners and the water flows onto the trees in pots that surround the statue of Henry VIII, royal steams of benevolence. Lord Bute is the head gardener
Alternative Title:
Pl. 2
Description:
Title etched below image., Date, publisher, and state as described by Paulson., Ms. note in pencil in Steevens's hand above print: Plate II. Ms. note beneath image: Times, Plate 2; proof taken during the life-time of Hogarth., Ms. note in ink on square of paper mounted below in Steevens's hand: This second part of The times (for and impression of which the late Lord Exeter paid Mrs. Hogarth ten guineas, the money to be returned if she published the plate) is every way inferior to the first. Since the death of Mrs. Hogarth, it is become the property of the Boydells., and On page 193 in volume 2.
Publisher:
Wm. Hogarth
Subject (Name):
Henry VIII, King of England, 1491-1547 and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Seven Years' War, 1756-1763, Cities & towns, and Gardens
