Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
[1745]
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Alternative Title:
Dr. Herring Lord Archbishop of Canterbury and Archbishop Herring
Description:
Title etched around image., C. Mosley after a painting by William Hogarth. See Catalogue of Engraved British portraits., Date from Catalogue of engraved British portraits., A portrait of the Archbishop at the head of an engraved speech., Sheet trimmed within plate mark., Not in: Paulson, R. Hogarth's graphic works (3rd ed.)., and Formerly on page 122 in volume 2. Remove in 2012 by LWL conservator.
Publisher:
publisher not identified
Subject (Geographic):
Scotland
Subject (Name):
James, Prince of Wales, 1688-1766. and Herring, Thomas, 1693-1757
Facsimile of a sketch with hand-written descriptions, with outlines of Garrick and Quin from the back, next to a scale of feet, with profiles of a 'short proportion' to the left of Quin, and a 'tall proportion' to the right of Garrick
Alternative Title:
Facsimile of a letter and Facsimile of the proportions of Garrick and Quin
Description:
Title engraved above image., Also lettered with a facsimile hand-writing, including the date "Oct 21 1746", and signed "W H" [i.e., William Hogarth]., Dobson records “from a drawing belonging to Mr. Stevenson or Norwich, after to J. P. Kemble. See Dobson, A. William Hogarth., Copy of no. 2808 in v. 3, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Formerly on page 108 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Published 12th May 1797 by Robert Laurie & James Whittle, No. 53 Fleet Street, London
Subject (Geographic):
British.
Subject (Name):
Garrick, David, 1717-1779 and Quin, James, 1693-1766
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., Sheet trimmed within plate mark., Touched in ink eyelid and stray hair on left but no lock., and Formerly on page 112 in volume 2. Removed in 2012 by LWL conservator.
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction. The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title and state from Paulson., Sheet trimmed within plate mark., Ms. note in Steevens's hand in pencil on folio page: See Nichols's book, 3d edit, p. 262, &c., Ms. note in Steevens's hand in pencil at bottom of print: Given me by Mr. Henderson [?]., Ms. note in brown ink below image at bottom right: Scotin fe. aqua forti., and Formerly on page 109 in volume 2. Removed from Steevens volume by LWL conservator.
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction. The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., Sheet trimmed within plate mark., Sheet trimmed to: 38 x 46.3 cm., and Formerly on page 110 in volume 2. Removed in 2012 by LWL conservator.
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his left, he threatens him with his raised cane. A large, well-dressed woman looks angrily at the young man and opens a knife, while the quack polishes his glasses, at his side a skull on the table. The room contains numerous medical and scientific objects, including machines for straightening shoulders and for drawing corks, a dried crocodile, a narwhal's tusk, two mummies, a skeleton, and two pictures, one of a two-headed hermaphrodite and the other an anthropophagi (see Paulson).
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Ttitle and number engraved below image., State from Paulson., Sheet trimmed within plate mark., Sheet trimmed to: 38.3 x 46.4 cm., and Formerly on page 114 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Rake's progress, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, and Skeletons
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., Sheet trimmed within plate mark., Sheet trimmed to: 38.6 x 46.1 cm., and Formerly on page 116 in volume 2. Removed in 2012 by LWL conservator.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., and Formerly on page 118 in volume 2. Removed in 2012 by LWL conservator.
The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
Alternative Title:
Marriage a-la-mode. Plate 6
Description:
Title devised by cataloger., Series title and number engraved below image., State from Paulson., After the painting "The Lady's Death" in the National Gallery, London., Sheet trimmed to plate mark., and Formerly on page 120 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
publish'd according to act of Parliamt. June 20th, 1746.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 32. Queen Charlotte's collection of Hogarth works. Leaf 32. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
David Garrick in the role of Richard III, awakening from his troubled dream in the tent before the battle of Bosworth Field
Alternative Title:
Garrick in the character of Richard III
Description:
Title etched below image., Title in Paulson: Garrick in the character of Richard III., State and publisher from Paulson., Sheet trimmed to: 41.5 x 51.5 cm., and Formerly on page 124 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Name):
Garrick, David, 1717-1779 and Shakespeare, William, 1564-1616.
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., Ms. note in pencil in Steevens's hand to side of print: See Nichols's book, 3d edit. p. 289., Sheet trimmed within plate mark to: 37.7 x 44.5 cm., and Formerly on page 145 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
publish'd according to act of Parliament, August 25th 1746.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 56. Queen Charlotte's collection of Hogarth works. Leaf 46. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
An elderly, rotund Lord Lovat is seated on a chair, its back carved with putti supporting a coronet. He is counting on his fingers the number of Scottish clans that fought with the Pretender in the rebellion. To his left is a table on which sits a book entitled "Memoirs" and quill pen in an ink bottle
Description:
Title etched below image., State from Paulson., "Price 1 shilling.", Formerly on page 123 in volume 2. Removed in 2012 by LWL conservator., and Sheet trimmed to: 35.6 x 22.2 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Lovat, Simon Fraser, Lord, 1667 or 1668-1747
Subject (Topic):
Obesity, Peerage, British, Rebellions, and Traitors
BEIN Z17 0376: Rotographs, in reduced size (28 cm)., Title from caption., "By John Trottplaid.", By Henry Fielding., Imprint varies: Numb. 2-3, Printed for M. Cooper; C. Corbett; Mrs. Nutt; and G. Woodfall; numb. 4-49, Printed for M. Cooper; C. Corbett; and G. Woodfall., No more published., Headpiece used on first twelve numbers designed by William Hogarth., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's book, 3d edit. p. 288. Ms. note in pencil in Steevens's hand at bottom of front page: Given me by W. Reed. More than once sold for £2.2..d., and Formerly on page 144 in volume 2. Removed in 2012 by LWL conservator.
Ford, Michael, active 1746-1765, printmaker, publisher
Published / Created:
[approximately 1746?]
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Abstract:
Portrait after Hogarth, full-length standing in a landscape, right hand on a stone ledge, hat and cane in his left, looking at and bowing slightly to the viewer with right foot advanced, wearing a suit with a high sheen, the coat open to reveal a long waistcoat decorated with flourishes
Alternative Title:
Right Honorable Gustavus Lord Viscount Boyne Baron of Stackallen and Gustavus, Viscount Boyne
Description:
Title etched below image., "Price 5s. 5d"--Following imprint statement., and Formerly on page 128 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Publish' d and sold for Mich. Ford painter and print seller on Cork Hill
publish'd according to act of Parliament 30 Sep. 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 44. Queen Charlotte's collection of Hogarth works. Leaf 40. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the weaver's workshop, Tom Idle sleeps, spindle in hand, at his loom beneath a ballad of Moll Flanders, having drunk from a large tankard lettered "Spittle Fields"; Francis Goodchild concentrates on his work while light streams through the window onto ballads of "The London Prentice" and "Whitington, Ld Mayor" on the wall above his head; a cat pulls at Idle's shuttle and the master, Mr. West, enters shaking his cane at his idle apprentice
Alternative Title:
Fellow apprentices at their looms
Description:
Title engraved above image., Series title engraved above image; plate numbering below image., State and publisher from Paulson., Sheet trimmed within plate mark: 26.4 x 34.5 cm., and Fomerly on page 131 in volume 2. Removed in 2013 by LWL conservator.
publish'd according to act of Parliamt., Sep. 30, 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 48. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A sea chest stamped "Tho Idle his Chest" set in a row boat on the Thames tells us that it is Tom Idle who is being rowed out to sea by a waterman smoking pipe. Using his fingers to make horns on his head, Tom also makes a face at the sailor who points to a gallows on the shore (Cuckold's Point), while another sailor shows him a rope. Idle's mother sits before him wiping her weeping eyes. In the background on shore are various ships and a line of windmills. In the lower left corner, Tom's Indenture floats on the waves. The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice turned away and sent to sea
Description:
Title engraved above image., State and publisher from Paulson., "Plate 5"--Below frame., Fifth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:XXV.Ve:1. A Foolish Son is the heaviness of his Mother.", Sheet trimmed within plate mark to: 26.3 x 34.5 cm., and Formerly on page 135 in volume 2. Removed in 2013 by LWL conservator.
publish'd according to act of Parliament, Sepbr. 30 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 53. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle is at the bar in a court of Justice, his hands bound, knees bent in supplication to Goodchild, now an alderman (signaled by the furred robe and gold chain of the office) serving as magistrate. Goodchild's hand shields his eyes as he turns away from Tom. Beside him a clerk is writing a letter "To the Turnkey of Newgate". On the left Tom's one-eyed accomplish is swearing evidence with his left hand instead of right hand as his female accomplice bribes the clerk behind his back. To Tom's left a fat beadle comforts Tom's weeping mother. A row of fire buckets hang from the rafters. The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice Alderman of London, the idle one brought before him & impeach'd by his accomplic
Description:
Title engraved above image., State and publisher from Paulson., "Plate 10"--Below frame., Tenth plate in the series of twelve: "Industry and idleness.", Two captions in decoration in lower edge of frame. On the left: "Psalm IX. Ver: 16. The Wicked is snar'd in the work of his own hands". On the right: "Leviticus Ch: XIX. Ve:15. Thous shall do no unrighteousness in Judgment.", Sheet trimmed within plate mark to: 26.3 x 34.6 cm., and Formerly on page 140 in volume 2. Removed in 2012 by LWL conservator.
publish'd according to act of Parliament, Sepbr. 30 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Leaf 44. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle is at the bar in a court of Justice, his hands bound, knees bent in supplication to Goodchild, now an alderman (signaled by the furred robe and gold chain of the office) serving as magistrate. Goodchild's hand shields his eyes as he turns away from Tom. Beside him a clerk is writing a letter "To the Turnkey of Newgate". On the left Tom's one-eyed accomplish is swearing evidence with his left hand instead of right hand as his female accomplice bribes the clerk behind his back. To Tom's left a fat beadle comforts Tom's weeping mother. A row of fire buckets hang from the rafters. The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice Alderman of London, the idle one brought before him and impeach'd by his accomplice
Description:
Title engraved above image., State and publisher from Paulson., "Plate 10"--Below frame., Tenth plate in the series of twelve: Industry and idleness., Two captions in decoration in lower edge of frame. On the left: Psalm IX. Ver: 16. The Wicked is snar'd in the work of his own hands". On the right: "Leviticus Ch: XIX. Ve:15. Thous shall do no unrighteousness in Judgment., Sheet trimmed within plate mark to: 26.2 x 34 cm., and Formerly on page 140 in volume 2. Removed in 2012 by LWL conservator.
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Leaf 45. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The former industrious appretice Francis Goodchild is now Lord Mayor. The scene is Cheapside where we see the Lord-Mayor's carriage surrounded by a mob and with spectators in stands and at every window. The spectators in the stands include the Prince and Princess of Wales. Both sides of the frame are decorated with cornucopias
Alternative Title:
Industrious apprentice Lord-Mayor of London
Description:
Title engraved above image., Series title "Industry and idleness", state, and publisher from Paulson., "Plate 12"--Below frame, centered., Caption in decoration in lower edge of frame: Proverbs Chap III. Ver: 16. Length of days is in her right hand and in her left hand riches and hounour., Sheet trimmed within plate mark to: 27 x 40.2 cm., and Formerly on page 142 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Topic):
Crowds, Judges, Mayors, Parades & processions, and Rake's progress
publish'd according to act of Parliamt., Sepbr. 30, 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 51. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Goodchild and his wife are seated in the place of honour in a large banquet hall. In the foreground, greedy liverymen are waited on by a young black man, while a boorish beadle stops a crowd of petitioners at the door, one of whom has handed him a letter addressed "To the Worshipt. Fras. Goodchild Es. Sher[iff of] ... Londo[n]." The walls are decorated with two large portraits, one of which is William III and a statue of Sr William Walworth Kt. The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice grown rich and Sheriff of London
Description:
Title engraved above image., State and publisher from Paulson., "Plate 8"--Below frame., Eighth plate in the series of twelve: "Industry and idleness.", Caption in decoration in lower edge of frame: "Proverbs Ch:IV. Ver: 7,8. With all thy getting get understanding. Exalt her & she shall promote thee; she shall bring thee to honour when thou dost embrace her.", Sheet trimmed within plate mark to: 26.3 x 34.3 cm., and Formerly on page 138 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Topic):
Banquets, Banquet halls, Business people, Eating & drinking, Gluttony, Servants, Sheriffs, and Rake's progress
publish'd according to act of Parliamt., Sepbr. 30, 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Leaf 43. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Goodchild and his wife are seated in the place of honour in a large banquet hall. In the foreground, greedy liverymen are waited on by a young black man, while a boorish beadle stops a crowd of petitioners at the door, one of whom has handed him a letter addressed "To the Worshipt. Fras. Goodchild Es. Sher[iff of] ... Londo[n]." The walls are decorated with two large portraits, one of which is William III and a statue of Sr William Walworth Kt. The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice grown rich and Sheriff of London
Description:
Title engraved above image., State and publisher from Paulson., "Plate 8"--Below frame., Eighth plate in the series of twelve: Industry and idleness., Caption in decoration in lower edge of frame: Proverbs Ch:IV. Ver: 7,8. With all thy getting get understanding. Exalt her & she shall promote thee; she shall bring thee to honour when thou dost embrace her., Sheet trimmed to plate mark., Sheet trimmed within plate mark to: 26.2 x 34.4 cm., and Formerly on page 138 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Topic):
Banquets, Banquet halls, Business people, Eating & drinking, Gluttony, Servants, Sheriffs, and Rake's progress
publish'd according to act of Parliament Sepbr. 30 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Leaf 42. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The apprentice Francis Goodchild leans out the window to pay the leader of a band of drummers; with the band are two butchers playing 'rough music' with bones and cleavers. His bride, his former master's daughter can be seen in the room behind him sipping tea. The sign with a lion rampant announces the elevation of Goodchild from apprentice to partner: West and Goodchild. A poor mother with a child on her back kneels on the step at the front door as a footman dumps the remains of the wedding breakfast into her outstreched aprom. On the left in the street a legless beggar in a tub holds out a ballad sheet with the title "Jesse or the Happy Pair"; a dog sits at his side. In the background the foot of the Monument contains an anti-Roman Catholic inscription: "In rememberance ... of Burning [the] Protestant City by the treachery of the Papist Faction In ... year ... [o]f our ... Lo[r]d 1666." The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice out of his time & married to his master's daughter and Industrious apprentice out of his time and married to his master's daughter
Description:
Title engraved above image., State and publisher from Paulson., "Plate 6"--Below frame., Sixth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:XII. Ver: 4. The virtuous woman is a crown to her husband.", Sheet trimmed within plate mark to: 26.3 x 34.3 cm., and Formerly on page 136 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Topic):
Apprentices, Beggars, Butchers, Charity, Dogs, Drums (Musical instruments), Marriage, Monuments & memorials, Musical instruments, People with disabilities, Rake's progress, Servants, Signs (Notices), and Street musicians
Toms, W. H. (William Henry), approximately 1700-approximately 1750, printmaker
Published / Created:
[1749]
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Image Count:
1
Abstract:
Below larger image of the churth, a portrait of John Palmer, bust to the left, wearing cravat and cap, in circle; arms below and motto 'Visibilia Temporaria'; after Hogarth
Description:
Title etched above image., Dedication etched below oval portrait of John Palmer 1749 / W. Hogarth pinx. ; B. Baron sculp.: "To John Palmer of the Inner Temple London, patron of this church this plate is inscribed by his obedient and humble servt. Will. Hen. Toms, Ao. 1749"., Sheet trimmed to plate mark., See Paulson, R. Hogarth's graphic works (2nd ed.), p. 63., Ms. note in pencil in Steevens's hand beneath print: See Mr. Nichols's book., and Formerly on page 146 in volume 2. Removed in 2012 by LWL conservator.
The pool of Bethesda after the Hogarth painting. As described in the Gospel of St John, Chapter V, Christ is shown healing the sick beside the Pool of Bethesda, as an angel observes from above. At the center Christ reaches out to a crippled man who sits beside the Pool of Bethesda, shown here with an ulcer on his leg. Among the others looking for cures is a girl with Down's Syndrome (?), a woman with consumption or tuberculosis; a blind man with a stick; a man with jaundice (or melancholia or depression); a bearded man with gout and a distressed woman beside him with an injured breast; a child in the foreground carries a crutch. In the background, a servant of a naked woman pushes aside a mother with a sick baby. The mistress is most probably suffering from gonorrhea, as indicated by the rashes on her skin. Finally, in the foreground on the extreme right a pitiful man with an emaciated face full of pain and a hand on his swollen abdomen uses a crutch to approach the pool
Alternative Title:
There was at Jerusalem a pool call'd Bethesda, frequented by a multitude of impotent folk ...
Description:
Title from painting which this is based., Caption continues: "of blind, halt, & wither'd, to be cur'd by bathing, after an angel had troubled the waters; among whom was a certain man, that had been ill 38 years; but had no one to help him in, wherefore Jesus said unto him, rise, take up thy bed & walk. John Ch.V. Vers 2.8, Sheet trimmed to plate mark., Ms. note, and Formerly on page 144 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Published Feby. 24th 1772 by John Boydell, engraver in Cheapside, London
Subject (Name):
Jesus Christ,
Subject (Topic):
Bethesda, Pool of., Biblical events, Diseases, Healing, Miracles, People with disabilities, and Sexually transmitted diseases
Reduced composition of a painting by Hogarth, cropped substantially on both sides: The pool of Bethesda after the Hogarth painting. As described in the Gospel of St John, Chapter V, Christ is shown healing the sick beside the Pool of Bethesda, as an angel observes from above. At the center Christ reaches out to a crippled man who sits beside the Pool of Bethesda, shown here with an ulcer on his leg. Among the others looking for cures is a girl with Down's Syndrome (?), a woman with consumption or tuberculosis; a blind man with a stick; a man with jaundice (or melancholia or depression); a bearded man with gout and a distressed woman beside him with an injured breast; a child in the foreground carries a crutch. In the background, a servant of a naked woman pushes aside a mother with a sick baby. The mistress is most probably suffering from gonorrhea, as indicated by the rashes on her skin. Finally, in the foreground on the extreme right a pitiful man with an emaciated face full of pain and a hand on his swollen abdomen uses a crutch to approach the pool
Description:
Title from painting which this is based., Sheet trimmed to plate mark., Ms. note in pencil on page above print: See Mr. Nichols's book, 3d. edit, p. 289., and Formerly on page 144 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
publisher not identitfied
Subject (Name):
Jesus Christ,
Subject (Topic):
Bethesda, Pool of., Biblical events, Diseases, Healing, Miracles, People with disabilities, and Sexually transmitted diseases
Two soldiers shown full-length engaged in a fight. The bayonet of the solder on the left is pierced through the chest of the soldier on the right whose sword is drawn over his head and ready to strike
Description:
Title devised by curator., Ms. note in pencil on sheet above plate mark: Not in Nichols's book., and Formerly on page 108 in volume 2. Removed from Steevens volume by LWL conservator in 2012.
Publisher:
Publish'd Octr.1, 1791 by W. Birch, Hampstead Heath from a drawing by Hogarth
