Title supplied by curator., Date derived from printmaker's date of death., Place of publication derived from printmaker's country of residence., Based on the 1752 painting The Apothecary., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Apothecary shops, interior; Apothecaries.
Publisher:
publisher not identified
Subject (Topic):
Drugstores, Dentistry, Pharmacists, Women, Aloes, Priests, and Bellows
Depicts a semi-nude seated female figure holding a caduceus before whom dance three putti, while two putti in the air above approach bearing a basket and grape vine. Within an oval border of olive and oak leaves resting on a pedestal containing the text
Description:
Title from item., Sheet trimmed to plate mark on one side., and Imperfect; trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England, London., and London (England)
Subject (Name):
Wilkes, John, 1725-1797
Subject (Topic):
Balls (Parties), Caduceus, Children dancing, Cornucopias, and Social life and customs
Title supplied by curator., Date derived from printmaker's date of death., Place of publication derived from printmaker's country of residence., Based on the 1646 painting "The Circumcision of Christ" by Guercino., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
"Paris sitting on the left, handing an apple to venus, who stands in the centre, lifting her shawl with her left hand, Cupid peeping out from under her skirts at her feet, Juno sitting behind her, glowering and Minerva standing with her shield, wearing a helmet, looking and pointing to left, in a landscape with two trees behind the figures; in an oval; after Kauffman; published state 1788"--British Museum online catalogue
Description:
Title from image., Sheet trimmed into oval design within plate mark., and On page numbered 36 in an album of 116 prints: [Bartolozzi and his pupils].
"Solomon enthroned on the left, wearing a crown like a mitre, pointing ahead, where a man stands holding a knife in one hand, a baby in the other, suspending it in the air between two women, who claim it, one of whom kneels near the king, gesturing towards the child and looking back pleadingly towards Solomon; courtiers and colonnaded buildings all around, a falconer with a bird on his wrist on the far left."--British Museum online catalogue, description of an earlier state
Description:
Title engraved below image., State from: Baudi di Vesme, A. Francesco Bartolozzi., Sheet trimmed within plate mark., and For an earlier state with the publication line "T. Bradford Fleet Street, excudit, 14th March, 1764," see British Museum online catalogue, registration no: 1866,1114.723.
Publisher:
Pubd. March 10, 1791, by Josh. Read, Coventry Court, Coventry Street
Volume 2, page 82. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Dr Priestley sitting at a garden table, looking at a mouse in a semi-circular cage, smiling as he listens to Mrs Barbauld who stands pleading for its release and another woman and Charles Rochemond Aikin, a little boy look on, with trees all around; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Sixteen lines of verse below image, eight on either side of title: Oh! hear a pensive prisoner's prayer, for liberty that sighs; and never let thine heart be shut against a wretch's cries ... Vide Mrs. Barbauld's poem., and Mounted on page 82 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published Novr. 20, 1791, by Thos. Macklin, 39 Fleet Street
Volume 1, page 34. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Young woman holding music score and singing with her young brother on left, two other women playing lute and singing on right, dog asleep in the foreground, landscape seen through arch in the background, within roundel; after Henry Bunbury."--British Museum online catalogue
Description:
Title from text below image., Sheet trimmed to plate mark., Four lines of verse etched below title: No Clarions here the strains of battle sing, with notes of love our charming vallies ring; Peace to the brave! o'er us shall beauty reign, and ever-charming pleasures form our train. Vide Seven Fountains., Dedication etched below verses: To Her Grace the Dutchess of Devonshire, this print after an original drawing by H. Bunbury Esqr. is with the greatest respect dedicated, by Her Graces most obedient humble servant, W. Dickinson., and Mounted on page 34 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd July 10th, 1782, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
"Portrait in character as Richard III on the eve of the Battle of Bosworth, full-length sitting on the end of a bed, left leg raised, leaning back and clutching the coverlet, right hand thrown out to right, across his chest and looking in terror to left, wearing doublet and hose, armour on the ground in the right foreground, military tents and two guards seen in the background to left; after Hamilton"--British Museum online catalogue
Alternative Title:
Mr. Kemble in the character of King Richard the third
Description:
Title from caption below image. and Description based on imperfect impression; sheet trimmed within plate line resulting in loss of imprint statement. Imprint supplied from British Museum online catalogue.
Publisher:
Publish'd March 1 1790 by Willm. Hamilton RA ... & Jos. Barney...
Subject (Name):
Shakespeare, William, 1564-1616. and Kemble, John Philip, 1757-1823
Plate [2] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of George surrounded by Muses in vignette above text and "Dedication sheet to George III; five allegorical female figures, three standing to left, one casting incense on a fire, before a plaque with a bust portrait of the king, while a triton sits in front of it, another female holding a scroll raises a crown above the king's head and another female sits writing history to right."--British Museum online catalogue
Alternative Title:
Dedication to the King
Description:
Title from first line of text., Sheet trimmed within plate mark on right and left sides., Plate [2] in a volume bound to 50 cm., and Probably a later impression from a worn plate; imprint statement is lightly printed and barely legible.
Publisher:
Published as the act directs by R. Bowyer, at the Historic Gallery, Pall Mall
Plate [2] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of George surrounded by Muses in vignette above text and "Dedication sheet to George III; five allegorical female figures, three standing to left, one casting incense on a fire, before a plaque with a bust portrait of the king, while a triton sits in front of it, another female holding a scroll raises a crown above the king's head and another female sits writing history to right."--British Museum online catalogue
Alternative Title:
Dedication to the King
Description:
Title from first line of text., Sheet trimmed within plate mark on right and left sides., 1 print : engraving on wove paper; sheet 46.4 x 31.9 cm., Sheet trimmed to plate mark., and Watermark: 1801 J. Whatman.
Publisher:
Published as the act directs by R. Bowyer, at the Historic Gallery, Pall Mall
"Pitt the elder falls back after speaking in the House of Lords; on the walls are the tapestries of the defeat of the Spanish Armada."--British Museum online catalogue
Alternative Title:
Death of the Earl of Chatham
Description:
Title from dedication below image. and Sheet trimmed to plate mark.
Publisher:
Publish'd as the act directs May 1st 1791 by J.S. Copley, no. 24 George Street Hanover Square
"Dedication sheet to George III; five allegorical female figures, three standing to left, one casting incense on a fire, before a plaque with a bust portrait of the king, while a triton sits in front of it, another female holding a scroll raises a crown above the king's head and another female sits writing history to right; after Tresham."--British Museum online catalogue
Description:
Title from similar print at British Museum, Cf. museum registration no. 1858,1009.251., Sheet trimmed to plate mark., Lettered below image: "To the King's most Excellent Majesty. / The attention and encouragement bestowed by your Majesty on all the efforts of the Fine Arts induced me to hope for and solicit your Majesty's patronage to this edition of a Complete History of England, illustrated by historic prints, and gratefully acknowledge the condescending goodness with which my humble request has been granted. The sanction of your majesty is a pledge of general approbation and dissipates those apprehensions, which intimidate and weaken the first measures of great and hazardous undertakings. / I have the honour to be, may it please your Majesty, Your Majesty's most obliged and devoted servant, Robert Bowyer.", and On page numbered 55 in an album of 116 prints: [Bartolozzi and his pupils].
Publisher:
Published as the Act directs, by R. Bowyer, at the Historic Gallery, Pall Mall
"Interior of the Royal Exchange; interior of the great quadrangle from the north-east corner of the inner cloister, or walk, with the clock tower on the left, and the court filled with merchants of various nations."--British Museum online catalogue
Alternative Title:
Perspective view of the inside of the Royal Exchange in London
Description:
Title from dedication below image., Imprint statement lightly printed and barely visible; publisher and date of publication from imprint on companion print., and Companion print to: Perspective view of the outside of the Royal Exchange in London.
Publisher:
John Chapman
Subject (Geographic):
England and London.
Subject (Name):
Pitt, William, 1759-1806, and Royal Exchange (London, England),
Subject (Topic):
Stock exchanges, Quadrangles (Courtyards), and Merchants
"Exterior view of the Royal Exchange; looking down a busy street with carriages, carts and pedestrians, St Paul's Cathedral in the distance to the left, the prominent entrance of the Royal Exchange with tower to right; in right foreground a man enters a shop with the sign "John's Coffee"; after Loutherbourg and Chapman; published etched state."--British Museum online catalogue
Alternative Title:
Perspective view of the outside of the Royal Exchange in London
Description:
Title from dedication below image. and Companion print to: Perspective view of the inside of the Royal Exchange in London.
Publisher:
Published as the act directs August 12, 1788, & sold by Mr. Chapman at Mr. Christie's, Pall Mall
Subject (Geographic):
City of London (England), England, London, and London.
Subject (Name):
Pitt, William, 1759-1806,, Royal Exchange (London, England),, and St. Paul's Cathedral (London, England),
Subject (Topic):
Buildings, Stock exchanges, Streets, Stores & shops, City & town life, People associated with manual labor, Carriages & coaches, and Signs (Notices)
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Text above title: G.B. Cipriani inv. ; F. Bartolozzi sculp.
Publisher:
Pubd. June 30, 1788 by T. Macklin, No. 39 Fleet Street
Title from text above image., Publication information from earlier state described in the Calabi and de Vesme catalogue with imprint: London, Published October 1st, 1795, by John Jeffryes ..., Sheet trimmed within plate mark., and Five lines of verse etched below title: The Arch-angel Uriel, regent of the sun, Satan bowing low, down from th' ecliptick ... Paradise Lost, Book III.
"In a landscape, Venus, naked, lying on a drapery; behind her, a tree; in an oval."--British Museum online catalogue
Description:
Title etched below image, on either side of etched Walpole arms bearing the motto "Fari quae sentiat.", Text below title: The same size as the picture., Sheet trimmed within plate mark., Mounted on page 173 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : stipple engraving and etching in brown ink on laid paper ; oval image 24 x 35.1 cm, on sheet 28.9 x 36.4 cm., and For further information, consult library staff.
Publisher:
Publish'd Septr. 1st, 1785, by John Boydell, engraver, in Cheapside, London
"In a landscape, Venus, naked, lying on a drapery; behind her, a tree; in an oval."--British Museum online catalogue
Description:
Title etched below image, on either side of etched Walpole arms bearing the motto "Fari quae sentiat.", Text below title: The same size as the picture., Sheet trimmed within plate mark., and Mounted on page 138 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Publisher:
Publish'd Septr. 1st, 1785, by John Boydell, engraver, in Cheapside, London
"A medal of Rome: a woman seated on the ground in profile to right, holding a broken arrow in her left hand, the Colosseum in background, in a roundel; after Edwards; illustration to 'Roman History' by Goldsmith; state after plate cut in two."--British Museum online catalogue
Description:
Title from image., Date from Calabi and de Vesme., and On page numbered 40 in an album of 116 prints: [Bartolozzi and his pupils].
"Design of a medallion; recto on top, portrait head facing and looking to three-quarter to right, lettered with name on rim; reverse at bottom, emblem with a bird, vine leaves, wheat, lettered at bottom; book-illustration to 'Decamerone' (Boccaccio: London, 1766); after G B Cipriani."--British Museum online catalogue
Description:
Title from image., Date from Calabi and de Vesme., and On page numbered 54 in an album of 116 prints: [Bartolozzi and his pupils].
Title supplied by cataloger., Sheet trimmed within plate mark., and On leaf numbered 28 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others.
Illustration that appears on "Title-page to 'An Elegy on the Death of Samuel Foote, Esq.' by Boschereccio (London: George Kearsley, 1778) In a landscape; portrait head in profile to left, in an oval medallion, on ground at foot of a tree; to left, Thalia, Muse of comedy and idyllic poetry, seated on rocks, looking at the medallion and weeping; to left, shadow of Foote being led to a boat by Mercury; in foreground, a head buried in ground."--British Museum online catalogue
Description:
Title from image., Sheet trimmed within plate mark., For full impression of title page, Cf. British Museum registration no. 1897,1231.189., and On page numbered 25 in an album of 116 prints: [Bartolozzi and his pupils].
Illustration that appears on "Title-page to 'An Elegy on the Death of Samuel Foote, Esq.' by Boschereccio (London: George Kearsley, 1778) In a landscape; portrait head in profile to left, in an oval medallion, on ground at foot of a tree; to left, Thalia, Muse of comedy and idyllic poetry, seated on rocks, looking at the medallion and weeping; to left, shadow of Foote being led to a boat by Mercury; in foreground, a head buried in ground."--British Museum online catalogue
Description:
Title from image., Sheet trimmed, resulting in loss of lettering., For full impression of title page, Cf. British Museum registration no. 1897,1231.189., and On page numbered 25 in an album of 116 prints: [Bartolozzi and his pupils].
An admission ticket to the 1791 Handel commemoration held in Westminster Abbey, engraved with symbolic figures, one playing a spinet or harpsichord
Alternative Title:
Admittance either of the following days, May, the 23rd ...
Description:
Title engraved above image. and With the signatures of Samuel Arnold and John Montagu, Earl of Sandwich; affixed with two paper seals in red ink, partially legible: one the seal of the Royal Society of Musicians, and the other the seal of Sandwich with the motto "Post tot naufragia portum." For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Handel, George Frideric, 1685-1759. and Royal Society of Musicians (Great Britain)
"Portrait; whole length, standing, to the right, head turned to the left, one arm gesturing out towards the right; in fur trimmed robes and garter medal; standing in niche with two naked boys below to the right, one supporting a large book; the sword and mace to the left; after a sculpture by Carlini."--British Museum online catalogue
"An advertisement for the theatre around a tree, two women standing either side, at left kneeling and holding out a ribbon inscribed 'As you like it', at front a man seated on the floor holds out a sheet of paper upon which is written 'The Agreeable Surprise', behind at left a black harlequin holds a stick labelled 'invasion', beside him 'Venice preserved' is draped across a branch; in the distance at right a windmill advertises the diversity of the programme with Farce, Pantomine, Tragedy and Comedy emblazoned on the sails; within an elaborate oval frame with dramatic masks and daggers at top and bottom; after Bunbury, illustration from the 'European Magazine'."--British Museum online catalogue
Description:
Title from banner above image., Sheet trimmed within plate mark., and On leaf numbered 22 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others.
"An advertisement for the theatre around a tree, two women standing either side, at left kneeling and holding out a ribbon inscribed 'As you like it', at front a man seated on the floor holds out a sheet of paper upon which is written 'The Agreeable Surprise', behind at left a black harlequin holds a stick labelled 'invasion', beside him 'Venice preserved' is draped across a branch; in the distance at right a windmill advertises the diversity of the programme with Farce, Pantomine, Tragedy and Comedy emblazoned on the sails; within an elaborate oval frame with dramatic masks and daggers at top and bottom; after Bunbury, illustration from the 'European Magazine'."--British Museum online catalogue
Description:
Title from banner above image., Sheet trimmed within plate mark., On page numbered 24 in an album of 116 prints: [Bartolozzi and his pupils]., Top of sheet trimmed to design with no loss., and 1 print : engraving on laid paper ; sheet 17.0 x 12.2 cm.
Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
Sir Watkin Williams-Wynn (1749-1789), politician and patron of the arts, held summer performances at his estate at Wynnstay, in North Wales. Bunbury incorporates into the design of this admission ticket the titles for the 1785 season: The Confederacy, As You Like It, The Agreeable Surprise, Venice Preserved, and Harlequin's Invasion. The titles are shown on banners held by the figures of Tragedy, Comedy, Pantomime, and Farce or draped over the branches of the tree. Bunbury uses Farce dressed as a harlequin holding a club labelled "invasion" to form a rebus of Garrick's play. In the background, the four figures are identified on the sails of a windmill. In the banner at the top of the oval is the name of the theatre and the year "1785"; at the top and bottom of the oval are the masks of comedy and tragedy
Description:
Title from item., Sheet trimmed to plate mark., Mounted on page 22 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : stipple engraving and etching on laid paper ; sheet 20.8 x 15.5 cm., and Imperfect; printmaker's signature has been mostly erased from sheet.
Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
Sir Watkin Williams-Wynn (1749-1789), politician and patron of the arts, held summer performances at his estate at Wynnstay, in North Wales. Bunbury incorporates into the design of this admission ticket the titles for the 1785 season: The Confederacy, As You Like It, The Agreeable Surprise, Venice Preserved, and Harlequin's Invasion. The titles are shown on banners held by the figures of Tragedy, Comedy, Pantomime, and Farce or draped over the branches of the tree. Bunbury uses Farce dressed as a harlequin holding a club labelled "invasion" to form a rebus of Garrick's play. In the background, the four figures are identified on the sails of a windmill. In the banner at the top of the oval is the name of the theatre and the year "1785"; at the top and bottom of the oval are the masks of comedy and tragedy
Description:
Title from item., Sheet trimmed to plate mark., and For further information, consult library staff.
"A scene from the Judgement of Midas; on the left, Apollo standing, holding a lyre in his right hand; on the left, Marsyas seated, playing Pan's flute; next to him, King Midas seated; behind them, three Nymphs; in an oval frame with palm leaves; a banner at top and another at bottom; after Cipriani; illustration to the second or fourth volume of 'History of Music' by Charles Burney (London: 1776)."--British Museum online catalogue
Alternative Title:
For the benefit of Mr. Giardini, a concert of mvsick
Description:
Title supplied by cataloger., Date from British Museum online catalogue, Cf. museum registration no. C,3.1., Added title from later impression with cartouche added. Cf. Lewis Walpole Copy: no. 16 in Folio 75 B28 799, and on page numbered 5 in Folio 75 B28 804., On leaf numbered 18 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others., 1 print : engraving on laid paper ; sheet 10.7 x 11.7 cm., and Sheet trimmed within plate mark.
"A scene from the Judgement of Midas; on the left, Apollo standing, holding a lyre in his right hand; on the left, Marsyas seated, playing Pan's flute; next to him, King Midas seated; behind them, three Nymphs; in an oval frame with palm leaves; a banner at top and another at bottom; after Cipriani; illustration to the second or fourth volume of 'History of Music' by Charles Burney (London: 1776)."--British Museum online catalogue
Alternative Title:
For the benefit of Mr. Giardini, a concert of mvsick
Description:
Title supplied by cataloger., Date from British Museum online catalogue, Cf. museum registration no. C,3.1., Added title from later impression with cartouche added. Cf. Lewis Walpole Copy: no. 16 in Folio 75 B28 799, and on page numbered 5 in Folio 75 B28 804., and On leaf numbered 17 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others.
"A scene from the Judgement of Midas; on the left, Apollo standing, holding a lyre in his right hand; on the left, Marsyas seated, playing Pan's flute; next to him, King Midas seated; behind them, three Nymphs; in an oval frame with palm leaves; a banner at top and another at bottom; after Cipriani; illustration to the second or fourth volume of 'History of Music' by Charles Burney (London: 1776)."--British Museum online catalogue
Alternative Title:
For the benefit of Mr. Giardini, a concert of mvsick
Description:
Title supplied by cataloger., Date from British Museum online catalogue, Cf. museum registration no. C,3.1., Added title from later impression with cartouche added. Cf. Lewis Walpole Copy: no. 16 in Folio 75 B28 799, and on page numbered 5 in Folio 75 B28 804., On page numbered 5 in an album of 116 prints: [Bartolozzi and his pupils]., Sheet trimmed to plate mark., and 1 print : engraving on wove paper ; sheet 11.6 x 12.7 cm.
"Title-page with a woman, three children and a spirit; in the centre, a spirit with butterfly wings, standing in profile to left, decorating a statue with flowers; on the right, a woman seated on a chair, in profile to left; on the left, three naked children: one drawing and the other two winged; in an oval; after Cipriani; title-page to 'A dissertation on oriental gardening' by William Chambers (London: Griffin, 1772); published state."--British Museum online catalogue
Description:
Title supplied by cataloger., Date from Calabi and de Vesme., Sheet trimmed to plate mark, resulting in loss of lettering., and On page numbered 39 in an album of 116 prints: [Bartolozzi and his pupils].
Title supplied by cataloger., Sheet trimmed within plate mark., and On leaf numbered 11 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others.
Publisher:
Publish'd May 1791, by Mr. Sandby, Junr., St. George's Row
"Apollo alighting with a torch in his right hand, wings spread, gesturing with his left hand towards the arts and sciences, allegoriacal figures grouped on the right with Sculpture, leaning on a bas-relief of George III, Painting and Architecture in the foreground and a figure on the right with a globe, compass and other navigational tools; in an oval; after West."--British Museum online catalogue
Description:
Title supplied by cataloger., Artist, printmaker, and publication information from lettered state described in the Calabi and de Vesme catalogue with imprint: London, Publish'd ... Octr. 1, 1789, by B. West ..., State from Calabi and de Vesme catalogue., and Sheet trimmed within plate mark on lower edge.
"Apollo; standing, facing front, holding a lyre in his left hand, raising his right hand; a banner above him, another beneath; in an oval; copy after bill-head by Bartolozzi who etched after Cipriani in 1780."--British Museum online catalogue
Alternative Title:
For the benefit of Mr. Borghi, Free Masons Hall
Description:
Title supplied by cataloger., Date from British Museum online catalogue, Cf. museum registration no. S,6.127., For later impression with added title, Cf. Lewis Walpole Copy: on page numbered 3 in Folio 75 B28 804., Sheet trimmed within plate mark., and On leaf numbered 2 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others.
"Bill-head for the benefit of Mr Giardini; in a landscape; Apollo seated on a pedestal, in profile to right, holding a lyre with his left hand; on the left, Muse crowning him; on the right, Mercury standing; in a roundel; after Cipriani; illustration to page 279 in the first volume of 'History of Music' by Charles Burney (London: 1776); state after title removed."--British Museum online catalogue
Alternative Title:
Benefit of Mr. Giardini
Description:
Title supplied by cataloger., Date from British Museum online catalogue, Cf. museum registration no. 1897,1231.254., and On leaf numbered 7 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others.
"Bill-head for the benefit of Mr Dragonetti; on the left, a woman standing and holding a naked child who plays the lyre; on the right, Apollo standing and resting his right hand on the lyre; a banner beneath them; undergrowth behind; after Edward Francis Burney."--British Museum online catalogue
Alternative Title:
For the benefit of Mr. Dragonetti
Description:
Title supplied by cataloger., Date from British Museum online catalogue, Cf. museum registration no. 1897,1231.251., Sheet trimmed to plate mark., For later impression with added title, Cf. Lewis Walpole Copy no. 15 in Folio 75 B28 804., and On leaf numbered 15 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others.
"Bookplate of John Currer; in an oval within a rectangle; a woman in ancient dress, seated in front of pyramids, holding a book in her left hand, her right hand on her cheek; at bottom right, an escutcheon with four fields, charged with lions; proof before letters."--British Museum online catalogue
Description:
Title supplied by cataloger., Date from British Museum online catalogue, Cf. museum registration no. 1897,1231.236., Sheet trimmed to plate mark., and On leaf numbered 26 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others.
"Bookplate of Sir Foster Cunliffe; coat-of-arms charged with three rabbits and a hand, crest with a horse and motto, supported by two putti: the one on the right blowing a trumpet; the other one on the left seated, seen from behind; proof before letters."--British Museum online catalogue
Description:
Title supplied by cataloger., Date from British Museum online catalogue, Cf. Museum registration no. 1868,0822.1279., and On leaf numbered 29 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others.
"A stout man in profile with a long wig, pointing with left hand, holding his hat in the other, on the left side; a man seen from behind on the right side, wearing a sash diagonally and a long wig, holding a paddle against his right shoulder with his left arm extended to the side slightly, based on a quick line sketch given below and to the left of it."--British Museum online catalogue
Description:
Title from later state in British Museum catalogue., Later state continues: "From the Original Drawing in the Collection of the Earl of Exeter"., No longer attributed to Hogarth., Cf. No. 3587 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Not in R. Paulson's Hogarth's graphic works., On page 208 in volume 3., Ms. note in pencil in Steevens's hand above print: Proof., and Ms. note in pencil in Steevens's hand identified figures at top of print as L. Melcombe (left) and L. Winchelsea (right). At the bottom center: By Ld Townshend; at lower right, Bartolozzi sculp.
Publisher:
Published as the act directs 31 July 1781 by Rd. Livesay at Mrs. Hogarths, Leicester Fields
Subject (Name):
Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762. and Winchilsea, Daniel Finch, Earl of, 1689-1769.
A stout man in profile with a long wig (the number '4' etched over his head; below "fig.2 [illegible]), points with his left hand, holding his hat in the other, on the left side; a man seen from behind on the right wears a sash diagonally and a long wig, and holds a paddle against his right shoulder with his left arm extended to the side slightly; another quick line sketch of the second figure is given below and to the left of it.
Description:
Title from British Museum online catalogue., Formerly attributed to Hogarth but more likely by George Townshend., Caption below image: From the original drawing in the collection of the Earl of Exeter., and On page 208 in volume 3. Sheet trimmed to: 14.8 x 18.4 cm.
Publisher:
Publish'd Decr. 22, 1781 by Rd. Livesay at Mrs. Hogarths Leicester Fields
Subject (Geographic):
England.
Subject (Name):
Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762 and Winchilsea, Daniel Finch, Earl of, 1689-1769
A stout man in profile with a long wig (the number '4' etched over his head; below "fig.2 [illegible]), points with his left hand, holding his hat in the other, on the left side; a man seen from behind on the right wears a sash diagonally and a long wig, and holds a paddle against his right shoulder with his left arm extended to the side slightly; another quick line sketch of the second figure is given below and to the left of it.
Description:
Title from British Museum online catalogue., Formerly attributed to Hogarth but more likely by George Townshend., Caption below image: From the original drawing in the collection of the Earl of Exeter., and Ms. notes in ink below identifying each figure: On the left is Lord Melcombe and on the right, Lord Winchelsea.
Publisher:
Publish'd Decr. 22, 1781 by Rd. Livesay at Mrs. Hogarths Leicester Fields
Subject (Geographic):
England.
Subject (Name):
Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762 and Winchilsea, Daniel Finch, Earl of, 1689-1769
"George III in coronation robes sitting under a coffered dome, facing left, crowned by a woman with a snake twined around her arm, the staff of Aesclepius resting against a bowl-shaped incense burner beside her, Britannia sitting below, looking up at him with a cherub holding a cornucopia full of coins near her feet; a female figure in a niche to left, holding a burning torch and olive branch, armour at her feet; another female in a niche to right, holding a cornucopia."--British Museum online catalogue
Alternative Title:
To Sir Joseph Banks, bart., president of the Royal Society, this plate from the transparency exhibited at his house on the 10th of March 1789 on the general illumination for His Majesty's recovery, is humbly dedicated by his obedient servant, Charles Ansell
Description:
Title devised by cataloger., Caption below image is a dedication: To Sir Joseph Banks, Bart., president of the Royal Society, this plate ... is humbly dedicated by his obedient servant, Charles Ansell., and Watermark.
Publisher:
Pub. June 4, 1790, by C. Ansell, No. 5 Upper Iohn Street, Fitzroy Chapel, I. Matthews, No. 441 Strand, & Molteno, Colnaghi & Co., No. 132 Pall Mall
"Cupid dressing as Hercules, standing, facing front, looking towards right, naked, holding a club and a lion head over his right shoulder, a bow in his left hand; in an oval medallion; 1785 restrike."--British Museum online catalogue
Description:
Title supplied by cataloger. and On page numbered 27 in an album of 116 prints: [Bartolozzi and his pupils].
Publisher:
Publish'd May 25, 1785, by W. Dickinson, engraver & printseller, No. 158 Bond Street
"Letter-head for commercial correspondence; an allegorical female figure seated, with her right hand touching an escutcheon charged with a castle, with her left arm holding an anchor; on the right, ships in harbour; on the left, a church tower; a barrel and a box in foreground"--British Museum online catalogue
Description:
Title from annotation in pencil below image., Sheet trimmed to plate mark., Date from Calabi and de Vesme., and On leaf numbered 31 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others.
"Letter-head for commercial correspondence; an allegorical female figure seated, with her right hand touching an escutcheon charged with a castle, with her left arm holding an anchor; on the right, ships in harbour; on the left, a church tower; a barrel and a box in foreground"--British Museum online catalogue
Description:
Title from annotation in pencil below image., Sheet trimmed to plate mark., Date from Calabi and de Vesme., On page numbered 47 in an album of 116 prints: [Bartolozzi and his pupils]., 1 print : engraving on wove paper ; sheet 6.0 x 8.2 cm., and Sheet trimmed to design.
Proof of an engraving which was later used on tickets to multiple concerts including one at St Margaret's Church, Westminster, Thursday 31st. May 1792 (see impression in the British Museaum online catalogue), one at Whitehall Chapel, Thursday 8th June 1797 (see impression in the British Museaum online catalogue) and another at the Concert Room, King's Theatre, Haymarket, May 179[blank] (see impression in the Lewis Walpole Library). The image shows, on the right, St Cecilia seated, playing the organ; on the left, two winged figures standing; in an oval; below, a block of low-relief which depicts Charity and three children; a lion and a unicorn on sides of the relief; after Robert Smirke
Alternative Title:
Concert Room, Kings Theatre, Haymarket, May 179, St. Margaret's Church Wesminster, Thursday 31st. May 1792, and Whitehall Chapel, Thursday 8th June 1797
Description:
Title supplied by cataloger., Date from British Museum online catalogue, Cf. museum registration number C,3.95., and On page numbered 16 in an album of 116 prints: [Bartolozzi and his pupils].
Title supplied by cataloger., Plate possibly from: XII sonate a violino e basso. London: Welcker, [1765]., and Description based on imperfect impression; sheet trimmed within plate mark with possible loss of text.
"Cul-de-lampe of a woman and two Spirits; a woman seated on clouds, holding two Spirits in form of naked children in her arms; the Spirit on the right, holding a enamel with both hands; the other Spirit on the left, seated facing back, counting coins; a bust of woman at extreme right; after Cipriani; illustration to the second volume of 'Marlborough gems' by Dr William Cole (1790-1791); proof before letters."--British Museum online catalogue
Description:
Title supplied by cataloger., Date from British Museum online catalogue copy, Cf. museum registration no. 1852,0313.41., and On leaf numbered 30 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others.
"Cul-de-lampe of a woman and two Spirits; a woman seated on clouds, holding two Spirits in form of naked children in her arms; the Spirit on the right, holding a enamel with both hands; the other Spirit on the left, seated facing back, counting coins; a bust of woman at extreme right; after Cipriani; illustration to the second volume of 'Marlborough gems' by Dr William Cole (1790-1791); proof before letters."--British Museum online catalogue
Description:
Title supplied by cataloger., Date from British Museum online catalogue copy, Cf. museum registration no. 1852,0313.41., On page numbered 30 in an album of 116 prints: [Bartolozzi and his pupils]., 1 print : engraving on laid paper ; sheet 11.6 x 13.2., and Sheet trimmed within plate mark.
Portrait of Frederick the Great, King of Prussia, almost full length, standing facing left looking to the left in coat with decoration on the chest, sash and hat; stick in right hand; soldier on horseback at the right in the background
Description:
Title from British Museum online catalogue., Date of publication from similar print from the British Museum online catalogue, registration no.: 1982,U.3169., Place of publication based on printmaker's main place of activity., Sheet trimmed within plate mark with possible loss of text., and Mounted in paper frame: 383 x 263 mm.
Portrait bust, in profile to left, in a medallion with a laurel frame inscribed "Comm. G.F. Handel MDCCLXXXIV"; attached underneath, another medallion with a text inside "Sub ausp. G. III"; a young female angel, standing in profile to right, holding the first medallion with ribbons; in an oval with a palm leaves border; after E.F. Burney
Description:
Title, date of imprint, and plate number from impression in British Museum online catalogue., Upper right corner: "Pl. 1"., The Lewis Walpole Library impression: With a large ownership [?] stamp in lower left corner, a sphinx with a shield., Imperfect impression: trimmed to 19 x 15 cm with loss of imprint and plate number., and On verso in pencil: A. Ab. 310.
Volume 2, page 15. Etchings by Henry William Bunbury, Esq. and after his designs. Page 7. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A girl sitting on a chair with weary expression outside a cottage, her parents standing either side of her anxiously, a cat in the left foreground, the sea behind at left with a boat."--British Museum online catalogue
Alternative Title:
My faither urg'd me sair, my mither did nae speak ...
Description:
Title supplied by cataloger., State from: Baudi di Vesme, A. Francesco Bartolozzi., Sheet trimmed to plate mark., Two lines of text below image: My faither urg'd me sair, my mither did nae speak, but she look'd in my face till my heart was like to break. Auld Robin Gray., Dedication etched above imprint statement: To Her Grace the Dutchess of Hamilton and Brandon, this print after an original drawing by H. Bunbury Esqr. is with the greatest respect dedicated by Her Graces most obedient humble servant, W. Dickinson., Mounted on page 7 of: Bunbury album., and 1 print : stipple engraving and etching in sepia ink on laid paper ; circular image 30.0 cm, on sheet 41.1 x 36.3 cm.
Publisher:
Publish'd Feby. 10th, 1783, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Volume 2, page 15. Etchings by Henry William Bunbury, Esq. and after his designs. Page 7. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A girl sitting on a chair with weary expression outside a cottage, her parents standing either side of her anxiously, a cat in the left foreground, the sea behind at left with a boat."--British Museum online catalogue
Alternative Title:
My faither urg'd me sair, my mither did nae speak ...
Description:
Title supplied by cataloger., State from: Baudi di Vesme, A. Francesco Bartolozzi., Sheet trimmed to plate mark., Two lines of text below image: My faither urg'd me sair, my mither did nae speak, but she look'd in my face till my heart was like to break. Auld Robin Gray., Dedication etched above imprint statement: To Her Grace the Dutchess of Hamilton and Brandon, this print after an original drawing by H. Bunbury Esqr. is with the greatest respect dedicated by Her Graces most obedient humble servant, W. Dickinson., and Mounted on page 15 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Feby. 10th, 1783, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
"An infant Bacchus sitting on a barrel with a flaggon in its right hand, raising a glass in its left, liquid flowing from the barrel into a bowl next to a flaggon at the base and bushes behind; used as an advertisement for the Royal Cumberland tavern, Vauxhall, after relevant additional inscription added."--British Museum online catalogue
Description:
Title supplied by cataloger., For earlier state, Cf. Lewis Walpole Copy: page numbered 36 in Folio 75 B28 804., Sheet trimmed to plate mark., and On leaf numbered 21 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others.
"The infant Bacchus, naked, sitting on top of a barrel, holding a vessel in his right hand; his left arm uplifted, holding a chalice; unfinished proof."--British Museum online catalogue
Description:
Title from Calabi and de Vesme., Sheet trimmed to plate mark., and On page numbered 36 in an album of 116 prints: [Bartolozzi and his pupils].
"Diana on the right, seated on a stone under a tree, receiving a ribbon lettered "Francisca Xaviera Nieto y Aguilar" from three women who stand on the left; in an oval within a rectangle; after Stothard..."--British Museum online catalogue
Description:
Title from caption below image., Date from another state in British Museum online catalogue, Cf. museum registration no. 1897,1231.387., Proof without lettering., and On page numbered 11 in an album of 116 prints: [Bartolozzi and his pupils].
"Diana on the right, seated on a stone under a tree, receiving a ribbon lettered "Francisca Xaviera Nieto y Aguilar" from three women who stand on the left; in an oval within a rectangle; after Stothard..."--British Museum online catalogue
Description:
Title from caption below image., Date from another state in British Museum online catalogue, Cf. museum registration no. 1897,1231.387., Proof without finished background or lettering., Sheet trimmed to plate mark., and On page numbered 10 in an album of 116 prints: [Bartolozzi and his pupils].
Title supplied by cataloger., Sheet trimmed within plate mark., and On leaf numbered 27 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others.
Title supplied by cataloger., On leaf numbered 27 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others., Sheet trimmed to plate mark., and 1 print : engraving on laid paper ; sheet 10.4 x 13.8 cm.
Volume 2, page 18. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Lady Bothwell sitting beside a cot, where a child lies sleeping, her hands raised, looking down at it sorrowfully, while another sits with her back to the viewer, pouring a cup and a lady wearing a beret stands in the doorway in the background to right, looking out; in a roundel; after Bunbury."--British Museum online catalogue
Description:
Title from later state., Artist and printmaker from statements of responsibility on later state: H. Bunbury Esqr. delint. ; engraved by F. Bartolozzi., State with publication line only. For a later state with title, statements of responsibility, verses, and dedication added below image, see British Museum online catalogue, registration no.: 1870,0514.1597., Sheet trimmed to plate mark., Illustration to the ballad 'Lady Ann Bothwell's lament'., Mounted on page 18 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Title "Lady Bothwell's lamentation" added by Horace Walpole in ink below image, beneath which he also added the verses "Ballow, my babe, lie still and sleep, it grieves me sore to see thee weep".
Publisher:
Publish'd Jany. 20th, 1784, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Subject (Name):
Bothwell, Ann, Lady,
Subject (Topic):
Cribs (Children's beds), Infants, Grief, and Pitchers
"Vignette of Satyr playing the flute; on the right, Satyr seated facing back, turning around and looking towards the viewer, playing Pan's flute; on the left, bust of Martial, in roundel; after Cipriani; illustration to 'Tutti gli Epigrammi di M. Val Marziale, fedelmente trasportati in italiano da Giuspanio Graglia Torinese' by Martial (London: Georigo Scott, 1783)."--British Museum online catalogue
Description:
Title supplied by cataloger. and On leaf numbered 9 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others.
Publisher:
Pubd. as the act dizects 14th December 1783, by G. Graglia London
"Bill-head for the benefit of Mr Giardini; on the left, Melpomene seated on a parapet, holding a dagger in her right hand; two putti at her feet: one lying dead, the other standing and scratching his hair; on the right, Thalia standing, accompanied by a putto who holds a torch; after Cipriani; open-letter state."--British Museum online catalogue
Alternative Title:
For the benefit of Mr. Giardini
Description:
Title supplied by cataloger., Date from British Museum online catalogue, Cf. museum registration no. 1897,1231.275., Sheet trimmed to plate mark., and On page numbered 4 in an album of 116 prints: [Bartolozzi and his pupils].
"Title-page of music book of twelve divertimentos; on the left, Pegasus galloping; on the right, Muse feeding the Pegasus from a basket which she holds in her hands; after Cipriani; illustration to 'Twelve divertimentos' by Lewis Borghi (London: 1790)"--British Museum online catalogue
Description:
Title supplied by cataloger., Sheet trimmed to plate mark., and On page numbered 33 in an album of 116 prints: [Bartolozzi and his pupils].
"Music, five other arts and an old man; on the right, Music standing, with a laurel crown on her head, holding a lyre in her hand; next to her, an old man seated and an allegorical female figure standing; on the left, four allegorical female figures; in an octagonal frame with oak tree branches; after Edward Francis Burney; illustration to page 324 in the second volume of 'History of Music' by Charles Burney (London: 1776-1787). 1776-1787, this state 1789"--British Museum online catalogue
Description:
Title supplied by cataloger., Sheet trimmed within plate mark., and On leaf numbered 10 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others.
An angel with a crown of flowers on her head holds two sleeping babies in her arms as she flies to the left. The sky is drawn with a crescent moon, clouds, stars, two bats, and an owl. Below her, a rural scene with cows sleeping to right and a boy (a shepherd?) to the left, who also sleeps, his arms resting against a rock out-cropping. In the background, a man and woman walk toward a cottage, the man holding a torch to light the way. In the distance on a hill is a walled city, with smoke pouring from the building on the right
Description:
Title devised by cataloger. and Watermark: Pro patria.
Publisher:
publisher not identified
Subject (Topic):
Angels, Bats, Cattle, Infants, Owls, Rural life, and Sleeping
On the left, a meagre Scotchman shown full-length in rags, scratching between his fingers and scratching himself against a sign-post. In the distance is on a hill is Edinburgh Castle. To the right, under a tavern sign with a picture of an ox and the words "Roast & Boil'd" stands a well-dressed, well-fed Englishman holding a large pot of "London Porter". He leans against a post; behind him is St. Paul's in the distance
Alternative Title:
North and South of Great Britain
Description:
Title, artist, and printmaker from later states., Formerly attributed to Hogarth., Printmaker identified as Francesco Bartolozzi, after a painting by Paul Sandby. See British Museum catalogue., Sheet trimmed to plate mark., Not in R. Paulson's Hogarth's graphic works., and On page 207 in volume 3.
Publisher:
Publish'd June the 11. 1781 by A. Torre & J. Thane, No. 28 in the Hay Market
"Orpheus and Eurydice; walking in the underworld; on the left, Cerberus; on the right, a putto holding a torch; in an oval frame with palm leaves; after Cipriani; counterproof."--British Museum online catalogue
Description:
Title supplied by cataloger., Date from British Museum online catalogue, Cf. museum registration no. 1897,1231.305., and On leaf numbered 5 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others.
"Orpheus and Eurydice walking in the underworld; on the right, three dogs; on the left, a putto holding a torch and a banner; in an oval frame with palm leaves; copy after bill-head by Bartolozzi who etched after Cipriani in 1767."--British Museum online catalogue
Alternative Title:
For the benefit of Mr. Giardini, a concert of vocal & instrumental musick
Description:
Title supplied by cataloger., Date from British Museum online catalogue, Cf. museum registration no. 1868,0822.1262., Reverse copy with cartouche added at the bottom of oval. Cf. Lewis Walpole Copy: no. 5 in Folio 75 B28 799., Added title from later impression with caption in banner, Cf. Lewis Walpole Copy on page numbered 5 in Folio 75 B28 804., Sheet trimmed within plate mark., and On leaf numbered 6 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others.
"Orpheus and Eurydice walking in the underworld; on the right, three dogs; on the left, a putto holding a torch and a banner; in an oval frame with palm leaves; copy after bill-head by Bartolozzi who etched after Cipriani in 1767."--British Museum online catalogue
Alternative Title:
For the benefit of Mr. Giardini, a concert of vocal & instrumental musick
Description:
Title supplied by cataloger., Date from British Museum online catalogue, Cf. museum registration no. 1868,0822.1262., Reverse copy with cartouche added at the bottom of oval. Cf. Lewis Walpole Copy: no. 5 in Folio 75 B28 799., Added title from later impression with caption in banner, Cf. Lewis Walpole Copy on page numbered 5 in Folio 75 B28 804., Sheet trimmed within plate mark., On page numbered 5 in an album of 116 prints: [Bartolozzi and his pupils]., 1 print : engraving on wove paper ; sheet 8.8 x 11.0 cm., and Sheet trimmed to plate mark.
"Poetry sitting on a cloud, looking up, quill pen in her right hand towards her cheek, papers in her left on the lap, Cupid sitting on the right, facing front, music instruments, ornaments and foliages below; state before publication line."--British Museum online catalogue
Description:
Title supplied by cataloger., Sheet trimmed within design., and On page numbered 38 in an album of 116 prints: [Bartolozzi and his pupils].
"A young woman standing at an altar where incense is burning, holding a chalice in her left hand, gesturing and looking up to left, in a landscape with a temple on a hill to right, in an oval."--British Museum online catalogue
Description:
Title from Calabi and de Vesme catalogue., Publication information from impression in the British Museum with imprint. See British Museum online cat., registration number: 1868,0808.2810., Description based on imperfect impression; sheet trimmed within plate mark with loss of imprint., and Mounted to 37 x 25 cm.
Publisher:
Publish'd as the Act directs Octr. 1st. 1783, by A. Torre, No. 44 Market Lane
Title supplied by cataloger., Sheet trimmed to plate mark., Design intended for use as a tail piece., On page numbered 46 in an album of 116 prints: [Bartolozzi and his pupils]., 1 print : engraving on laid paper ; sheet 4.5 x 4.4 cm., and Sheet trimmed to design.
Title supplied by cataloger., Sheet trimmed to plate mark., Design intended for use as a tail piece., and On page numbered 46 in an album of 116 prints: [Bartolozzi and his pupils].
"Thalia; seated on a rock, head in profile to right, holding a lyre in her left hand and a mask in right; on the right, a winged child flying in the air, in profile to left, trying to touch the mask with his right hand; another mask and Pan flute on ground; in an oval on pedestal; after Cipriani; illustration to 'Songs, duets etc. in the Duenna, ... as performed at the Theatre Royal in the Covent Garden' by Richard Brinsley Sheridan (fifteenth edition, London: 1776)."--British Museum online catalogue
Alternative Title:
Muse
Description:
Title supplied by cataloger., Added title from Calabi and de Vesme: Muse., Sheet trimmed to plate mark., and On page numbered 41 in an album of 116 prints: [Bartolozzi and his pupils].
"Libyan Sibyl; facing front, seated, with a turban on head, holding a book open with her left hand, resting her right elbow on a closed book on a table, the book lettered with "Sibilla Libia"; after Guercino."--British Museum online catalogue
Description:
Title supplied by cataloger. and Date of publication from British Museum online catalogue, registration number: S,5.55.
Volume 1, page 32. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Three young women dancing holding their hands, within oval; young boy seated on carved stone playing flute on left, landscape in the background, after Henry Bunbury."--British Museum online catalogue
Description:
Title, artist and printmaker from the British Museum online catalogue, registration no.: 1917,1208.951., Sheet trimmed to plate mark., Mounted on page 32 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Statements of responsibility added in ink below image: H. Bunbury Esqr. delint. ; engraved by F. Bartolozzi.
Publisher:
Publish'd April 10th, 1782, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Title from Calabi and de Vesme catalogue., Artist, printmaker and publication information from variant state described in the Calabi and de Vesme catalogue with imprint: London, Jany. 1, 1782, Pubd. for the proprietors by Colnaghi & Co. ..., and Sheet trimmed within plate mark.
Title and date of publication from a later state in the British Museum, registration number: 1876,0708.2575., Earlier state lacking title, dedication, and description of the scene. Later state has altered imprint: Publish'd as the act directs, Jany. 30th 1788 by Mrs. Mortimer, Norfolk Street, Strand., and Ms. annotations in pencil at bottom of sheet.
Title from Calabi and de Vesme catalogue., Artist, printmaker and publication information from later state described in the Calabi and de Vesme catalogue with imprint: London, Publish'd August 2, 1794, by W. Dickinson., and Ms. annotations in pencil at bottom of plate.
publish'd as the act directs, Septr. the 17, 1790.
Call Number:
Drawer 790.09.17.01
Image Count:
1
Resource Type:
still image
Description:
Title supplied by cataloger. and State with scratched letters. See Calabi and de Vesme catalogue for description of a later state with expanded statements of responsibility, a dedication, and the imprint "Published ... Jany. 1, 1791, by B. West & J. Barney" etched below image.
"Young woman holding music score and singing with her young brother on left, two other women playing lute and singing on right, dog asleep in the foreground, landscape seen through arch in the background, within roundel; after Henry Bunbury."--British Museum online catalogue
Alternative Title:
Young musicians
Description:
Title from later state., Artist and printmaker from statements of responsibility on later state: H. Bunbury Esqr. delint. ; engraved by F. Bartolozzi., "Proof with publication details only"--British Museum online catalogue., For a later state with title, statements of responsibility, verses, and dedication added below image, see British Museum online catalogue, registration no.: 1917,1208.949., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge. Imprint supplied from impression in the British Museum, registration no.: 1874,0711.776., and Mounted on page 41 of: Bunbury album.
Publisher:
Publish'd July 1st, 1782, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
In a winter landscape, a man smoking a pipe carries an axe under one arm as he walks down a path in a field, a dog walking beside him; in his belt is a large knife, and in the distance on the left is a thatched cottage beyond a fence and stone wall
Description:
Title from published state. See: British Museum online catalogue, registration no.: 1941,1011.3. and Artist, printmaker, and publication information from statement of responsibility and imprint on published state: Barker pinxt. ; F. Bartolozzi R.A. sculpt. London, Published June 1, 1792, by Thos. Macklin, Poets Gallery, Fleet Street.
Title supplied by cataloger., Original date of publication from Calabi and de Vesme catalogue; date of printing based on watermark., Temporary local subject terms., and Watermark: J. Whatman 1821.
"Three Graces and Satyrs; Three Graces on the left; three Satyrs watching them from behind a large curtain suspended from two trees; on the right, a ewer and flower basket on ground; after William Hamilton; frontispiece to 'The rape of the lock' by Alexander Pope (London: Du Roveray, 1798)."--British Museum online catalogue
Alternative Title:
Satyrs peeping at the Three Graces
Description:
Title supplied by cataloger. and On page numbered 32 in an album of 116 prints: [Bartolozzi and his pupils].
"Ticket for the funeral of Reynolds; a monument in the centre; on the left, a woman with a veil standing, holding an urn, leaning over the monument; a naked child next to her, looking up towards her; after Burney; open-letter state with additional inscription."--British Museum online catalogue
Description:
Title supplied by cataloger., Sheet trimmed to plate mark., Inscription below image: "The executors & family of Sir Joshua Reynolds return thanks for the tribute of respect paid to departed genius & virtue, by your attendance at the funeral of that illustrious painter & most amiable man, in St. Pauls Cathedral, on Saturday, March 3rd, 1792.", Caption in center of image in Latin., and On page numbered 13 in an album of 116 prints: [Bartolozzi and his pupils].
"Winged female figure crowning a draped female figure with flower wreath, and giving her a small vase; a winged spirit hiding in the bushes holds a torch; in the lower part, banner..."--British Museum online catalogue
Description:
Title supplied by cataloger., Date from British Museum online catalogue, museum registration number 1977,U.1190., and On leaf numbered 19 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others.
"Winged female figure crowning a draped female figure with flower wreath, and giving her a small vase; a winged spirit hiding in the bushes holds a torch; in the lower part, banner..."--British Museum online catalogue
Description:
Title supplied by cataloger., Date from British Museum online catalogue, museum registration number 1977,U.1190., and On page numbered 8 in an album of 116 prints: [Bartolozzi and his pupils].
