Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[21 July 1801]
Call Number:
Bunbury 801.07.21.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire contrasting British and Continental customs: a portly Briton bows to an elegant French or Italian man with a long queue apparently in a piazza."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with different imprint statement and text below image burnished out, of a print originally published 20 March 1773 by J. Bretherton. Cf. No. 4716 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Watermark., and Embossed stamp of publisher in lower right corner of sheet: S.W.F.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[21 July 1801]
Call Number:
Bunbury 801.07.21.01 Impression 2
Image Count:
1
Resource Type:
still image
Abstract:
A soldier with a long stick in his left hand stands in front of wall baiting a muzzled and chained brown bear that stands upright and facing him, paws curled. Off to the right, a second soldier stands behind the first and plays a horn; he also holds a stick in the crock of his left arm. On the far left, a third man, with his back to the viewer, observes the bear, his right arm bent suggesting that he is addressing a comment to the soldier?
Description:
Title from description of earlier state in the British Museum online catalogue., Reissue, with different imprint statement, of a print originally published 1 April 1774. Cf. British Museum online catalogue, registration no.: J,6.5., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print on laid paper : etching and drypoint, hand-colored ; plate mark 21.3 x 26.9 cm, on sheet 25 x 32 cm., Imperfect; artist and printmaker signatures mostly erased from sheet., Watermark: J. Whatman 179[...?]., and Publisher's stamp (partially trimmed) in lower right corner of sheet: S.W.[F.].
Publisher:
Pubd. July 21, 1801, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Trained animals, Chains, Wind instruments, and Staffs (Sticks)
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[21 July 1801]
Call Number:
Bunbury 801.07.21.01 Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
A soldier with a long stick in his left hand stands in front of wall baiting a muzzled and chained brown bear that stands upright and facing him, paws curled. Off to the right, a second soldier stands behind the first and plays a horn; he also holds a stick in the crock of his left arm. On the far left, a third man, with his back to the viewer, observes the bear, his right arm bent suggesting that he is addressing a comment to the soldier?
Description:
Title from description of earlier state in the British Museum online catalogue., Reissue, with different imprint statement, of a print originally published 1 April 1774. Cf. British Museum online catalogue, registration no.: J,6.5., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark, partially trimmed: A. Stace 1801.
Publisher:
Pubd. July 21, 1801, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Trained animals, Chains, Wind instruments, and Staffs (Sticks)
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 July 1801]
Call Number:
Bunbury 801.07.01.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on age and pretension: a caricatured elderly couple dancing together; behind two people laugh at them through a window; on the wall to right is a bill lettered, "Assembly / Hockley in the Hole / H Hog master of the ceremonies"."--British Museum online catalogue, description of an earlier state
Alternative Title:
Strephon and Chloe
Description:
Title etched below image., Reissue, with different imprint statement, of a print originally published 28 November 1772 by J. Bretherton. Cf. No. 4755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Remnant of former publisher's street address left unburnished below image: No. 134., Imperfect; sheet trimmed within plate mark on two sides with partial loss of statement of responsibility from right edge. Complete statement of responsibility from earlier state in the British Museum., and Watermark.
Publisher:
Pub'd July 1, 1801, by S.W. Fores, No. 50 Piccdilly [sic]
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 July 1801]
Call Number:
Bunbury 801.07.01.01
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on an unidentified man strolling in the countryside carrying a stick."--British Museum online catalogue, description of an earlier state
Alternative Title:
Unknown satirical portrait
Description:
Title supplied from British Museum online catalogue, registration no.: J,6.102. Alternative title from description of an earlier state in the British Museum catalogue., Reissue, with different imprint statement, of a print originally published 23 December 1773. Cf. No. 4762 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark on lower edge., Temporary local subject terms: Male costume, 1773 -- Country walking., and Watermark, trimmed: [...] 1799.
Publisher:
Pubd. July 1, 1801, by S.W. Fores, 50 Piccdilly [sic]
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
May 23, 1799.
Call Number:
Bunbury 799.05.23.07+
Image Count:
1
Resource Type:
still image
Abstract:
"Uncle Toby (right) marches from right to left, a crutch under his left arm, pointing with his right crutch towards the fortifications (left) built on the bowling green, where the 'Gate of St Nicolas' is flanked on each side by a jack-boot. In his left hand he holds the 'London Gazette'. Trim, holding up a pickaxe, marches in front of his master. He has a long pig-tail, and a pad is tied over his left knee. On the ground behind is a grenadier's cap. Behind Uncle Toby is the sentry-box, in it is pasted up the plan of a fortification. The background is a rough paling behind which are trees. Shandy Hall appears behind the Gate of St. Nicolas. Beneath the design is engraved, "What an honest triumph in my Uncle Toby's Eyes as he march'd to the Ramparts with the Gazette in his hand & Trim with a pickaxe ready to execute the Contents; what intense pleasure in his Eyes as he stood over the Corporal! Heaven! Earth! Sea!"--British Museum online catalogue, description of an earlier state
Alternative Title:
Siege of Namur by Captain Shandy and Corporal Trim
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 26 January 1773 by J. Bretherton. Cf. no. 5213 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Text below title: Tris. Shan., One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., and Watermark.
Publisher:
Publish'd as the act directs by S.W. Fores, No. 50 Piccadilly
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 May 1799]
Call Number:
Bunbury 799.05.23.06+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on volunteers: an officer and another man sit at a table while a soldier presents two potential - but unprepossessing - recruits, the second man shabbily dressed; behind them a large dog menaces a smaller one; on the wall a map and a portrait of a general."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 2 January 1773 by J. Bretherton. Cf. No. 4759 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark on bottom edge leaving thread margin., Watermark: Edmeads & Pine 1795., and Embossed stamp of publisher in lower right corner of sheet: S.W.F.
Publisher:
Publish'd as the act directs, May 23 1799, by S.W. Fores, No. 50 Piccadilly
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 May 1799]
Call Number:
Bunbury 799.05.23.04+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on a socially aspirational family: a youth is being examined by a tutor for admission to Cambridge university; the tutor, in academic robes, is seated at a table pointing at a large mathematical volume resting beside a globe; the youth stands counting on his fingers while his eager father, wearing countryman's boots, urges him on; on the left a woman, probably the tutor's housekeeper, holds two volumes, one lettered "Longinus", and on the right an elegant undergraduate stands smiling; on the wall behind are portraits of "Dr Allcock" and "Mrs Allcock", a Roman bust with turned down mouth on the lintel above the door, and a frame with the plan and elevation of a building."--British Museum online catalogue
Description:
Title from caption below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 3 Jan. 1774 by J. Bretherton. Cf. no. 4727 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed within plate mark on upper edge., and Watermark: I. Taylor.
Publisher:
Printed and publish'd as the act directs, May 23 1799, by S.W. Fores, No. 50 Piccadilly
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
May 23, 1799.
Call Number:
Bunbury 799.05.23.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Dr. Slop, short and fat, seated in an arm-chair (centre) holding in his left hand the book containing the form of excommunication, points with his right at Obadiah who is disappearing (left), one leg and his back alone being visible. A handkerchief hangs over the doctor's cut right thumb. Behind him on the left stands Mr. Shandy, in dressing-gown and night-cap, smoking a long pipe, he is frowning and holds out his left hand in protest at the doctor's curses. Uncle Toby, his crutch under his left arm, stands on the right. pointing with his left hand at a map of Flanders which hangs on the wall over Dr. Slop's head. He turns to speak to Corporal Trim, who stands (right) at attention in profile to the left holding a long broom."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 30 Jan. 1773 by J. Bretherton. Cf. no. 5214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Text below title: Vide Tris. Shandy, vol. 2d., Four lines of prose below image, two on either side of title: "May all the angels & archangels, principalities and powers, & all the heavenly armies curse & damn him ...", One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., Temporary local subject terms: Maps: Flanders -- Male costume: Dressing gown and night cap -- Man-servant -- Male headdress: Pig-tail -- Furniture: Ladder-back chairs -- Household utensils -- Medical -- Dr. Slop., and Watermark.
Publisher:
Publish'd as the act directs by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Military uniforms, British, Physicians, Servants, Maps, Chairs, and Brooms & brushes
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
May 23, 1799.
Call Number:
Bunbury 799.05.23.01+ Impression 2
Image Count:
1
Resource Type:
still image
Abstract:
"One corner of a billiard-table is visible, the rest being cut off by the right, margin of the print. A player, in profile to the right, holds up with exaggerated care a cue in front of a ball lying near the corner. He wears a long pigtail queue, on the back of his coat is a large ribbon bow or cockade to which a key is attached. A number of spectators stand round watching intently: of two behind the player, one resembles a footman. Two others stand behind the corner of the table, one wearing a hat like that of a coachman; two others stand on the right behind the table. They are probably all men-servants. The wall behind is papered or stencilled in a pattern of horizontal lines and spots. On it are a rack of cues, the "[Rules of the Ga]me [of Billia]rds", three framed pictures: (a horse-race, a duel, and an oval portrait) and what appears to be a satirical print."--British Museum online catalogue
Description:
Title from text below image., Printmaker from signature on earlier state., Reissue, with different imprint statement and lacking printmaker's signature, of a print originally published 27 January 1781. Cf. No. 5913 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Sheet trimmed within plate mark on right and left sides., 1 print : etching, hand-colored, on laid paper ; sheet 294 x 387 mm., Imperfect; sheet trimmed within plate mark on two edges and artist's signature erased from sheet., and Watermark.
Publisher:
Pubd. as the act directs, by S.W. Fores, No. 50 Piccadilly
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
May 23, 1799.
Call Number:
Bunbury 799.05.23.01+ Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
"One corner of a billiard-table is visible, the rest being cut off by the right, margin of the print. A player, in profile to the right, holds up with exaggerated care a cue in front of a ball lying near the corner. He wears a long pigtail queue, on the back of his coat is a large ribbon bow or cockade to which a key is attached. A number of spectators stand round watching intently: of two behind the player, one resembles a footman. Two others stand behind the corner of the table, one wearing a hat like that of a coachman; two others stand on the right behind the table. They are probably all men-servants. The wall behind is papered or stencilled in a pattern of horizontal lines and spots. On it are a rack of cues, the "[Rules of the Ga]me [of Billia]rds", three framed pictures: (a horse-race, a duel, and an oval portrait) and what appears to be a satirical print."--British Museum online catalogue
Description:
Title from text below image., Printmaker from signature on earlier state., Reissue, with different imprint statement and lacking printmaker's signature, of a print originally published 27 January 1781. Cf. No. 5913 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Sheet trimmed within plate mark on right and left sides., and Watermark: Strasburg bend.
Publisher:
Pubd. as the act directs, by S.W. Fores, No. 50 Piccadilly
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 March 1799]
Call Number:
Bunbury Drawer 799.03.01.01
Image Count:
1
Resource Type:
still image
Description:
Title from caption running along the bottom of the three plates., Reissue, with title and imprint statement added, of a print probably first published in 1785. For earlier state lacking title and imprint, see Lewis Walpole Library call no.: 49 3563., A single design on three plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Ruse 1799.
Publisher:
Published March 1, 1799, by J. Harris, No. 3, Sweetings Alley, Cornhill
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[27 February 1799]
Call Number:
Bunbury 799.02.27.06+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Cambridge academics: four dons are playing whist, grimacing at each other; a man standing beside the table holds up his hand spreading his fingers to signal the cards held by a player seated in front of him; an old woman serves wine; two dogs approach the table; on the wall behind is a portrait of Archbishop Synge."--British Museum online catalogue, description of an earlier state
Alternative Title:
Christmas academics
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Reissue, with different imprint statement, of a print originally published 20 January 1773 by J. Bretherton. Cf. No. 4728 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Watermark: J. Ruse 1799.
Publisher:
Publish'd Feby. 27th, 1799, by J. Harris, Sweetings Alley, Cornhill
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[27 February 1799]
Call Number:
Bunbury 799.02.27.05++
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Grand Tourists: scene outside an inn in France, with a sign reading "Poste Royale", where a young English gentleman, holding a copy of "[Lord] Chesterfield's Letters", arrives with his tutor. He is greeted by the smiling inkeeper wearing large wooden shoes stuffed with wool who holds out a menu; beside the innkeeper a positllion holding a whip climbs out of his large boots On the right, a fat servant carries two bottles of wine and four books; behind him another postillion drives the coach with two horses towards the right. In the background, a woman can be seen through the archway of the inn standing on a bench and reaching up to clip the wings of a cockerel; a door beside the arch, lettered, "Bon Chere icy chez La Grenouille / Traiteur", is open to reveal a ladder up which a cook has climbed in order to catch three cats running along a wall; he holds a knife in his hand. An image of a young Bacchus seated on a barrel has been chalked on the wall; a dog jumps up towards it. Beyond the wall is the roof of a cottage, a church tower and a cottage with a niche with a statue of a saint."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with different imprint statement, of a print previously published 11 March 1778. Cf. No. 4732 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, Temporary local subject terms: Tutor -- Domestic service: Manservant -- Literature: Chesterfield's letters -- The Grand Tour., and Watermark.
Publisher:
Publish'd Feby. 27th, 1799, by J. Harris, Sweetings Alley, Cornhill
Subject (Geographic):
France.
Subject (Topic):
Grand tours (Education), Ethnic stereotypes, Education, Taverns (Inns), Clergy, Tutoring, Servants, Boots, Whips, Postillions, and French
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[27 February 1799]
Call Number:
Bunbury 799.02.27.04+
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly country parson, in profile to the right, on a horse which rears almost vertically, he clasps the animal round the neck, and is seated on his hind-quarters, having lost his stirrups and slipped from the saddle. His whip flies through the air behind him, his coat-tails fly out, and the sheets of his sermon inscribed 'IOB' protrude from his pocket. A small dog (left) rushing towards the animal's hind-legs and barking furiously appears to have caused the 'symptoms of rearing'. The parish clerk, with two large volumes under his arm, beside the horse, looks over his right shoulder and stoops or runs to escape being trampled on. Trees and a church steeple are indicated in the background (right). A similar subject to British Museum Satires Nos. 5914-17, also by Bunbury."--British Museum online catalogue, description of an earlier state
Description:
Title from caption below image., Reissue, with different imprint statement, of a print originally published 23 January 1783. Cf. No. 6340 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Original imprint statement has been mostly burnished from plate but is still faintly visible below image., and Watermark: J. Ruse.
Publisher:
Publish'd Feby. 27th, 1799, by J. Harris, Sweetings Alley, Cornhill
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[27 February 1799]
Call Number:
Bunbury 799.02.27.03+
Image Count:
1
Resource Type:
still image
Abstract:
"A stout, complacent-looking man rides a small horse in profile to the left. He has a very bad seat and is pulling hard on the curb; the animal puts down its head. A servant on a rough-looking pony canters behind him, carrying a basket of hay and a triangular box or package (perhaps his master's hat-box) under his left arm. The scene is a country road, with a signpost (left) pointing 'To Hackney, To Isling[ton'], and (down a turning on the right of the riders) to 'Shoredi[tch]'. The post stresses the idea conveyed in the drawing, that this is a citizen riding to or from his country-box in the suburbs."--British Museum online catalogue
Description:
Title from caption below image., Reissue, with different imprint statement, of a print originally published 23 Jan. 1783. Cf. no. 6339 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Original imprint statement has been mostly burnished from plate but is still faintly visible below image in lower right., and Watermark.
Publisher:
Published Feby. 27th, 1799, by J. Harris, Sweetings Alley, Cornhill
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[27 February 1799]
Call Number:
Bunbury 799.02.27.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Two monks, one on the left with his hands tucked inside his sleeves at his waist, turned towards the viewer, the other in profile to right, holding a rosary at his side; after Bunbury."--British Museum online catalogue, description of an earlier state
Description:
Title supplied by cataloger., Reissue, with different imprint statement, of a print originally published 1 April 1774. Cf. British Museum online catalogue, registration no.: 1878,0511.822., and Watermark.
Publisher:
Publish'd Feby. 27th, 1799, by J. Harris, Sweetings Alley, Cornhill
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[29 February 1799]
Call Number:
Bunbury 799.02.27.01+
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Reissue, with different imprint statement, of a print originally published 23 Feb. 1782. Cf. no. 4185 in v. 4 and see p. 658 in v. 5 of the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Vehicles: Cabriolet -- Trades: Hairdresser -- Domestic service: Footman -- Frenchmen -- French tailors -- The Grand Tour., and Watermark: J. Ruse 1799.
Publisher:
Publish'd Feby. 27th, 1799, by J. Harris, Sweetings Alley, Cornhill
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[14 February 1799]
Call Number:
Bunbury 799.02.14.02
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Reissue, with different imprint statement, of a print originally published 10 June 1774. Cf. no. 4720 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Watermark: 1804.
Publisher:
Publishd. Feb. 14, 1799, by John Harris, Sweetings Alley, Cornhill
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[14 February 1799]
Call Number:
Bunbury 799.02.14.01
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on betting on horses: a fat man seated in a chair looks angrily to right, a dog sits beside him."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with imprint statement added, of a print originally published circa 1779. Cf. No. 4731 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Watermark: Edmeads & Pine.
Publisher:
Publishd. Feb. 14, 1799, by John Harris, Sweetings Alley, Cornhill
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 February 1799]
Call Number:
Bunbury 799.02.03.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Obadiah (left) mounted on the coach-horse at full gallop attempts to pull up his horse, leaning back in the saddle, his cap in his right hand. On the ground is Dr. Slop's pony. Behind the pony on the right. Dr. Slop lies on his back; a spotted dog prances over him. The doctor lies under a sign-post terminating in a hand pointing "To Shandy Hall". Behind the coach-horse, which is wearing blinkers, is the angle of a high garden wall, in the distance (right) is a church spire among trees."--British Museum online catalogue, description of an earlier state
Alternative Title:
Overthrow of Doctor Slop
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 3 February 1773 by J. Bretherton. Cf. No. 5215 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Four lines of text below image, two on either side of title: "When Obadiah & his coach horse turn'd the corner rapid, furious, pop, full upon him ..." Vide vol. 1st, Tristram Shandy., One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., and Watermark.
Publisher:
Publish'd as the act directs, 3d February 1799, by J. Harris, Sweetings Alley, Cornhill
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Illustrations, Horseback riding, Accidents, Dogs, and Traffic signs & signals
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 February 1799]
Call Number:
Bunbury 799.02.03.01+
Image Count:
1
Resource Type:
still image
Abstract:
A scene from Tristram Shandy in which Susannah stands holdings her nose with her right hand while in her left she holds a candle over the cradle where the swaddled infant Tristram lies with a plaster on his nose. She addressed the doctor with obvious fury, her mouth agape. On the left Dr. Slop raises his left fist at her while in his right he holds a cataplasm in a ladle, ready to fling at her. His hat lies at his feet, and his wig is ablaze. Obadiah stands behind him carrying in his hands a chamber pot and a bowl, a medicine bottle tucked under his arm. The two men stand before a screen. The walls of the room are hung with portraits and a mirror; a grandfather's clock showing the time as 6:15 stands against the wall behind the cradle and Susannah. Two medicine bottles sit on a table partially hidden behind the screen. In the foreground lies an over-turned chair
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 3 February 1773 by J. Bretherton. Cf. No. 5216 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., On either side of title, a quote from a scene in Vol. 4 of Tristram Shandy: Susannah rowing one way & looking another, set fire to Dr. Slop's wig, which being somewhat bushy & unctuous withal was as soon burnt as kindled ..., and J. Ruse 1799.
Publisher:
Publish'd as the act directs, 3d February 1799, by J. Harris, Sweetings Alley, Cornhill
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Illustrations, Cradles, Longcase clocks, Physicians, Quarreling, Screens, and Servants
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 January 1782] and [ca. 1799]
Call Number:
Bunbury 782.01.23.01+
Image Count:
1
Resource Type:
still image
Abstract:
A couple of equestrians ride in Essex Warley Heath. The woman rides side-saddle; her companion follows behind struggling to control his horse and remain astride
Description:
Title from caption below image., Later printing. Date of printing based on watermark., Companion print to: Coxheath ho!, and Watermark: J. Ruse 1799.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 March 1799]
Call Number:
Bunbury Drawer 799.03.01.01
Image Count:
1
Resource Type:
still image
Description:
Title from caption running along the bottom of the three plates., Reissue, with title and imprint statement added, of a print probably first published in 1785. For earlier state lacking title and imprint, see Lewis Walpole Library call no.: 49 3563., A single design on three plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Ruse 1799.
Publisher:
Published March 1, 1799, by J. Harris, No. 3, Sweetings Alley, Cornhill
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 March 1799]
Call Number:
Bunbury Drawer 799.03.01.01
Image Count:
1
Resource Type:
still image
Description:
Title from caption running along the bottom of the three plates., Reissue, with title and imprint statement added, of a print probably first published in 1785. For earlier state lacking title and imprint, see Lewis Walpole Library call no.: 49 3563., A single design on three plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Ruse 1799.
Publisher:
Published March 1, 1799, by J. Harris, No. 3, Sweetings Alley, Cornhill
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[9 March 1788]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 2, page 59. Etchings by Henry William Bunbury, Esq. and after his designs. Page 133. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Figures grouped around the body of the Count on a bed, his face obscured by the canopy, his lover kneeling over him and holding his hand, a man seen from the back kneeling in prayer before the bed and a small boy carrying a bowl and towel at the end, in the foreground at left a guard stands sentry; after Bunbury."--British Museum online catalogue
Description:
Title, artist, printmaker, and publication information from lettered state., State before letters. For a later state with title, statements of responsibility, imprint, and dedication etched below image, see British Museum online catalogue, registration no.: 1917,1208.2993., Sheet trimmed within plate mark., Mounted on page 133 of: Bunbury album., and 1 print : etching on laid paper, hand-colored; sheet 45.1 x 55.8 cm
Publisher:
James Bretherton
Subject (Topic):
Deathbeds, Canopy beds, Wounds & injuries, Prayer, and Guards
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[9 March 1788]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 2, page 61. Etchings by Henry William Bunbury, Esq. and after his designs. Page 131. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Three soldiers capturing a young man, his kneeling lover clutching his arm, the scene watched by two monks standing in the left foreground, one shaking his fist in encouragement, and another soldier at right; after Bunbury."--British Museum online catalogue
Alternative Title:
Frederick Zemmerman, having escaped from the Abbey of La Trappe ...
Description:
Title, artist, printmaker, and publication information from lettered state., State before letters. For a later state with title, statements of responsibility, imprint, and dedication etched below image, see British Museum online catalogue, registration no.: 1917,1208.2934., Sheet trimmed within plate mark., Mounted on page 131 of: Bunbury album., and 1 print : etching on laid paper, hand-colored ; sheet 45.8 x 55.8 cm.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[9 March 1788]
Call Number:
Folio 49 3563 v.2 (Oversize)
Collection Title:
Volume 2, page 61. Etchings by Henry William Bunbury, Esq. and after his designs. Page 131. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Three soldiers capturing a young man, his kneeling lover clutching his arm, the scene watched by two monks standing in the left foreground, one shaking his fist in encouragement, and another soldier at right; after Bunbury."--British Museum online catalogue
Alternative Title:
Frederick Zemmerman, having escaped from the Abbey of La Trappe ...
Description:
Title, artist, printmaker, and publication information from lettered state., State before letters. For a later state with title, statements of responsibility, imprint, and dedication etched below image, see British Museum online catalogue, registration no.: 1917,1208.2934., Sheet trimmed within plate mark., Mounted on page 61 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., Ink annotations in lower margin provide the title "Fred. Zemmerman having escaped from the Abbey of La Trappe & recover'd his beloved mistress is seiz'd & thrown into a dungeon for life", the statements of responsibility "Mr. Bunbury del. ; Js. Bretherton f.", and the publication line "Publish'd 9th March 1788"., and Price written in pencil in lower right corner of sheet: £1-5s. pair.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[9 March 1788]
Call Number:
Folio 49 3563 v.2 (Oversize)
Collection Title:
Volume 2, page 59. Etchings by Henry William Bunbury, Esq. and after his designs. Page 133. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Figures grouped around the body of the Count on a bed, his face obscured by the canopy, his lover kneeling over him and holding his hand, a man seen from the back kneeling in prayer before the bed and a small boy carrying a bowl and towel at the end, in the foreground at left a guard stands sentry; after Bunbury."--British Museum online catalogue
Description:
Title, artist, printmaker, and publication information from lettered state., State before letters. For a later state with title, statements of responsibility, imprint, and dedication etched below image, see British Museum online catalogue, registration no.: 1917,1208.2993., Sheet trimmed within plate mark., Mounted on page 59 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Ink annotations in lower margin provide the title "The Count de Peltzer mortally wounded by some Austrian foragers on the eve of his marriage", the statements of responsibility "Mr. Bunbury del. ; J. Bretherton f.", and the publication line "Publish'd 9th March 1788".
Publisher:
James Bretherton
Subject (Topic):
Deathbeds, Canopy beds, Wounds & injuries, Prayer, and Guards
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[June 1786]
Call Number:
786.06.00.02+
Image Count:
1
Resource Type:
still image
Description:
Title from item., Sheet trimmed within plate mark and corners trimmed at an angle., Attributed to Bretherton and Fanshawe in the British Museum catalogue., Temporary local subject terms: Ladies' costume -- Men's costume., and Mounted to 29.5 x 39 cm.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[25 January 1785]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Pages 139, 141, 143. Bunbury album.
Image Count:
3
Resource Type:
still image
Description:
Title from text on reissued state, published by J. Harris on 1 March 1799; see Lewis Walpole Library call no.: 799.03.01.01., For a slightly later state, with the date following printmaker's name changed from "Jany." to "March", see Lewis Walpole Library call no.: Bunbury 785.03.25.01., A single design on three plates., Sheets trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted on pages 139, 141, and 143 of: Bunbury album., and Individual plates of the design are mounted on separate pages, instead of being joined at their ends to create a single image.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[25 March 1785]
Call Number:
Folio 49 3563 v.2 (Oversize)
Collection Title:
Volume 2, page 27. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Description:
Title from text on reissued state, published by J. Harris on 1 March 1799; see Lewis Walpole Library call no.: 799.03.01.01., For a slightly earlier state, before the date following printmaker's name was changed from "Jany." to "March", see Lewis Walpole Library call no.: 75 B87 770., A single design on three plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted on page 27 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., 3 prints forming 1 image : etching with drypoint on laid paper ; sheets 52 x 47 cm or smaller., and Sheet trimmed within plate marks.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Jany. 1783.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 93. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A stout, complacent-looking man rides a small horse in profile to the left. He has a very bad seat and is pulling hard on the curb; the animal puts down its head. A servant on a rough-looking pony canters behind him, carrying a basket of hay and a triangular box or package (perhaps his master's hat-box) under his left arm. The scene is a country road, with a signpost (left) pointing 'To Hackney, To Isling[ton'], and (down a turning on the right of the riders) to 'Shoredi[tch]'. The post stresses the idea conveyed in the drawing, that this is a citizen riding to or from his country-box in the suburbs."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Companion print to: Symptoms of rearing., Mounted on page 93 of: Bunbury album., 1 print : etching on laid paper ; sheet 28.3 x 40.4 cm., and Sheet trimmed to plate mark.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Horseback riding, Servants, and Traffic signs & signals
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Jany. 1783.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 28. Etchings by Henry William Bunbury, Esq. and after his designs. Page 87. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly country parson, in profile to the right, on a horse which rears almost vertically, he clasps the animal round the neck, and is seated on his hind-quarters, having lost his stirrups and slipped from the saddle. His whip flies through the air behind him, his coat-tails fly out, and the sheets of his sermon inscribed 'IOB' protrude from his pocket. A small dog (left) rushing towards the animal's hind-legs and barking furiously appears to have caused the 'symptoms of rearing'. The parish clerk, with two large volumes under his arm, beside the horse, looks over his right shoulder and stoops or runs to escape being trampled on. Trees and a church steeple are indicated in the background (right). A similar subject to British Museum Satires Nos. 5914-17, also by Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Companion print to: Moses., Mounted on page 87 of: Bunbury album., 1 print : etching on laid paper ; sheet 25.7 x 36.7 cm., and Sheet trimmed within plate mark.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 January 1783]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 2, page 12. Etchings by Henry William Bunbury, Esq. and after his designs. Page 27. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A country girl sitting outside a thatched cottage, holding a jug in one hand and offering a glass to a soldier, who stands to right, leaning on his gun, wearing a cocked hat and looking curiously at her; in a roundel; unlettered proof."--British Museum online catalogue
Alternative Title:
Girl offering beer to a soldier
Description:
Title devised by cataloger., Artist and printmaker from statements of responsibility added in ink below image: Mr. Bunbury del. ; Js. Bretherton f., Date of publication from imprint statement added in ink in lower left corner: Publish'd 23d Jany. 1783., Sheet trimmed to plate mark., Mounted on page 27 of: Bunbury album., 1 print : etching on laid paper, hand-colored ; sheet 28.6 x 27.8 cm., and Sheet trimmed within plate mark.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 January 1783]
Call Number:
Folio 49 3563 v.2 (Oversize)
Collection Title:
Volume 2, page 12. Etchings by Henry William Bunbury, Esq. and after his designs. Page 27. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A country girl sitting outside a thatched cottage, holding a jug in one hand and offering a glass to a soldier, who stands to right, leaning on his gun, wearing a cocked hat and looking curiously at her; in a roundel; unlettered proof."--British Museum online catalogue
Alternative Title:
Girl offering beer to a soldier
Description:
Title devised by cataloger., Artist and printmaker from statements of responsibility added in ink below image: Mr. Bunbury del. ; Js. Bretherton f., Date of publication from imprint statement added in ink in lower left corner: Publish'd 23d Jany. 1783., Sheet trimmed to plate mark., and Mounted on page 12 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Jany. 1783.
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 28. Etchings by Henry William Bunbury, Esq. and after his designs. Page 87. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly country parson, in profile to the right, on a horse which rears almost vertically, he clasps the animal round the neck, and is seated on his hind-quarters, having lost his stirrups and slipped from the saddle. His whip flies through the air behind him, his coat-tails fly out, and the sheets of his sermon inscribed 'IOB' protrude from his pocket. A small dog (left) rushing towards the animal's hind-legs and barking furiously appears to have caused the 'symptoms of rearing'. The parish clerk, with two large volumes under his arm, beside the horse, looks over his right shoulder and stoops or runs to escape being trampled on. Trees and a church steeple are indicated in the background (right). A similar subject to British Museum Satires Nos. 5914-17, also by Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Companion print to: Moses., and Mounted on page 28 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Jany. 1783.
Call Number:
Bunbury 783.01.23.01+ Impression 1
Collection Title:
Page 93. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A stout, complacent-looking man rides a small horse in profile to the left. He has a very bad seat and is pulling hard on the curb; the animal puts down its head. A servant on a rough-looking pony canters behind him, carrying a basket of hay and a triangular box or package (perhaps his master's hat-box) under his left arm. The scene is a country road, with a signpost (left) pointing 'To Hackney, To Isling[ton'], and (down a turning on the right of the riders) to 'Shoredi[tch]'. The post stresses the idea conveyed in the drawing, that this is a citizen riding to or from his country-box in the suburbs."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Companion print to: Symptoms of rearing.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Horseback riding, Servants, and Traffic signs & signals
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
1st March 1782.
Call Number:
782.03.01.02.2+
Image Count:
1
Resource Type:
still image
Abstract:
An elderly doctor wearing a wig rides a wretched-looking horse. The rider looks fierce; pulling on the reins, he looks ready to use his whip to slash the sorry horse
Alternative Title:
Doctor Dawdle in a hurry
Description:
Title from later state., Title written in pencil beneath image., Early state, before title engraved below image. For the later state bearing title, see no. 6142 in the Catalogue of prints and drawings in the British Museum, v. 7., Printed on a single sheet with: Symptoms of running away / Js. Bretherton f. Dated January 9, 1782., Collector's stamp: letter 'E' in lower left corner, on verso., and Watermark: countermark I V.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 3d Jany. 1782.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 14. Etchings by Henry William Bunbury, Esq. and after his designs. Page 97. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"In front of the sign of the (Hapsburg) Spread Eagle on a vertical post, a lady and gentleman stand together in back view, their attitude reflecting that of the bird with its two necks. She stands (left) slightly behind him taking his arm and looking to the left, holding up a closed fan. He bends to the right holding out his hand as if to greet an acquaintance. In the background (right) is the side of a building."--British Museum online catalogue
Description:
Title etched below image; the letter "s" in "spread" is etched backwards., Digit "3" in "3d" and digit "2" in "1782" are etched backwards in publication statement., Sheet trimmed to plate mark., Temporary local subject terms: Emblems: Hapsburg spread eagle., Mounted on page 97 of: Bunbury album., 1 print : etching with drypoint on laid paper, with brown wash ; sheet 25.1 x 16.6 cm., and Imperfect; sheet trimmed within plate mark with loss of publication statement from bottom edge.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Feby. 1782.
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 12. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire contrasting English and French styles of dress. A stout middle-aged Englishman wearing a heavy coat and three-cornered hat and carrying a stick, is walking to left in a Parisian street with a small boy in attendance. Passers-by are amused by his lack of elegance: on the left, a hairdresser wearing his hair in a large queue, with scissors at his waist and an apron, carries a parasol and raises his hand in surprise; a fat monk grins; an elegant man driving a cabriolet and his footman dressed in furs smile; a worker wearing loose trousers and wooden shoes folds his arms and stares; two dogs follow the Englishman."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Vehicles: Cabriolet -- Trades: Hairdresser -- Domestic service: Footman -- Frenchmen -- French tailors -- The Grand Tour., Mounted on page 12 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : etching with drypoint on laid paper, partly hand-colored ; sheet 32.8 x 41.6 cm., and Sheet trimmed to plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England, France, and Paris.
Subject (Topic):
Clothing & dress, City & town life, Carriages & coaches, Dogs, Staffs (Sticks), and Monks
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 3d Jany. 1782.
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 14. Etchings by Henry William Bunbury, Esq. and after his designs. Page 97. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"In front of the sign of the (Hapsburg) Spread Eagle on a vertical post, a lady and gentleman stand together in back view, their attitude reflecting that of the bird with its two necks. She stands (left) slightly behind him taking his arm and looking to the left, holding up a closed fan. He bends to the right holding out his hand as if to greet an acquaintance. In the background (right) is the side of a building."--British Museum online catalogue
Description:
Title etched below image; the letter "s" in "spread" is etched backwards., Digit "3" in "3d" and digit "2" in "1782" are etched backwards in publication statement., Sheet trimmed to plate mark., Temporary local subject terms: Emblems: Hapsburg spread eagle., and Mounted on page 14 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 9th Jany, 1782.
Call Number:
782.03.01.02.2+
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attributed to Henry Bunbury. See Bloomsbury catalogue., Place of publication based on printmaker's location., Sheet trimmed withint plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Collector's stamp: letter 'E' in lower left corner, on verso., and Watermark: countermark I V.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 3d Jany. 1783
Call Number:
783.01.03.01
Image Count:
1
Resource Type:
still image
Abstract:
A smiling corpulent gentleman with the star of the Garter on his left breast walks to the left holding a tasselled walking stick under his right arm. Identified in pencil beneath the plate as "D. Portland."
Description:
Title devised by cataloger, and Watermark: T W 1795.
Publisher:
publisher not identified
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
July 1782.
Call Number:
782.07.00.02
Image Count:
1
Resource Type:
still image
Description:
Title devised by cataloger., Sheet trimmed within plate mark., Place of publication from address of printmaker. See I. Maxted, London book trades., and Mounted to 24 x 15 cm.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811,
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Feby. 1782.
Call Number:
Bunbury 782.02.23.01+ Impression 1
Collection Title:
Volume 1, page 12. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire contrasting English and French styles of dress. A stout middle-aged Englishman wearing a heavy coat and three-cornered hat and carrying a stick, is walking to left in a Parisian street with a small boy in attendance. Passers-by are amused by his lack of elegance: on the left, a hairdresser wearing his hair in a large queue, with scissors at his waist and an apron, carries a parasol and raises his hand in surprise; a fat monk grins; an elegant man driving a cabriolet and his footman dressed in furs smile; a worker wearing loose trousers and wooden shoes folds his arms and stares; two dogs follow the Englishman."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Vehicles: Cabriolet -- Trades: Hairdresser -- Domestic service: Footman -- Frenchmen -- French tailors -- The Grand Tour., and Watermark: L.V.G.
Publisher:
publisher not identified
Subject (Geographic):
England, France, and Paris.
Subject (Topic):
Clothing & dress, City & town life, Carriages & coaches, Dogs, Staffs (Sticks), and Monks
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 9th Jany, 1782.
Call Number:
782.01.09.01 Impression 1
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attributed to Henry Bunbury. See Bloomsbury catalogue., Place of publication based on printmaker's location., Sheet trimmed withint plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 1st Jany. 1782.
Call Number:
Bunbury 782.01.01.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Design in an oval. An old military officer with a wooden leg describes his campaigns to two cronies. He is seated in a chair (right) in profile to the left wearing regimentals and sword, his wig has a long loosely twisted pigtail queue; his wooden leg (right) projects horizontally from his chair. He holds a map or plan taken from the wall, and is showing it to a stout man sitting on his right, who looks at it through spectacles. The third man standing behind, his left arm on the back of the soldier's chair, looks over their shoulders at the map. At their feet a small dog lies asleep. Through the open door (left) a man is seen dancing along while he plays a fiddle."--British Museum online catalogue
Alternative Title:
Fought all his battles over again and thrice he slew the slain
Description:
Title from text below image.
Publisher:
publisher not identified
Subject (Topic):
Military uniforms, British, Musical instruments, Musicians, Peg legs, and Wigs
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 February 1781]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 21. Etchings by Henry William Bunbury, Esq. and after his designs. Page 119. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"The left sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, looking with astonishment at an elderly lady (right) walking from left to right followed by a little black boy carrying her umbrella. She wears an enormous calash hood, see BMSat 5434, &c, and holds in her left hand a shepherdess's crook. Three men (left) ride side by side, from left to right, the nearest pulls on his reins, leaning back, the next looks at the lady through his spy-glass, the third, staring open-mouthed, lashes his horse. The horse of a stout man riding from right to left, immediately behind the lady, is rearing. In the foreground an old woman sits by the roadside with a sheaf of ballads or newspapers. Behind (left) are trees."--British Museum online catalogue, "A central three plate composition. Riders in Hyde Park. A fat coachman (right) rides (left to right) a coach-horse in blinkers, his mistress is seated behind him, in back-view, wearing an enormous calash hood, see British Museum Satires No. 5434, &c, and holding a fan. The horse has planted its forefeet on the ground, its rider is applying spurs and a coach-whip. On the left a lady and a slim and elegant young man are galloping from right to left; he turns towards her, she looks straight ahead. Behind them rides a groom. In the background (right) is a group of trees, in the foreground grass and (left) three dogs."--British Museum online catalogue, and "The right sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, with a pedestrian who is being worried by four dogs, apparently on account of his dress. He stands (left) on tiptoe, in profile to the right, holding up his arms, a stick in his right hand. His coat is spotted like a leopard and it and his waistcoat are edged with fur. He is probably a Frenchman. Two dogs worry at his coat, a larger one standing on its hind-legs, puts one paw on his chest, a fourth is biting his long pigtail queue. Three riders, riding from right to left, look with interest at the man and dogs. The foremost is a military officer in uniform, with holsters and rolled cloak on his saddle. A fourth man rides stiffly from left to right, looking straight in front of him."--British Museum catalogue
Description:
Title from text within image on second sheet., Sheets trimmed within plate mark on two edges., A single design on three plates., Mounted on page 119 of: Bunbury album., 1 print : etching with rocker, drypoint, and engraving on laid paper ; sheet 41.9 x 53.3 cm., and Imperfect; only the third, rightmost sheet of the three-plate composition is present.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 February 1781]
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 21. Etchings by Henry William Bunbury, Esq. and after his designs. Page 119. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"The left sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, looking with astonishment at an elderly lady (right) walking from left to right followed by a little black boy carrying her umbrella. She wears an enormous calash hood, see BMSat 5434, &c, and holds in her left hand a shepherdess's crook. Three men (left) ride side by side, from left to right, the nearest pulls on his reins, leaning back, the next looks at the lady through his spy-glass, the third, staring open-mouthed, lashes his horse. The horse of a stout man riding from right to left, immediately behind the lady, is rearing. In the foreground an old woman sits by the roadside with a sheaf of ballads or newspapers. Behind (left) are trees."--British Museum online catalogue, "A central three plate composition. Riders in Hyde Park. A fat coachman (right) rides (left to right) a coach-horse in blinkers, his mistress is seated behind him, in back-view, wearing an enormous calash hood, see British Museum Satires No. 5434, &c, and holding a fan. The horse has planted its forefeet on the ground, its rider is applying spurs and a coach-whip. On the left a lady and a slim and elegant young man are galloping from right to left; he turns towards her, she looks straight ahead. Behind them rides a groom. In the background (right) is a group of trees, in the foreground grass and (left) three dogs."--British Museum online catalogue, and "The right sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, with a pedestrian who is being worried by four dogs, apparently on account of his dress. He stands (left) on tiptoe, in profile to the right, holding up his arms, a stick in his right hand. His coat is spotted like a leopard and it and his waistcoat are edged with fur. He is probably a Frenchman. Two dogs worry at his coat, a larger one standing on its hind-legs, puts one paw on his chest, a fourth is biting his long pigtail queue. Three riders, riding from right to left, look with interest at the man and dogs. The foremost is a military officer in uniform, with holsters and rolled cloak on his saddle. A fourth man rides stiffly from left to right, looking straight in front of him."--British Museum catalogue
Description:
Title from text within image on second sheet., Sheets trimmed within plate mark on two edges., A single design on three plates., Tipped in at page 21 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., 3 prints forming 1 image : etching with rocker, drypoint, and engraving in bistre ink on laid paper ; sheets 62 x 55 cm or smaller., and Sheets trimmed within plate mark.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 27th Jany. 1781.
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 29. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"One corner of a billiard-table is visible, the rest being cut off by the right, margin of the print. A player, in profile to the right, holds up with exaggerated care a cue in front of a ball lying near the corner. He wears a long pigtail queue, on the back of his coat is a large ribbon bow or cockade to which a key is attached. A number of spectators stand round watching intently: of two behind the player, one resembles a footman. Two others stand behind the corner of the table, one wearing a hat like that of a coachman; two others stand on the right behind the table. They are probably all men-servants. The wall behind is papered or stencilled in a pattern of horizontal lines and spots. On it are a rack of cues, the "[Rules of the Ga]me [of Billia]rds", three framed pictures: (a horse-race, a duel, and an oval portrait) and what appears to be a satirical print."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Temporary local subject terms: Games -- Domestic service., and Mounted on page 29 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[ca. 1781?]
Call Number:
Portraits H252 no. 1
Image Count:
1
Resource Type:
still image
Abstract:
Engraving of Thomas Orde's portrait of the British philanthropist Jonas Hanway, three-quarters length in profile looking left and seated at a table writing; with a quotation from Horace etched below the oval portrait, "En fides et pax et honor ... virtus audet. Hor. Cax. Soc."
Description:
Title devised by cataloger. and Quotation etched below image: "En fides et pax et honor pudory, prisous, et neglects redire virtus audet. Hor. Car. Sec."
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 March 1781]
Call Number:
Bunbury 781.03.01.02+
Image Count:
1
Resource Type:
still image
Abstract:
A young woman is sitting at a spinning wheel, her staff and hat on the ground in front of her and a dog asleep beside her. She is putting on a bunch of flowers. In the distance is a man on horseback, a tower, and a hill
Description:
Title from caption below image., Text below title: The peerless maid that did all maids excel. Gay., Illustration for John Gay's poem 'The shepherd's week'., Temporary local subject terms: Literature: Quotation from The shepherd's week, by John Gay, 1685-1732., and Later printing. Date of printing based on watermark: J. Ruse 1799.
Publisher:
Publish'd 1 March 1781 by I. Bretherton, New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 February 1781]
Call Number:
Bunbury Drawer 781.02.23.01 Impression 1
Collection Title:
Volume 1, page 21. Etchings by Henry William Bunbury, Esq. and after his designs. Page 119. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"The left sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, looking with astonishment at an elderly lady (right) walking from left to right followed by a little black boy carrying her umbrella. She wears an enormous calash hood, see BMSat 5434, &c, and holds in her left hand a shepherdess's crook. Three men (left) ride side by side, from left to right, the nearest pulls on his reins, leaning back, the next looks at the lady through his spy-glass, the third, staring open-mouthed, lashes his horse. The horse of a stout man riding from right to left, immediately behind the lady, is rearing. In the foreground an old woman sits by the roadside with a sheaf of ballads or newspapers. Behind (left) are trees."--British Museum online catalogue, "A central three plate composition. Riders in Hyde Park. A fat coachman (right) rides (left to right) a coach-horse in blinkers, his mistress is seated behind him, in back-view, wearing an enormous calash hood, see British Museum Satires No. 5434, &c, and holding a fan. The horse has planted its forefeet on the ground, its rider is applying spurs and a coach-whip. On the left a lady and a slim and elegant young man are galloping from right to left; he turns towards her, she looks straight ahead. Behind them rides a groom. In the background (right) is a group of trees, in the foreground grass and (left) three dogs."--British Museum online catalogue, and "The right sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, with a pedestrian who is being worried by four dogs, apparently on account of his dress. He stands (left) on tiptoe, in profile to the right, holding up his arms, a stick in his right hand. His coat is spotted like a leopard and it and his waistcoat are edged with fur. He is probably a Frenchman. Two dogs worry at his coat, a larger one standing on its hind-legs, puts one paw on his chest, a fourth is biting his long pigtail queue. Three riders, riding from right to left, look with interest at the man and dogs. The foremost is a military officer in uniform, with holsters and rolled cloak on his saddle. A fourth man rides stiffly from left to right, looking straight in front of him."--British Museum catalogue
Description:
Title from text within image on second sheet., Sheets trimmed within plate mark on two edges., A single design on three plates., Watermark: J. Ruse 1799., and Later impression from an unaltered plate; not printed before 1799.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 February 1781]
Call Number:
Bunbury Drawer 781.02.23.01 Impression 1
Collection Title:
Volume 1, page 21. Etchings by Henry William Bunbury, Esq. and after his designs. Page 119. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"The left sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, looking with astonishment at an elderly lady (right) walking from left to right followed by a little black boy carrying her umbrella. She wears an enormous calash hood, see BMSat 5434, &c, and holds in her left hand a shepherdess's crook. Three men (left) ride side by side, from left to right, the nearest pulls on his reins, leaning back, the next looks at the lady through his spy-glass, the third, staring open-mouthed, lashes his horse. The horse of a stout man riding from right to left, immediately behind the lady, is rearing. In the foreground an old woman sits by the roadside with a sheaf of ballads or newspapers. Behind (left) are trees."--British Museum online catalogue, "A central three plate composition. Riders in Hyde Park. A fat coachman (right) rides (left to right) a coach-horse in blinkers, his mistress is seated behind him, in back-view, wearing an enormous calash hood, see British Museum Satires No. 5434, &c, and holding a fan. The horse has planted its forefeet on the ground, its rider is applying spurs and a coach-whip. On the left a lady and a slim and elegant young man are galloping from right to left; he turns towards her, she looks straight ahead. Behind them rides a groom. In the background (right) is a group of trees, in the foreground grass and (left) three dogs."--British Museum online catalogue, and "The right sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, with a pedestrian who is being worried by four dogs, apparently on account of his dress. He stands (left) on tiptoe, in profile to the right, holding up his arms, a stick in his right hand. His coat is spotted like a leopard and it and his waistcoat are edged with fur. He is probably a Frenchman. Two dogs worry at his coat, a larger one standing on its hind-legs, puts one paw on his chest, a fourth is biting his long pigtail queue. Three riders, riding from right to left, look with interest at the man and dogs. The foremost is a military officer in uniform, with holsters and rolled cloak on his saddle. A fourth man rides stiffly from left to right, looking straight in front of him."--British Museum catalogue
Description:
Title from text within image on second sheet., Sheets trimmed within plate mark on two edges., A single design on three plates., Watermark: J. Ruse 1799., and Later impression from an unaltered plate; not printed before 1799.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 February 1781]
Call Number:
Bunbury Drawer 781.02.23.01 Impression 1
Collection Title:
Volume 1, page 21. Etchings by Henry William Bunbury, Esq. and after his designs. Page 119. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"The left sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, looking with astonishment at an elderly lady (right) walking from left to right followed by a little black boy carrying her umbrella. She wears an enormous calash hood, see BMSat 5434, &c, and holds in her left hand a shepherdess's crook. Three men (left) ride side by side, from left to right, the nearest pulls on his reins, leaning back, the next looks at the lady through his spy-glass, the third, staring open-mouthed, lashes his horse. The horse of a stout man riding from right to left, immediately behind the lady, is rearing. In the foreground an old woman sits by the roadside with a sheaf of ballads or newspapers. Behind (left) are trees."--British Museum online catalogue, "A central three plate composition. Riders in Hyde Park. A fat coachman (right) rides (left to right) a coach-horse in blinkers, his mistress is seated behind him, in back-view, wearing an enormous calash hood, see British Museum Satires No. 5434, &c, and holding a fan. The horse has planted its forefeet on the ground, its rider is applying spurs and a coach-whip. On the left a lady and a slim and elegant young man are galloping from right to left; he turns towards her, she looks straight ahead. Behind them rides a groom. In the background (right) is a group of trees, in the foreground grass and (left) three dogs."--British Museum online catalogue, and "The right sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, with a pedestrian who is being worried by four dogs, apparently on account of his dress. He stands (left) on tiptoe, in profile to the right, holding up his arms, a stick in his right hand. His coat is spotted like a leopard and it and his waistcoat are edged with fur. He is probably a Frenchman. Two dogs worry at his coat, a larger one standing on its hind-legs, puts one paw on his chest, a fourth is biting his long pigtail queue. Three riders, riding from right to left, look with interest at the man and dogs. The foremost is a military officer in uniform, with holsters and rolled cloak on his saddle. A fourth man rides stiffly from left to right, looking straight in front of him."--British Museum catalogue
Description:
Title from text within image on second sheet., Sheets trimmed within plate mark on two edges., A single design on three plates., Watermark: J. Ruse 1799., and Later impression from an unaltered plate; not printed before 1799.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[approximately 1780?]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 129. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
Landscape, with rolling hills dotted with trees in the distance, a cloud-filled sky above. Several houses sit at the base of the hills, in the middle distance at left; a field separates the houses from a river, which curves from the left towards the center foreground, a forest extending from its right bank to the edge of the image. Scraggly shrubs and small trees are seen in the immediate foreground; a stag stands in the lower right corner of the image
Description:
Title devised by curator., Date of publication supplied by curator., Sheet trimmed within plate mark., and Mounted on page 129 of: Bunbury album.