Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[21 July 1801]
Call Number:
Bunbury 801.07.21.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire contrasting British and Continental customs: a portly Briton bows to an elegant French or Italian man with a long queue apparently in a piazza."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with different imprint statement and text below image burnished out, of a print originally published 20 March 1773 by J. Bretherton. Cf. No. 4716 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Watermark., and Embossed stamp of publisher in lower right corner of sheet: S.W.F.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[21 July 1801]
Call Number:
Bunbury 801.07.21.01 Impression 2
Image Count:
1
Resource Type:
still image
Abstract:
A soldier with a long stick in his left hand stands in front of wall baiting a muzzled and chained brown bear that stands upright and facing him, paws curled. Off to the right, a second soldier stands behind the first and plays a horn; he also holds a stick in the crock of his left arm. On the far left, a third man, with his back to the viewer, observes the bear, his right arm bent suggesting that he is addressing a comment to the soldier?
Description:
Title from description of earlier state in the British Museum online catalogue., Reissue, with different imprint statement, of a print originally published 1 April 1774. Cf. British Museum online catalogue, registration no.: J,6.5., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print on laid paper : etching and drypoint, hand-colored ; plate mark 21.3 x 26.9 cm, on sheet 25 x 32 cm., Imperfect; artist and printmaker signatures mostly erased from sheet., Watermark: J. Whatman 179[...?]., and Publisher's stamp (partially trimmed) in lower right corner of sheet: S.W.[F.].
Publisher:
Pubd. July 21, 1801, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Trained animals, Chains, Wind instruments, and Staffs (Sticks)
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[21 July 1801]
Call Number:
Bunbury 801.07.21.01 Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
A soldier with a long stick in his left hand stands in front of wall baiting a muzzled and chained brown bear that stands upright and facing him, paws curled. Off to the right, a second soldier stands behind the first and plays a horn; he also holds a stick in the crock of his left arm. On the far left, a third man, with his back to the viewer, observes the bear, his right arm bent suggesting that he is addressing a comment to the soldier?
Description:
Title from description of earlier state in the British Museum online catalogue., Reissue, with different imprint statement, of a print originally published 1 April 1774. Cf. British Museum online catalogue, registration no.: J,6.5., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark, partially trimmed: A. Stace 1801.
Publisher:
Pubd. July 21, 1801, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Trained animals, Chains, Wind instruments, and Staffs (Sticks)
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 July 1801]
Call Number:
Bunbury 801.07.01.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on age and pretension: a caricatured elderly couple dancing together; behind two people laugh at them through a window; on the wall to right is a bill lettered, "Assembly / Hockley in the Hole / H Hog master of the ceremonies"."--British Museum online catalogue, description of an earlier state
Alternative Title:
Strephon and Chloe
Description:
Title etched below image., Reissue, with different imprint statement, of a print originally published 28 November 1772 by J. Bretherton. Cf. No. 4755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Remnant of former publisher's street address left unburnished below image: No. 134., Imperfect; sheet trimmed within plate mark on two sides with partial loss of statement of responsibility from right edge. Complete statement of responsibility from earlier state in the British Museum., and Watermark.
Publisher:
Pub'd July 1, 1801, by S.W. Fores, No. 50 Piccdilly [sic]
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 July 1801]
Call Number:
Bunbury 801.07.01.01
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on an unidentified man strolling in the countryside carrying a stick."--British Museum online catalogue, description of an earlier state
Alternative Title:
Unknown satirical portrait
Description:
Title supplied from British Museum online catalogue, registration no.: J,6.102. Alternative title from description of an earlier state in the British Museum catalogue., Reissue, with different imprint statement, of a print originally published 23 December 1773. Cf. No. 4762 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark on lower edge., Temporary local subject terms: Male costume, 1773 -- Country walking., and Watermark, trimmed: [...] 1799.
Publisher:
Pubd. July 1, 1801, by S.W. Fores, 50 Piccdilly [sic]
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
May 23, 1799.
Call Number:
Bunbury 799.05.23.07+
Image Count:
1
Resource Type:
still image
Abstract:
"Uncle Toby (right) marches from right to left, a crutch under his left arm, pointing with his right crutch towards the fortifications (left) built on the bowling green, where the 'Gate of St Nicolas' is flanked on each side by a jack-boot. In his left hand he holds the 'London Gazette'. Trim, holding up a pickaxe, marches in front of his master. He has a long pig-tail, and a pad is tied over his left knee. On the ground behind is a grenadier's cap. Behind Uncle Toby is the sentry-box, in it is pasted up the plan of a fortification. The background is a rough paling behind which are trees. Shandy Hall appears behind the Gate of St. Nicolas. Beneath the design is engraved, "What an honest triumph in my Uncle Toby's Eyes as he march'd to the Ramparts with the Gazette in his hand & Trim with a pickaxe ready to execute the Contents; what intense pleasure in his Eyes as he stood over the Corporal! Heaven! Earth! Sea!"--British Museum online catalogue, description of an earlier state
Alternative Title:
Siege of Namur by Captain Shandy and Corporal Trim
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 26 January 1773 by J. Bretherton. Cf. no. 5213 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Text below title: Tris. Shan., One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., and Watermark.
Publisher:
Publish'd as the act directs by S.W. Fores, No. 50 Piccadilly
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 May 1799]
Call Number:
Bunbury 799.05.23.06+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on volunteers: an officer and another man sit at a table while a soldier presents two potential - but unprepossessing - recruits, the second man shabbily dressed; behind them a large dog menaces a smaller one; on the wall a map and a portrait of a general."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 2 January 1773 by J. Bretherton. Cf. No. 4759 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark on bottom edge leaving thread margin., Watermark: Edmeads & Pine 1795., and Embossed stamp of publisher in lower right corner of sheet: S.W.F.
Publisher:
Publish'd as the act directs, May 23 1799, by S.W. Fores, No. 50 Piccadilly
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 May 1799]
Call Number:
Bunbury 799.05.23.04+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on a socially aspirational family: a youth is being examined by a tutor for admission to Cambridge university; the tutor, in academic robes, is seated at a table pointing at a large mathematical volume resting beside a globe; the youth stands counting on his fingers while his eager father, wearing countryman's boots, urges him on; on the left a woman, probably the tutor's housekeeper, holds two volumes, one lettered "Longinus", and on the right an elegant undergraduate stands smiling; on the wall behind are portraits of "Dr Allcock" and "Mrs Allcock", a Roman bust with turned down mouth on the lintel above the door, and a frame with the plan and elevation of a building."--British Museum online catalogue
Description:
Title from caption below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 3 Jan. 1774 by J. Bretherton. Cf. no. 4727 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed within plate mark on upper edge., and Watermark: I. Taylor.
Publisher:
Printed and publish'd as the act directs, May 23 1799, by S.W. Fores, No. 50 Piccadilly
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
May 23, 1799.
Call Number:
Bunbury 799.05.23.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Dr. Slop, short and fat, seated in an arm-chair (centre) holding in his left hand the book containing the form of excommunication, points with his right at Obadiah who is disappearing (left), one leg and his back alone being visible. A handkerchief hangs over the doctor's cut right thumb. Behind him on the left stands Mr. Shandy, in dressing-gown and night-cap, smoking a long pipe, he is frowning and holds out his left hand in protest at the doctor's curses. Uncle Toby, his crutch under his left arm, stands on the right. pointing with his left hand at a map of Flanders which hangs on the wall over Dr. Slop's head. He turns to speak to Corporal Trim, who stands (right) at attention in profile to the left holding a long broom."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 30 Jan. 1773 by J. Bretherton. Cf. no. 5214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Text below title: Vide Tris. Shandy, vol. 2d., Four lines of prose below image, two on either side of title: "May all the angels & archangels, principalities and powers, & all the heavenly armies curse & damn him ...", One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., Temporary local subject terms: Maps: Flanders -- Male costume: Dressing gown and night cap -- Man-servant -- Male headdress: Pig-tail -- Furniture: Ladder-back chairs -- Household utensils -- Medical -- Dr. Slop., and Watermark.
Publisher:
Publish'd as the act directs by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Military uniforms, British, Physicians, Servants, Maps, Chairs, and Brooms & brushes