"A big cauldron rests on the bent backs of Wellington (left), supporting himself on his sword, Sidmouth, knock-kneed and holding a clyster-pipe, and Castlereagh (right), dandified and bland. From their mouths floats a scroll inscribed: "O is not this a Dainty Dish to set before a King." They are on a much smaller scale than the cooks, who stand one on each side, stirring the brew. One (left) is fashionably dressed, and stalwart, with brown complexion and negroid hair. He holds a green bag inscribed 'Rakings of Italy' and uses a spoon. A winged demon whispers in his ear: "Never mind the dirty work my boy it won't spoil your Complexion." He says: "It wants more seasoning master Cook." The other, pale and emaciated, and wearing barrister's wig and bands, stands on a large dispatch-box in order to reach the pot; this is inscribed 'G.R Milan Commission'. He stirs with a rolled document, and answers: "Indeed Mungo it must be warmer to be relished." Behind him and clutching his shoulder stands a large Devil, who says: "This beats the black Broth of Satan." The steam from the pot forms a background for a large fantastic face or mask, George IV, saying: "The Odour of this Cookery is exquisite! How Invigorating!! How Reviving!""--British Museum online catalogue and "A satire on the Milan Commission, instructed by Leach in 1818 to go abroad to procure evidence against the Princess of Wales, its report to the Cabinet in July 1819 forming the contents of the Green Bags, see British Museum Satires No. 13735. The barrister is William Cooke, his companion is his assistant, Lt.-Col. Browne (residing in Milan): Mungo (from Bickerstaffe's comic opera 'The Padlock') was a generic term for a negro, the name also implying one who does dirty jobs, cf. British Museum Satires No. 5030. There was also a solicitor, Powell, called 'the Rat' because he had acted for Burdett in election business. See British Museum Satires No. 10708 and 'Examiner', 1820, p. 540. ..."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted on page 24 of: George Humphrey shop album.
Publisher:
Pubd. July 1820 by Benbow, St. Clements Church Yd., Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Cooke, William, 1757-1832, and Browne, Thomas Henry, active 1820
Subject (Topic):
Politicians, Cauldrons, Daggers & swords, Medical equipment & supplies, Cooks, Cookery, Cooking utensils, Demons, Devil, Documents, Boxes, and Bags
"A big cauldron rests on the bent backs of Wellington (left), supporting himself on his sword, Sidmouth, knock-kneed and holding a clyster-pipe, and Castlereagh (right), dandified and bland. From their mouths floats a scroll inscribed: "O is not this a Dainty Dish to set before a King." They are on a much smaller scale than the cooks, who stand one on each side, stirring the brew. One (left) is fashionably dressed, and stalwart, with brown complexion and negroid hair. He holds a green bag inscribed 'Rakings of Italy' and uses a spoon. A winged demon whispers in his ear: "Never mind the dirty work my boy it won't spoil your Complexion." He says: "It wants more seasoning master Cook." The other, pale and emaciated, and wearing barrister's wig and bands, stands on a large dispatch-box in order to reach the pot; this is inscribed 'G.R Milan Commission'. He stirs with a rolled document, and answers: "Indeed Mungo it must be warmer to be relished." Behind him and clutching his shoulder stands a large Devil, who says: "This beats the black Broth of Satan." The steam from the pot forms a background for a large fantastic face or mask, George IV, saying: "The Odour of this Cookery is exquisite! How Invigorating!! How Reviving!""--British Museum online catalogue and "A satire on the Milan Commission, instructed by Leach in 1818 to go abroad to procure evidence against the Princess of Wales, its report to the Cabinet in July 1819 forming the contents of the Green Bags, see British Museum Satires No. 13735. The barrister is William Cooke, his companion is his assistant, Lt.-Col. Browne (residing in Milan): Mungo (from Bickerstaffe's comic opera 'The Padlock') was a generic term for a negro, the name also implying one who does dirty jobs, cf. British Museum Satires No. 5030. There was also a solicitor, Powell, called 'the Rat' because he had acted for Burdett in election business. See British Museum Satires No. 10708 and 'Examiner', 1820, p. 540. ..."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., 1 print : etching ; plate mark 24.9 x 35 cm, on sheet 25.4 x 35.5 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 41 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and The figures of "Wellington," "Sidmouth," "Londondery [sic]," and "Cooke" identified in black ink in lower margin; date "July 1820" written in lower right corner. Typed extract of seventeen lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. July 1820 by Benbow, St. Clements Church Yd., Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Cooke, William, 1757-1832, and Browne, Thomas Henry, active 1820
Subject (Topic):
Politicians, Cauldrons, Daggers & swords, Medical equipment & supplies, Cooks, Cookery, Cooking utensils, Demons, Devil, Documents, Boxes, and Bags
"Cobbett, astride the neck of a diabolical monster, and followed by demons, is about to land on the English coast, where a crowd hails his return. Below is the sea, and on the right the American shore. Cobbett (a good portrait) holds out a pen in his right hand; the left hand grasps vertebrae supporting a skull and projecting from a box which rests on the monster's back and is inscribed: 'Cobbett's long hidden Treasures or the Relicts of Paine'. The skull wears a bonnet rouge, Cobbett a top-hat with tricolour cockade; he says: "How to delude the Populace.--An advantageous distribution of the Words Liberty, Tyranny, Slavery &c does wonders with the populace Cobb Vol 2. p. 114--I now say Water Water-Water!!!" The monster breathes fiery smoke, and grips Cobbett's gaitered legs with its talons; it has webbed and barbed wings and a long scaly barbed tail. The two demons immediately behind Cobbett carry large papers inscribed respectively: 'Paines [Age of] Reason' [see British Museum Satires No. 13274] and 'Cobbetts Pol. Reg'. The third carries a sheaf of spears and excretes fire inscribed 'Revolution', and smoke inscribed 'Corruption'. The last, a bird-like creature, has a body inscribed 'Plague'; other monsters are advancing from a distance. The ragged and disreputable crowd wave bonnets rouges to the approaching Champion, shouting "Welcome Welcome." They have banners, each topped by a cap of Liberty: a large red flag inscribed 'Hunt and Cobbett' is held by a knock-kneed fellow. A butcher holds on his shoulders a little black boy representing Wooler (see No. 12928, &c.) who holds up a board inscribed 'Black Dwarfe'. He shouts: "Welcome, Welcome, Brother Scribe all our differrences are ended." On another flag, in large letters, 'Riot Deb . . .', another is inscribed '[Liber]ty'. Behind are pikes. On the opposite (American) shore three quakers and a quakeress dance in a ring round a stars and stripes flag. One chants: "Yea, Verily, Friends we rejoice, that the Evil spirit hath departed from us!--" The others answer: "Yea Yea Yea." On the shore dismantled cannon lie pointing seawards; there are also pyramids of cannon-balls. On the horizon, midway between the two countries, Napoleon stands with folded arms on the rocky mountains of St. Helena, watching the scene in England; he says: "Ah! Ça ira." British ships surround the island."--British Museum online catalogue
Description:
Title etched below image., Text following title: Out of thy own mouth will I condemn thee., Text in lower right corner of plate, following a curly bracket: I am well assured that Paine was guided by villany, and not misguided by ignorance or error. Cobbett, vol. 4, p. 320., and Sheet trimmed within plate mark.
Publisher:
Pubd. Decr. 1819 by E. King, No. 25 Chancery Lane, a few Doors from Cursitor Street
Subject (Name):
Cobbett, William, 1763-1835, Paine, Thomas, 1737-1809., Hunt, Henry, 1773-1835., and Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Quakers, Monsters, Demons, Liberty cap, Flags, and Cannons
"Heading to a broadside printed in two columns. A sequel to No. 13764. George IV, a whiskered infant, lies feverish and fractious in a cot decorated with Chinese figures and hung with bells. He is surrounded by Ministers. Sidmouth, holding a doctor's gold-headed cane, feels his pulse, saying: "Dredful sympton's [sic] a raging Pulse." A bottle labelled 'Dolbys Carminative' (as in British Museum Satires No. 13764) projects from his pocket. Liverpool, with pap-boat and spoon, says: "I thought how it would be, that Foriegn Emetick has been too strong for his weak Nerves." Castlereagh, standing between two lawyers, puts a hand on the Babe's forehead, saying: "how hot his poor dear head feels." One lawyer (? Copley) tries to push back a leg within the cot, saying: "If he could but stand on his Legs once more we might have hopes, but I'm afraid he has Caught the Rickets--" The other (? Gifford): "A sae [sic] voyage by all means Brou--ms drops should have been taken with more caution as they are very Searching." An old woman (left) holds out a ribbon: "Here's the R--y--l Leading Strings," while an apothecary (right) using a large pestle and mortar says: "O! what a fogo what a mixture what a mess." Behind him are shelves ranged with druggist's jars. In the foreground toys are scattered, chiefly military, as in British Museum Satires No. 13764; they are: 'Royal Play things'. There is also a rocking-horse on which are two toy lancers. In front of the fire napkins are hanging, and on the mantelshelf are medicine-bottles and a doll. In the foreground is an overturned child's commode, the pan inscribed 'Royal Stole'. ...."--British Museum online catalogue
Alternative Title:
Great babe taken ill
Description:
Title printed in letterpress below image., Attribution to Robert Cruikshank and approximate date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., Nine stanzas of verse in two columns below title, printed in letterpress: Run, Sid-th, run; send for a nurse, the R-y-l Babe's quite ill ..., "Price one shilling. Entered at Stationers' Hall"--Below imprint., Publisher's advertisement at bottom of sheet: N.B. More good things in preparation, by the same author., Watermark: Gater 1818., Mounted to 58 x 39 cm., Mounted on leaf 38 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Sidmouth," "Geo. IV," and "Castlereagh" identified in black ink below image; date "July 1820" written beneath lower right corner of image. Blanks within the letterpress text have been completed in ink, spelling out the censored names "Sidmouth," "Brougham," "Liverpool," and "Sidmouth" (a second time), as well as the word "Royal" in two places. Typed extract of four lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published by C.E. Pritchard, Islington Green
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Castlereagh, Robert Stewart, Viscount, 1769-1822, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Gifford, Robert Gifford, Baron, 1779-1826, and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Politics and government, Political satire, English, Cots, Bells, Sick children, Staffs (Sticks), Lawyers, Pharmacists, Medicines, Rocking chairs, Toys, and Fireplaces
"Queen Caroline, dignified and regal, stands with extended right arm facing Lord Hutchinson (identified by Reid as Liverpool), a thin man in court dress who bows low, holding out a large purse inscribed '£50,000'. He looks up at her with a servile and apprehensive grimace, saying: "Abandon your claim to the Throne, Change your Name & the Livery & retire to some distant part of the earth were you may never be seen or heard of any more; & if 50,000£ pr Annm will not satisfy you, what will?" She answers: "Nothing but a Crown!" In her left hand is a paper: 'Lawful Claims'. At her side (right) stands Alderman Wood, noble and stalwart in Roman armour; he holds a sword, whose wavy blade (representing flame) is inscribed 'A Swoard for the Guilty', and a shield: 'A Shield for the Innocent--'. Behind Hutchinson and in back-view stands Brougham in barrister's wig and gown; he holds a broom, and says: "I turn my back on such dirty work as this." The Devil, on the extreme left, clutches his arm, saying: "Well done Broom! you have done your business well." Behind Wood is a ship at anchor, her poop inscribed 'The Wooden walls of Old England'; she flies a Union flag inscribed 'Caroline'."--British Museum online catalogue
Alternative Title:
Bribery & corruption rejected!!! and Bribery and corruption rejected!!!
Description:
Title etched below image., Signed only with Robert Cruikshank's name, but a collaboration with George Cruikshank is suggested in the British Museum catalogue., "No. 1"--Upper left corner., and Mounted on page 16 of: George Humphrey shop album.
Publisher:
Pubd. by Benbow, St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Donoughmore, John Hely-Hutchinson, Earl of, 1757-1832, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Wood, Matthew, Sir, 1768-1843
"Queen Caroline, dignified and regal, stands with extended right arm facing Lord Hutchinson (identified by Reid as Liverpool), a thin man in court dress who bows low, holding out a large purse inscribed '£50,000'. He looks up at her with a servile and apprehensive grimace, saying: "Abandon your claim to the Throne, Change your Name & the Livery & retire to some distant part of the earth were you may never be seen or heard of any more; & if 50,000£ pr Annm will not satisfy you, what will?" She answers: "Nothing but a Crown!" In her left hand is a paper: 'Lawful Claims'. At her side (right) stands Alderman Wood, noble and stalwart in Roman armour; he holds a sword, whose wavy blade (representing flame) is inscribed 'A Swoard for the Guilty', and a shield: 'A Shield for the Innocent--'. Behind Hutchinson and in back-view stands Brougham in barrister's wig and gown; he holds a broom, and says: "I turn my back on such dirty work as this." The Devil, on the extreme left, clutches his arm, saying: "Well done Broom! you have done your business well." Behind Wood is a ship at anchor, her poop inscribed 'The Wooden walls of Old England'; she flies a Union flag inscribed 'Caroline'."--British Museum online catalogue
Alternative Title:
Bribery & corruption rejected!!! and Bribery and corruption rejected!!!
Description:
Title etched below image., Signed only with Robert Cruikshank's name, but a collaboration with George Cruikshank is suggested in the British Museum catalogue., "No. 1"--Upper left corner., 1 print : etching ; sheet 26.4 x 36.4 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark on left side., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 18 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Brougham," "Q. Caroline," and "Ald. Wood" identified in black ink at bottom of sheet; date "11 June 1820" written in lower right corner. Pencil annotation "+ GC" added beneath Robert Cruikshank's signature, noting George Cruikshank's contribution to the production of the print. Typed extract of twenty-four lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by Benbow, St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Donoughmore, John Hely-Hutchinson, Earl of, 1757-1832, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Wood, Matthew, Sir, 1768-1843
Title from caption below image., Below title: A general smash among the crockery., Sheet trimmed within plate mark., Temporary local subject terms: Street scenes -- Merrick Tea Dealer -- Riots -- Vandalism., and Ms. '6' added over the last digit in the year of publication.
"An elaborate symbolical clock has a dial on which the hands are represented by the arms of the Queen, who kneels within it. Canning stands within the smaller disk of the pendulum. The dial and pendulum hang from a curved bar supported on two uprights, one (left) representing the forces of the Army and Navy, the Crown and the Church, and the other the Radicals and their pikes. A fat and carbuncled John Bull, much larger in scale than the other figures, and wearing a huge judge's wig, sits astride the dial where it is surmounted by a crown; he holds a paper: 'Chief justice Bull--Jurisdiction--ad Infinitum'. On the rim of the dial: (left) 'King', 'Lords', (right) 'Commons'. The Queen kneels in profile to the right, her left arm pointing to the crown, her right towards the 'Commons'. The supports of the dial are (left) a cornucopia filled with sovereigns, and (right) a giant cap of Liberty, shaped like the cornucopia, from which project the heads of men wearing bonnets-rouges. On the cornucopia are Liverpool, holding out the 'Green Bag', see British Museum Satires No. 13735, Eldon, Sidmouth with his clyster-pipe, and a fourth Minister. On the bonnet rouge stand four of the Queen's supporters, one (apparently Wood) holding out to her a cap of Liberty. A small scene is inset below the dial, flanked by cornucopia and cap of Liberty. The Green Bag lies on a table, across which Castlereagh (left) and Brougham (right), both wearing boxing-gloves, are fighting, the former on the defensive. Each has a second, Brougham's is a second barrister (? Denman). Below this appear seven vertical rods to which the disk of the pendulum is attached. The centre one is 'Unhappy Medium'. On the left, held by cross-bands inscribed 'Golden Argument' and 'Valuable ties', are 'Royal Sunshine', 'Sinecure', and 'Tangible etcetrias'. On the right, held by 'Magnanimity' [tricolour], are 'Quixotism', 'Public Champion', and 'Radical Celebrity'. Canning stands within the disk of the pendulum, both hands held up, looking in gloomy perplexity to the left. He hesitates between the contrasted lures of the pendulum bars. He is standing between a crown and a cap of Liberty. On the left a winged infant flies off with a money-bag, inscribed '1000', saying, "Adieu!" A similar infant (right) proffers a cap of Liberty, saying, "See here Glory waits thee." Above the disk: 'The Uncertainty of all Sublunary Honors'. The design is bordered, left and right, by the two supports of the beam. On the left a jovial sailor and a handsome soldier stand on a base formed of a 'Treasury Iron Chest'. The corresponding figures on the right are two ragged ruffians with linked arms, each holding a spiked bludgeon and a dagger, who stand on a similar chest: 'Pandora's Box'. Flags are draped above the heads of both: the Royal Arms and Union Jack with a crown (left), and a tricolour flag and a (piratical) black flag (right). Above these are (left) a mitre resting on a Bible, crossed swords, and bayonets, supporting a block on which is a crown. On the opposite side are three caps of Liberty, crossed bludgeon and dagger, and pikes, supporting a block on which is yet another cap of Liberty."--British Museum online catalogue
Alternative Title:
Time piece! & Canning Jack o' both sides, Time piece! and cunning Jack o' both sides, and Time piece! and Canning Jack o' both sides
Description:
Title etched below image; the letter "u" in "cunning" is etched above a scored-through letter "a", altering the name "Canning". and Mounted on page 34 of: George Humphrey shop album.
Publisher:
Pubd. June 1820 by G. Humphrey, 27 St. Jamess St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Wood, Matthew, Sir, 1768-1843, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Canning, George, 1770-1827
Subject (Topic):
John Bull (Symbolic character), Clocks & watches, Soldiers, Sailors, Spears, Wigs, Crowns, Cornucopias, Liberty cap, Bags, Medical equipment & supplies, Boxing, Lawyers, Money, and Putti
