A richly dressed but grotesque and balding old lady sits before her dressing table holding a lap dog and attended by a leering hairdresser and his assistant. The former places on her head a huge wig with side curls, flowers on the front and a profusion of ostrich plumes on top. Draperies adorn the dressing table and window, and patterned wall paper and carpet are visible
Alternative Title:
New fashioned head dress for young misses of three score and ten
Description:
Title from item.
Publisher:
Printed for John Bowles, No. 13 in Cornhill
Subject (Geographic):
England
Subject (Topic):
Hairstyles, Hairdressing, Clothing & dress, and Interiors
"A lady stands at her dressing-table (right), her hair in an enormous pyramid decorated with feathers torn from a peacock, an ostrich and a cock. A young girl wearing a hat holds the peacock by a wing; another wearing a cap tugs hard at one of its tail feathers (which are very unlike peacock's feathers). An ostrich (left), which has lost most of its tail feathers, is about to pluck out those which ornament the lady's hair. A cock stands in the foreground (right), having lost almost all its tail feathers, many of which lie on the floor. A black servant wearing a turban stands on his mistress's right, handing feathers from a number which he holds in his left hand. The lady, who faces three-quarter to the right, is elaborately dressed in the fashion of the day. Her pyramid of hair is decorated with lappets of lace and festoons of jewels as well as with feathers. She wears large earrings, a necklace with a cross, her bodice is cut very low, and her elbow sleeves have lace ruffles. A pannelled wall forms the background."--British Museum online catalog
Description:
Title from caption below image. and Printmaker identified as Philip Dawe by Dorothy George. See British Museum catalogue.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 Fleet Street
Title etched below image., Probably by Philip Dawe. See Chaloner Smith., Subject identified in an unverified card catalog record as the Countess of Coventry., Reduced version of no. 21 in British mezzotinto portraits, v. 1, p. 158., and Temporary local subject terms: Female dress: lady's maid -- China: wash-bowls -- Soap.
Publisher:
Printed for Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Name):
Coventry, Maria Gunning Coventry, Countess of, 1733-1760
"Portrait of the actor Edward Shuter; half-length in oval frame, looking to the right, holding a comic mask."--British Museum online catalogue, description of an earlier state
Description:
Title engraved below image., State from: Russell, C.E. English Mezzotint portraits and their states., Date of publication based on publisher's street address; see British Museum online catalogue., Sheet trimmed within plate mark., With wash-line mount 37.4 x 28.9 cm. Window mounted to 51 x 36 cm., and Mounted opposite page 100 (leaf numbered '150' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published by W. Richardson, Antient & Modern Print Warehouse, 174 Strand
Pug the Painter (the Idea Box of a Connoisseur) is a monkey seated on a table that is decorated with the carved face of a judge on the side. He paints a canvas supported on an easel and holds paint brushes and palette in his right hand. From a speech bubble he says: " A marvellous effect by G-d." At the left an owl is perched on a stack of books and holds a sheet of paper in his claw with the words "Catalogue of some capital pictures lately consigned from abroad" and from his mouth a speech bubble: "I think Mr. Pug you may keep down your sky a little more."
Description:
Title etched above image., After a drawing by Paul Sandby now at the British Museum. See Registration number: 1985,0223.8. Etching also attributed to him in the British Museum catalogue., Text etched below image: To the despisers of all pretended connoiseurs & all imitators (but those of nature) this plate is most humbly dedicated., See Paulson, R. Hogarth's graphic works (3rd ed.), page 155., and On page 292 in volume 3. Sheet trimmed to: 28.6 x 21.2 cm.
Pug the Painter (the Idea Box of a Connoisseur) is a monkey seated on a table that is decorated with the carved face of a judge on the side. He paints a canvas supported on an easel and holds paint brushes and palette in his right hand. From a speech bubble he says: " A marvellous effect by G-d." At the left an owl is perched on a stack of books and holds a sheet of paper in his claw with the words "Catalogue of some capital pictures lately consigned from abroad" and from his mouth a speech bubble: "I think Mr. Pug you may keep down your sky a little more."
Description:
Title etched above image., After a drawing by Paul Sandby now at the British Museum. See Registration number: 1985,0223.8. Etching also attributed to him in the British Museum catalogue., Text etched below image: To the despisers of all pretended connoiseurs & all imitators (but those of nature) this plate is most humbly dedicated., and See Paulson, R. Hogarth's graphic works (3rd ed.), page 155.
Two grotesque figures of a well-dressed man and woman stand before a background of Corinthian pillars topped with Doric capitals. The man points with his left hand to his mouth and grimaces at the viewer
Description:
Title from item., Printmaker from British Museum catalogue., First published by Carington Bowles on 20 October 1775; original publication date burnished from the plate. Cf. Catalogue of prints and drawings in the British Museum, v. 5, p. 786., Date of publication inferred from paper and from date of the Bowles & Carver partnership formed after the 1793 death of Carington Bowles. See Plomer, H.R. Dictionaries of printers and booksellers, p. 31., and Numbered in plate: 332.
Publisher:
Printed for Bowles & Carver at their Map & Print Warehouse, No.69 in St. Pauls Church Yard, London
A Billingsgate fishwoman thrusts a fish in the face of startled macaroni who is about to draw his sword in reaction, while another woman, leaning out of the window of a grog shop behind them, is cutting off his long queue. Meanwhile, the macaroni's pet dog steals a fish from the fishwoman's basket
Description:
Title from item., Sheet trimmed within plate mark resulting in loss of imprint. Imprint from an impression in the Library of Congress, call number PC 3 - 1773 - Enraged macaroni (A size) [P&P]., State with title, printmaker's name and publication date. Cf. Impression in the Library of Congress., Four lines of verse in two columns below title: The Billingsgate with rude and cutting jokes the macaroni to fierce rage provokes ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male fashion, 1773 -- Street scenes -- Buildings: taverns -- Checkers sign -- Trades: fishwoman -- Pets: King Charles spaniel., and Window mounted to 39 x 29 cm.
"A stout, ugly, and elderly woman holds in her left hand a barber's block, with a carved head in profile, on which is an elaborate pyramidal wig with ringlets. This she is covering with powder or flour from a dredger. Her hair is short and scanty; on her head is a very large black patch, two smaller ones are on her temple. She is dressed in undergarments, showing stays, and frilled petticoat over which is worn a pocket. Her dress, the bodice of which is almost cylindrical from its stiffening whalebone, is on a stool behind her. Her back is turned to the casement window (right) through which look two grinning old women, wearing frilled muslin caps. Over the window, and over the wall on its left, is a heavily festooned curtain. Sacarissa stands facing a low rectangular table (left), on which are a bottle and wine-glass, a candle (?) in a triangular shade, which is falling over, having apparently been knocked by the wig, patches, a comb, a paper, &c. Behind on the wall, in deep shadow, is a picture of a dome inscribed "The Pantheon"."--British Museum online catalogue
Description:
Title engraved below image., Attributed to Philip Dawe in the British Museum catalogue., Sheet trimmed within plate mark., and One line of quoted text beneath title: "She blooms in the winter of her days, like the Glastonbury thorn".
"A macaroni dressed in a grotesque exaggeration of the prevailing fashion. His hair is in a high pyramid with side curls, an enormous club hangs down his back. A small three-cornered hat is perched on the top of his hair. He wears a large nosegay. He stands in a mincing attitude by a toilet-table, draped with muslin on which are boxes and toilet jars, the latter inscribed "essence" and "Rose". The wall is panelled and ornamented with mouldings; the floor is carpeted and there are two cane-seated chairs of an unusual pattern [This probably represents the dress of 'Lord P-----' as a macaroni buck at the Pantheon masquerade of 12 May 1773. See 'Oxford Magazine', x. p. 179, where his dress is described]."--British Museum online catalogue, description of a proof state
Description:
Title from item., State with letters, as described in the British Museum catalogue from a print not in the British Museum collection. For a proof state before letters, see No. 5221 in the Catalogue of prints and drawings in the British Museum, v. 5., Sheet trimmed to plate mark., and Temporary local subject terms: Male fashion, 1773 -- Macaronies -- Dressing room -- Furniture -- Carpet.
Opposite page 212. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on lecherous elderly men: a serving maid recoils as an elderly macaroni, sitting at a table with a glass, puts his arm round her waist and offers her a purse."--British Museum online catalogue
Description:
Title etched below image., Four lines of verse in two columns beneath title: Macaroni endeavours the maid to seduce, With gold and such prate as with fops is in use. In vain is his courtship; the maiden stil coy, Rejects the vile letcher, and all his false joy., Folded to 32 x 25.8 cm., and Bound in opposite page 212 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Printed for John Bowles, at No. 13 in Cornhill
Subject (Name):
Sandwich, John Montagu, Earl of, 1718-1792
Subject (Topic):
Dandies, British, Older people, Courtship, Lust, Drinking vessels, and Purses
A young woman looks with a smile on the candle she is holding in front of her. The candle is covered with her apron thus giving a sofr, diffused light
Description:
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Lighting: candlestick -- Candlelight pictures -- Female hats, 1770 : caps.
Publisher:
Printed for Carington Bowles, Map & Printseller, No. 69 in St. Pauls Church Yard, London
Title from item., Numbered '402'., Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Prostitutes -- Female dress, late 1760s? -- Male dress -- Hats: tricorne -- Interiors: room in a brothel -- Furniture: slipcovered armchair -- China: punch bowl -- Glass: wine bottles -- Glass: wine glasses -- Fruits: oranges -- Silverware: ladle -- Watches: wrist watches -- Jewelry: earings., and Upper right corner torn off.
Publisher:
Printed for Robt. Sayer, No. 53 in Fleet Street, as the act directs
Old Gripus plunder'd by his young wife and Old Gripus plundered by his young wife
Description:
Title from item., Four lines of verse below title: How hard is the conflict, yet claims ridicule, when doting and av'rice possess an old fool! ..., and Temporary local subject terms: Money: bag of gold -- Boxes: strong-boxes -- Misers -- Female dress, 1773.
Publisher:
Printed for John Bowles, at No. 13 in Cornhill. Published according to the act
Title from item., Printmaker identified by J. Chaloner Smith., Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Lighting: candlelight -- Furniture: ladder back chair -- Candlelight pictures -- Thread papers -- Tickling.
Publisher:
Printed for Robt. Sayer, Map & Printseller, No. 53 in Fleet Street, as the act directs
"Satire on connoisseurs: a man holds up a candle to examine a painted landscape in a heavy frame, which is held up for him by a yawning boy; the candle flame is shielded by the man's hand."--British Museum online catalogue, description of a later state
Alternative Title:
Connoisseur
Description:
Title from later state described in the British Museum catalogue., Early state. No title is present; the names of the artist, publisher, and printmaker are engraved directly beneath image; and the publication line with date is at the bottom of the plate. For a later state with title added and artist and printmaker names removed, published in 1776 by Sayer & Bennett, see No. 4621 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark at bottom., Temporary local subject terms: Lighting: candlestick -- Yawns -- Painting: frame -- Candle lighting picture., and Matted to 72 x 56 cm.
