Two grotesque figures of a well-dressed man and woman stand before a background of Corinthian pillars topped with Doric capitals. The man points with his left hand to his mouth and grimaces at the viewer
Description:
Title from item., Printmaker from British Museum catalogue., First published by Carington Bowles on 20 October 1775; original publication date burnished from the plate. Cf. Catalogue of prints and drawings in the British Museum, v. 5, p. 786., Date of publication inferred from paper and from date of the Bowles & Carver partnership formed after the 1793 death of Carington Bowles. See Plomer, H.R. Dictionaries of printers and booksellers, p. 31., and Numbered in plate: 332.
Publisher:
Printed for Bowles & Carver at their Map & Print Warehouse, No.69 in St. Pauls Church Yard, London
"Portrait of the actor Edward Shuter; half-length in oval frame, looking to the right, holding a comic mask."--British Museum online catalogue, description of an earlier state
Description:
Title engraved below image., State from: Russell, C.E. English Mezzotint portraits and their states., Date of publication based on publisher's street address; see British Museum online catalogue., Sheet trimmed within plate mark., With wash-line mount 37.4 x 28.9 cm. Window mounted to 51 x 36 cm., and Mounted opposite page 100 (leaf numbered '150' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published by W. Richardson, Antient & Modern Print Warehouse, 174 Strand
A richly dressed but grotesque and balding old lady sits before her dressing table holding a lap dog and attended by a leering hairdresser and his assistant. The former places on her head a huge wig with side curls, flowers on the front and a profusion of ostrich plumes on top. Draperies adorn the dressing table and window, and patterned wall paper and carpet are visible
Alternative Title:
New fashioned head dress for young misses of three score and ten
Description:
Title from item.
Publisher:
Printed for John Bowles, No. 13 in Cornhill
Subject (Geographic):
England
Subject (Topic):
Hairstyles, Hairdressing, Clothing & dress, and Interiors
"A lady stands at her dressing-table (right), her hair in an enormous pyramid decorated with feathers torn from a peacock, an ostrich and a cock. A young girl wearing a hat holds the peacock by a wing; another wearing a cap tugs hard at one of its tail feathers (which are very unlike peacock's feathers). An ostrich (left), which has lost most of its tail feathers, is about to pluck out those which ornament the lady's hair. A cock stands in the foreground (right), having lost almost all its tail feathers, many of which lie on the floor. A black servant wearing a turban stands on his mistress's right, handing feathers from a number which he holds in his left hand. The lady, who faces three-quarter to the right, is elaborately dressed in the fashion of the day. Her pyramid of hair is decorated with lappets of lace and festoons of jewels as well as with feathers. She wears large earrings, a necklace with a cross, her bodice is cut very low, and her elbow sleeves have lace ruffles. A pannelled wall forms the background."--British Museum online catalog
Description:
Title from caption below image. and Printmaker identified as Philip Dawe by Dorothy George. See British Museum catalogue.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 Fleet Street
Title from item., Numbered '402'., Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Prostitutes -- Female dress, late 1760s? -- Male dress -- Hats: tricorne -- Interiors: room in a brothel -- Furniture: slipcovered armchair -- China: punch bowl -- Glass: wine bottles -- Glass: wine glasses -- Fruits: oranges -- Silverware: ladle -- Watches: wrist watches -- Jewelry: earings., and Upper right corner torn off.
Publisher:
Printed for Robt. Sayer, No. 53 in Fleet Street, as the act directs
"Satire on connoisseurs: a man holds up a candle to examine a painted landscape in a heavy frame, which is held up for him by a yawning boy; the candle flame is shielded by the man's hand."--British Museum online catalogue, description of a later state
Alternative Title:
Connoisseur
Description:
Title from later state described in the British Museum catalogue., Early state. No title is present; the names of the artist, publisher, and printmaker are engraved directly beneath image; and the publication line with date is at the bottom of the plate. For a later state with title added and artist and printmaker names removed, published in 1776 by Sayer & Bennett, see No. 4621 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark at bottom., Temporary local subject terms: Lighting: candlestick -- Yawns -- Painting: frame -- Candle lighting picture., and Matted to 72 x 56 cm.
A Billingsgate fishwoman thrusts a fish in the face of startled macaroni who is about to draw his sword in reaction, while another woman, leaning out of the window of a grog shop behind them, is cutting off his long queue. Meanwhile, the macaroni's pet dog steals a fish from the fishwoman's basket
Description:
Title from item., Sheet trimmed within plate mark resulting in loss of imprint. Imprint from an impression in the Library of Congress, call number PC 3 - 1773 - Enraged macaroni (A size) [P&P]., State with title, printmaker's name and publication date. Cf. Impression in the Library of Congress., Four lines of verse in two columns below title: The Billingsgate with rude and cutting jokes the macaroni to fierce rage provokes ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male fashion, 1773 -- Street scenes -- Buildings: taverns -- Checkers sign -- Trades: fishwoman -- Pets: King Charles spaniel., and Window mounted to 39 x 29 cm.
"A macaroni dressed in a grotesque exaggeration of the prevailing fashion. His hair is in a high pyramid with side curls, an enormous club hangs down his back. A small three-cornered hat is perched on the top of his hair. He wears a large nosegay. He stands in a mincing attitude by a toilet-table, draped with muslin on which are boxes and toilet jars, the latter inscribed "essence" and "Rose". The wall is panelled and ornamented with mouldings; the floor is carpeted and there are two cane-seated chairs of an unusual pattern [This probably represents the dress of 'Lord P-----' as a macaroni buck at the Pantheon masquerade of 12 May 1773. See 'Oxford Magazine', x. p. 179, where his dress is described]."--British Museum online catalogue, description of a proof state
Description:
Title from item., State with letters, as described in the British Museum catalogue from a print not in the British Museum collection. For a proof state before letters, see No. 5221 in the Catalogue of prints and drawings in the British Museum, v. 5., Sheet trimmed to plate mark., and Temporary local subject terms: Male fashion, 1773 -- Macaronies -- Dressing room -- Furniture -- Carpet.
Old Gripus plunder'd by his young wife and Old Gripus plundered by his young wife
Description:
Title from item., Four lines of verse below title: How hard is the conflict, yet claims ridicule, when doting and av'rice possess an old fool! ..., and Temporary local subject terms: Money: bag of gold -- Boxes: strong-boxes -- Misers -- Female dress, 1773.
Publisher:
Printed for John Bowles, at No. 13 in Cornhill. Published according to the act