Four fragments pasted around the inset of Jacob and Laban's flock, from a tankard belonging to the Clare Market Club. (See Paulson no. 25). The four fragments are probably impressions from a large silver platter and show Juno, Neptune, Tellus, and Vulcan
Alternative Title:
Frontispiece to Horneck's Happy ascetick and Master of the vineyard
Description:
Title, questionable attribution, and date from Paulson., An unique impression., Sheets trimmed to design., Ms. note mounted below: The Four Elements, represented in Four Compartments, under the figures of Vulcan, Juno, Tellus, & Neptune. These are impressions from some large Piece of Plate, very probably an oblong silver Tea-Table. The smallest is merely the center of the Tankard. See p. 3. Where I found it I have left it., Ms. note in pencil at bottom of sheet: Sold at Gulston's Auction, for £4.14.6f the Tankard. See p. 3. Where I found it I have left it., and On page 6 in volume 1.
Night scene, a couple interrupted in flagrante by the night watch, she lying on the ground at right with dishevelled clothing, he held back on the left, with his breeches undone; a censorious old woman on the far left; a watchman on the right holding up a lantern, illuminating the pillory behind
Description:
Title and date from Paulson, Questionable attribution to Hogarth, but Paulson is inclined to accept as an early work by Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 245., According to Samuel Ireland in his Graphic illustrations of Hogarth (v.1 , p. 9-10) Hogarth executed this design when he was under twenty on the lid of a tobacco box for a Captain Johnson., Trimmed sheet., Ms. note in pencil in Steevens's hand above print: Original., Ms. note in pencil in Steevens's hand at top of print: Impression from the top of Captain Johnson's tobacco., Ms. note at bottom: Given me by the Right Honble William Windham., and On page 180 in volume 2.
Hogarth's shop card presenting him as an engraver both of prints and decorative metalwork; frame with a figure in classical dress on either side (on the left a woman, on the right a man drawing) and, above, putti holding a print and a vase; lettered in the centre 'W. Hogarth Engraver'. In an oval cartouche in the lower frame, "Aprill [the] 23 1720."
Alternative Title:
William Hogarth, engraver and Hogarth's shop card
Description:
Title etched within image., Date engraved in cartouche centered in lower frame., Sheet trimmed within plate mark., Center is cut out and ms. inscription added “W: Hogarth Engraver” on mount below showing through., and On page 3 in volume 1.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain.
Subject (Name):
Hogarth, William, 1697-1764. and Perrins, Charles William Dyson, 1864-1958
Title from Paulson., Questionable attribution to Hogarth by Paulson. See Paulson, R. Hogarth's graphic works, p. 199, no. 250., On page 4 in volume 1., Mss in ink on bottom of print: Only twenty five Impressins taken off this plate before it was cutt to pieces. Richard Morrison No. 10., Ms. in pencil: See Mr. Nichols's Biographical anecdotes of Hogarth, 3rd edit. Page 422., and Ms. in pencil: Arms of Sir Gregory Page br/in reverse.
"Satire on the financial scandal of the South Sea Bubble; a composite scene in the City of London identified by the Guildhall, St Paul's Cathedral and the Monument (its inscription changed to record the destruction of the city by the South Sea); a crowd is gathered around a merry-go-round (on which ride a prostitute, a clergyman, a shoe-black, an old crone and a Scottish nobleman); to left, the Devil hacks the limbs of Fortune, while religious leaders (both Anglican and Jewish) play at pitch and hustle; to right, emblematic figures of Honour and Honesty are beaten by Self-Interest and Villainy, and Trade sleeps."--British Museum online catalogue
Description:
Title and state from Paulson., Publication information inferred from 3rd state., Verses below image: See here [the] causes why in London, so many men are made, & undone .... Guess at the rest you find out more., "Price 1 shilling."--Lower right., Sheet trimmed within plate mark with some loss to text at bottom margin., Ms. note in Steevens's hand above: South-Sea. In pencil below: See Nichol's book, 3d edit. p. 122., and On page 8 in volume 1.
Publisher:
Mrs. Chilcot and R. Caldwell?
Subject (Geographic):
Financial crises and Great Britain
Subject (Topic):
South Sea Bubble, Great Britain, 1720, History, Allegories, Clergy, Crowds, Devil, Ethnic stereotypes, Merry-go-rounds, Occupations, and Prostitutes
"Funeral ticket, with a scene of a funeral procession arrived at a church, the pall being drawn back, the parish clerk on the steps at left, a clergyman reading the exordium of the burial service at the head of the procession; the mourners following the coffin, a crowd of onlookers behind, one man clinging to a pillar to see above the others"--British Museum catalogue
Description:
Title, printmaker, and imprint from Paulson., Receipt text below image: You are desired to accompany [the] corps of [blank] from h[his/her] late dwelling in [blank] to [blank] on [blank] next at [blank] of the clock in the evening. Perform'd by Humphrey Drew, undertaker, in King-Street, Westminster., This impression has been cut, with loss of receipt area., Ms. note in Steevens's hand on page above print: Original. Note on mount below print: See Nichols's book, 3d edit. P. 419 / Sold at Mr. Gulston's auction for £5.7.6., and On page 46 in volume 1. Plate mounted on sheet: 15.3 x 20.5 cm.
Publisher:
Humphrey Drew
Subject (Geographic):
Great Britain. and England
Subject (Topic):
Funerals, Undertakers and undertaking, Crowds, and Funeral processions
The interior of a seraglio shows a Turk with his harem, seated in a low hall that looks out to a garden. The women are served by eunuchs (the only other men allowed in the hall), one of whom peers in through the window to insure privacy. The master and his favorite are being cooled with a fan made of feathers as two other women dancing "after a wanton manner" accompanied by musicians. Figures are numbered; key provided in the text (see v. 1, p. 250-251).
Description:
Title, publisher, state, and date from Paulson., One of fifteen illustrations engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., and 'Tom. 1. No. XXII'--Upper right corner.
Publisher:
A. de La Mottraye
Subject (Geographic):
Turkey. and Islamic Empire.
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743.
Subject (Topic):
Blacks, Clothing & dress, Eunuchs, Harems, Interiors, and Servants
A Turkish bath; a white woman, nude apart from a cloth around her legs, seats on low steps in a bath-house with a high ceiling perforated by numerous round holes; a black woman servant standing behind her and assisting her. On the wall to the right is a fountain with a shell-shaped basin
Description:
Title, printmaker, publisher, state, and date from Paulson., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., "T. 1"--Upper left corner., "X"--Upper right corner., Sheet trimmed within plate mark., and On page 15 in volume 1.
Publisher:
A. de La Mottraye
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743.
Subject (Topic):
Public baths, Therapeutic baths, Servants, and Women
The interior of a seraglio shows a Turk with his harem, seated in a low hall that looks out to a garden. The women are served by eunuchs (the only other men allowed in the hall), one of whom peers in through the window to insure privacy. The master and his favorite are being cooled with a fan made of feathers as two other women dancing "after a wanton manner" accompanied by musicians. Figures are numbered; key provided in the text (see v. 1, p. 250-251).
Description:
Title, publisher, state, and date from Paulson., One of fifteen illustrations engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., 'Tom. 1. No. XXII'--Upper right corner., and On page 5 in volume 1. Plate trimmed to: 25.5 x 34.8 cm.
Publisher:
A. de La Mottraye
Subject (Geographic):
Turkey. and Islamic Empire.
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743.
Subject (Topic):
Blacks, Clothing & dress, Eunuchs, Harems, Interiors, and Servants
Plate showing shows the crowning of the Sultan Achmet in the Mosque of Yup (vol. I, page 257) with the figures numbered
Description:
Title, printmaker, state, publisher, and date from Paulson., "T. I."--Upper left corner., "XVI."--Upper right corner., One of fifteen plates engraved for: A. de La Motraye's travels through Europe, Asia, and into part of Africa., Sheet trimmed within plate mark., and On page 16 in volume 1. Figures number in ms.
Publisher:
A. de La Mottraye
Subject (Geographic):
Turkey and Istanbul.
Subject (Name):
Ahmed III, Sultan of the Turks, 1673-1736. and La Mottraye, Aubry de, approximately 1674-1743.
A map of iron forges and mines near Arboga, still in Sweden
Alternative Title:
Fodina ferrea Danmorensis
Description:
Title, publisher, state, and imprint from Paulson., Engraved title etched in image, upper left., "T. II."--Middle left, between two images., "XXXV."--Middle right, between two images., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., and On page 18 in volume 1.
A scene with a traditional Sami home, clothing, and customs. Figures are numbered; the key is provided in the text (see v. 2, p. 282-98). The house (no. 1) is a tent with a door through which you can see a woman cooking over a fire. To left of the tent is a small house in a tree used for drying fish (no. 4); a woman carries a baby in a traditional carrier (no. 5); in the back ground on the right is a 'magic' drum (no. 9); other figures demonstrate sleds drawn by reindeer, skis, milking, etc
Alternative Title:
Lapland hut
Description:
Title devised by cataloger., Added title, publisher, state, and date from Paulson., One of fifteen plates engraved for: A. de La Motraye's Travels through Europe, Asia, and into part of Africa., "XXXVIII."--Upper left corner., "T. II."--Upper right corner., Sheet trimmed within plate mark; plate and volume erased from this impression., and On page 20 in volume 1.
Publisher:
A. de La Mottraye
Subject (Geographic):
Sápmi. and 12680778
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743.
Subject (Topic):
Sami (European people), Cookery, Dogs, Drums, Houses, Infants, Milking, Mothers, Reindeer, Skiing, and Sleds & sleighs
Scene in the Hippodrome in Constantinople with figures numbered; key provided in the text (see v. 1, p. 196-97, 249-50). In the foreground a procession for a Turkish bride who is carried by Janizaries; the group includes musicians who blow horns and beat drums. In the background are horsemen, 'Serpetine', and the ancient obelisks
Description:
Title, publisher, state, and date from Paulson., One of fifteen plates from: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., "T. 1."--Upper left corner., "XV."--Upper right corner., Sheet trimmed to plate mark., and On page 14 in volume 1.
Publisher:
A. de La Mottraye
Subject (Geographic):
Turkey. and Turkish.
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743. and Hippodrome of Constantinople (Istanbul, Turkey)
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State, publisher, and date from Paulson. British Museum catalogue dates the print 1742., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern Climes, transplanted to our Coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", and Sheet trimmed within plate mark.
An emerald carved in the shape of a dish, said to have been a present from the Queen of Sheba to Solomon, and/or used by Christ at the Last Supper (Travels, vol. I, page 60).
Alternative Title:
Vas mirabile ex integro Smaragdo, Genoae in sacrario ecclesiae cathedralis asservatum: prototypi accuratissima mensura ex Museo Iohannis Talman
Description:
Title, publisher, state, and date from Paulson., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., and Numbered "5" in upper left corner.
Publisher:
A. de La Mottraye
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743., San Lorenzo (Cathedral : Genoa, Italy), and Talman, John, 1677-1726
Subject (Topic):
Art collections, Chalices, Lapidary work, and Drinking vessels
The stage of a theatre, with halters suspended over three managers of theatres; the labels issuing from the mouths of these persons have characteristic words. Wilks dangles Punch. The Laureat Cibber dangles Harlequin and invokes the Muses. Booth letting down the image of Jack Hall basphems: "Ha this will do G-d D- me". On the table before the speakers is a pamphlet with a print of Jack Shepard. Ben Jonson's ghost, holding a lit candle, rises to the stage on the left. In Horace Walpole's catalog, this print is referred to as "Booth, Wilks and Cibber contriving a pantomime, a satire on farces."
Alternative Title:
Three heads are better than one
Description:
Title etched above image., State, publisher, and date from Paulson., "Price six pence".--Lower right corner., Caption below image: This print represents the rehearsing a new farce that will include [the] two famous entertainments Dr. Faustus & Harlequin Shepherd to wch. will be added Scaramouch Jack Hall the chimney-sweeper's escape from Newgate through [the] privy ... [Signed] Vivat Rex., and Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Name):
Cibber, Colley, 1671-1757., Jonson, Ben, 1573?-1637., Thurmond, John, active 1724-1749., and Wilks, Robert, 1665?-1732.
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, and date from Paulson., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and Plate with text lacking; top plate with image only. Sheet 13.4 x 18.2 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Heidegger, John James, 1659?-1748., Senesino, -1759?,, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
Frontispiece to Charles Gildon's The new metamorphosis (London : Sam. Briscoe, 1724) shows Apuleius on the left and Lucian on the right each with an ass with the modern adaptor in the middle. Below the figures of Apuleius and Lucien are two satyrs; between them is a scene in front of church with couples embracing and kissing; a man and a woman stand on either side of a boy chastising him (?).On the base is etched "Credo pudicitiam Saturno rege moratam in terris", an allusion to the satire on women
Alternative Title:
Credo pudicitiam Saturno rege moratam in terris
Description:
Title, state, and imprint from Paulson., "Vol. 1. p.1"--Lower left corner, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The Golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., and Sheet trimmed to plate mark.
Publisher:
Sam. Briscoe
Subject (Name):
Apuleius.
Subject (Topic):
Illustrations, Satyrs (Greek mythology), Authors, Children, and Couples
Illustration to one of the episodes added by Gildon: Young Fantasio (Apuleius's Lucian) enters an Italian church where corrupt priests and gallants are celebrating the feast of St. Theresa
Description:
Title and imprint from Paulson., "Vol: I : P : 8"--Lower left, below image., A reversed copy of a print from the 1708 edition facing p. 5, with changes to the design by Hogarth: raised lectern and figures in foreground shifted., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., and Sheet trimmed to plate mark.
"The parable of the two sons (Matthew, 21:28-32); a bearded man stands at left, commanding his son to attend to an extensive vineyard below a mountain, another boy sleeping with his elbow on a rock at foreground right."--British Museum online catalogue
Alternative Title:
Frontispiece to Horneck's Happy ascetick and Master of the vineyard
Description:
Title from text below image, Above title: St. Matthew Ch. 21. Verse 28., Frontispiece to Anthony Horneck's The Happy Ascetick, or, the Best Exercise ... 6th ed. (London : Printed for Samuel Chapman, 1724)., Alternative title suggested in Paulson: The master of the vineyard., Sheet trimmed to plate mark., Ms. note in Steevens's hand above image: Original., Ms. note in Steevens's hand below image: Master of the Vineyarde. Frontispiece to Horneck's Happy Ascetic, Ms. note below image: See Nichol's Book, 3d Edit, p. 444/ Sold for £2.2.0., and On page 6 in volume 1.
Publisher:
Samuel Chapman
Subject (Name):
Horneck, Anthony, 1641-1697.
Subject (Topic):
Agricultural equipment, Fathers, Grapes, Parables, and Sons
