Interior of a gambling house in Covent Garden where Tom has fallen, raving, on one knee having lost his money at dice; behind him a chaotic group of gamblers, most of whom fail to notice that flames and smoke are pouring over the panelling and through the door (left); to right, a highwayman (a gun and mask in his pocket) sits beside the hearth ignoring a small boy who offers him a drink, on the wall is a handbill advertising "R. Tustian Card Maker" -- British Museum online catalogue. On the lower left, a man is entering a note of a loan to Lord Cogg for £500. A dog with a color "Covent Gar[den]" barks at Tom
Alternative Title:
Gold, thou bright son of Phoebus, sourse of universal intercourse ... and Scene in a gaming house
Description:
Title and state from Paulson., Third state; changes have been made to the face of Lord Cog (on the far left), the shadow of Rakewell's wig lying on the floor has been extended to touch the detached queue, and a general darkening has been achieved though the addition of crosshatching in various places., Restrike of the third state of the plate, which was issued in The original works of William Hogarth (London : Sold by John and Josiah Boydell, 1790). It was later reissued, with some lines strengthened by the engraver James Heath, in The works of William Hogarth (London : Printed for Baldwin, Cradock, and Joy ..., 1822); another edition was published by Baldwin & Cradock in 1835. See Paulson., "Plate 6"--Lower right corner., After the painting at Sir John Soane's Museum., and Temporary local Medical Library subject terms: Patients, Psychiatric -- Insanity.
Publisher:
Sold at [the] Golden Head in Leichester Fields London and publisher not identified
A scene in Bedlam with Tom half-naked and in a state of distress attended by Sarah Young, a clergyman and a warder; in the background, other inmates (including one who believes himself to be God and has cheap prints of saints pinned to his cell wall). Two elegantly dressed female visitors whisper together, the one holding a fan against her face to shield from her view an inmate in a cell who believes he is King and sits naked, save for a crown, urinating on to his straw bed. The wall and the banister of a staircase to right are covered with various graffiti including calculations of longitude and an image of the reverse of a coin, lettered "Britannia/1763", and the name of a well-known prostitute, Betty Careless
Alternative Title:
Madness, thou chaos of [the] brain, what art? and Scene in a madhouse
Description:
Title and state from Paulson., Restrike of the third state of the plate, which was issued in The original works of William Hogarth (London : Sold by John and Josiah Boydell, 1790). It was later reissued, with some lines strengthened by the engraver James Heath, in The works of William Hogarth (London : Printed for Baldwin, Cradock, and Joy ..., 1822); another edition was published by Baldwin & Cradock in 1835. See Paulson., Eighth scene in A rake's progress. See Paulson., After the painting at Sir John Soane's Museum., and Temporary local Medical Library subject terms: Patients, Psychiatric -- Hospitals, Interior -- Patient restraints.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Topic):
Psychotherapy patients, Hospitals, Psychiatric hospitals, Restraint of patients, Interiors, Asylums, Mental institutions, Mentally ill persons, and Rake's progress
Plate 72. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A companion to Plate I, the firefighters have become gardeners and the water flows onto the trees in pots that surround the statue of George III, royal steams of benevolence. Lord Bute is the head gardener
Alternative Title:
Times. Plate 2
Description:
Title etched below image., Third state as described by Paulson, with publication line and inscription engraved., 1 print : etching and engraving on laid paper ; plate mark 25.5 x 31.9 cm, on sheet 28.7 x 37.1 cm., Mounted on leaf 59 x 46 cm., Plate 72 in the album: Queen Charlotte's collection of Hogarth works., and Formerly identified as Paulson state 2.
Publisher:
Publish'd May 29, 1790 by J & J Boydell, Cheapside & at the Shakspeare Gallery, Pall Mall, London
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778 and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Seven Years' War, 1756-1763, Cities & towns, and Gardens
Title etched below image., Inscribed in the plate: Vide Fontaine's tales, p. 131., Plate from: Ireland, J. Hogarth illustrated (1st ed.), 1791., Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand at bottom of print and continuing under print: From John Ireland's Hogarth illustrated., and On page 199 in volume 2.
Title etched below image., Sheet trimmed to plate mark., Plate from: Ireland, J. Hogarth illustrated, 1798, v. 3, p. 150., Ms. note in pencil in Steevens's hand above print: Hints for a New Capital. Another ms. note in ink in Steevens's hand below pinrt: See Mr. John Ireland's Hogarth illustrated, p. 150., and On page 231 in volume 3.
Title from Dobson., Finished state appears opposite p. 78 in S. Ireland's Graphic illustrations, v. 2., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand at bottom of sheet beneath image: Given me by Mr. Rider, the engraver of it., and On page 228 in volume 3.
A copy in reverse of the second state of William Hogarth's A Chorus of Singers which was first etched as a subscription ticket for "A Midnight Modern Conversation". A scene with seventeen men and boys rehearsing, in this case, "An Ode for New Years Day" rather than the oratorio "Judith"; sheets of music are lettered "Sicilian Sisters, tuneful nine".
Description:
Title from Paulson., Date from British Museum catalogue: late 18th century., Verses below image: Thy verses, Colley, by no muse inspir'd, When set to musick, justly are admir'd. No wonder such should be the consequence; For tuneful sounds oft suit with want of sense., and On page 64 in volume 1. With ms. note in pencil in Steevens's hand above group of two prints: Rehearsal of the Oratorio of Judith. See Nichols's Book, 3d, edit. p. 202. With another note in pencil in Steevens's handabove: Copy.
A single plate with Laughing audience in the upper left, Rehearsal of the Oratorio of Judith in the upper right, and An emblematic print on the South Sea below and Rehearsal of the Oratorio of Judith: First etched as a subscription ticket for "A Midnight Modern Conversation" with seventeen men and boys rehearsing William Huggins's oratorio "Judith". Several of the singers hold sheet music with the notes and lyrics legible
Alternative Title:
Rehearsal of the Oratorio of Judith and Emblematic print on the South Sea
Description:
Titles engraved below images., Plate bound in as leaf 70: Hogarth restored / now re-engraved by Thomas Cook, 1806, Rehearsal of the Oratorio of Judith: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 127., Laughing audience: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 130., and Election carried by bribery and the devil: Copy after Hogarth's The South Sea scheme. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 43.
Publisher:
Published by G.G. & J. Robinson, Paternoster Row
Subject (Geographic):
England, Scotland., and Great Britain.
Subject (Name):
Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, Wilkes, John, 1725-1797., South Sea Company., and Great Britain. Parliament
Subject (Topic):
Dandies, British, Food vendors, Laughter, Orchestras, Snuff, Theater audiences, Theaters, Elections, 1722, Membership, Quarantine, Law and legislation, Inheritance and succession, Naturalization, Political corruption, Elections, Bribery, Children, Clergy, Devil, Mirrors, Screens, and Political elections
An illustration for Chapter 6 (not Chapter 5) depicts the scene at the end of Marcella's speech
Alternative Title:
Funeral of Chrystom and Marcella vindicating herself and Don Quixote: The funeral of Chrysostom
Description:
Title etched below image., Added titles, state, publisher, and date from Paulson., Restrike on wove paper, likely printed around the turn of the 19th century. Level of plate wear is comparable to that seen on impressions issued in: The original works of William Hogarth. [London] : Sold by John and Josiah Boydell ..., 1790 [that is 1795]., and "Vol. I, p. 71"--Lower left, below image.
An illlustration for Book 3, Chapter 2 in which the old innkeeper's wife (wearing spectacles) attends to Quixote's wounds; the daugher stands to the left with medicines in her hand. The torch is being held by Maritornes. An owl sits on a rafter above the bed. Quixote's armor hangs an a hook above his head. Sancho stands on the right his left arm on his right shoulder
Alternative Title:
Innkeeper's wife and daughter taking care of the don after being beaten and bruised and Quixote being cared for by the innkeeper's wife and daughter
Description:
Title etched below image., State, publisher, and date from Paulson., Restrike on wove paper, likely printed around the turn of the 19th century. Level of plate wear is comparable to that seen on impressions issued in: The original works of William Hogarth. [London] : Sold by John and Josiah Boydell ..., 1790 [that is 1795]., and "Vol. I. p. 80"--Below image, lower left.
Publisher:
Robert Dodsley?
Subject (Name):
Cervantes Saavedra, Miguel de, 1547-1616.
Subject (Topic):
Daughters, Eyeglasses, Mothers, Nursing, Owls, and Wounds & injuries
