"A landscape, after a painting by Hogarth; a stream running through trees on the left and forming a pool on the right, with rocky banks which rise on the right, a town in the distance and two figures in the foreground, a woman who gestures at the water while looking back at a man sitting on the rocks"--British Museum online catalogue
Description:
Title and imprint from: Dobson, A. William Hogarth. London : William Heinemann, 1907, p. 269., Dedication etched below image: "To the Right Honble. Earl of Exeter. An admirer of Hogarth & encourager of the arts this etching is inscribed by his Lordship's most obliged & obedient servt. S. Ireland.", Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand above print: See Nichols's book, 3d, edit, p. 415., and On page 218 in volume 3.
Publisher:
Published March 1, 1786 by W. Dickenson, No. 158 New Bond St.
"A landscape, after a painting by Hogarth; a stream running through trees on the left and forming a pool on the right, with rocky banks which rise on the right, a town in the distance and two figures in the foreground, a woman who gestures at the water while looking back at a man sitting on the rocks"--British Museum online catalogue
Description:
Title and imprint from: Dobson, A. William Hogarth. London : William Heinemann, 1907, p. 269., Dedication etched below image: "To the Right Honble. Earl of Exeter. An admirer of Hogarth & encourager of the arts this etching is inscribed by his Lordship's most obliged & obedient servt. S. Ireland.", Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand above print: See Nichols's book, 3d, edit, p. 415., and Laid in between pages 218 and 219 in volume 3. Sheet with thread margins: 23.1 x 32.2 cm.
Publisher:
Published March 1, 1786 by W. Dickenson, No. 158 New Bond St.
"Plate 1: Copy of an elderly man with dishevelled hair and a dog at his heels, bending forward to seize a mug from the waiter, said to be Daniel Button, who turns his head away; after a drawing formerly attributed to Hogarth (BM, 1861,0413.506)."--British Museum online catalogue
Alternative Title:
From the original drawing by Hogarth in the collection of Sam. Ireland, Satire on the frequenters of Button's coffee house, Russell Street, Covent Garden, London. No. 2, and Doctor and patient
Description:
Title from British Museum online catalogue., "A later state of the print was used as an illustration facing p. 25 of Samuel Ireland, Graphic Illustrations of Hogarth, I, 1794, where Ireland identifies the waiter as Daniel Button"--Curator's comments, British Museum online catalogue., and Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge. Imprint supplied from impression in the British Museum, registration no.: 1875,0213.361.
Publisher:
Publish'd March 1st, 1786, by W. Dickenson, No. 158, New Bond St.
"Portrait in profile of a young man who lacks hands and legs beyond the knee; full-length, sitting on a cushion before a lectern on the right, drawing a tree with a pen held against his mouth using his left elbow."--British Museum online catalogue
Description:
Title from text within image., Etched below the image: These deficiencies were occasioned, (as his mother supposes) by a fright she suffer'd whilst pregnant with him. Notwithstanding these disadvantages he has by industry acquired the arts of writing, and drawing, holding and guiding the pen and pencil with the muscles of his cheek and arm., and Mounted to: 27.7 x 21 cm
Publisher:
Publish'd for T. Inglefield
Subject (Name):
Inglefield, Thomas, 1769-,
Subject (Topic):
Abnormalities, Human, Phocomelus, Artists, British, and People with disabilities
"Copy of portrait of the miniaturist and murderer Theodore Gardelle, after a print by Hogarth; head and shoulders to right, holding up a book in his left hand; wearing a coat and a soft close-fitting hat; published state."--British Museum online catalogue
Description:
Title engraved below image. and Sheet trimmed within plate mark.
Publisher:
Publish'd May 1st 1788, by Molton & Co. 132 Pall Mall
Benefit Ticket for Spiller: the comedian stands in the center under a set of scales; he supports a burning taper; at his feet is a pile of tickets for his benefit performance labelled 'Pit', 'Gallery', and 'Box'. He offers the tickets to people on the left who put their payment on that side of the balance, while a bailiff on the right taps him on the shoulder, holding out a 'Writ' and creditors add their bills for 'Tripe', 'Gin', Tobacco', 'Snuff', 'Ale', 'Beer' and "The Taylor's bill" to the other side of the balance. A scroll looped over the top of the scales is a banner labelled 'For the Benefit of Spiller', its ends reaching a window of a tavern on the left and the window of a debtor's prison on the right--See description in the British Museum online catalogue
Alternative Title:
Ticket for the benefit of Spiller
Description:
Title etched within image., Sheet trimmed within plate mark., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 2.
Publisher:
Publish'd May 1st 1788, by Molton & Co. No. 132 Pall Mall
Subject (Geographic):
England and London.
Subject (Name):
Spiller, James, 1692-1729.
Subject (Topic):
Actors, Bailiffs, Jails, City & town life, and Scales
Benefit ticket for William Milward, for his performance of Colonel Feignwell, in Centlivre's 'A Bold Stroke for a Wife' at Lincoln's Inn in 1728; illustrated with a scene from Gay's 'The Beggar's Opera' with Lockit, Lucy, Macheath, and Polly Peachum in a jail cell; illustration to Ireland's 'Graphic Illustrations of Hogarth' (1794-1799).
Alternative Title:
Benefit ticket for Milward
Description:
Title etched below image., Sheet trimmed within plate mark., and Cf. Paulson, R. Hogarth's graphic works, no. 112.
Publisher:
Publish'd 1st May 1788 by Molton & Co., 132 Pall Mall
Subject (Name):
Milward, William, 1702-1742. and Gay, John, 1685-1732.
