publish'd according to act of Parliamet [sic] 1753-4.
Call Number:
Kinnaird 76K(a) Box 115
Image Count:
1
Resource Type:
still image
Abstract:
Satire on Hogarth's 'Analysis of Beauty'; an impression with letterpress on the verso with a parody proposal to the public to publish an analysis of the sun
Alternative Title:
Pug's graces etched from his original daubing
Description:
Title etched below image., A satire on Hogarth by Paul Sandby., The number '3' in the imprint statement is etched backwards., Eleven lines of verse in two columns separated by a vignette below title: Behold a wretch who nature form'd in spight ..., Earlier state, with the key at the bottom containing seven items., and Letterpress on verso of image: To the Public: I propose to publish by subscription, an Analysis of the Sun ... [signed] W.H.
publish'd according to act of Parliamet [sic] 1753-4.
Call Number:
Folio 75 H67 800 v.3 (Oversize)
Image Count:
1
Resource Type:
still image
Alternative Title:
Pug's graces etched from his original daubing
Description:
Title etched below image., A satire on Hogarth by Paul Sandby., The number '3' in the imprint is etched backwards., Eleven lines of verse in two columns separated by a vignette below title: Behold a wretch who nature form'd in spight ..., Without letterpress on verso., Later state, with the key at the bottom containing eleven items. Cf. No. 3242 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and On page 289 in volume 3. Sheet trimmed to: 23.1 x 22.7 cm.
publish'd according to act of Parliamet [sic] 1753-4.
Call Number:
754.00.00.02.2+
Image Count:
1
Resource Type:
still image
Alternative Title:
Pug's graces etched from his original daubing
Description:
Title etched below image., A satire on Hogarth by Paul Sandby., The number '3' in the imprint is etched backwards., Eleven lines of verse in two columns separated by a vignette below title: Behold a wretch who nature form'd in spight ..., Without letterpress on verso., Later state, with the key at the bottom containing eleven items. Cf. No. 3242 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Window mounted to 39 x 29 cm.
"A ragged girl with a basket of mackerel confronts a woman at the front door of a respectable house; at their feet a dog and cat snarl at each other; lower right, the shadow of two unseen men watching the scene; in the background, a shop sign showing the traditional image of 'A man loaded with mischief'."--British Museum online catalogue
Alternative Title:
Maquereaux, maquereaux monsieur, madame en voulez vous des maquereaux
Description:
Titles in English and French etched below image., Printmaker and publication information from first plate in series., Eighth plate from: Twelve London cries done from the life by P. Sandby. London, 1760., and Plate numbered "8" beneath lower right corner of image.
Publisher:
F. Vivarez and by P. Sandby
Subject (Topic):
Street vendors, Fishmongers, Baskets, Dogs, and Cats
"Two women with flat baskets of oysters on their heads, walking into the left foreground."--British Museum online catalogue
Alternative Title:
Excellentes huitres et bonnes huitres à étuver
Description:
Titles in English and French etched below image., Printmaker and publication information from first plate in series., Tenth plate from: Twelve London cries done from the life by P. Sandby. London, 1760., and Plate numbered "10" beneath lower right corner of image.
Publisher:
F. Vivarez and by P. Sandby
Subject (Topic):
Street vendors, Baskets, Fishmongers, and Staffs (Sticks)
Etched design with figures numbered in the image etched below. In the center front Hogarth holds on his knees a volume of "The analysis of beauty" which bears on its cover the pyramid and "Line of beauty". It is supported by a prop which bends to resemble the "Line of beauty". Hogarth looks with horror at the irradiated ghost of Lomazzo, the author of the treatise to which the artist refers in his "Analysis" as an authority but whom his enemies say he stole his ideas. A lean dog barks at the figures of a deformed man who is weeping. Hogarth's dog standing by his side looks up with sympathy. An old man (probably Dr. Morell), Hogarth's friend seems affected by the smell proceeding from the artist, looks up with astonishment at the ghost. See British Museum catalogue for further description
Alternative Title:
Analyst beshitten, in his own taste
Description:
Title etched above image., Price following title: Pr. 1s., Printmaker and publication date from British Museum online catalogue., A satire on Hogarth by Paul Sandby., Key to numbers in the image below it: 1. An author sinking under the weight of his Saturnine analysis ..., and On page 288 in volume 3. Sheet trimmed to: 26.3 x 18.3 cm.
Etched design with figures numbered in the image etched below. In the center front Hogarth holds on his knees a volume of "The analysis of beauty" which bears on its cover the pyramid and "Line of beauty". It is supported by a prop which bends to resemble the "Line of beauty". Hogarth looks with horror at the irradiated ghost of Lomazzo, the author of the treatise to which the artist refers in his "Analysis" as an authority but whom his enemies say he stole his ideas. A lean dog barks at the figures of a deformed man who is weeping. Hogarth's dog standing by his side looks up with sympathy. An old man (probably Dr. Morell), Hogarth's friend seems affected by the smell proceeding from the artist, looks up with astonishment at the ghost. See British Museum catalogue for further description
Alternative Title:
Analyst beshitten, in his own taste
Description:
Title etched above image., Price following title: Pr. 1s., Printmaker and publication date from British Museum online catalogue., A satire on Hogarth by Paul Sandby., and Key to numbers in the image below it: 1. An author sinking under the weight of his Saturnine analysis ...
Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:
Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints., and On page 288 in volume 3. Sheet trimmed to:
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:
Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., and Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:
Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints., 1 print : etching ; 246 (pa) x 179 (pl) mm., and Imperfect; sheet trimmed within plate mark with loss of title from top edge.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)