Manuscript fragment on parchment of Vergil's Aeneid containing portions of Books 2 and 3, including a section of the Pseudo-Ovidian Prologue to Book 3.
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: a portion of the initial "P" of Book 3 is preserved, written in red; 1-line initials at the beginning of verses are in brown in a mixture of rustic capital and uncial forms; punctuated with the punctus.
Manuscript on parchment of Virgil's Aeneid, book 1, lines 513-543 and 547-576
Description:
In Latin., Layout: single column of 31 lines on recto, 30 lines on verso., Script: copied by one hand in Praegothica, with ascenders sometimes notched, and uncial d and tall d., and The leaf is from a small format pocket-sized manuscript. Trimming affects text at the top of the page, and text on verso is faded and obscured in places by staining.
Manuscript on paper (sturdy; various unidentified watermarks) of Virgil, Aeneis. Some lines lacking; most were presumably on leaves that became detached and have fallen out. Prefaced to each book are ten or eleven lines in verse. The text of Vergil is accompanied on ff. 1r-5v by marginal and interlinear glosses, the greater portion of which are derived from or an adaptation of Servius. The commentary does, however, include notes (some in Greek) independent of Servius
Description:
In Latin., Script: Part I (ff. 1-6): Written in humanistic cursive by a single scribe; apparently added later to replace lost leaves. Part II (ff. 7-57): Written in fere-humanistic script by one scribe. Spaces left for initials. A large gap in the text occurs between Parts II and III (6.587 to 7.744). Part III (ff. 58-112): Written by a single scribe in a script similar to that in Part II., Spaces left for initials., Many pages unattached due to the brittle binding., and Binding: 16th-17th centuries (?). Sewn on three slit leather straps. There is no indication of an earlier sewing, but the book was extensively mended before it was sewn. Tawed cores of plain wound endbands laid in grooves. Beech boards with rectangular channels on the outside in which the straps are nailed. The spine is lined with brown leather and the book covered in dark brown sheepskin faintly blind-tooled with a central diamond made up of arches with small ornaments scattered in and around it. Tongue turn-ins. There are two catches on the lower board and traces of red and cream silk ribbons nailed to the upper one with star-headed nails. The title is painted in red on the spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Servius, active 4th century. and Virgil.
Subject (Topic):
Epic poetry, Latin, Manuscripts, Medieval, and Scholia
Manuscript on parchment of Virgil, Aeneis, in an Italian prose abridgement by Andrea Lancia
Description:
In Italian., Script: copied by a single hand writing Southern Gothica Textualis Libraria/Formata (Rotunda). Stroking of the majuscules. 2-line flourished initials with simple penwork at the opening of the chapters. More elaborate flourished initials, 2 to 7 lines, at the opening of the Books. On f. 1r an 8-line littera duplex., and Publius Vergilius Maro (70-19 B.C.), Aeneis, abridgement in Italian prose by Andrea Lancia (c. 1280-c. 1360). This Florentine notary and Dante commentator wrote various Italian translations or adaptations of classical Latin texts. There are occasionally interlinear glosses, more often marginal notes. Pointing hands.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lancia, Andrea, ca. 1280-ca. 1360. and Virgil.
Subject (Topic):
Epic poetry, Latin, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment (goatskin) of Publius Vergilius Maro (70-19 B.C.), Aeneis, with the Argumenta of Books 1-12 ascribed to Ovid. Including Summary of Aeneis ascribed to Basilius, one of the Twelve Wise Men; Ps.-Vergilius, prologue to Aeneis; Six verses in praise of Mapheus Vegius (Maffeo Vegio, 1406-1458); Mapheus Vegius (Maffeo Vegio, 1406/7-1458), Book 13 of Aeneis; and Ps.-Octavianus Augustus, Poem in praise of Virgil's Aeneis
Description:
In Latin., Script: Copied by a single scribe writing a careful but somewhat unusual Humanistica Textualis Formata, with lengthened descenders at the bottom line., Very pale red rubrics and running numbering of the Books (on rectos, in Roman numerals); blue paragraph-marks; blue plain initials (2-3 lines) for the Argumenta; white vinestem initials (6 lines) with marginal extensions; on f. 5r (Book 1) 10-line white vinestem initial and full white vinestem border augmented with groups of three gold balls in the outer and lower margins; in the lower section a damaged coat of arms in a wreath, identified as argent, a fess azure., The lower margins of ff. 149, 181 and 192 have been cut and were replaced; in the first case this was done before writing; the upper and lower corners of the leaves are cut; ff. 1-14 have been repaired by pasting pieces of parchment to the damaged edges or corners. There is a triangular incision in the lower part of the outer edges in the large central section of the codex., and Binding: 1904 by Katharine Adams for Sydney Cockerell. Green pigskin over pasteboard; spine with five raised bands and the gold-tooled inscriptions "VERGILI / AENEIS / MS." and "NORTH ITALIAN / 1450". White parchment endleaves. Gilt edges. The preceding binding was purple morocco by Zaehnsdorf.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Virgil.
Subject (Topic):
Epic poetry, Classical, Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, and Manuscripts, Medieval