Page 25. George Humphrey shop album. Page 51. George Humphrey shop album.
Image Count:
1
Resource Type:
still image
Abstract:
"From two huge green bags, pear-shaped and broad-based, emerge respectively the heads of the King and Queen. They stand on the surface of a table forming the base of the design. The King's bag (left) is the larger; with averted head he looks sideways at his wife with an expression of terrified fury. She looks towards him with demure provocation. He wears a crown, she a triple ostrich plume in her hat to show that she is denied her status. Round the vast girth of the King's bag is a buckled garter; round the Queen's a blue (Garter) ribbon (cf. British Museum Satires No. 13802) inscribed '. . . Droit. Honi . Soit. Qui . Mal. y . Pense.' By the former bag is a paper: 'Ordered to lie [scored through] lay on the table'; by the latter: 'Secret Committe [sic]--'."--British Museum online catalogue
Description:
Title etched below image., Mounted on page 51 of: George Humphrey shop album., 1 print : etching on wove paper, hand-colored ; plate mark 25.5 x 38.9 cm, on sheet 28 x 40.9 cm., and With identifications of "George IV" and "Q. Caroline" written in pencil below image, as well as the explanation "the green bags with reference to their divorce were ordered to lie on the table" written in pencil below title.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Bags, Tables, Crowns, Feathers, Belts (Clothing), and Ribbons
Page 25. George Humphrey shop album. Page 51. George Humphrey shop album.
Image Count:
1
Resource Type:
still image
Abstract:
"From two huge green bags, pear-shaped and broad-based, emerge respectively the heads of the King and Queen. They stand on the surface of a table forming the base of the design. The King's bag (left) is the larger; with averted head he looks sideways at his wife with an expression of terrified fury. She looks towards him with demure provocation. He wears a crown, she a triple ostrich plume in her hat to show that she is denied her status. Round the vast girth of the King's bag is a buckled garter; round the Queen's a blue (Garter) ribbon (cf. British Museum Satires No. 13802) inscribed '. . . Droit. Honi . Soit. Qui . Mal. y . Pense.' By the former bag is a paper: 'Ordered to lie [scored through] lay on the table'; by the latter: 'Secret Committe [sic]--'."--British Museum online catalogue
Description:
Title etched below image. and Mounted on page 25 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Bags, Tables, Crowns, Feathers, Belts (Clothing), and Ribbons
"A stage-coach is driven (left to right) uphill at a gallop, the horses having human heads as in BMSat 7323. The arm of a signpost on the extreme left points 'To the Temple of Honor'. Thurlow drives, lashing furiously. George III, in profile to the right, is seated in the boot at the back of the coach holding a musket with a fixed bayonet. The Queen sits on the roof as an outside passenger, dressed as an old market-woman ; she holds a basket of 'Golden Eggs' on her knee, and another basket at her side in which is a goose which hisses at the King. Within the coach Hastings (left) and Mrs. Hastings (right) sit facing each other; he is in oriental dress; she wears a jewelled turban with a crown, and her neck is covered with jewels. The coach is 'Licens'd by Royal Authority'; on its panel are the royal arms. On the box under Thurlow's legs are a star and ribbon, a coronet, and feathers. The leaders have the faces of Pitt1 and Sydney, the wheelers are Dundas and Pepper Arden. The horses are galloping uphill and the sky is clear, contrasting with the scene in BMSat 7323."--British Museum online catalogue
Description:
Title from text below image in lower left., Printmaker from British Museum catalogue., Three lines of verse below image: "The very stones look up to see, such very gorgeous harlotry, shaming an honest nation.", Companion print to "Opposition," also by Gillray and published by Fores on the same day. See no. 7323 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Sheet trimmed within plate mark.
Publisher:
Pubd. May 20th, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Hastings, Warren, 1732-1818, Hastings, Anna Maria Apollonia von Chapuset, 1747-1837, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Thurlow, Edward Thurlow, Baron, 1731-1806, Pitt, William, 1759-1806, Sydney, Thomas Townshend, Viscount, 1733-1800, and Melville, Henry Dundas, Viscount, 1742-1811
Title from item., Publication date from British Museum catalogue., Engraved broadside with an etching at top and two columns of verse below., The verse begins: Since moderation is so much in vogue ..., and Unidentified contemporary signature in upper left corner on verso.
Letterpress broadside with two columns of text, from Craftsman, 12 Dec., and Daily courant, 21 Dec. 1730, illustrated above with two engraved oval portraits, from left, of Lord Bolingbroke and Sir Robert Walpole (plate mark of each 11.7 x 10.7 cm.)., The imprint is probably fictitious: Figg and Sutton were pugilists. See Stephens., Sheet trimmed resulting in loss of imprint., 1sheet ([1] p.) : ill. (ports.) ; 37 x 24 cm., Subjects identified below image in unknown hand., and Numbered on verso in unidentified: N11415.
Publisher:
Printed for Messieurs Figg and Sutton
Subject (Name):
Bolingbroke, Henry St. John, Viscount, 1678-1751, and Walpole, Robert, Earl of Orford, 1676-1745,
A monk seated in a high-backed carved chair on the left looks at a pretty young woman down on her right knee by his side. Her dress is that of the late 17th century. She gestures with her left hand while holding the right one to her breast. She appears to be aware of her charms, as well as the fact that they influence her confessor. The lady is tentatively identified as a Mrs. Russell
Description:
Title from item., Publication date based on date of publisher's business operation. See British Book Trade Index online., Sheet trimmed to and within plate mark., The lady is identified in a manuscript note on verso of the mounting sheet as a "Mrs. Russell, called by Granger a London courtezan." See also The cryes of the city of London drawne after the life / P. Tempest. London, 1711, pl. 51., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Ms. note in an unidentified later hand identifying the female subject in the image.
Publisher:
Sold by E. Cooper at [the] 3 Pidgeons in Bedford Street
Title from caption etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Creditors -- Debts: George IV's debts -- Hats: calash -- Courtesans -- Bawds -- Glasses: jelly-glass -- Gout -- Birch-rods -- Male dress, 1795: spencers -- Ballads -- Allusion to 'The Black Joke.', and Watermark: Strasburg bend.
Publisher:
Pub. April 3, 1795, by S.W. Fores, N. 3 Piccadilly
Title from caption etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Creditors -- Debts: George IV's debts -- Hats: calash -- Courtesans -- Bawds -- Glasses: jelly-glass -- Gout -- Birch-rods -- Male dress, 1795: spencers -- Ballads -- Allusion to 'The Black Joke.', Watermark: J Whatman., and 1 print on wove or laid paper : etching, hand-colored ; plate mark 27 x 42.7 cm., on sheet 30 x 48 cm., matted to 47 x 63 cm.
Publisher:
Pub. April 3, 1795, by S.W. Fores, N. 3 Piccadilly
"A stout lady wearing a tartan scarf supports the Prince of Wales, who is tipsily waving a lighted (and broken) candle, towards the open door of a bedroom (right). He is dishevelled, with ungartered stockings; his left arm is round the lady's neck. She holds a full wine-glass whose contents are spilling. Behind the Prince's back she snaps her ringers derisively at Lady Jersey, who enters (left), in under-garments and night-cap, saying, "I'll discover the Correspondence in Revenge". The scene is a small ante-room between two bedrooms; in it are a table with bottles and glasses at which is an arm-chair. Behind Lady Jersey (left) is a bed over which is a coronet with the letter 'J', in the other room (right) there is a coronet with the letter 'G' above the bed. Lord Jersey's head and shoulders project from under his wife's bed; he looks towards her, saying, "Upon my Honor I don't think he uses us well after giving me all this trouble for nothing!!" On the wall behind the chair is a circular scrawl indicating a picture inscribed 'D. Manchester'."--British Museum online catalogue
Alternative Title:
A cure for the heart ache!!
Description:
Title text below image., Sheet trimmed to plate mark on top and bottom., Printseller's announcement following imprint: Folios of carecatures [sic] lent out for the evening., and Temporary local subject terms: Drunkenness -- Interiors: bedrooms -- Ante-room -- Susan Gordon, Duchess of Manchester.
Publisher:
Pub by S.W. Fores, N.50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Jersey, Frances Villiers, Countess of, 1753-1821, and Jersey, George Bussey Villiers, Earl of, 1735-1805
"A stout lady wearing a tartan scarf supports the Prince of Wales, who is tipsily waving a lighted (and broken) candle, towards the open door of a bedroom (right). He is dishevelled, with ungartered stockings; his left arm is round the lady's neck. She holds a full wine-glass whose contents are spilling. Behind the Prince's back she snaps her ringers derisively at Lady Jersey, who enters (left), in under-garments and night-cap, saying, "I'll discover the Correspondence in Revenge". The scene is a small ante-room between two bedrooms; in it are a table with bottles and glasses at which is an arm-chair. Behind Lady Jersey (left) is a bed over which is a coronet with the letter 'J', in the other room (right) there is a coronet with the letter 'G' above the bed. Lord Jersey's head and shoulders project from under his wife's bed; he looks towards her, saying, "Upon my Honor I don't think he uses us well after giving me all this trouble for nothing!!" On the wall behind the chair is a circular scrawl indicating a picture inscribed 'D. Manchester'."--British Museum online catalogue
Alternative Title:
A cure for the heart ache!!
Description:
Title text below image., Sheet trimmed to plate mark on top and bottom., Printseller's announcement following imprint: Folios of carecatures [sic] lent out for the evening., Temporary local subject terms: Drunkenness -- Interiors: bedrooms -- Ante-room -- Susan Gordon, Duchess of Manchester., Subjects identified on mat below image., 1 print : etching ; sheet 24 x 39 cm cm., and On wove paper, hand-colored, matted to 47 x 62 cm.
Publisher:
Pub by S.W. Fores, N.50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Jersey, Frances Villiers, Countess of, 1753-1821, and Jersey, George Bussey Villiers, Earl of, 1735-1805
