Seneca, Lucius Annaeus, approximately 4 B.C.-65 A.D., author
Published / Created:
Mcccclxxxxiii die xviii Iulii [18 July 1493]
Call Number:
2017 +316
Image Count:
320
Alternative Title:
Works. 1493 and Tragoediae
Description:
BEIN 2017 +316: Capitals supplied in red or blue. Manuscript note on free back endpaper: Collated complete pp. B. Quaritch Ltd. [undeciphered initials]., BEIN 2017 +316: Provenance: 1. Antonio Pillone, 2. Odorico Pillone, 3. Venetian dealer Paolo Maresio Bazolle purchased from the Pillone family in 1874 and sold to 4. Sir Thomas Brooke (armorial bookplate) sold by his heirs in 1957 to 5. Pierre Berès (Bookplate: Libro no [in manuscript: 55] de la Bibliothèque Pillone, Pierre Berès), 6. Helmut Friedlaender (bookplate "HNF"; sale Christie's NY, 23 April 2001, lot 117). Acquired by the Beinecke Library from Jonathan A. Hill, Bookseller Inc., BEIN 2017 +316: Binding: Contemporary blind-tooled brown goatskin over thin wooden boards, bound for Antonio Pillone by Hobson's Belluno Binder A. Sides panelled within triple fillets, outer and central compartments adorned with widely spaced small 4- and 5-petalled rosette tools, two inner borders composed respectively of a repeated blossom and leaf tool and leafy tool (see Hobson tools 1, 2, 7 and 11). Spine with two double raised bands tooled with intersecting triple fillets, 4 (of 10) brass bosses, 1 (of 2) clasps and 2 catches. Fore-edge painting by Cesare Vecellio of Seneca with abbreviated name and title ("SEN T") at bottom., BEIN Zi +4994: For fuller description see collation leaf in volume. Manuscript marginal notes. Worm-eaten, with some damage to text. Bound in old limp vellum, with flap, oriental style, and leather strap; part of the strap, presumably with buckle, missing. Manuscript notes: fol. 2a: "Es dela Libr1. de S. Miguel de los Reyes."; fol. 1a: "This book was given to me by Dr. Pedro Perez the antiquarian of Valencia May 8th 1844. Q. Ayshford Sanford." Dr. Perez's visiting card pasted on fol. 1a. 31 cm., Title from caption of text on leaf I (a1); imprint from colophon., Commentaries by Gellio Bernardino Marmitta and Daniel Caietanus., Signatures: A⁴ a-b⁸ c-z⁶ &⁴ (A1 blank)., and Woodcut initials, also capital-spaces with guide-letters.
Annales of England and Chronicles of England from Brute unto this present year of Christ 1580
Description:
BEIN 1987 303: 20 cm. Imperfect: final leaf 4G8 wanting; bled at edges with some loss of text. Few manuscript annotations throughout. Armorial bookplate of Edward Herbert, Viscount Clive., BEIN Osborn pa94: 20 cm. Manuscript pencil annotations concerning provenance; early manuscript ink annotations and corrections throughout. Ownership inscription of Margaret Barrie on page [32] at beginning indicates this book was left to her by her father Burton, read by her in 1675, and read by Oliver in 1679. Armorial bookplate of John Wodehouse, Earl of Kimberley. Bookplate of Michael Scott. Binder's stamp of Riviere and Son. Stamp of H. Sotheran, with explanation in manuscript that the book was actually bought from Pickering. From the collection of Toshiyuki Takamiya., BEIN Osborn pa105: Quires ²[par.]-3[par.]⁴ (the table and errata) bound at end. Manuscript shelfmark "942" written on shelf label. Armorial bookplate of the Bishopsgate Institute, with its blind stamp on multiple pages throughout and ink stamp on title page verso, no. "1627" and classification "942" written in manuscript. Ink stamp of Quenby Library also on title page verso. Few manuscript annotations throughout, with a manuscript genealogical table on rear flyleaves in what appear to be two different hands. From the collection of Toshiyuki Takamiya. Bound in 16th-century full English calf, with stamp: Sober Society. Accompanied by: bookseller's description (1 leaf)., "Apparently the first edition of the 'Chronicles' in the complete form"--BM., Later editions published as: Annales., Actual printer's name from STC., Signatures: [par.]⁴, ²[par.]-3[par.]⁴ A-3I⁸ 3K⁸(-3K7,8) 3L-4G⁸., Final page blank., Engraved title page showing the descent of sovereigns from Edward III., and Includes index.
Publisher:
By [Henry Bynneman for] Ralphe Newberie, at the assignement of Henrie Bynneman
BEIN Hfc31 333x: Cancels at p. 185, 271, 315, 321, 449, 463, 493, 503, 551, and 567. Ownership inscription on title page: Ex libris N. Ferry., BEIN 1978 1593: Without cancels at p. 185, 271, 315, 321, 449, 463, 493, 503, 551, and 567. Bookplate and autograph of Philibert Bruys des Gardes, 1769. Manuscript notes on pages 471, 481 and 534., BEIN 2020 749: Cancels at p. 185, 271, 315, 321, 449, 493, and 567. Ownership inscription (crossed out) on title page: Courelle avocat. Ownership inscription on front paste-down: Lefevre ce lundi 3. aout 1835. Copious contemporary manuscript notes, many identifying the characters described in the text. Later manuscript note on front paste-down., Signatures: ã¹² ẽ⁴ A-Aa¹² Bb⁸., and Title vignette: printer's mark.
A volume of etchings by three daughters of art collector John Ingram 1767-1841) of Staindrop Hall in County Durham: Elizabeth Christian Ingram (born 1795), Caroline Ingram (1800-1819), and Augusta Isabella Ingram (born 1802). The family lived in Venice and took instruction from Venetian etcher Francesco Novelli whose own etchings were in manner of Rembrandt and whose influence can be seen in the sisters' etchings. The style of the various impressions is very similar and were apparently made within a fairly short period if the dated prints are an accurate indication; some of the prints bound in first are dated February 1816 and then March 1816. This dating seems to be confirmed by a contemporary inscription on the front free endpaper: "These are the works of the Miss Ingrams' from their first lesson, 18..." Only five of the prints are unsigned; several prints in multiple impressions or two or more states, using brown and black inks and various stocks of paper, a few bearing a British watermark and date of 1814. Some of the prints have been mounted, but most have been printed directly on contiguous leaves forming the signatures of the volume
Alternative Title:
Etchings, gradations
Description:
Title devised by cataloger., Date of album based on internal evidence of some dated etchings, all '1816'., Also with inscription on front pastedown: Minnie Snowden, with John Johnson's kind regards and good wishes, Jan. 4, 1906., Bound in contemporary half calf, front cover detached and first leaves loose., and Three-quarter leather with marbled boards. Front board and first signature detached. Pages slip-stiched; decision to leave as is. Do not rebind. For further information, consult library staff.
Bartlett, Henrietta C. (Henrietta Collins), 1873-1963
Published / Created:
1916.
Call Number:
Z8811 B366 (LC)+ Oversize 1
Image Count:
375
Description:
BEIN REF Z8811 +B366 copy 1: Autograph: Henrietta C. Bartlett, November 1935. Interleaved. Manuscript annotations of Henrietta Bartlett. Accompanied by 5 leaves of notes., BEIN REF Z8811 +B366 copy 2: Autograph: Henrietta C. Bartlett, April 3rd, 1916. Interleaved. Manuscript annotations of Henrietta Bartlett and others. Accompanied by 1 leaf of notes., "Five hundred copies printed from type"--Title page verso., "Published under the auspices of the Elizabethan Club, Yale University"--Page [iii]., and Includes index.
Publisher:
Yale University Press ; Humphrey Milford, Oxford University Press
BEIN Ip K628 919y: Depew Collection., BEIN 2000 1012: Advertising matter at end, p. [1]-[32], not noted in pagination; autograph: Wm. Strang; from the collection of Duncan Andrews., BEIN 2000 1098: Variant binding: in blue cloth; advertising matter on p. [1]-16 at end, not noted in pagination; dust jacket; autograph: Richard [?] Cooper; bookplate: Tyler Kipling Collection., BEIN Richards Kipling 1240: Dust jacket. Uncut. Accompanied by: Bookplate of B.D. Maurer. Advertising matter on p. [1]-[32] at end, not noted in pagination. Bound in red cloth, lettered in gilt on spine. From the David Alan Richards Collection of Rudyard Kipling., BEIN Richards Kipling 1216: Advertising matter on p. [1]-[32] at end, not noted in pagination. Bound in red cloth, lettered in gilt on spine. From the David Alan Richards Collection of Rudyard Kipling., BEIN Richards Kipling 1217: Dust jacket. Bound in red cloth, lettered in gilt on spine. From the David Alan Richards Collection of Rudyard Kipling., BEIN Richards Kipling 1218: Dust jacket. Bookplate of Frederick Shillito. Bookseller's label: The Central Educational Co. Ltd., Stationer's & Booksellers, Derby. Advertising matter on p. [1]-[32] at end, not noted in pagination. Bound in red cloth, lettered in gilt on spine. From the David Alan Richards Collection of Rudyard Kipling., BEIN Richards Kipling 1219: One of 30 copies on Japanese vellum. 23 cm. Bound in white linen boards with gilt lettered vellum backstrip; title page printed in red and black. From the David Alan Richards Collection of Rudyard Kipling., BEIN Richards Kipling 1458: 18 cm. White dust jacket with lettering and Ganesha device in blue. Publisher's advertising matter on p. [1]-16 at end, not noted in pagination. Bound in blue cloth, lettered and ornamented in gilt on spine; Ganesha device in gilt on front cover. From the David Alan Richards Collection of Rudyard Kipling., BEIN Richards Kipling 1990: One of 200 copies on handmade paper. 23 cm. Bookseller's label of Chas. Thurnam & Sons, Carlisle. Bound in grey boards with vellum backstrip; black lettering on spine label. Title page in black and red. From the David Alan Richards Collection of Rudyard Kipling., BEIN Richards Kipling 2066: 18 cm. Inscription "From John", dated Xmas 1934. Advertising matter on p. [1]-16 at end, not noted in pagination. Bound in blue cloth, lettered and ornamented in gilt on spine; Ganesha device in gilt on front cover. From the David Alan Richards Collection of Rudyard Kipling., BEIN Richards Kipling 2541: Proof copy (19 cm) with corrections in Rudyard Kipling's hand. Typed sheet with the text of the dedication tipped in. Inscriptions of Frank Nelson Doubleday on front fly-leaves. Binder's stamp of The French Binders, Garden City, N.Y. Bound in crimson morocco, lettered and ornamented with leaves in gilt. From the David Alan Richards Collection of Rudyard Kipling., "Two de luxe limited issues were printed from the types of the trade edition: (1) two hundred copies ... on hand-made paper, bound in grey boards with vellum backstrip ... (2) thirty copies on Japan paper and bound in vellum"--Stewart., Poems., Title vignette., "First published in 1919"--T.p. verso., and Includes index.
BEIN: Za ZL74 copy 1: With v. 12 (bound between v. 12, no. 1 and v. 12, no. 2): Machine-age exposition. [New York : s.n., 1927], BEIN: Za ZL74 copy 2: From the library of Donald C. Gallup: 1:8; 2:5., BEIN: Za ZL74 copy 2: Autograph: Leigh Dauenberg: 1:8., BEIN: Za ZL74 copy 2: Vol. 1, no.11: autograph of Byba Giuliani., BEIN: Za ZL74 copy 2: Vol. 4, no. 1,3,9,11; v.8, no.2: Bookplate of C. Van Vechten., BEIN: Za ZL74 copy 2: Vol.4, no. 12: Autograph of Gladys Chandler Graham., BEIN: Za ZL74 copy 2: Vol. 7, no. 11: Autograph, bookplate and ms. notes of Josephine Herbst., BEIN: Za ZL74 copy 2: Vol.8,no.2; v.9,no.3; v.10,no.2; v.12,no.2: Bookplate of C.Van Vechten and presentation inscription to C. Van Vechten from Gertrude Stein., BEIN: Za ZL74 copy 3: From the library of Alfred Stieglitz: 6:10., BEIN: Za ZL74 copy 3: Bookplate of C. Van Vechten in v.4, no.2,4,8,10,12., BEIN: Za ZL74 copy 3: Blind stamp of Baltimore Museum of Art in v. 10, no. 1,2; v. 11, no. 1., BEIN: Za ZL74 copy 3: From the Elizabeth Jenks Clark collection of Margaret Anderson: 3:9-10., BEIN: Za ZL74 copy 3: From the library of Donald C. Gallup: 4:5; 5:5, 9; 11:2; 12:1., BEIN: Za ZL74 copy 4: Vol. 10, no. 1 has blind stamp of Baltimore Museum of Art, BEIN: Za ZL74 copy 4: From the Elizabeth Jenks Clark collection of Margaret Anderson: 4:3., BEIN: Za ZL74 copy 4: From the library of Donald C. Gallup: 4:3; 7:3; 9:3., BEIN: Za ZL74 copy 5: From the library of Donald C. Gallup: 5:5; 7:4; 9:2., BEIN: Za ZL74 copy 5: From the Elizabeth Jenks Clark collection of Margaret Anderson: 4:1, 4:4., BEIN: Za ZL74 copy 6: From the library of John J. Slocum., BEIN: Za ZL74 copy 7: From the library of Ezra Pound; v. 6-7, bound with: Calendar of modern letters, v. 8, no.2; v. 8, no. 2 with autograph of Ezra Pound; v. 8-9 has presentation inscription from E. Pound to W. Bird, Place du Palais, Bourbon, and, tipped in front, typed poem "Le coq prodigue or 'The movement'"., BEIN: Za ZL74 copy 8: From the library of Ezra Pound, autographed, and with ms. notes by him., BEIN: Za ZL74 copy 9: From the library of Donald C. Gallup: 4:1., BEIN YCAL MSS 43 Box 210: From the Ezra Pound Papers., BEIN Gallup Eliot C40: Gold title label (4:1 copy 1). Blue-green title label (4:1 copy 2). Uncut (4:3 copy 2). Copies 1 and 2 housed together. From the Donald C. Gallup Collection of T.S. Eliot., Title from cover., Published in Chicago, 1914-Jan. 1917; in New York, Mar. 1917-Mar. 1921; in Paris, autumn 1921- ; in New York, -1929., Edited by Margaret C. Anderson., Foreign editor: Ezra Pound., and v.1-12, 1914-1929. 1 v.
Campbell, E. Simms (Elmer Simms), 1906-1971, creator
Call Number:
BrSides Double Folio 2016 34
Image Count:
1
Resource Type:
cartographic image
Description:
BEIN BrSides Double Folio 2016 34: Mounted on board. Stamp in upper left corner, "Manhattan." Scant manuscript annotations at bottom. and North oriented towards the lower right.
Subject (Geographic):
Harlem (New York, N.Y.), New York (State), and New York
Subject (Name):
Cotton Club., Connie’s Inn (New York, N.Y.), Small’s Paradise (Nightclub : Harlem, New York, N.Y.), Lafayette Theater (New York, N.Y. : 132nd Street), Club Hot-Cha (New York, N.Y.), Yeah Man (Nightclub : New York, N.Y.), Tillie's (Nightclub : New York, N.Y.), Radium Club (New York, N.Y.), Calloway, Cab, 1907-1994, Bentley, Gladys, Robinson, Bill, 1878-1949, and Tucker, Snakehips
Subject (Topic):
Social life and customs, African American neighborhoods, Nightclubs, and Harlem Renaissance
BEIN 2010 356: Ms. ownership monogram and notes by Siegfried Sassoon. From the library of Siegfried Sassoon, with Sassoon's monogrammed label inserted at the time of dispersal. From the library of William S. Reese.
