"A horse shies at a high and solid gate, throwing its fat rider, who flies sideways through the air, with arms extended. He wears red coat and top-boots. Behind shrubs on the. farther side of the gate lies a bull, the cause of the accident. Trees form a background."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Publishd. August 20th, 1805, by H. Humphrey, No. 27 St. James's Street, London
"A loutish yokel (l.), holding a pitchfork, grins avidly at a hideous and elderly country woman who crouches behind a stile (r.), her features twisted in a sly grimace. In the background (l.) men reap a corn-field, and corn-stooks cover a more distant hill. Lavinia is framed in foliage, with autumn leaves and a withered tree."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Two lines of quoted text following title: "He saw her charming; but he saw not half" "the charms her downcast modesty conceal'd.", and Watermark: J. Whatman.
Publisher:
Publishd. Jany. 23d, 1805, by H. Humphrey, No. 27 St. Jamess [sic] Street
"A grotesquely dilapidated post-chaise stands outside a ramshackle inn (r.); the driver lashes the horses cruelly, a boy lifts a pitch-fork to strike, but the wretched animals refuse to move. A barefooted slattern approaches from the r. with a huge red-hot poker. From the post-chaise leans its occupant, who wears a ribbon and star, and a night-cap. His feet have broken through the ruinous chaise; he threatens the driver with his cane; the latter's words are etched after the title: '"------"Forward immediately your Honour; But sure a'nt I waiting for the Girl with the Poker \ "just to give this Mare a burn your Honour, 'tis just to make her start your Honour.' The chaise is roofed with thatch on which a cock is pecking; it is held together by rope, the reins and traces are of rope. The wheels are broken. Above the door of the primitive inn is a placard: 'The New Thatched-House Tavern' [the Thatched House was a fashionable London tavern and club]. On the signboard an eagle attacking a naked infant (Ganymede) is depicted; above is a board: 'Nate Post-Chaise and Whiskey \ Nate \ Entertainment for Man & Beast.' From a brick chimney a little sweep looks out waving his brush. On a bench by the door a man with a crutch and wooden leg sits smoking and drinking, not interested in the departing grandee. In the foreground a lean sow eats from a heap of potatoes; a young pig attempts to suck; another, almost a skeleton, tries to eat potatoes. In the coach-house which is part of the inn, is a second and less-ruinous thatched post-chaise. Beside the road is a stone wall and behind it a signpost, pointing (r.) 'to Ballyragger', (l.) 'to Athlone'"--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., and Companion print to: "Posting in Scotland."
Publisher:
Publish'd. April 8th, 1805, by H. Humphrey, St. James's Street
"Eight dissenting ministers, headed by Dr. Abraham-Rees, approach the King with an address whose inscription is the only title; it continues: 'in & about the Cities of London & Westmr We your Majesty s loyal and faithful...' Rees, a bulky 'Encyclopedia' in his coat-pocket, puts one foot on a step leading to a doorway within which are visible the legs of the seated King, and his right. hand, which rests on a wall-box from which issues a paper: 'Bramah Patent Water [C]losets'. Just outside the door, holding his long wand of office, Salisbury, the Lord Chamberlain (actually Dartmouth, cf. British Museum Satires No. 10283A), stands stiffly looking over the heads of the Addressers, who are ushered in by a beef-eater on the extreme left. Rees is scarcely caricatured except for a grotesque stalk-like neck which issues absurdly from a wide coat-collar. Behind him is Theophilus Lindsey, holding his hat and a big umbrella. Most of the other six are probably portraits, but two may be generalized sectaries with lank hair. All have sour, apprehensive expressions. A quasi-Tudor window suggests St. James's Palace. A whole length portrait of Charles I is issuing from the frame, one hand held up in horror. Over the door of the inner closet are the Royal Arms."--British Museum online catalogue
Alternative Title:
From secret treason civil strife, may God preserve our sovereign's life ...
Description:
Title etched on scroll in image., Signed with the monogram of James Sayers., Date from British Museum catalogue, which notes that this plate was not published., Six lines of verse in three columns below image: From secret treason civil strife, may God preserve our sovereign's life; And guard his court from these tormentors, fanatics, democrats, dissenters; Addressing knaves who sin and pray, and kiss like Judas to betray., 1 print : aquatint with etching on wove paper ; plate mark 34.6 x 40.5 cm, on sheet 38 x 41.2 cm., Contemporary pencil annotations in lower margin note that the plate was "unpublish'd" and that the subject matter deals with the "address on his Majesty's escape from assassination.", and Mounted on leaf 56 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
George III, King of Great Britain, 1738-1820, Salisbury, James Cecil, Marquess of, 1748-1823, Rees, Abraham, 1743-1825, Lindsey, Theophilus, 1723-1808, Popham, Home Riggs, 1762-1820, and Saint James's Palace (London, England),
Subject (Topic):
Interiors, Politicians, Honor guards, Windows, and Umbrellas
"Eight dissenting ministers, headed by Dr. Abraham-Rees, approach the King with an address whose inscription is the only title; it continues: 'in & about the Cities of London & Westmr We your Majesty s loyal and faithful...' Rees, a bulky 'Encyclopedia' in his coat-pocket, puts one foot on a step leading to a doorway within which are visible the legs of the seated King, and his right. hand, which rests on a wall-box from which issues a paper: 'Bramah Patent Water [C]losets'. Just outside the door, holding his long wand of office, Salisbury, the Lord Chamberlain (actually Dartmouth, cf. British Museum Satires No. 10283A), stands stiffly looking over the heads of the Addressers, who are ushered in by a beef-eater on the extreme left. Rees is scarcely caricatured except for a grotesque stalk-like neck which issues absurdly from a wide coat-collar. Behind him is Theophilus Lindsey, holding his hat and a big umbrella. Most of the other six are probably portraits, but two may be generalized sectaries with lank hair. All have sour, apprehensive expressions. A quasi-Tudor window suggests St. James's Palace. A whole length portrait of Charles I is issuing from the frame, one hand held up in horror. Over the door of the inner closet are the Royal Arms."--British Museum online catalogue
Alternative Title:
From secret treason civil strife, may God preserve our sovereign's life ...
Description:
Title etched on scroll in image., Signed with the monogram of James Sayers., Date from British Museum catalogue, which notes that this plate was not published., Six lines of verse in three columns below image: From secret treason civil strife, may God preserve our sovereign's life; And guard his court from these tormentors, fanatics, democrats, dissenters; Addressing knaves who sin and pray, and kiss like Judas to betray., and Mounted on page 109.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
George III, King of Great Britain, 1738-1820, Salisbury, James Cecil, Marquess of, 1748-1823, Rees, Abraham, 1743-1825, Lindsey, Theophilus, 1723-1808, Popham, Home Riggs, 1762-1820, and Saint James's Palace (London, England),
Subject (Topic):
Interiors, Politicians, Honor guards, Windows, and Umbrellas
"The interior of a well-furnished room with an open door (right) through which a dove-cote and trees are visible. By the fire (left) in an arm-chair is a gouty magistrate, tipsily somnolent, with twisted features. In his left hand is a glass spilling its contents, in his right a smoking tobacco-pipe; his right foot is supported on a cushioned stool. Beside him (right) is a table with books and writing-materials behind which sits his clerk, pen in mouth, spectacles on forehead, scrutinizing a group of three: a constable with a long staff between a fashionably dressed and drunken reveller and a young woman, whose dress hangs from just below her bare breasts. The constable, looking at the clerk, points to the woman. In the doorway a dog looks out and a sow looks in. On the wall over the clerk's head is a picture of an ass kicking over a statue of Justice (a 'Justass', cf. British Museum satire no. 8187); in the background St. Paul's and the Monument with other buildings indicate London. On the table by the justice a punch-bowl stands on 'Burn's Justice'. The chimney-piece is supported by two carved satyrs. Above it is a framed (?) almanack. A cat sleeps by the fire. A patterned carpet completes the design."--British Museum online catalogue
Description:
Title from caption below image., Three lines of text below title: Custos. Nemo. Comes. Testis. Sus. Bosque. Canisque. rules for the Gender of Nouns. Custos. the Constable. Nemo. [cf. BMSat 5570] alluding to the Lady having no Waist [cf. BMSat 8569]. Comes, her Companion. Sus. a Sow Worried by a Dog. Testis, described by the Constable as Witness against the two Delinquents. Bosque, the Magistrate half Drunk or Bosky. Canisque, the Dog, referring to the Guardian of the Night in the Act of making a Seizure., Sheet trimmed within plate mark on three edges., and Watermark: J. Whatman 1805.
"Whitbread, his body, limbs, and head covered by tubs of varying shapes and sizes, raises a drayman's pole, to which is attached a hooked chain to smite the drooping head of a thistle with the features of Melville, his profile facing the ground; the flower forms a spiky coronet. The stem is inscribed 'Me quisque impune lacerrit' (replacing the 'nemo me impune ...' of the motto of the Order of the Thistle). Whitbread's heavy pole is 'Tenth Report'. The tub on his body is 'Wormwood', those on his legs are 'Quashee' [Quassia] and 'Aloes' (allegations of adulteration against his beer, cf. British Museum Satires No. 10574). He tramples on torn papers: 'Trial by Peers' and 'Magna Charta'. Another torn paper is 'Criminal Prosecution by the Atty General'. A large intact paper is: 'New Law Inquisition Committees Torture Question Thumb Screw Peine forte [et dure]'. On the right is a ruinous ale-house, before the door of which Fox sits astride on a large cask. He holds a big frothing tankard and watches Whitbread with cynical satisfaction. The head of the cask is inscribed 'Old Hollan[ds] For Ullage Cas[k] defict . . . Millions.' (An allusion to his father, Lord Holland, as the 'public defaulter of unaccounted millions', a gibe recurring over a long period, referring to the City Petition of 1769, cf. British Museum Satires No. 9739, &c.) Beside him a man in Highland dress, resembling Lauderdale, leans against the building, watching the outrage with frank pleasure. From a broken first-floor window leans Wilberforce, a sour sectary in a steeple-crowned hat inscribed 'Puritanism'. His hands are clasped; he says: "I say. Amen to all Cantwell." Above his head is a placard: 'Hymns & Spiritual Songs on the Slave Trade by St Wilber.' From his window projects a sign-board with a bust profile portrait of St. Vincent, hunch-backed and wearing a ribbon, inscribed 'System of Terror' and 'Hoc Signo non Vincent.' [Parodying the often-quoted in 'hoc signo vinces', the inscription on a vision of a fiery cross, to which legend attributed the conversion of Constantine. The 'non' is added inconspicuously with a caret.] On the building is a torn placard: 'performed The Tragedy Timon of [Athens] Lord Timon Mr Melville Lucullus a false friend & Kinsman Mr Kinhard [Kinnaird] little more than Kin and less than kind Scotch Reel &c.' Facing the ale-house, and on the extreme left, is the corner of the poop of a ship, the Romney. From this projects a hand aiming a blunderbuss inscribed 'Pophams Defence' at the sign-board; a blast of flame and smoke issues from it. On the ship is a board inscribed 'Wanted Supply of naval Stores Inquire within'. Below her is a faint wraith-like ship, 'Melville Castle', whose poop and (unrigged) masts are behind the drooping thistle."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Six line of verse below title: Sansterre [sic] forsook his malt and grains, to mash and batter nobles brains, by lev'lling rancour led; Our brewer quits brown stout and washey, his malt his mash tub and his quashee, to mash a thistle's head., 1 print : soft-ground etching and aquatint on wove paper ; plate mark 35.5 x 25 cm, on sheet 37.5 x 26.9 cm., and Mounted on leaf 84 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by H. Humphrey, St. James's St.
Subject (Name):
Fox, Charles James, 1749-1806, Whitbread, Samuel, 1764-1815, Melville, Henry Dundas, Viscount, 1742-1811, Wilberforce, William, 1759-1833, and Popham, Home Riggs, 1762-1820
Subject (Topic):
Barrels, Thistles, Taverns (Inns), Signs (Notices), and Ships
"Whitbread, his body, limbs, and head covered by tubs of varying shapes and sizes, raises a drayman's pole, to which is attached a hooked chain to smite the drooping head of a thistle with the features of Melville, his profile facing the ground; the flower forms a spiky coronet. The stem is inscribed 'Me quisque impune lacerrit' (replacing the 'nemo me impune ...' of the motto of the Order of the Thistle). Whitbread's heavy pole is 'Tenth Report'. The tub on his body is 'Wormwood', those on his legs are 'Quashee' [Quassia] and 'Aloes' (allegations of adulteration against his beer, cf. British Museum Satires No. 10574). He tramples on torn papers: 'Trial by Peers' and 'Magna Charta'. Another torn paper is 'Criminal Prosecution by the Atty General'. A large intact paper is: 'New Law Inquisition Committees Torture Question Thumb Screw Peine forte [et dure]'. On the right is a ruinous ale-house, before the door of which Fox sits astride on a large cask. He holds a big frothing tankard and watches Whitbread with cynical satisfaction. The head of the cask is inscribed 'Old Hollan[ds] For Ullage Cas[k] defict . . . Millions.' (An allusion to his father, Lord Holland, as the 'public defaulter of unaccounted millions', a gibe recurring over a long period, referring to the City Petition of 1769, cf. British Museum Satires No. 9739, &c.) Beside him a man in Highland dress, resembling Lauderdale, leans against the building, watching the outrage with frank pleasure. From a broken first-floor window leans Wilberforce, a sour sectary in a steeple-crowned hat inscribed 'Puritanism'. His hands are clasped; he says: "I say. Amen to all Cantwell." Above his head is a placard: 'Hymns & Spiritual Songs on the Slave Trade by St Wilber.' From his window projects a sign-board with a bust profile portrait of St. Vincent, hunch-backed and wearing a ribbon, inscribed 'System of Terror' and 'Hoc Signo non Vincent.' [Parodying the often-quoted in 'hoc signo vinces', the inscription on a vision of a fiery cross, to which legend attributed the conversion of Constantine. The 'non' is added inconspicuously with a caret.] On the building is a torn placard: 'performed The Tragedy Timon of [Athens] Lord Timon Mr Melville Lucullus a false friend & Kinsman Mr Kinhard [Kinnaird] little more than Kin and less than kind Scotch Reel &c.' Facing the ale-house, and on the extreme left, is the corner of the poop of a ship, the Romney. From this projects a hand aiming a blunderbuss inscribed 'Pophams Defence' at the sign-board; a blast of flame and smoke issues from it. On the ship is a board inscribed 'Wanted Supply of naval Stores Inquire within'. Below her is a faint wraith-like ship, 'Melville Castle', whose poop and (unrigged) masts are behind the drooping thistle."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Six line of verse below title: Sansterre [sic] forsook his malt and grains, to mash and batter nobles brains, by lev'lling rancour led; Our brewer quits brown stout and washey, his malt his mash tub and his quashee, to mash a thistle's head., and Mounted on page 105.
Publisher:
Published by H. Humphrey, St. James's St.
Subject (Name):
Fox, Charles James, 1749-1806, Whitbread, Samuel, 1764-1815, Melville, Henry Dundas, Viscount, 1742-1811, Wilberforce, William, 1759-1833, and Popham, Home Riggs, 1762-1820
Subject (Topic):
Barrels, Thistles, Taverns (Inns), Signs (Notices), and Ships
"Whitbread, his body, limbs, and head covered by tubs of varying shapes and sizes, raises a drayman's pole, to which is attached a hooked chain to smite the drooping head of a thistle with the features of Melville, his profile facing the ground; the flower forms a spiky coronet. The stem is inscribed 'Me quisque impune lacerrit' (replacing the 'nemo me impune ...' of the motto of the Order of the Thistle). Whitbread's heavy pole is 'Tenth Report'. The tub on his body is 'Wormwood', those on his legs are 'Quashee' [Quassia] and 'Aloes' (allegations of adulteration against his beer, cf. British Museum Satires No. 10574). He tramples on torn papers: 'Trial by Peers' and 'Magna Charta'. Another torn paper is 'Criminal Prosecution by the Atty General'. A large intact paper is: 'New Law Inquisition Committees Torture Question Thumb Screw Peine forte [et dure]'. On the right is a ruinous ale-house, before the door of which Fox sits astride on a large cask. He holds a big frothing tankard and watches Whitbread with cynical satisfaction. The head of the cask is inscribed 'Old Hollan[ds] For Ullage Cas[k] defict . . . Millions.' (An allusion to his father, Lord Holland, as the 'public defaulter of unaccounted millions', a gibe recurring over a long period, referring to the City Petition of 1769, cf. British Museum Satires No. 9739, &c.) Beside him a man in Highland dress, resembling Lauderdale, leans against the building, watching the outrage with frank pleasure. From a broken first-floor window leans Wilberforce, a sour sectary in a steeple-crowned hat inscribed 'Puritanism'. His hands are clasped; he says: "I say. Amen to all Cantwell." Above his head is a placard: 'Hymns & Spiritual Songs on the Slave Trade by St Wilber.' From his window projects a sign-board with a bust profile portrait of St. Vincent, hunch-backed and wearing a ribbon, inscribed 'System of Terror' and 'Hoc Signo non Vincent.' [Parodying the often-quoted in 'hoc signo vinces', the inscription on a vision of a fiery cross, to which legend attributed the conversion of Constantine. The 'non' is added inconspicuously with a caret.] On the building is a torn placard: 'performed The Tragedy Timon of [Athens] Lord Timon Mr Melville Lucullus a false friend & Kinsman Mr Kinhard [Kinnaird] little more than Kin and less than kind Scotch Reel &c.' Facing the ale-house, and on the extreme left, is the corner of the poop of a ship, the Romney. From this projects a hand aiming a blunderbuss inscribed 'Pophams Defence' at the sign-board; a blast of flame and smoke issues from it. On the ship is a board inscribed 'Wanted Supply of naval Stores Inquire within'. Below her is a faint wraith-like ship, 'Melville Castle', whose poop and (unrigged) masts are behind the drooping thistle."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Six line of verse below title: Sansterre [sic] forsook his malt and grains, to mash and batter nobles brains, by lev'lling rancour led; Our brewer quits brown stout and washey, his malt his mash tub and his quashee, to mash a thistle's head., and Mounted to 48 x 34 cm.
Publisher:
Published by H. Humphrey, St. James's St.
Subject (Name):
Fox, Charles James, 1749-1806, Whitbread, Samuel, 1764-1815, Melville, Henry Dundas, Viscount, 1742-1811, Wilberforce, William, 1759-1833, and Popham, Home Riggs, 1762-1820
Subject (Topic):
Barrels, Thistles, Taverns (Inns), Signs (Notices), and Ships
"An elderly, sharp-featured virago, with skinny neck and muscular arms, sits directed to the right, furiously kicking and shaking her left fist at the old-fashioned looking-glass which stands on a muslin-covered dressing-table. The glass has been shattered by the curling-tongs which she holds in her right hand, and a broken hand-mirror lies on the floor. She wears old-fashioned stays laced over a petticoat, but her head-dress is complete; two tall feathers, with flowers and striped ribbon drapery, poised on unconvincing curls. On the dressing-table are fragments of mirror, large comb, tiny hair-brush, &c., bottles labelled 'Milk of Roses' and 'Olimpian Dew'. A bottle of 'Circassian Bloom' lies on the floor. The tall window is partly covered by a curtain hanging in festoons from above. Behind the chair is a shallow wooden tub."--British Museum online catalogue
Description:
Title etched below image., Print signed using an unidentified artist's device: A Strassburg lily., Sheet trimmed within plate mark., and Companion print to: Looking glass in favour.
Publisher:
Pubd. Jany. 1st, 1805 by S.W. Fores, No. 50 Piccadilly
