Title from text above image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... sole pub. of P. Prys caricatues [sic]., Text above imprint: None are orilinal [sic] without McLeans name., Text below image: The architect. Glory consists in the designment and idea of the work; his ambition should be to make the form triumph over the matter., Sheet trimmed within plate mark on three edges., Temporary local subject terms: Buckingham Palace -- Male costume: Apron -- Trowels -- Architects -- Walking-sticks., and Numbered in ms. at top of sheet: 91.
Title from caption below image., Print signed using an unidentified artist's device: A jester's head., Three lines of dialogue below title: Made. Jourdain: Qu'est-ce donc que tout cela? ..., and Numbered in ms. at top of sheet: 14.
"George IV, as Falstaff, sits in a high-backed chair with a grotesquely fat Doll Tearsheet (Lady Conyngham) on his knee. He holds a large glass of wine and looks at her with appraising melancholy. She pouts her lips to kiss. Their words are engraved below: Falstaff--hou dost give me flattering busses. Doll Nay, truly; I kiss thee with a constant heart. Fal-I am old, I am old. Doll-I love thee better than I love e'er a scurvy young boy of them all. --vide Shakspeare ['II Henry IV, II. iv.] Behind (right) stands Bardolph, with the head and nose of Curtis, talking to a lean Mrs. Quickly, who has the unmistakable profile of Lord Conyngham, behind whom a huge antlered stag's head looks down from the wall. Both women wear steeple-crowned hats, but the dress of one is flamboyant and ornate, of the other demure. A man looks in cautiously from the doorway. On the wall is a hanging on which is depicted the Prodigal Son turning his back on trough and swine to receive his father's embrace."--British Museum catalogue
Description:
Title from text above image., Print signed using William Heath's device: A man with an umbrella., Questionable publication date from British Museum catalogue., Text below image begins: Falstaff: Thou dost give me flattering busses. Doll: Nay, truly; I kiss thee with a constant heart ..., Sheet trimmed within plate mark., Numbered in ms. at top of sheet: 173., and Watermark: J. Whatman Turkey Mill 1827.
Publisher:
Pub. by Thos. McLean 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, and Curtis, William, Sir, 1752-1829
"An archaic iron-studded door, with posts and lintel of solid but ancient oak, represents the door of the 'COMMONS' [inscription on lintel]. Above: '"They of Rome are enter'd in our Counsels Sh.' ['Coriolanus', I. ii]. An old-clothes' man stands at the door in profile to the left gazing up at the inscription; he raises the knocker, a ring in the mouth of an angry lion's head. He is bearded, with an ultra-Jewish profile, and has three hats piled on his own, the topmost being a flaunting feminine erection. He wears a ragged and patched gaberdine, old-fashioned buckled shoes, and carries across his shoulder a large bag, from a hole in which projects a pig's foot (a pig in his poke). On his back is an open box of trinkets, containing watches. Close behind him stands a turbaned Turk, watching him with eager anxiety. The Jew: 'Come I sha--Open the door vill ye--I vants to come in--and heres a shentlemans a friend of mines--vants to come in too--dont be afeard--I dont vant a sheat for nothing--I can pay for it So help me Got.' Three men (safely inside) look down at the applicants from a small open window beside the door (right): a dissenter, holding his hat, and characterized by lank hair and plebeian features (resembling Liston as Maw-Worm, cf. British Museum Satires No. 16943); a Jesuit wearing a biretta, and putting a thumb to his nose, and a fat elderly monk; the last two frown. The left door-post (somewhat cracked) is inscribed: 'OAK Suppose to be sound Put up 1688 only latly discovered to be full of Skakes[?peare].'"--British Museum online catalogue and "Catholic Emancipation, following the repeal of the Test and Corporation Acts (see British Museum satires no. 15530), raised hopes of Jewish emancipation, see British Museum satires no. 15770, &c. For the (baptized) Jew as seat-purchaser cf. Sir M. M. Lopes (to whom an allusion is probably intended, see British Museum satires no. 15683); for Jews and pigs cf. British Museum satires no. 12146, &c; for "1688" see British Museum satires no. 15707, &c. The design resembles and may be based on British Museum satires bo. 8981 (1797) by Gillray."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from the British Museum catalogue., Imprint continues: ... political & other caricatuers daily pub., Publisher's announcement at top of sheet: All Paul Prys works have T. McLeans name attach'd as the publisher, those without are pirated copies [image of a man with an umbrella]., and Slight loss of sheet on right and lower edges.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Geographic):
Great Britain.
Subject (Topic):
Freedom of religion, Catholic emancipation, Jews, Emancipation, Jesuits, Turks, Doors & doorways, Ethnic stereotypes, Knocking, and Monks
Title from text above image., Print signed with artist's device following artist's initials: A spur., Text below image in German and English: "Tabac zu rauchen, oder grosse Hunde in der Diligence mit zu nehmen, ist untersagt" & & ..., Reissue of no. 14315 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published June 30, 1821, by G. Humphrey., and Temporary local subject terms: The Grand Tour.
French title from text above image; English title from caption below image., Print signed with artist's device following artist's initials: A spur., Reissue of no. 14313 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published June 30, 1821, by G. Humphrey., and Temporary local subject terms: The Grand Tour.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Four lines of verse on either side of title: Sport that wrinkled care derides, fashion showing off besides ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Text above image: Quadrille. Evening fashions. Dedicated to the heads of the nation., Two lines of verse on both sides of title: "Nature, I thought, perform'd too mean a parte, Forming her movements to the rules of art, And Vex'd I found the dandy barbers hand, Had o'er the dancers heads too great command. Prior"., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 26, Haymarket
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Beards, Couples, Dandies, and Dance
"A procession headed by John Ross extends from the coast (right), where Esquimaux dogs swim ashore from a boat, to the gate of the British Museum, part of which is on the extreme left ..." (Source: British Museum catalogue). Print shows items brought from Captain John Ross' expedition to Baffin Bay being delivered to the British Museum
Alternative Title:
Results of the polar expedition!!!
Description:
Title etched below image., Print signed using Frederick Marryat's device: An anchor tilted diagonally., and Backed with blue paper, removed from an album?
Publisher:
Pubd. Jany. 18, 1819, by G. Humphrey, 27 St. James's Street, London
Subject (Geographic):
England
Subject (Name):
Ross, John, Sir, 1777-1856, Ross, James Clark, Sir, 1800-1862, Sabine, Edward, Sir, 1788-1883, Banks, Joseph, 1743-1820, Leach, William Elford, 1790-1836, and British Museum
