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61.
Marriage a-la-mode. [graphic] / Plate IV

Creator:
Ravenet, Simon François, 1706-1774 printmaker
Published / Created:
[1 April 1745]
Call Number:
Sotheby 19++ Box 300
Collection Title:
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., and After the painting "The Toilette" in the National Gallery, London.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain.
Subject (Topic):
Adultery, Blacks, Boudoirs, Children, Couples, Hairdressing, Interiors, Marriage, Musicians, Paintings, Seduction, Servants, and Rake's progress
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate IV

62.
Marriage a-la-mode. [graphic] / Plate IV

Creator:
Ravenet, Simon François, 1706-1774 printmaker
Published / Created:
[1 April 1745]
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 19 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain.
Subject (Topic):
Adultery, Blacks, Boudoirs, Children, Couples, Hairdressing, Interiors, Marriage, Musicians, Paintings, Seduction, Servants, and Rake's progress
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate IV

63.
Marriage a-la-mode. [graphic] / Plate IV

Creator:
Ravenet, Simon François, 1706-1774 printmaker
Published / Created:
[1 April 1745]
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., and On page 117 in volume 2. Sheet trimmed to: 38.3 x 46.4 cm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain.
Subject (Topic):
Adultery, Blacks, Boudoirs, Children, Couples, Hairdressing, Interiors, Marriage, Musicians, Paintings, Seduction, Servants, and Rake's progress
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate IV

64.
Marriage a-la-mode. [graphic] / Plate V

Creator:
Ravenet, Simon François, 1706-1774 printmaker
Published / Created:
[1 April 1745]
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

65.
Marriage a-la-mode. [graphic] / Plate V

Creator:
Ravenet, Simon François, 1706-1774 printmaker
Published / Created:
[1 April 1745]
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Leaf 20. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., and Formerly on page 118 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

66.
Marriage a-la-mode. [graphic] / Plate V

Creator:
Ravenet, Simon François, 1706-1774 printmaker
Published / Created:
[1 April 1745]
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Leaf 20. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 20 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

67.
Marriage a-la-mode. [graphic] / Plate V

Creator:
Ravenet, Simon François, 1706-1774 printmaker
Published / Created:
[1 April 1745]
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

68.
Marriage a-la-mode. [graphic] / Plate V

Creator:
Ravenet, Simon François, 1706-1774 printmaker
Published / Created:
[1 April 1745]
Call Number:
Sotheby 20++ Box 300
Collection Title:
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., and After the painting "The Bagnio" in the National Gallery, London.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

69.
Marriage a-la-mode. [graphic] / Plate V

Creator:
Ravenet, Simon François, 1706-1774 printmaker
Published / Created:
[1 April 1745]
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., Ms. note, and On page 119 in volume 2. Sheet trimmed to: 38.1 x 46.1 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

70.
Marriage a-la-mode. [graphic] / Plate IV

Creator:
Ravenet, Simon François, 1706-1774, printmaker
Published / Created:
[1 April 1745]
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Leaf 19. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., Sheet trimmed within plate mark., 1 print : etching and engraving on laid paper ; plate mark 38.7 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 19 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain.
Subject (Topic):
Adultery, Blacks, Boudoirs, Children, Couples, Hairdressing, Interiors, Marriage, Musicians, Paintings, Seduction, Servants, and Rake's progress
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate IV

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