Depiction of a statue of Asclepius, dressed in a toga, with his son Telesphorus at his side; both stand on a low, circular pedestal. This statue was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Sheet trimmed to plate mark., "E marmore"--Below image., "Tab. XI"--Upper right corner., and Mounted on page 119 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Publisher:
R. Manby and H.S. Cox
Subject (Name):
Asklepios (Greek deity), Telesphorus (Greek deity), and Strawberry Hill (Twickenham, London, England)
Depiction of a statue of Asclepius, dressed in a toga, with his son Telesphorus at his side; both stand on a low, circular pedestal. This statue was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Sheet trimmed to plate mark., "E marmore"--Below image., "Tab. XI"--Upper right corner., Mounted on page 151 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving on laid paper ; sheet 23.9 x 17.3 cm., Sheet trimmed within plate mark., and For further information, consult library staff.
Publisher:
R. Manby and H.S. Cox
Subject (Name):
Asklepios (Greek deity), Telesphorus (Greek deity), and Strawberry Hill (Twickenham, London, England)
Drawing of a statue of Antinous; cloth draped over left shoulder and around left forearm; standing on an ornate plinth. The statue was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744 and on view
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Text "ex aere" is etched near the bottom of the plate, to the left of the tripod., "Tab. XII"--Upper right corner., Mounted on page 119 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching and engraving on laid paper ; sheet 26.3 x 13.8 cm., and Sheet trimmed to plate mark.
Publisher:
R. Manby and H.S. Cox
Subject (Name):
Antinoüs, approximately 110-130, and Strawberry Hill (Twickenham, London, England)
Drawing of a statue of Antinous; cloth draped over left shoulder and around left forearm; standing on an ornate plinth. The statue was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744 and on view
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Text "ex aere" is etched near the bottom of the plate, to the left of the tripod., "Tab. XII"--Upper right corner., Mounted on page 150 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving on laid paper ; sheet 25.6 x 13.2 cm., Sheet trimmed within plate mark., and For further information, consult library staff.
Publisher:
R. Manby and H.S. Cox
Subject (Name):
Antinoüs, approximately 110-130, and Strawberry Hill (Twickenham, London, England)
Depiction of seven Roman weights(?), numbered in Roman numerals from I to VII. The sides of the circular objects bear pictures of various heads, beasts, objects and symbols. Three of the objects have their obverse and reverse depicted side by side, the two faces connected with a horizontal double line. All were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Sheet trimmed to plate mark., "Ex aere" etched in lower center, below object numbered "VI"., "Tab. XVIII"--Upper right corner., Mounted on page 116 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving on laid paper ; sheet 22.4 x 18.5 cm., Sheet trimmed within plate mark., and For further information, consult library staff.
Depiction of seven Roman weights(?), numbered in Roman numerals from I to VII. The sides of the circular objects bear pictures of various heads, beasts, objects and symbols. Three of the objects have their obverse and reverse depicted side by side, the two faces connected with a horizontal double line. All were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Sheet trimmed to plate mark., "Ex aere" etched in lower center, below object numbered "VI"., "Tab. XVIII"--Upper right corner., and Mounted on page 94 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Depiction of eleven antiquarian coins, numbered in Roman numerals from I to XI. The eight at the top of the plate have the obverse shown above and the reverse below (the two sides connected by a double line), and the three at the bottom of the plate have the obverse shown on the left and the reverse shown on the right (similarly connected by lines). All were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Sheet trimmed to plate mark., "Ex aere" etched in lower center, to the right of object numbered "X"., "Tab. XIX"--Upper right corner., Mounted on page 193 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving on laid paper ; sheet 22.8 x 17.9 cm., Sheet trimmed within plate mark., and For further information, consult library staff.
Depiction of eleven antiquarian coins, numbered in Roman numerals from I to XI. The eight at the top of the plate have the obverse shown above and the reverse below (the two sides connected by a double line), and the three at the bottom of the plate have the obverse shown on the left and the reverse shown on the right (similarly connected by lines). All were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Sheet trimmed to plate mark., "Ex aere" etched in lower center, to the right of object numbered "X"., "Tab. XIX"--Upper right corner., and Mounted on page 94 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
"Scene on a road near St. Pancras church, which is visible in the background; two women and two men stand in road, one woman with her arms tied and a look of anguish on her face, the other woman raises her arm as one of the men points towards her; illustration to Johnson's 'History of ... Highwaymen"--British Museum online catalogue
Description:
Title etched below image., Publication date from an unverified card catalog record., 'Page 120.'--Upper left corner of plate., The fictional character, Colonel Jack, is the hero of Defoe's The history and remarkable life of the truly honorable Col. Jacque ... (1722)., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: countermark H.
In an open landscape, an elegantly dressed Columbine is seated on a rock and taking a pinch of snuff from a large snuffbox. Her head is turned back slightly towards Harlequin who stands behind her gesturing dramatically
Alternative Title:
Harlequin
Description:
Title engraved below image., Dated by costume., Sheet trimmed to plate mark., Eight lines of verse in two columns (four lines under each name): Columbine. What would'st thou have fonr Harlequin? ... Harlequin. My charmer all I mean is love ..., One of a series of prints with the Commedia dell'arte characters., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 17 x 17 cm, window mounted to 23 x 19 cm.
In an open landscape, Harlequin is sitting on a rock, holding a little boy across his lap and whipping his bare bottom with a birch rod. Columbine, coming up from behind them, tries to intervene
Alternative Title:
Harlequin
Description:
Title from item., Dated based on another print in this series: Columbine. Harlequin., Imperfect; sheet trimmed within plate mark resulting in loss of most of the plate number in upper right corner., Eight lines of verse in two columns (four lines under each name): Columbine. Will whipping ever mend a child? ... Harlequin. Pray hold yr. tongue how shoud you know ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Pro patria.
Title from captions below both images., Sheet trimmed to plate mark., Reversible head image labeled "Courtship" in one direction and "Marriage" in the other. Title taken from title on each side of image., Dated by costume., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: horn on crowned shield, with initials LVG below.
Front and back views of a bronze statue of a woman carrying a pig in one hand and a child in the other, to be sacrificed. The object was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., "Ex aere" etched twice in lower part of plate, once below each image., "Tab. II"--Upper right corner., Sheet trimmed within plate mark., Mounted on page 192 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving on laid paper ; sheet 19.7 x 17.4 cm., and For further information, consult library staff.
Front and back views of a bronze statue of a woman carrying a pig in one hand and a child in the other, to be sacrificed. The object was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., "Ex aere" etched twice in lower part of plate, once below each image., "Tab. II"--Upper right corner., Sheet trimmed within plate mark., Mounted on page 155 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching and engraving on laid paper ; sheet 19.6 x 17.3 cm., and Sheet trimmed to plate mark.
Figures painted on the bottoms and sides of pots used for funerary rights. These objects were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., "Tab. V"--Upper right corner., Mounted on page 39 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching and engraving with stipple on laid paper ; sheet 26.8 x 20.2 cm., and Sheet trimmed to plate mark.
Figures painted on the bottoms and sides of pots used for funerary rights. These objects were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., "Tab. V"--Upper right corner., Mounted on page 51 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving with stipple on laid paper ; oval sheet 11.1 x 11.6 cm., Imperfect; only the upper image of the underside of a pot is present, the rest of the plate having been trimmed away., With manuscript note in ink below image, on mounting page: Bottom of the vase above., and For further information, consult library staff.
Title engraved below image., Sheet trimmed within plate mark., Copy in reverse of a figure in: Taste a-la-mode 1745., Temporary local subject terms: Male dress, ca. 1745., and Annotated on verso in contemporary hand: February 1760. Below it, in another contemporary hand: In Cole 1751.
In an open landscape, Harlequin is seated on a large rock, holding Columbine in his lap. They are posed in a kiss
Alternative Title:
Columbine
Description:
Title engraved below image., Date from companion print: Columbine ; Harlequin., Sheet trimmed within plate mark., Eight lines of verse in two columns (four lines under each name): Harlequin. Is not this earnest? -- Han't I swore ... Columbine. Ay! if 'twoud last I should be blest ..., One of a series of prints with the Commedia dell'arte characters., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 18 x 16 cm; window mounted to 23 x 19 cm.
Spearhead at center (numbered "I") with two chisel-like weapons or tools on either side (numbered "II" and "III"). The objects were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Sheet trimmed to plate mark., "Ex aere" etched at the bottom of each of the three images., "Tab. XVII"--Upper right corner., and Mounted on page 138 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Spearhead at center (numbered "I") with two chisel-like weapons or tools on either side (numbered "II" and "III"). The objects were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Sheet trimmed to plate mark., "Ex aere" etched at the bottom of each of the three images., "Tab. XVII"--Upper right corner., Mounted on page 193 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving on laid paper ; sheet 26 x 18.6 cm., Sheet trimmed within plate mark., and For further information, consult library staff.
Three antiquarian objects, each with Roman numeral numbering above: a bronze statue of a young Hercules with the lion's skin on his arm (I); the head of an Egyptian god (Serapis?) or goddess on a green stone (II); and a bronze tripod for burning incense (III). The objects were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., "Ex aere" etched three times at bottom of plate, once below each object depicted., "Tab. XIII"--Upper right corner., Mounted on page 146 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching and engraving on laid paper ; sheet 26 x 20.1 cm., and Sheet trimmed within plate mark.
Three antiquarian objects, each with Roman numeral numbering above: a bronze statue of a young Hercules with the lion's skin on his arm (I); the head of an Egyptian god (Serapis?) or goddess on a green stone (II); and a bronze tripod for burning incense (III). The objects were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., "Ex aere" etched three times at bottom of plate, once below each object depicted., "Tab. XIII"--Upper right corner., Mounted on page 194 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving on laid paper ; sheet 25.3 x 19.8 cm., Sheet trimmed within plate mark., and For further information, consult library staff.
Depiction of four antiquarian statues and busts, three of which have Roman numeral numbering above. All were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., "Caput ex aere, reliqua" etched on the left side and "e marmore" etched on the right side of lower left object numbered "III"; "ex aere" etched to the right of lower right object that is unnumbered., "Tab. XIV"--Upper right corner., Mounted on page 186 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving on laid paper ; sheet 24.5 x 19.5 cm., Sheet trimmed within plate mark., and For further information, consult library staff.
Depiction of four antiquarian statues and busts, three of which have Roman numeral numbering above. All were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., "Caput ex aere, reliqua" etched on the left side and "e marmore" etched on the right side of lower left object numbered "III"; "ex aere" etched to the right of lower right object that is unnumbered., "Tab. XIV"--Upper right corner., Mounted on page 146 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching and engraving on laid paper ; sheet 25.4 x 20.2 cm., and Sheet trimmed to plate mark.
Depiction of three antiquarian objects, each with Roman numeral numbering above. These include ivory covers of a Roman pocket-book (I); a bronze statue of a sacrificing priest (II); and a bronze statue of a bagpiper (III). All were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., "Ex ebore" etched below object numbered "I"; "ex aere" etched twice, once beside object numbered "II" and once beside object numbered "III"., "Tab. IX"--Upper right corner., Mounted on page 184 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving on laid paper ; sheet 11.8 x 18 cm., Imperfect; only the image of the ivory covers of a Roman pocket-book is present, with the rest of the print trimmed away., and For further information, consult library staff.
Depiction of three antiquarian objects, each with Roman numeral numbering above. These include ivory covers of a Roman pocket-book (I); a bronze statue of a sacrificing priest (II); and a bronze statue of a bagpiper (III). All were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., "Ex ebore" etched below object numbered "I"; "ex aere" etched twice, once beside object numbered "II" and once beside object numbered "III"., "Tab. IX"--Upper right corner., Mounted on page 145 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching and engraving on laid paper ; sheet 26.1 x 18.8 cm., and Sheet trimmed to plate mark.
Depiction of three antiquarian objects, each with Roman numeral numbering above. These include ivory covers of a Roman pocket-book (I); a bronze statue of a sacrificing priest (II); and a bronze statue of a bagpiper (III). All were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., "Ex ebore" etched below object numbered "I"; "ex aere" etched twice, once beside object numbered "II" and once beside object numbered "III"., "Tab. IX"--Upper right corner., Mounted on page 202 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving on laid paper ; sheet 12.7 x 17 cm., Imperfect; only the bottom half of the plate (including images of the bronze statue of a sacrificing priest and the bronze statue of a bagpiper) is present, with the rest of the print trimmed away., and For further information, consult library staff.
A statue of an ibis; neck craned backwards, head pointed to the sky; standing on a cylindrical pedestal. After the statute that was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Text "ex aere" is etched at the bottom of the plate., "Tab. X"--Upper right corner., Mounted on page 119 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching and engraving on laid paper ; sheet 25.5 x 19 cm., and Sheet trimmed to plate mark leaving thread margins.
A statue of an ibis; neck craned backwards, head pointed to the sky; standing on a cylindrical pedestal. After the statute that was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Text "ex aere" is etched at the bottom of the plate., "Tab. X"--Upper right corner., Mounted on page 150 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving on laid paper ; sheet 24.2 x 17.8 cm., Sheet trimmed within plate mark., and For further information, consult library staff.
Four funerary lamps (numbered "I" to "IV"), two rings (each numbered "V"), and an earring (numbered "VI"). These original objects on which these images are based were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Sheet trimmed to plate mark., "Ex aere" etched below image of large funerary lamp at top of plate., "Tab. VIII"--Upper right corner., Mounted on page 164 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving on laid paper ; sheet 25 x 21.8 cm., Sheet trimmed within plate mark., and For further information, consult library staff.
Four funerary lamps (numbered "I" to "IV"), two rings (each numbered "V"), and an earring (numbered "VI"). These original objects on which these images are based were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Sheet trimmed to plate mark., "Ex aere" etched below image of large funerary lamp at top of plate., "Tab. VIII"--Upper right corner., and Mounted on page 180 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., and Plate 17 in the album: Queen Charlotte's collection of Hogarth works.
Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., and Plate 17 in the album: Queen Charlotte's collection of Hogarth works.
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a dishevelled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures. The decor includes an elaborate ormulu clock, chinese porcelain and figures (including a Buddha), a bust of a Roman matron, old master paintings (one, evidently erotic, is screened by a curtain).
Alternative Title:
Marriage a-la-Mode. Plate 2
Description:
Title engraved below image., State from Paulson, and After the painting "Tête à Tête" in the National Gallery, London.
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., Sheet trimmed within plate mark., Lock on wife's forehead added in ink., and On page 113 in volume 2. Sheet trimmed to: 38.6 x 45.6 cm.
Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.3 x 46.5 cm, on sheet 45 x 56 cm., and Leaf 17 in: Album of William Hogarth prints.
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., Sheet trimmed within plate mark., and Image 'touched': Stray hair and lock added in ink, presumably by Hogarth.
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., Sheet trimmed within plate mark., Touched in ink eyelid and stray hair on left but no lock., and Formerly on page 112 in volume 2. Removed in 2012 by LWL conservator.
Plate 18. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his left, he threatens him with his raised cane. A large, well-dressed woman looks angrily at the young man and opens a knife, while the quack polishes his glasses, at his side a skull on the table. The room contains numerous medical and scientific objects, including machines for straightening shoulders and for drawing corks, a dried crocodile, a narwhal's tusk, two mummies, a skeleton, and two pictures, one of a two-headed hermaphrodite and the other an anthropophagi (see Paulson). and After the painting "The Inspection" in the National Gallery, London
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Title devised by cataloger., Series title engraved below image., State from Paulson., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 18 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, Skeletons, and Rake's progress
Plate 18. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his left, he threatens him with his raised cane. A large, well-dressed woman looks angrily at the young man and opens a knife, while the quack polishes his glasses, at his side a skull on the table. The room contains numerous medical and scientific objects, including machines for straightening shoulders and for drawing corks, a dried crocodile, a narwhal's tusk, two mummies, a skeleton, and two pictures, one of a two-headed hermaphrodite and the other an anthropophagi (see Paulson). and After the painting "The Inspection" in the National Gallery, London
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Title devised by cataloger., Series title engraved below image., and State from Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, Skeletons, and Rake's progress
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his left, he threatens him with his raised cane. A large, well-dressed woman looks angrily at the young man and opens a knife, while the quack polishes his glasses, at his side a skull on the table. The room contains numerous medical and scientific objects, including machines for straightening shoulders and for drawing corks, a dried crocodile, a narwhal's tusk, two mummies, a skeleton, and two pictures, one of a two-headed hermaphrodite and the other an anthropophagi (see Paulson).
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Ttitle and number engraved below image., State from Paulson., Sheet trimmed within plate mark., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 45 x 56 cm., and Leaf 18 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Rake's progress, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, and Skeletons
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his left, he threatens him with his raised cane. A large, well-dressed woman looks angrily at the young man and opens a knife, while the quack polishes his glasses, at his side a skull on the table. The room contains numerous medical and scientific objects, including machines for straightening shoulders and for drawing corks, a dried crocodile, a narwhal's tusk, two mummies, a skeleton, and two pictures, one of a two-headed hermaphrodite and the other an anthropophagi (see Paulson).
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Ttitle and number engraved below image., State from Paulson., and Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Rake's progress, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, and Skeletons
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his left, he threatens him with his raised cane. A large, well-dressed woman looks angrily at the young man and opens a knife, while the quack polishes his glasses, at his side a skull on the table. The room contains numerous medical and scientific objects, including machines for straightening shoulders and for drawing corks, a dried crocodile, a narwhal's tusk, two mummies, a skeleton, and two pictures, one of a two-headed hermaphrodite and the other an anthropophagi (see Paulson).
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Ttitle and number engraved below image., State from Paulson., Sheet trimmed within plate mark., and On page 115 in volume 2. Sheet trimmed to: 38.8 x 46.2 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Rake's progress, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, and Skeletons
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his left, he threatens him with his raised cane. A large, well-dressed woman looks angrily at the young man and opens a knife, while the quack polishes his glasses, at his side a skull on the table. The room contains numerous medical and scientific objects, including machines for straightening shoulders and for drawing corks, a dried crocodile, a narwhal's tusk, two mummies, a skeleton, and two pictures, one of a two-headed hermaphrodite and the other an anthropophagi (see Paulson).
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Ttitle and number engraved below image., State from Paulson., Sheet trimmed within plate mark., Sheet trimmed to: 38.3 x 46.4 cm., and Formerly on page 114 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Rake's progress, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, and Skeletons
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 19 in the album: Queen Charlotte's collection of Hogarth works.
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., Sheet trimmed within plate mark., 1 print : etching and engraving on laid paper ; plate mark 38.7 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 19 in: Album of William Hogarth prints.
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., and Sheet trimmed within plate mark.
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., and After the painting "The Toilette" in the National Gallery, London.
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 19 in the album: Queen Charlotte's collection of Hogarth works.
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., Sheet trimmed within plate mark., Sheet trimmed to: 38.6 x 46.1 cm., and Formerly on page 116 in volume 2. Removed in 2012 by LWL conservator.
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., and On page 117 in volume 2. Sheet trimmed to: 38.3 x 46.4 cm.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., and Formerly on page 118 in volume 2. Removed in 2012 by LWL conservator.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 20 in: Album of William Hogarth prints.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., and After the painting "The Bagnio" in the National Gallery, London.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., Ms. note, and On page 119 in volume 2. Sheet trimmed to: 38.1 x 46.1 cm.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays. The painting above the door, the mural on the back wall, and the portrait near the window illustrate the theme
Description:
Title engraved below image., The engraver's initials 'R.F. Ravenet' are a mistake for 'S.F.' or Simon François., and Sheet trimmed within plate mark.
Plate 21. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
Alternative Title:
Marriage a-la-mode. Plate 6
Description:
Title etched below image., 1 print : etching and engraving on laid paper ; plate mark 38.3 x 46.6 cm, on sheet 46 x 59 cm., and Plate 21 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
Plate 21. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
Alternative Title:
Marriage a-la-mode. Plate 6
Description:
Title etched below image., 1 print : etching and engraving on laid paper ; plate mark 38.3 x 46.6 cm, on sheet 46 x 59 cm., and Plate 21 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
Alternative Title:
Marriage a-la-mode. Plate 6
Description:
Title devised by cataloger., Series title and number engraved below image., State from Paulson., After the painting "The Lady's Death" in the National Gallery, London., Sheet trimmed to plate mark., and Formerly on page 120 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
Alternative Title:
Marriage a-la-mode. Plate 6
Description:
Title devised by cataloger., Series title and number engraved below image., State from Paulson., After the painting "The Lady's Death" in the National Gallery, London., and Sheet trimmed to plate mark.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
Plate 21. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
Alternative Title:
Marriage a-la-mode. Plate 6
Description:
Title etched below image.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
Alternative Title:
Marriage a-la-mode. Plate 6
Description:
Title devised by cataloger., Series title and number engraved below image., State from Paulson., After the painting "The Lady's Death" in the National Gallery, London., Sheet trimmed to plate mark., 1 print : etching and engraving on laid paper ; plate mark 38.6 x 46.2 cm, on sheet 45 x 56 cm., and Leaf 21 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
Plate 21. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
Alternative Title:
Marriage a-la-mode. Plate 6
Description:
Title etched below image., Sheet trimmed to: 38 x 46.3 cm., and On page 121 in volume 2.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
In an open landscape, Mezzetin is sitting on the ground leaning against Columbine who supports herself, half sitting on a large rock. She is pouring wine from a bottle into his mouth. An empty bottle is in her other hand
Description:
Title from item., Sheet trimmed within plate mark., Eight lines of verse in two columns (four lines under each name): Mazzetin. When the mind's with cares possest ... Columbine. If wine can thus your sorrow warm ..., One of a series of prints with the Commedia dell'arte characters., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 17 x 17 cm., window mounted to 20 x 20 cm.
In an open landscape, Mezzetin and Columbine are sitting on a large rock. She turns away from her companion who, with a drunken expression, holds upside down an empty wine bottle in one hand and a goblet in another
Description:
Title from item., Sheet trimmed within plate mark., Eight lines of verse in two columns (four lines under each name): Mazzetin. My flask is empty, I've no coin ... Columbine. I said when you began to roam ..., One of a series of prints with the Commedia dell'arte characters., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 17 x 16 cm., window mounted to 20 x 19 cm.
A glass urn painted with pictures of boys(?). The vessel on which the image is based was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Text "e vitro" etched near bottom of plate, in lower left., "Tab. IV"--Upper right corner., Mounted on page 39 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching and engraving on laid paper ; sheet 22.7 x 21.2 cm., and Sheet trimmed to plate mark.
A glass urn painted with pictures of boys(?). The vessel on which the image is based was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Text "e vitro" etched near bottom of plate, in lower left., "Tab. IV"--Upper right corner., Mounted on page 51 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving on laid paper ; sheet 22.2 x 20.3 cm., Sheet trimmed within plate mark., and For further information, consult library staff.
Depiction of an antique painting in fresco. Six figures either sit or stand and the head of a seventh figure, surrounded by ornamentation, is above them. This painting was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Sheet trimmed within plate mark., "Tab. I"--Upper right corner., Mounted on page 264 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving on laid paper ; sheet 16.4 x 19.7 cm., Imperfect; sheet trimmed within plate mark with loss of printmaker's signature from lower right and plate numbering from upper right., and For further information, consult library staff.
Depiction of an antique painting in fresco. Six figures either sit or stand and the head of a seventh figure, surrounded by ornamentation, is above them. This painting was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Sheet trimmed within plate mark., "Tab. I"--Upper right corner., Mounted on page 180 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching and engraving on laid paper ; sheet 18.1 x 21 cm., and Sheet trimmed to plate mark.
Depiction of several antiquarian objects, five of which have Roman numeral numbering above. These include a small eagle statue of bronze (II); an ewer of bronze (III); and a small votive foot of bronze (IV). All were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., "Ex aere" etched in lower right corner, below object numbered "IV"., "Tab. XX"--Upper right corner., Mounted on page 186 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving on laid paper ; sheet 23.2 x 19.4 cm., Sheet trimmed within plate mark., and For further information, consult library staff.
Depiction of several antiquarian objects, five of which have Roman numeral numbering above. These include a small eagle statue of bronze (II); an ewer of bronze (III); and a small votive foot of bronze (IV). All were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., "Ex aere" etched in lower right corner, below object numbered "IV"., "Tab. XX"--Upper right corner., Mounted on page 145 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching and engraving on laid paper ; sheet 24 x 20.2 cm., and Sheet trimmed to plate mark.
Public credit is depicted as a vigorous young gentleman, nobly-dressed in a Senator's gown and holding a merchant's account book whose cover is printed with the motto "solutus omni faenore" signifying true credit free from interest. The griffin below signifies safe custody. In the background figures representing Popery, Rebellion, and Slander, all of which seem to threaten Publick Credit are thwarted as is the fox, an emblem of cunning and deceit. Both the text below describing the image and the image above are enclosed in two separate scroll-formed frames; in the center of the scroll at the top is a mask and a dagger. Probably a response to Robert Walpole's Some considerations concerning the publick funds
Description:
Title engraved in image., Statement of responsibility and place and date of publication engraved in one line below explanatory text., Description based on imperfect impression; sheet trimmed with platemark., and For further information, consult library staff.
Depiction of four glass vessels with sepulchral functions. The two flask-shaped vessels at top were apparently used to hold oils and the pot-shaped vessels below used to hold ashes. These vessels were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Text "e vitro" etched at bottom of plate., "Tab. VII"--Upper right corner., Mounted on page 44 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving on laid paper ; sheet 21.4 x 19.9 cm., Sheet trimmed within plate mark., and For further information, consult library staff.
Depiction of four glass vessels with sepulchral functions. The two flask-shaped vessels at top were apparently used to hold oils and the pot-shaped vessels below used to hold ashes. These vessels were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Text "e vitro" etched at bottom of plate., "Tab. VII"--Upper right corner., Mounted on page 34 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching and engraving on laid paper ; sheet 22.7 x 20.2 cm., and Sheet trimmed to plate mark.
Depiction of four tear-shaped vessels, one at each corner of the plate, with a shorter cup-shaped vessel in the middle. These vessels were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Text "e vitro" is etched twice at the bottom of the plate, once below the vessel in the lower left and once below the vessel in the lower right., "Tab. VI"--Upper right corner., Mounted on page 44 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving on laid paper ; sheet 22.9 x 17.6 cm, and For further information, consult library staff.
Publisher:
R. Manby and H.S. Cox
Subject (Name):
Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Classical antiquities, Containers, Glassware, and Pottery
Depiction of four tear-shaped vessels, one at each corner of the plate, with a shorter cup-shaped vessel in the middle. These vessels were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Text "e vitro" is etched twice at the bottom of the plate, once below the vessel in the lower left and once below the vessel in the lower right., "Tab. VI"--Upper right corner., Mounted on page 33 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching and engraving on laid paper ; sheet 23.7 x 18.2 cm., and Sheet trimmed to plate mark.
Publisher:
R. Manby and H.S. Cox
Subject (Name):
Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Classical antiquities, Containers, Glassware, and Pottery
Title from text in image., "From picture at Althorp. Plate to Birch's Heads."--Catalogue of engraved British portraits., and Sheet trimmed to plate mark on right side.
Publisher:
Impensis J. & P. Knapton Londini
Subject (Name):
Marlborough, Sarah Jennings Churchill, Duchess of, 1660-1744,
In an open landscape, Harlequin is playing with a child placed in a wheeled pen and dressed like himself. Scaramouche is standing on the side watching them
Description:
Title from item., Sheet trimmed within plate mark., Eight lines of verse in two columns (four lines under each name): Scaramouch. So, Harlequin! you've breech'd yr. boy ... Harlequin. Out, devil, you my child will fright ..., One of a series of prints with the Commedia dell'arte characters., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
publish'd according to act of Parliament, Septr. 12th, 1745.
Call Number:
Quarto 724 771N
Collection Title:
Opposite page 1. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on fashion showing a crowd of people in St James's Park in front of Buckingham House. In the centre is a short, fat women wearing a large hooped skirt and saque, a lace cap and black lace mittens, and carrying a closed fan. On the left a young country gentleman, wearing a quilted waistcoat and holding a riding whip, is arm in arm with fashionably dressed man who seems to be showing him the promenade, they both wear breeches that end above the knee and high-heeled shoes with large tongues; the latter leers at a young woman, apparently a prostitute, wearing a straw hat with a soft brim who lifts her huge hooped skirt to reveal her ankle. She is walking with another young woman wearing a dark cloak with a hood; she wears a small cap and her hair is dressed in ringlets. In the centre, behind the fat woman, two men embrace, one of whom wears an eye patch. Another young woman, dressed in a similar fashion to the fat woman, stands to her right; behind her is another young woman wearing a hat with a very large brim. Next are two more young men,wearing large tricorne hats, tight coats the skirts of which open out in pleats below the waist, and high-heeled shoes one apparently pointing out matters of interest to the other who is possibly a young officer as he wears a sword and a cockade in his hat; his hair or wig is dressed in a large bag-wig. On the far right, a soldeir wearing large riding boots, walks away with a young woman wearing a laced hat."--British Museum online catalogue
Description:
Title engraved below image., Probably a later state, with printseller's statement burnished from plate. For a variant state with "Sold by C. Moseley, engraver & printseller in Round Court in the Strand" following price statement, see No. 2774 in the Catalogue of prints and drawings in the British Museum, v. 3., Sheet trimmed within plate mark., "Price 6d."--Following imprint., 1 print : etching and engraving ; sheet 22.6 x 31.6 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., On laid paper and mounted to 26 x 32 cm., and Mounted opposite page 1 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
publisher not identified
Subject (Geographic):
Saint James's Park (London, England),, England, and London.
Subject (Name):
Buckingham Palace (London, England),
Subject (Topic):
Clothing & dress, Crowds, Fans (Accessories), Military uniforms, British, and Parks
publish'd according to act of Parliament, Septr. 12th, 1745.
Call Number:
745.09.12.01+
Collection Title:
Opposite page 1. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on fashion showing a crowd of people in St James's Park in front of Buckingham House. In the centre is a short, fat women wearing a large hooped skirt and saque, a lace cap and black lace mittens, and carrying a closed fan. On the left a young country gentleman, wearing a quilted waistcoat and holding a riding whip, is arm in arm with fashionably dressed man who seems to be showing him the promenade, they both wear breeches that end above the knee and high-heeled shoes with large tongues; the latter leers at a young woman, apparently a prostitute, wearing a straw hat with a soft brim who lifts her huge hooped skirt to reveal her ankle. She is walking with another young woman wearing a dark cloak with a hood; she wears a small cap and her hair is dressed in ringlets. In the centre, behind the fat woman, two men embrace, one of whom wears an eye patch. Another young woman, dressed in a similar fashion to the fat woman, stands to her right; behind her is another young woman wearing a hat with a very large brim. Next are two more young men,wearing large tricorne hats, tight coats the skirts of which open out in pleats below the waist, and high-heeled shoes one apparently pointing out matters of interest to the other who is possibly a young officer as he wears a sword and a cockade in his hat; his hair or wig is dressed in a large bag-wig. On the far right, a soldeir wearing large riding boots, walks away with a young woman wearing a laced hat."--British Museum online catalogue
Description:
Title engraved below image., Probably a later state, with printseller's statement burnished from plate. For a variant state with "Sold by C. Moseley, engraver & printseller in Round Court in the Strand" following price statement, see No. 2774 in the Catalogue of prints and drawings in the British Museum, v. 3., Sheet trimmed within plate mark., "Price 6d."--Following imprint., Temporary local subject terms: Outdoor scenes., and Watermark: countermark IV.
Publisher:
publisher not identified
Subject (Geographic):
Saint James's Park (London, England), and England
Subject (Name):
Buckingham Palace (London, England),
Subject (Topic):
Clothing & dress, Fans (Accessories), Military uniforms, and British
"Portrait, whole length; standing to front, with head turned towards right, looking to front; wearing a long wig, ermine-trimmed robes, lace cravat, breeches and stockings, and a sword hanging from a belt; holding a crown in his right hand; his left hand at his chest; on left, column wrapped in curtain bearing coat of arms with motto: 'Virtute et Fide'; on right, ornate vase in a niche; after Dahl."--British Museum online catalogue
Description:
Title from caption below image., Place of publication from printmaker's place of activity., Description based on imperfect impression; sheet trimmed within plate mark with loss of last line of text., and In paper frame: 461 x 343 mm.
Sh-tten condition of the King of Pru---a and Shitten condition of the King of Prussia
Description:
Title engraved above image., Printseller's announcement after imprint: Where is sold 20 more., Eight lines of verse in four columns below image: All mark'd with De Luces& cram'd with French gold, forth sally'd our hero, to seize, have and hold ..., and Temporary local subject terms: Defecation -- Medicine: smelling salts -- Money.
Publisher:
May's Buildings, Covent Garden
Subject (Name):
Frederick II, King of Prussia, 1712-1786, Maria Theresa, Empress of Austria, 1717-1780, and Charles Alexandre, duc de Lorraine, 1712-1780
Sh-tten condition of the King of Pru---a and Shitten condition of the King of Prussia
Description:
Title engraved above image., Printseller's announcement after imprint: Where is sold 20 more., Eight lines of verse in four columns below image: All mark'd with De Luces& cram'd with French gold, forth sally'd our hero, to seize, have and hold ..., Temporary local subject terms: Defecation -- Medicine: smelling salts -- Money., and With spine title: Caricatures anglaise 1740.
Publisher:
May's Buildings, Covent Garden
Subject (Name):
Frederick II, King of Prussia, 1712-1786, Maria Theresa, Empress of Austria, 1717-1780, and Charles Alexandre, duc de Lorraine, 1712-1780
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
Sep. 1745.
Call Number:
745.09.00.06
Image Count:
1
Resource Type:
still image
Abstract:
An engraving, in which a coach marked "Perkin" carries the Pretender, who is holding a mask and leaning out of the window as he cheers his supporters. The King of France is the coachman; the Pope is a postilion. A monk with the banner "Inquisition" is a running footman as the Devil and two monks hang on behind also as footmen. A band of Scotsmen carry a banner "Slavery". The coach has driven over a clergyman, a lawyer with "Magna Carta", and the figure of Britannia who has dropped her purse and papers inscribed with representations of property -- Leases, Bank, Exchequer, South Sea, India, and Mortgage. In the background, a monk oversees the burning of a martyr as a party of monks kneel before a cross. Several bodies hang from a triangular-shaped gallows. The setting is a town square formed by York Minster, St. James's Palace, and the Admiralty Building, Westminster
Alternative Title:
Perkins triumph
Description:
Title from text at foot of design., With a verse in two columns at foot of design: "Who Views this Print with an Impartial Eye.", "Price 6 d."--Following imprint., and For further information, consult library staff.
Publisher:
Publish'd according to Act of Parliament
Subject (Geographic):
England.
Subject (Name):
Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Benedict XIV, Pope, 1675-1758, and Louis XV, King of France, 1710-1774
Subject (Topic):
Jacobite Rebellion, 1745-1746, Jacobites, Britannia (Symbolic character), and Clergy
Title from caption above image., Publication date from British Museum catalogue., 'Price 6d.'--Below verse., Twenty lines of verse in two columns below image: When bold rebellion armd by Spain & France, does thro' the land with hasty strides advance ..., Temporary local subject terms: Bishop's mitre -- Reference to the Jacobite Rebellion, 1745-46., and Mounted to 32 x 25 cm.
"The brass seal of Henrietta Maria; one face above showing the Queen full-length directed slightly to left holding sceptre and orb, under a canopy with crests to either side and lettered around the rim 'Henretta [sic] Mariae Dei Gratiae Angliae Scotiae Fraunciae [sic] Et Hiberniae Reginae'; below, a face showing a crest in a diamond surmounted by a crown and supported on the left by a crowned lion, on the right by St. Michael, lettered around the rim in the same way."--British Museum online catalogue
Description:
Title deviser by cataloger., Date of publication from British Museum online catalogue, registration no.: 1856,0712.872., Plate from: Vetvsta monvmenta. Londini : [publisher not identified], 1747-1906., Text in upper right corner of plate: Vol. V, pl. XXIV, p. 283., Imperfect; sheet trimmed within plate mark with loss of text from upper right corner. Missing text supplied from impression in the British Museum., Mounted on page 82 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving ; circular sheet 11.1 cm and circular sheet 11.3 cm., Imperfect; the images of the two faces of the medal have been cut from sheet and are mounted side-by-side, with the rest of the plate trimmed away., Mounted below is a seven-paragraph letterpress description of the medal, beginning: This seal of brass very finely cut, belongs to Henrietta Maria, daughter of the Great Henry IV of France, and wife to our Charles I ..., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Henrietta Maria, Queen, consort of Charles I, King of England, 1609-1669.
"The brass seal of Henrietta Maria; one face above showing the Queen full-length directed slightly to left holding sceptre and orb, under a canopy with crests to either side and lettered around the rim 'Henretta [sic] Mariae Dei Gratiae Angliae Scotiae Fraunciae [sic] Et Hiberniae Reginae'; below, a face showing a crest in a diamond surmounted by a crown and supported on the left by a crowned lion, on the right by St. Michael, lettered around the rim in the same way."--British Museum online catalogue
Description:
Title deviser by cataloger., Date of publication from British Museum online catalogue, registration no.: 1856,0712.872., Plate from: Vetvsta monvmenta. Londini : [publisher not identified], 1747-1906., Text in upper right corner of plate: Vol. V, pl. XXIV, p. 283., Imperfect; sheet trimmed within plate mark with loss of text from upper right corner. Missing text supplied from impression in the British Museum., and Mounted on page 67 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Publisher:
publisher not identified
Subject (Name):
Henrietta Maria, Queen, consort of Charles I, King of England, 1609-1669.
In an open landscape, Columbine reposes on the ground, her arms and head supported on a large rock, her left arm thrown over her head. Scaramouche is kneeling behind her, grabbing with one hand the folds of her skirt as if to lift it. In the background on the left is a large tomb or a ruin
Description:
Title devised by cataloger from captions below image., Sheet trimmed within plate mark., One of a series of prints with the Commedia dell'arte characters., Eight lines of verse in two columns (four lines under each name): Columbine. How came I overtaken so? ... Scaramouch. Drunk and asleep fie Columbine ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 18 x 17 cm, window mounted to 23 x 19 cm.
Christ is shown with his disciples, gestering toward the sick in the distance who are beign carriet to an antique building in the left background, presumably a hospital
Alternative Title:
In as much as ye have done it unto one of the least of these...
Description:
Title from Paulson., Text continues: ... my Brethern, ye have done it unto me. St. Matt. XXV. v: 40., Sheet trimmed to plate mark., Ms. note in Steevens's hand in pencil above print: Christ and his Disciples. See Mr. Nichols's book, 3d edit. p. 435 & 444. See also John Ireland's Hogarth Illustrated, p. 373. In pencil at lower right below print: See page 104., and On page 101 in volume 2.
