Depiction of a statue of Asclepius, dressed in a toga, with his son Telesphorus at his side; both stand on a low, circular pedestal. This statue was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole i...
Description:
Title from index on signature A of volume.
Publisher:
R. Manby and H.S. Cox
Subject (Name):
Asklepios (Greek deity), Telesphorus (Greek deity), and Strawberry Hill (Twickenham, London, England)
Depiction of a statue of Asclepius, dressed in a toga, with his son Telesphorus at his side; both stand on a low, circular pedestal. This statue was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole i...
Description:
Title from index on signature A of volume.
Publisher:
R. Manby and H.S. Cox
Subject (Name):
Asklepios (Greek deity), Telesphorus (Greek deity), and Strawberry Hill (Twickenham, London, England)
Drawing of a statue of Antinous; cloth draped over left shoulder and around left forearm; standing on an ornate plinth. The statue was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744 and on ...
Description:
Title from index on signature A of volume.
Publisher:
R. Manby and H.S. Cox
Subject (Name):
Antinoüs, approximately 110-130, and Strawberry Hill (Twickenham, London, England)
Drawing of a statue of Antinous; cloth draped over left shoulder and around left forearm; standing on an ornate plinth. The statue was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744 and on ...
Description:
Title from index on signature A of volume.
Publisher:
R. Manby and H.S. Cox
Subject (Name):
Antinoüs, approximately 110-130, and Strawberry Hill (Twickenham, London, England)
Depiction of seven Roman weights(?), numbered in Roman numerals from I to VII. The sides of the circular objects bear pictures of various heads, beasts, objects and symbols. Three of the objects have their obverse and reverse depicted side by side, th...
Depiction of seven Roman weights(?), numbered in Roman numerals from I to VII. The sides of the circular objects bear pictures of various heads, beasts, objects and symbols. Three of the objects have their obverse and reverse depicted side by side, th...
Depiction of eleven antiquarian coins, numbered in Roman numerals from I to XI. The eight at the top of the plate have the obverse shown above and the reverse below (the two sides connected by a double line), and the three at the bottom of the plate h...
Depiction of eleven antiquarian coins, numbered in Roman numerals from I to XI. The eight at the top of the plate have the obverse shown above and the reverse below (the two sides connected by a double line), and the three at the bottom of the plate h...
"Scene on a road near St. Pancras church, which is visible in the background; two women and two men stand in road, one woman with her arms tied and a look of anguish on her face, the other woman raises her arm as one of the men points towards her; ill...
In an open landscape, an elegantly dressed Columbine is seated on a rock and taking a pinch of snuff from a large snuffbox. Her head is turned back slightly towards Harlequin who stands behind her gesturing dramatically
In an open landscape, Harlequin is sitting on a rock, holding a little boy across his lap and whipping his bare bottom with a birch rod. Columbine, coming up from behind them, tries to intervene
Front and back views of a bronze statue of a woman carrying a pig in one hand and a child in the other, to be sacrificed. The object was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Front and back views of a bronze statue of a woman carrying a pig in one hand and a child in the other, to be sacrificed. The object was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Figures painted on the bottoms and sides of pots used for funerary rights. These objects were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Figures painted on the bottoms and sides of pots used for funerary rights. These objects were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Spearhead at center (numbered "I") with two chisel-like weapons or tools on either side (numbered "II" and "III"). The objects were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Spearhead at center (numbered "I") with two chisel-like weapons or tools on either side (numbered "II" and "III"). The objects were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Three antiquarian objects, each with Roman numeral numbering above: a bronze statue of a young Hercules with the lion's skin on his arm (I); the head of an Egyptian god (Serapis?) or goddess on a green stone (II); and a bronze tripod for burning incen...
Three antiquarian objects, each with Roman numeral numbering above: a bronze statue of a young Hercules with the lion's skin on his arm (I); the head of an Egyptian god (Serapis?) or goddess on a green stone (II); and a bronze tripod for burning incen...
Depiction of four antiquarian statues and busts, three of which have Roman numeral numbering above. All were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Depiction of four antiquarian statues and busts, three of which have Roman numeral numbering above. All were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Depiction of three antiquarian objects, each with Roman numeral numbering above. These include ivory covers of a Roman pocket-book (I); a bronze statue of a sacrificing priest (II); and a bronze statue of a bagpiper (III). All were part of the collect...
Depiction of three antiquarian objects, each with Roman numeral numbering above. These include ivory covers of a Roman pocket-book (I); a bronze statue of a sacrificing priest (II); and a bronze statue of a bagpiper (III). All were part of the collect...
Depiction of three antiquarian objects, each with Roman numeral numbering above. These include ivory covers of a Roman pocket-book (I); a bronze statue of a sacrificing priest (II); and a bronze statue of a bagpiper (III). All were part of the collect...
A statue of an ibis; neck craned backwards, head pointed to the sky; standing on a cylindrical pedestal. After the statute that was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
A statue of an ibis; neck craned backwards, head pointed to the sky; standing on a cylindrical pedestal. After the statute that was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Four funerary lamps (numbered "I" to "IV"), two rings (each numbered "V"), and an earring (numbered "VI"). These original objects on which these images are based were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold t...
Four funerary lamps (numbered "I" to "IV"), two rings (each numbered "V"), and an earring (numbered "VI"). These original objects on which these images are based were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold t...
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bon...
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bon...
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bon...
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bon...
Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bon...
Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bon...
Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bon...
Plate 18. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his ...
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Title devised by cataloger.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, Skeletons, and Rake's progress
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his ...
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Ttitle and number engraved below image.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Rake's progress, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, and Skeletons
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his ...
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Ttitle and number engraved below image.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Rake's progress, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, and Skeletons
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his ...
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Ttitle and number engraved below image.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Rake's progress, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, and Skeletons
Plate 18. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his ...
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Title devised by cataloger.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, Skeletons, and Rake's progress
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his ...
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Ttitle and number engraved below image.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Rake's progress, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, and Skeletons
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room inclu...
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room inclu...
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room inclu...
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room inclu...
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room inclu...
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room inclu...
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room inclu...
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled...
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled...
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled...
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled...
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled...
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled...
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled...
The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for kill...
Alternative Title:
Marriage a-la-mode. Plate 6
Description:
Title devised by cataloger.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
Plate 21. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for kill...
Alternative Title:
Marriage a-la-mode. Plate 6
Description:
Title etched below image.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
Plate 21. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for kill...
Alternative Title:
Marriage a-la-mode. Plate 6
Description:
Title etched below image.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for kill...
Alternative Title:
Marriage a-la-mode. Plate 6
Description:
Title devised by cataloger.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
Plate 21. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for kill...
Alternative Title:
Marriage a-la-mode. Plate 6
Description:
Title etched below image.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
Plate 21. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for kill...
Alternative Title:
Marriage a-la-mode. Plate 6
Description:
Title etched below image.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for kill...
Alternative Title:
Marriage a-la-mode. Plate 6
Description:
Title devised by cataloger.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
In an open landscape, Mezzetin and Columbine are sitting on a large rock. She turns away from her companion who, with a drunken expression, holds upside down an empty wine bottle in one hand and a goblet in another
In an open landscape, Mezzetin is sitting on the ground leaning against Columbine who supports herself, half sitting on a large rock. She is pouring wine from a bottle into his mouth. An empty bottle is in her other hand
A glass urn painted with pictures of boys(?). The vessel on which the image is based was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
A glass urn painted with pictures of boys(?). The vessel on which the image is based was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Depiction of an antique painting in fresco. Six figures either sit or stand and the head of a seventh figure, surrounded by ornamentation, is above them. This painting was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and s...
Depiction of an antique painting in fresco. Six figures either sit or stand and the head of a seventh figure, surrounded by ornamentation, is above them. This painting was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and s...
Depiction of several antiquarian objects, five of which have Roman numeral numbering above. These include a small eagle statue of bronze (II); an ewer of bronze (III); and a small votive foot of bronze (IV). All were part of the collection which Conye...
Depiction of several antiquarian objects, five of which have Roman numeral numbering above. These include a small eagle statue of bronze (II); an ewer of bronze (III); and a small votive foot of bronze (IV). All were part of the collection which Conye...
Public credit is depicted as a vigorous young gentleman, nobly-dressed in a Senator's gown and holding a merchant's account book whose cover is printed with the motto "solutus omni faenore" signifying true credit free from interest. The griffin below...
Depiction of four glass vessels with sepulchral functions. The two flask-shaped vessels at top were apparently used to hold oils and the pot-shaped vessels below used to hold ashes. These vessels were part of the collection which Conyers Middleton acq...
Depiction of four glass vessels with sepulchral functions. The two flask-shaped vessels at top were apparently used to hold oils and the pot-shaped vessels below used to hold ashes. These vessels were part of the collection which Conyers Middleton acq...
Depiction of four tear-shaped vessels, one at each corner of the plate, with a shorter cup-shaped vessel in the middle. These vessels were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume.
Publisher:
R. Manby and H.S. Cox
Subject (Name):
Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Classical antiquities, Containers, Glassware, and Pottery
Depiction of four tear-shaped vessels, one at each corner of the plate, with a shorter cup-shaped vessel in the middle. These vessels were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume.
Publisher:
R. Manby and H.S. Cox
Subject (Name):
Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Classical antiquities, Containers, Glassware, and Pottery
In an open landscape, Harlequin is playing with a child placed in a wheeled pen and dressed like himself. Scaramouche is standing on the side watching them
publish'd according to act of Parliament, Septr. 12th, 1745.
Call Number:
745.09.12.01+
Collection Title:
Opposite page 1. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on fashion showing a crowd of people in St James's Park in front of Buckingham House. In the centre is a short, fat women wearing a large hooped skirt and saque, a lace cap and black lace mittens, and carrying a closed fan. On the left a young...
Description:
Title engraved below image.
Publisher:
publisher not identified
Subject (Geographic):
Saint James's Park (London, England),, England, and London.
Subject (Name):
Buckingham Palace (London, England),
Subject (Topic):
Clothing & dress, Crowds, Fans (Accessories), Military uniforms, British, and Parks
publish'd according to act of Parliament, Septr. 12th, 1745.
Call Number:
Quarto 724 771N
Collection Title:
Opposite page 1. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on fashion showing a crowd of people in St James's Park in front of Buckingham House. In the centre is a short, fat women wearing a large hooped skirt and saque, a lace cap and black lace mittens, and carrying a closed fan. On the left a young...
Description:
Title engraved below image.
Publisher:
publisher not identified
Subject (Geographic):
Saint James's Park (London, England),, England, and London.
Subject (Name):
Buckingham Palace (London, England),
Subject (Topic):
Clothing & dress, Crowds, Fans (Accessories), Military uniforms, British, and Parks
"Portrait, whole length; standing to front, with head turned towards right, looking to front; wearing a long wig, ermine-trimmed robes, lace cravat, breeches and stockings, and a sword hanging from a belt; holding a crown in his right hand; his left h...
"Portrait, whole length; standing to front, with head turned towards right, looking to front; wearing a long wig, ermine-trimmed robes, lace cravat, breeches and stockings, and a sword hanging from a belt; holding a crown in his right hand; his left h...
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
Sep. 1745.
Call Number:
745.09.00.06
Image Count:
1
Resource Type:
still image
Abstract:
An engraving, in which a coach marked "Perkin" carries the Pretender, who is holding a mask and leaning out of the window as he cheers his supporters. The King of France is the coachman; the Pope is a postilion. A monk with the banner "Inquisition" is...
Alternative Title:
Perkins triumph
Description:
Title from text at foot of design.
Publisher:
Publish'd according to Act of Parliament
Subject (Geographic):
England.
Subject (Name):
Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Benedict XIV, Pope, 1675-1758, and Louis XV, King of France, 1710-1774
Subject (Topic):
Jacobite Rebellion, 1745-1746, Jacobites, Britannia (Symbolic character), and Clergy
"The brass seal of Henrietta Maria; one face above showing the Queen full-length directed slightly to left holding sceptre and orb, under a canopy with crests to either side and lettered around the rim 'Henretta [sic] Mariae Dei Gratiae Angliae Scotia...
Description:
Title deviser by cataloger.
Publisher:
publisher not identified
Subject (Name):
Henrietta Maria, Queen, consort of Charles I, King of England, 1609-1669.
"The brass seal of Henrietta Maria; one face above showing the Queen full-length directed slightly to left holding sceptre and orb, under a canopy with crests to either side and lettered around the rim 'Henretta [sic] Mariae Dei Gratiae Angliae Scotia...
Description:
Title deviser by cataloger.
Publisher:
publisher not identified
Subject (Name):
Henrietta Maria, Queen, consort of Charles I, King of England, 1609-1669.
In an open landscape, Columbine reposes on the ground, her arms and head supported on a large rock, her left arm thrown over her head. Scaramouche is kneeling behind her, grabbing with one hand the folds of her skirt as if to lift it. In the backgroun...
Description:
Title devised by cataloger from captions below image.
Christ is shown with his disciples, gestering toward the sick in the distance who are beign carriet to an antique building in the left background, presumably a hospital
Alternative Title:
In as much as ye have done it unto one of the least of these...
