Depiction of a statue of Asclepius, dressed in a toga, with his son Telesphorus at his side; both stand on a low, circular pedestal. This statue was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole i...
Description:
Title from index on signature A of volume.
Publisher:
R. Manby and H.S. Cox
Subject (Name):
Asklepios (Greek deity), Telesphorus (Greek deity), and Strawberry Hill (Twickenham, London, England)
Depiction of a statue of Asclepius, dressed in a toga, with his son Telesphorus at his side; both stand on a low, circular pedestal. This statue was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole i...
Description:
Title from index on signature A of volume.
Publisher:
R. Manby and H.S. Cox
Subject (Name):
Asklepios (Greek deity), Telesphorus (Greek deity), and Strawberry Hill (Twickenham, London, England)
Drawing of a statue of Antinous; cloth draped over left shoulder and around left forearm; standing on an ornate plinth. The statue was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744 and on ...
Description:
Title from index on signature A of volume.
Publisher:
R. Manby and H.S. Cox
Subject (Name):
Antinoüs, approximately 110-130, and Strawberry Hill (Twickenham, London, England)
Drawing of a statue of Antinous; cloth draped over left shoulder and around left forearm; standing on an ornate plinth. The statue was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744 and on ...
Description:
Title from index on signature A of volume.
Publisher:
R. Manby and H.S. Cox
Subject (Name):
Antinoüs, approximately 110-130, and Strawberry Hill (Twickenham, London, England)
Depiction of seven Roman weights(?), numbered in Roman numerals from I to VII. The sides of the circular objects bear pictures of various heads, beasts, objects and symbols. Three of the objects have their obverse and reverse depicted side by side, th...
Depiction of seven Roman weights(?), numbered in Roman numerals from I to VII. The sides of the circular objects bear pictures of various heads, beasts, objects and symbols. Three of the objects have their obverse and reverse depicted side by side, th...
Depiction of eleven antiquarian coins, numbered in Roman numerals from I to XI. The eight at the top of the plate have the obverse shown above and the reverse below (the two sides connected by a double line), and the three at the bottom of the plate h...
Depiction of eleven antiquarian coins, numbered in Roman numerals from I to XI. The eight at the top of the plate have the obverse shown above and the reverse below (the two sides connected by a double line), and the three at the bottom of the plate h...
"Scene on a road near St. Pancras church, which is visible in the background; two women and two men stand in road, one woman with her arms tied and a look of anguish on her face, the other woman raises her arm as one of the men points towards her; ill...
In an open landscape, an elegantly dressed Columbine is seated on a rock and taking a pinch of snuff from a large snuffbox. Her head is turned back slightly towards Harlequin who stands behind her gesturing dramatically
In an open landscape, Harlequin is sitting on a rock, holding a little boy across his lap and whipping his bare bottom with a birch rod. Columbine, coming up from behind them, tries to intervene
Front and back views of a bronze statue of a woman carrying a pig in one hand and a child in the other, to be sacrificed. The object was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Front and back views of a bronze statue of a woman carrying a pig in one hand and a child in the other, to be sacrificed. The object was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Figures painted on the bottoms and sides of pots used for funerary rights. These objects were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Figures painted on the bottoms and sides of pots used for funerary rights. These objects were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Spearhead at center (numbered "I") with two chisel-like weapons or tools on either side (numbered "II" and "III"). The objects were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Spearhead at center (numbered "I") with two chisel-like weapons or tools on either side (numbered "II" and "III"). The objects were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Three antiquarian objects, each with Roman numeral numbering above: a bronze statue of a young Hercules with the lion's skin on his arm (I); the head of an Egyptian god (Serapis?) or goddess on a green stone (II); and a bronze tripod for burning incen...
Three antiquarian objects, each with Roman numeral numbering above: a bronze statue of a young Hercules with the lion's skin on his arm (I); the head of an Egyptian god (Serapis?) or goddess on a green stone (II); and a bronze tripod for burning incen...
Depiction of four antiquarian statues and busts, three of which have Roman numeral numbering above. All were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Depiction of four antiquarian statues and busts, three of which have Roman numeral numbering above. All were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Depiction of three antiquarian objects, each with Roman numeral numbering above. These include ivory covers of a Roman pocket-book (I); a bronze statue of a sacrificing priest (II); and a bronze statue of a bagpiper (III). All were part of the collect...
Depiction of three antiquarian objects, each with Roman numeral numbering above. These include ivory covers of a Roman pocket-book (I); a bronze statue of a sacrificing priest (II); and a bronze statue of a bagpiper (III). All were part of the collect...
Depiction of three antiquarian objects, each with Roman numeral numbering above. These include ivory covers of a Roman pocket-book (I); a bronze statue of a sacrificing priest (II); and a bronze statue of a bagpiper (III). All were part of the collect...
A statue of an ibis; neck craned backwards, head pointed to the sky; standing on a cylindrical pedestal. After the statute that was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
A statue of an ibis; neck craned backwards, head pointed to the sky; standing on a cylindrical pedestal. After the statute that was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Four funerary lamps (numbered "I" to "IV"), two rings (each numbered "V"), and an earring (numbered "VI"). These original objects on which these images are based were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold t...
Four funerary lamps (numbered "I" to "IV"), two rings (each numbered "V"), and an earring (numbered "VI"). These original objects on which these images are based were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold t...
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bon...
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bon...
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bon...
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bon...
Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bon...
Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bon...
Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bon...
Plate 18. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his ...
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Title devised by cataloger.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, Skeletons, and Rake's progress
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his ...
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Ttitle and number engraved below image.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Rake's progress, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, and Skeletons
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his ...
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Ttitle and number engraved below image.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Rake's progress, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, and Skeletons
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his ...
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Ttitle and number engraved below image.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Rake's progress, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, and Skeletons
Plate 18. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his ...
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Title devised by cataloger.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, Skeletons, and Rake's progress
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his ...
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Ttitle and number engraved below image.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Rake's progress, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, and Skeletons
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room inclu...
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room inclu...
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room inclu...
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room inclu...
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room inclu...
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room inclu...
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room inclu...
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled...
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled...
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled...
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled...
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled...
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled...
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled...
The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for kill...
Alternative Title:
Marriage a-la-mode. Plate 6
Description:
Title devised by cataloger.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
Plate 21. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for kill...
Alternative Title:
Marriage a-la-mode. Plate 6
Description:
Title etched below image.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
