Plate 18. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his left, he threatens him with his raised cane. A large, well-dressed woman looks angrily at the young man and opens a knife, while the quack polishes his glasses, at his side a skull on the table. The room contains numerous medical and scientific objects, including machines for straightening shoulders and for drawing corks, a dried crocodile, a narwhal's tusk, two mummies, a skeleton, and two pictures, one of a two-headed hermaphrodite and the other an anthropophagi (see Paulson). and After the painting "The Inspection" in the National Gallery, London
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Title devised by cataloger., Series title engraved below image., State from Paulson., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 18 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, Skeletons, and Rake's progress
Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., and Plate 17 in the album: Queen Charlotte's collection of Hogarth works.
publish'd according to act of Parliament, Septr. 12th, 1745.
Call Number:
Quarto 724 771N
Collection Title:
Opposite page 1. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on fashion showing a crowd of people in St James's Park in front of Buckingham House. In the centre is a short, fat women wearing a large hooped skirt and saque, a lace cap and black lace mittens, and carrying a closed fan. On the left a young country gentleman, wearing a quilted waistcoat and holding a riding whip, is arm in arm with fashionably dressed man who seems to be showing him the promenade, they both wear breeches that end above the knee and high-heeled shoes with large tongues; the latter leers at a young woman, apparently a prostitute, wearing a straw hat with a soft brim who lifts her huge hooped skirt to reveal her ankle. She is walking with another young woman wearing a dark cloak with a hood; she wears a small cap and her hair is dressed in ringlets. In the centre, behind the fat woman, two men embrace, one of whom wears an eye patch. Another young woman, dressed in a similar fashion to the fat woman, stands to her right; behind her is another young woman wearing a hat with a very large brim. Next are two more young men,wearing large tricorne hats, tight coats the skirts of which open out in pleats below the waist, and high-heeled shoes one apparently pointing out matters of interest to the other who is possibly a young officer as he wears a sword and a cockade in his hat; his hair or wig is dressed in a large bag-wig. On the far right, a soldeir wearing large riding boots, walks away with a young woman wearing a laced hat."--British Museum online catalogue
Description:
Title engraved below image., Probably a later state, with printseller's statement burnished from plate. For a variant state with "Sold by C. Moseley, engraver & printseller in Round Court in the Strand" following price statement, see No. 2774 in the Catalogue of prints and drawings in the British Museum, v. 3., Sheet trimmed within plate mark., "Price 6d."--Following imprint., 1 print : etching and engraving ; sheet 22.6 x 31.6 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., On laid paper and mounted to 26 x 32 cm., and Mounted opposite page 1 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
publisher not identified
Subject (Geographic):
Saint James's Park (London, England),, England, and London.
Subject (Name):
Buckingham Palace (London, England),
Subject (Topic):
Clothing & dress, Crowds, Fans (Accessories), Military uniforms, British, and Parks
Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., and Plate 17 in the album: Queen Charlotte's collection of Hogarth works.
Sh-tten condition of the King of Pru---a and Shitten condition of the King of Prussia
Description:
Title engraved above image., Printseller's announcement after imprint: Where is sold 20 more., Eight lines of verse in four columns below image: All mark'd with De Luces& cram'd with French gold, forth sally'd our hero, to seize, have and hold ..., and Temporary local subject terms: Defecation -- Medicine: smelling salts -- Money.
Publisher:
May's Buildings, Covent Garden
Subject (Name):
Frederick II, King of Prussia, 1712-1786, Maria Theresa, Empress of Austria, 1717-1780, and Charles Alexandre, duc de Lorraine, 1712-1780
Title engraved below image., Sheet trimmed within plate mark., Copy in reverse of a figure in: Taste a-la-mode 1745., Temporary local subject terms: Male dress, ca. 1745., and Annotated on verso in contemporary hand: February 1760. Below it, in another contemporary hand: In Cole 1751.
In an open landscape, an elegantly dressed Columbine is seated on a rock and taking a pinch of snuff from a large snuffbox. Her head is turned back slightly towards Harlequin who stands behind her gesturing dramatically
Alternative Title:
Harlequin
Description:
Title engraved below image., Dated by costume., Sheet trimmed to plate mark., Eight lines of verse in two columns (four lines under each name): Columbine. What would'st thou have fonr Harlequin? ... Harlequin. My charmer all I mean is love ..., One of a series of prints with the Commedia dell'arte characters., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 17 x 17 cm, window mounted to 23 x 19 cm.
In an open landscape, Harlequin is seated on a large rock, holding Columbine in his lap. They are posed in a kiss
Alternative Title:
Columbine
Description:
Title engraved below image., Date from companion print: Columbine ; Harlequin., Sheet trimmed within plate mark., Eight lines of verse in two columns (four lines under each name): Harlequin. Is not this earnest? -- Han't I swore ... Columbine. Ay! if 'twoud last I should be blest ..., One of a series of prints with the Commedia dell'arte characters., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 18 x 16 cm; window mounted to 23 x 19 cm.
In an open landscape, Mezzetin is sitting on the ground leaning against Columbine who supports herself, half sitting on a large rock. She is pouring wine from a bottle into his mouth. An empty bottle is in her other hand
Description:
Title from item., Sheet trimmed within plate mark., Eight lines of verse in two columns (four lines under each name): Mazzetin. When the mind's with cares possest ... Columbine. If wine can thus your sorrow warm ..., One of a series of prints with the Commedia dell'arte characters., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 17 x 17 cm., window mounted to 20 x 20 cm.