Volume 2, page 55. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A strip design of ten couples in different stages of the minuet, All dance in silence; the expressions of the male dancers denote anxiety, determination, or complacency. All are intended to be ugly, or awkward, or both, but the figures have charm, and even in some cases a certain grace. ... None of the men suggests a parson, most are lean and none corpulent by eighteenth-century standards."--British Museum online catalogue, description of a variant state
Description:
Title etched below image on second and third plates., Variant state, lacking the text "Bos, Fur, Sus, atque Sacerdos" above image on second plate. Cf. No. 7229 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheets trimmed within plate mark., A single design on four plates., Text in Latin below title, etched on second and third plates: Longa Tysonum Minuit Quid Velit et possit rerum concordia discors. Horace., Mounted on page 55 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Sheet annotated by Horace Walpole in ink beneath Latin text: Tyson was Master of the Ceremonies at Bath.
Publisher:
Publish'd June 25th, 1787, by W. Dickinson, engraver, Bond Street
A view of a church at Cam, including the churchyard with gravestones
Description:
Title engraved below image. and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '24' in mss. Label on front cover: Prints. For further information consult library staff.
Publisher:
Published as the act directs by Richd. Bigland
Subject (Geographic):
Cam (England) and England.
Subject (Topic):
Buildings, structures, etc, Churches, and Cemeteries
"A fashionably dressed man and woman (half length) face each other in profile. The outline of the man's projecting shirt-frill resembles that of projecting gauze which covers the lady's bust, see British Mumeaum Satires Nos. 7021, 7099, &c. In the space between them two pouter-pigeons stand facing each other. On the man's coat are large buttons inscribed respectively 'A' 'B' 'C' 'D'."--British Museum online catalogue
Description:
Title etched below image.
Publisher:
Publish'd Feby. 24th, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
England
Subject (Topic):
Buttons (Fasteners), Clothing & dress, and Pigeons
Title is on an ornamental scroll with tassels. Words to accompany song are inscribed in three columns below main design. Birds and bleeding heart are above and between the inscription., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Song -- Flowers: Bleeding heart -- Birds.
Publisher:
Publish'd Octr. 9, 1787 by C. Sheppard, No. 19 Lambeth Hill, Doctors Commons
"A design in two compartments, each based on one of the familiar 'Cries of London': In 'Le--Gagne--Petit' (left) Fox is a knife-grinder busily sharpening a headsman's axe. Arranged along his barrow are four knives of various shapes inscribed respectively 'Enquiry', 'inversion', 'sarcasm' (with a notched blade), 'incrementum'. A horn attached to the barrow is inscribed 'Fluidity', a box 'Collective Ideas'. In the background (left) is the gateway of St. James's Palace with two sentries. Behind Fox (right) is the house at the SW. corner of 'St James's St'. He wears a cap and a waistcoat showing a ragged shirtsleeve. Beneath the design is engraved: 'To be Sirs Ingenious I'll tell you my Mind 'tis for What I can get Makes me Willing to Grind.' [2] 'Poisson-Salé'. Burke walks (left to right) along Pall Mall carrying bundles of stock-fish on a pole across his shoulder; he bends forward supporting himself with a stout stick. His only garment, except hat and short wig showing his own hair, is a coat worn back to front, his legs being bare. On a wall behind him (left) are two play-bills: 'Much-Ado about Nothing Principle Performer Mr B------e with The Fathless Irishman', and 'Impeachment of Warren Hastings a Farce, as performed by the Tools of Faction St Stephens Chaple'. Beneath the design is engraved: 'Salt Fish ho 'tis I Who late Amused you all by Crying Hastings.'"--British Museum online catalogue
Alternative Title:
Gagne petit and Poisson salé
Description:
Title from text between the two designs; subtitles from text above each design., Later reissue of no. 6994 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.6., Temporary local subject terms: Knife grinder -- Barrow -- Gateway of St. James Palace -- Travesty of Cries of London -- Pall Mall., and Mounted to 29 x 41 cm.
Publisher:
Published by Boyne & Walker, Great Turnstile
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and Hastings, Warren, 1732-1818
Subject (Topic):
Impeachment, Fishmongers, Knives, Occupations, Puns (Visual works), and Signs (Notices)
787.07.01.03 Boxed separately; shelved in Object Room C:A
Image Count:
1
Resource Type:
still image
Abstract:
The engraving has been mounted on wood and cut into 42 puzzle pieces. The frame is comprised of 10 pieces; the remaining 32 pieces each with a portrait of a king or queen of England, starting with William I and ending with George II, and one piece depicting Oliver Cromwell, contain extensive details about their lives and reigns. Below the title in the frame at the top are directions for the puzzle: "Directions. 1. Learn to put the heads in succession. 2. Get the dates of inner ovals & the houses of the respective kings. 3. Learn the names of the principal personages of each reign separately. 4. Get by heart the historical & chronological facts of the respective reigns with the dates of battles, treaties, &c." In the bottom portion of the framing pieces is a key to the contractions used in the text: "Contractions. K. king. Pr. prince. D. duke. E. earl. Abp. Archbishop. ... N.B. Capitals over the heads are the initials of the different houses. N. Norman. Pl. Plantagenet. L. Lancaster. Y. York. T. Tudor. S. Stuart. O. Orange. B. Brunswick. In the dates the year only of the current century is sometimes expressed as the rest is evident from the reign."
Description:
Title engraved in frame above the images. and With the original box with dove-tailed sliding lid and original label. Solution to the puzzle printed separately and mounted the side, inside the box. Also boxed and shelved separately.
Publisher:
Publish'd 1st July 1787 by Carington Bowles, St. Paul Church Yard ; C. Dilly, Poultry & W. Darton, Birchin Lane, London
An engraved writing sheet illustrated with seven scenes from Gay’s Fables, each titled above and with rhyming couplet below. At head, and the largest scene, is ‘The Shepherd and the Philosopher’; six smaller scenes form the right and left borders below. A garlanded oval, designed to carry a hand-inserted date-line, is engraved at the foot above the imprint
Description:
Title engraved at top of plate, on either side of the image of "The shepherd and the philosopher.", Watermark: [...]anshaw., and Sheet annotated in ink with the name 'Thomas Harbidge' and the date 'Decr. 19. 1787' in the blank oval at foot. Written in manuscript in black ink at the center of the sheet are three passages, beginning with 'Education either makes or mars us, and governments as well as private families, are concerned in it’s [sic] consequences, abcde’, and concluding with 'Good books are a guide in youth, and an entertainment for age, they support us under solitude and keep us from being a burden to ourselves'.
Publisher:
Published by Robt. Sayer, map, chart & printseller, No. 53 Fleet Street
Volume 2, page 50. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Two women walking along a field with sheaves of corn, the woman at front pointing to right and looking back at a little girl at left, a bundle of grain in her arms and a tired expression, behind at right a third gleaner kneels to fastens her load together, a cottage behind; oval design after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., and Mounted on page 50 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published March 1st, 1787, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Volume 2, page 51. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Three women in a field, one kneeling at left fastening corn into a bundle, another carrying hers on her head, the third behind, turned away with the grain under her arm, a boy sits playing a pipe at right, a building with tower behind; oval design after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., and Mounted on page 51 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published March 1st, 1787, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Shown before the gate of a castle, Hamlet is supported by two men as the ghost of his father, dressed in armour the knees of which are etched with the masks of Comedy and Tragedy, appears before him
Description:
Title etched below image., Two lines from Shakespeare Hamlet quoted below title: "Still I am called .. unhand me gentlemens [sic]. By heaven I'll make a ghost of him that lets me"., Date based on publisher's address. See Maxted, I. The London book trades, 1775-1800., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Pro patria.
Corner, John, active 18th century-19th century, printmaker
Published / Created:
[not before 1787]
Call Number:
523 H11 779cj
Collection Title:
Opposite page vi. Case and memoirs of the late Rev. Mr. James Hackman, and of his acquaintance with
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of John Montagu, 4th Earl of Sandwich, bust-length in profile to left, wearing queue wig, ornate jacket, neckerchief and frill; in oval frame, surrounded by two laurel branches, with ribbon below."--British Museum online catalogue
Description:
Title from text in image., Later state, with imprint statement and periodical name burnished from plate. For an ealier state with imprint "Published by J. Sewell, Cornhill" below image and "European Mag." etched in upper right corner, see British Museum online catalogue, registration no.: 1865,0520.145., Plate originally published in The European magazine in 1787; see Catalogue of engraved British portraits., and Bound in opposite page vi in an extra-illustrated copy of: The case and memoirs of the late Rev. Mr. James Hackman ...
"Portrait; half length to left; wearing white hood and embroidered trim; oval in rectangular pedastal."--British Museum online catalogue
Description:
Title from text in image., After a painting by Robert Walker; see British Museum online catalogue, registration no.: 1871,1209.5627., Publication information from that of the volume in which the print was issued., Plate from: Noble, M. Memoirs of the protectoral-house of Cromwell ... London : Printed for G. G. J. and J. Robinson, 1787., Sheet trimmed within plate mark., Text in lower margin: From an original picture in the possession of the Earl of Sandwich at Hinchingbrooke., Mounted on page 248 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching, engraving, and stipple engraving on wove paper ; sheet 15.9 x 9.6 cm., and For further information, consult library staff.
Publisher:
G. G. J. and J. Robinson
Subject (Name):
Cromwell, Elizabeth, 1564 or 1565-1654, and Sandwich, John Montagu, Earl of, 1718-1792
"Portrait; half length to left; wearing white hood and embroidered trim; oval in rectangular pedastal."--British Museum online catalogue
Description:
Title from text in image., After a painting by Robert Walker; see British Museum online catalogue, registration no.: 1871,1209.5627., Publication information from that of the volume in which the print was issued., Plate from: Noble, M. Memoirs of the protectoral-house of Cromwell ... London : Printed for G. G. J. and J. Robinson, 1787., Sheet trimmed within plate mark., Text in lower margin: From an original picture in the possession of the Earl of Sandwich at Hinchingbrooke., and Mounted on page 194 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Publisher:
G. G. J. and J. Robinson
Subject (Name):
Cromwell, Elizabeth, 1564 or 1565-1654, and Sandwich, John Montagu, Earl of, 1718-1792
"The interior of a church (? the Chapel Royal) showing pulpit, side-gallery, and pews beneath the gallery. Wilkes (left) is the preacher, beneath him is his clerk, Pitt. At a right angle to the gallery is the royal pew (right), from which the King looks with earnest attention to the preacher. Queen Charlotte, her fingers to her mouth, also listens attentively. A lady-in-waiting and a courtier with a long wand (Lord Salisbury, the Lord Chamberlain) stand behind. The pew is decorated with the royal arms and has a canopy. In the centre of the gallery sit the Prince of Wales and Mrs. Fitzherbert; he turns away from the preacher, looking at her. Behind him stands George Hanger; behind Mrs. Fitzherbert sits a man looking at Wilkes through a spy-glass. Between him and the royal pew are three men in legal wigs and gowns: Pepper Arden, Dundas, and (?) Kenyon. Between the Prince and the pulpit sit North (asleep) and Burke, looking intently at Wilkes; a lady (? Duchess of Devonshire) attempts to wake North. In the seats under the gallery sit parties of citizens, in general asleep or inattentive. Below the royal pew stands Fox on a low stool as a penitent draped in a sheet; he wears a placard inscribed 'For Playing Cards on the Lord's Day'. A stout lady with an aquiline nose stands near Pitt; with a raised whip she chases a number of dogs out of the church. She has some resemblance to the Duchess of Gordon, a friend of Pitt. Immediately behind Mrs. Fitzherbert and between two Gothic windows is a wall-tablet inscribed: 'This Tablet is erected to the memory of the renowned Plenipotentiary who died by the bow string a short time after his return to Algiers. Two maiden ladies of this Parish who tasted exquisite felicity from his Prowess, dedicate this frail memorial to his loved memory'. Cf. British Museum Satires No. 7935, &c. Immediately behind Mrs. Fitzherbert and between two Gothic windows is a wall-tablet inscribed: 'This Tablet is erected to the memory of the renowned Plenipotentiary who died by the bow string a short time after his return to Algiers. Two maiden ladies of this Parish who tasted exquisite felicity from his Prowess, dedicate this frail memorial to his loved memory'. Cf. BMSat 7935, &c."--British Museum online catalogue
Alternative Title:
Wonderful effects of a proclamation
Description:
Title from item., Artist tentatively identified as Henry Wigstead; see British Museum catalogue., Printmaker formerly identified as Rowlandson, but an attribution to F.G. Byron (Andrew Edmunds, February 2021) is noted in the British Museum online catalogue, registration no.: J,4.101., The listed publisher "Paddy Whack" probably stands for William Holland; see British Museum catalogue., Temporary local subject terms: Congregations -- Piety Proclamation, June 1, 1787., and Mounted to 30 x 46 cm.
Publisher:
Pubd. by Paddy Whack, Oxford Street
Subject (Geographic):
England and London.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Kenyon, Lloyd Kenyon, Baron, 1732-1802, Melville, Henry Dundas, Viscount, 1742-1811, Hanger, George, 1751?-1824, Salisbury, James Cecil, Marquess of, 1748-1823, Fitzherbert, Maria Anne, 1756-1837, North, Frederick, Lord, 1732-1792, Wilkes, John, 1725-1797, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Gordon, Jane Gordon, Duchess of, 1748-1812, Fox, Charles James, 1749-1806, and Chapel Royal (Saint James's Palace, London, England),
Subject (Topic):
Interiors, Churches, Religious services, Pulpits, Pews, Dogs, Whips, Signs (Notices), and Windows
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Poachers -- Pick axes -- Proclamations: allusion to piety on Sunday, June 1, 1787 -- Innkeepers -- Skittles -- Expressions: 'Grubbing up" -- Chequers.
Publisher:
Pubd. as the act directs for the proprietor by W. Dickie, No. Strand, E. Macklew No. 9 Haymarket and W. Moore, No. 48 New Bond Street
Sherwin, J. K. (John Keyse), 1751-1790, printmaker
Published / Created:
[not before 1799]
Call Number:
787.04.10.01.2+
Image Count:
1
Resource Type:
still image
Abstract:
Seven men are gathered around a gambling table in a tavern, two of them playing at cards, others watching. The man on the far right is fast asleep, his dog's head resting on his knee. In the background, a barmaid tallies up the drinks inside a bar. The game is between a shrewd looking man on the left and a tallow youth on the right who is receiving bad advice from a man to his right, with a glass in hand. Behind the youth a broken mirror hangs tilted on the wall. Below it, one of the onloookers is leaning over the back of the settee peeking at the youth's cards. Standing in the center is an obese man holding a bowl and smoking a pipe
Alternative Title:
Countrymen defrauded
Description:
Title from item., Publication date inferred from publisher's dates of business at the address in imprint. See Maxted, I. The London book trades, 1775-1800, p. 169., Twelve lines of verse in two columns below image: Old Trusty with his town made friends ..., State with alternate title and undated. Cf. No. 9672 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Gambling: sharpers -- Furniture: card-table -- Bar -- Gambling: cards -- Taverns: tavern in Smithfield -- Broken mirror -- Animals: dog -- Countrymen -- Card players -- Barmaids -- Watches -- Pocketbooks -- Pipes -- Thomas Rowlandson as a sharper -- J.K. Sherwin as a country lad., and One of the subjects identified as R.W. King, in an unknown contemporary hand.
Publisher:
Publish'd by T. Palser, Surry Side, Westminster Bridge
Subject (Name):
Rowlandson, Thomas, 1756-1827 and Sherwin, J. K. 1751-1790 (John Keyse),
Sherwin, J. K. (John Keyse), 1751-1790, printmaker
Published / Created:
[10 April 1787]
Call Number:
787.04.10.01.1+
Image Count:
1
Resource Type:
still image
Abstract:
"Seven men (three-quarter length) are grouped round a card-table in a Smithfield tavern. One (right), young and innocent, inspects his cards; beside him an older countryman lies back asleep (right), his dog resting his head on his knee. The other gambler (left), holding his cards, looks at his victim. Three onlookers have crafty expressions. A fat man, smoking, approaches with a bowl of punch. In the bar (left) a fat woman chalks up a score. Coins, a watch, and pocket-book are on the table. A broken mirror and a picture of a horse decorate the walls. Beneath the table are twelve lines describing the sleep of 'Old Trusty' while his son is cheated by 'the Harpy-Tribe'."--Biriths Museum online catalogue
Alternative Title:
Countrymen defrauded
Description:
Title from item., Curator's note from British Museum catalogue: The card-playing sharper is a portrait of Rowlandson, the country lad is reputed to be J. K. Sherwin; though this seems unlikely, since Sherwin was then thirty-six, the identification is supported by the self-portrait of the engraver. In 'The Gamesters', a mezzotint by Ward, after Peters, 1786, the card-sharper holding an ace behind his back is Rowlandson [Said to be the Prince of Wales, according to Challoner Smith (iv. 1485).]; the resemblance to the card-player in this plate, and in a mezzotint, 'A Game at Cribbage' ... is convincing., Sheet trimmed within plate mark., Twelve lines of verse in two columns on either side of title: Old Trusty with his town made friends ..., Temporary local subject terms: Gambling: sharpers -- Furniture: card-table -- Furniture: bar -- Countrymen -- Card players -- Barmaids -- Pocketbooks., and Mounted to 38 x 49 cm.
Publisher:
Published 10th April 1787 by E. Jackson, No. 14 Marylebone Street, Golden Square
Subject (Geographic):
Smithfield (London, England)
Subject (Name):
Rowlandson, Thomas, 1756-1827,, Rowlandson, Thomas, 1756-1827, Sherwin, J. K. (John Keyse),, and Sherwin, J. K. 1751-1790 (John Keyse),
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Fox muffs -- Key to the back stairs -- Female costume -- False bosoms and derrières., and Watermark in center of sheet.
"Portrait; half-length seated to left wearing a plain suit, frilled craval and powdered wig, looking ahead, left hand on the arm of his chair, right on a table next to a bundle of letters, holding a scroll inscribed 'Anno Dom. 1780 / XX Geo. III. / A Bill for appointing Commissioners to examine take and State the Public Accounts of the Kingdom'; in a rectangular frame; after C.G. Stuart."--British Museum online catalogue
Description:
Title from caption below image., Description based on imperfect impression; sheet trimmed to plate mark., and Mounted on sheet: 363 x 267 mm.
Publisher:
Publish'd April 5th, 1787, as the Act directs, by J. Hall, No. 83, Berwick Street, London. Printed by Wm. Richards
Volume 2, page 47. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A man and two women with turbans seated round a table drinking from large goblets; in the background cushions and a lute; after Bunbury."--British Museum online catalogue
Alternative Title:
Belle estrangère empoisonneé par sa soeur, tiré de lhistoire du docteur juif : vide le petit bossu, daus Les contes arabes
Description:
Titles from text in English and French below image., Sheet trimmed to plate mark., and Mounted on page 47 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published as the act directs, 31st March 1787, by S. Watts, No. 50 opposite Old Round Court, Strand
Subject (Topic):
Eating & drinking, Drinking vessels, Tables, Turbans, and Lutes
A thin, worn-out author sits at his table under the window in his small garret in the attic. He leans his chin on his hand as he writes with his quill pen. A thin dog sits at his feet. A robust man (a bailiff?) with a cane confronts him presumably with bills. His bed is folded up against the wall
Alternative Title:
Miseries of authorship
Description:
Title etched below image., "Designed & etched for The British mercury." Cf. British Museum catalogue., Attributed to Rowlandson in British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Trades: Bookseller -- Garret -- Bed., and Mounted to 20 x 26 cm.
A bold-looking woman with a large hat and long curls, dressed in an exaggerated style with a pouter pigeon bosom under a fichu and an enourmous rump. She has on an apron and carries a muff and umbrella
Description:
Title from item., Year of imprint mostly burnished from plate., Five lines of text below title: Carries only one inside & two out ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Volume 2, page 65. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A strip design of a sequence of eighteen figures, all men. Their gestures and expressions denote pleasure, surprise, or horror (real or affected). Over the head of each person the words he speaks are engraved. The first (left) runs forward in profile to the right, 'chapeau bras', both arms extended, exclaiming "Tis true". The next, looking away gloomily, says, "Tis Pity". A man, with a pleased smile, says "As tender as possible". His neighbour says "Dont mention it", to a man who says "Poo, Poo". The next, clenching his fist, says angrily, "God Zounds hold - your Tongue", addressing a foppish man who capers delightedly, saying "Ha Ha". The next, with a shocked (but pleased) expression says "O La !" to a man who answers, "Dear me you dont say so?" A stout man yawns "Heigh ho". A lean one says "O Fye". The next couple, addressing each other, say "Indeed!" and "There now". The next, highly pleased, says "I thought so" to an angry man who exclaims "The Devil!" A lean austere man, raising a hand, says "No sure". A foppish man, 'chapeau bras', bowing with his hand on his heart, says, "Depend upon it". The last, horrified, exclaims "O Lord! O Lord!"."--British Museum online catalogue
Description:
Title engraved below image on second plate., A single design on three plates., Sheets trimmed within plate mark., "From an original drawing by H. Bunbury Esqr. in the possession of John Hayne Esqr., Bath.", and Mounted on page 65 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Decr. 29th, 1787, by W. Dickinson, Bond Street
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Communication, Faces, Mental states, and Rumor
Two head-and-shoulder portraits in separate ornamental oval frames numbered 'i' and 'ii'.
Description:
Titles engraved below images., Plate from: "Histories of the téte-à-téte annexed" in the Town and country magazine, 1787, v. xix, page 33., Temporary local subject terms: Chamber maid., and Mounted to 20.5 x 28 cm, with p. 33-34 from Town and country magazine, 1787, vol. xix.
A clergyman baptizes a child who is submerged in a punch bowl, as his parents and another couple look on. Also on the table are two full glasses of punch
Description:
Title engraved on banner in the image., Twelve verses engraved in two columns below image, beginning: Come listen awhile, I will make you to smile, With a story that's certainly true ..., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Numbered in ms. top left: 16.
Publisher:
Publish'd Octr. 16, 1787 by C. Sheppard, No. 19 Lambeth Hill, Doctors Commons
Two head-and-shoulder portraits in separate ornamental oval frames numbered 'VII' and 'VIII'.
Alternative Title:
Seduced soldier
Description:
Titles from text below images., Plate from?: "Histories of the téte-à-téte annexed" in the Town and country magazine, 1787, v. xix, page 105., and Temporary local subject terms: Seducers.
A portrait said to be of Sir Brook Watson and a grocer's wife whom is reputed to have seduced
Alternative Title:
Pensioned magistrate
Description:
Titles from text below images., Plate from?: "Histories of the téte-à-téte annexed" in the Town and country magazine, 1787, v. xix, page 51., Two head-and-shoulder portraits in separate ornamental oval frames numbered 'IV' and 'V'., and Mounted to 21 x 28 cm., with p. [51]-52 of Town and country magazine, 1787, vol. xix.
Title etched below image., Temporary local subject terms: Commercial treaty with France, 1786 -- Puns: Artist's and engraver's names -- Allusion to the Massacre, St. Bartholomew's Day, 1572 -- Eating English food -- Drinking French wine -- Allusion to French faith, or the virtuous individual., Watermark in center of sheet: J. Whatman., and Mounted to 28.5 x 43 cm.
Publisher:
Pub'd Feby. 26, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Louis XVI, King of France, 1754-1793
Volume 2, page 53. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Interior scene in a tavern, at left a woman rasies a large tankard to her lips, the man sitting near her with his hand around her waist, another customer sitting beside them encourages her to take a drink, a cigar(?) in his hand, behind a woman bends down to tend to the fire, across the room at right a patron sits reading from a newspaper, a smartly dressed man with a lantern(?) in hand standing beside him, another in labourers clothes leans on the back of his chair at right; after a drawing by Henry William Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Eight lines of verse below image, four on either side of title: verse: No more the farmer's news, the barbers tale, no more, the woodman's ballad shall prevail, no more the smith his duskey brow shall clear, relax his pond'rous strength, and lean to hear; the host himself, no longer shall be found, carefull to see the mantling bliss go round; nor the coy maid, half willing to be press'd, shall kiss the cup, and pass it to the rest. Goldsmith., Illustration to Oliver Goldsmith's poem 'The deserted village'., and Mounted on page 53 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published April 7th, 1787, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Name):
Goldsmith, Oliver, 1730?-1774.
Subject (Topic):
Interiors, Taverns (Inns), Drinking vessels, and Newspapers
A pretty young girl with long hair under a huge mob cap sits on the knees of a fat clergyman who in turn sits astride a cart made from a cask of ale marked 'October'. One of the wheels of this cart is labelled "Cheshire"; the cart is being pulled by a sow whose three babies are suckling her. The clergyman is kissing the girl and holding a glass in his right hand. A devil stands on the back of the cask looking over the clergyman's head and the tip of his tail is in the glass. A signpost to the right reads "To the Bottom". A boar follows the cart at a distance. In the distant background on the left is a church
Description:
Title from item., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
1787 Published by Boyne & Walker, March 16 Gr. Turnstile
Title from item., Verse below title: Divide me like a bribe-buck, each a haunch, Shakespeare., Sheet trimmed to thread margins of plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Literary quotation: Shakespeare -- Obese man -- Warts., and Mounted to 37 x 25 cm.
Publisher:
Pubd. for the proprietor by W. Moore, No. 48 New Bond Street
Volume 2, page 62. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A young man in a cap sitting on a basket, smoking a pipe, a tankard in his hand, resting on his crossed legs, his right arm draped over the back of a chair at left, his hat fallen on the ground beside; circular design after Bunbury."--British Museum online catalogue, description of a later state
Description:
Title from later state., Early state, before addition of title and before alterations to publication year and publisher's street address in imprint. Cf. British Museum online catalogue, registration no.: 1873,0712.440., Sheet trimmed to plate mark., Mounted on page 62 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Title written in ink below image, in a contemporary hand: The repose.
Publisher:
Publish'd as the act directs April 7th, 1787, by J. Jones, No. 63 Great Portland Street
Subject (Topic):
Chairs, Baskets, Drinking vessels, and Pipes (Smoking)
