Self-portrait after the painting in the Tate; the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin, and palette. On the palette is engraved the title "The line of beauty."
Description:
Title engraved below image., State and publisher from Paulson., Earlier state of this plate was used as the frontispiece to Hogarth's Folios., 1 print : engraving with etching on laid paper ; plate mark 37.8 x 28.4 cm, on sheet 43.7 x 33.5 cm., and Mounted on leaf 1 in: Album of William Hogarth prints.
Portrait of philanthropist Thomas Coram, shown bust-length to right within oval frame, eyes to the right, his shoulder-length hair loose, wearing plain, open coat and white necktie; after Hogarth. Below frame, a "frontview of [the] Founding Hospital."
Description:
Title from text in image., Imperfect; sheet trimmed within plate mark with loss of printmaker's signature and imprint from bottom edge, and periodical's name and date from top edge. Missing text supplied from impression in the British Museum, registration no.: 1880,1113.4783., Plate from: The London magazine, or, Gentleman's monthly intelligencer. London : R. Baldwin, v. 18 (1749), opposite p. 239., "Engrav'd for [the] London magazine 1749"--Above image., and On page 107 in volume 2.
Publisher:
Printed for R. Baldwin Junr. at the Rose in Pater Noster Row
Caption title., Illustration at top of sheet is a copy of a French soldier from Hogarth's Gate of Calais., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 3050., and On page 145 in volume 2.
Publisher:
Printed by R. Shaw, Silver-Street, White-Friars, Fleet-Street
Capt. Ord's Independent Company of Volunteer Rangers
Description:
Title from first line of text., Illustration at top of sheet (plate mark 9.2 x 13.8 cm) is a copy of a French soldier from Hogarth's Gate of Calais., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 3050., and On page 145 in volume 2.
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Sotheby 33++ Box 310
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., and Title from Paulson: The gate of Calais, or, The roast beef of old England.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., 1 print : etching and engraving on laid paper ; plate mark 38.2 x 45.7 cm, on sheet 46 x 59 cm., and Plate 33 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Toms, W. H. (William Henry), approximately 1700-approximately 1750, printmaker
Published / Created:
[1749]
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Image Count:
1
Abstract:
Below larger image of the churth, a portrait of John Palmer, bust to the left, wearing cravat and cap, in circle; arms below and motto 'Visibilia Temporaria'; after Hogarth
Description:
Title etched above image., Dedication etched below oval portrait of John Palmer 1749 / W. Hogarth pinx. ; B. Baron sculp.: "To John Palmer of the Inner Temple London, patron of this church this plate is inscribed by his obedient and humble servt. Will. Hen. Toms, Ao. 1749"., Sheet trimmed to plate mark., See Paulson, R. Hogarth's graphic works (2nd ed.), p. 63., Ms. note in pencil in Steevens's hand beneath print: See Mr. Nichols's book., and Formerly on page 146 in volume 2. Removed in 2012 by LWL conservator.
Copy of Hogarth's self-portrait: Round frame with artist's implements
Description:
Title etched below image., Sheet trimmed to plate mark., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 181., Ms. note in pencil in Steevens's hand centered above this print and one to right: See Mr. Nichols's book, 3d. edit. p. 297., and On page 147 in volume 2.
Publisher:
Publish'd according to act of Parliament by R. Sayer opposite Fetter Lane
A portrait of Hogarth in profile, looking right, with a pencil in his right hand poised above an open book in his left hand. He wears a cocked hat on his head. Adapted from his self-portrait in "The Gate of Calais."
Description:
Title from engraved text in frame encicling the portrait., Numbered '12' above image., Cf. No. 3066 in the Catalogue of political and personal satires preserved in the Department of Prints and Drawings in the British Museum, v. 3., Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand centered above this print and one to left: See Mr. Nichols's book, 3d. edt., p. 297., and On page 147 in volume 2.
Publisher:
Publish'd according to act of Parliament by r. Sayer opposite Fetter Lane
