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1. The Revd. Mr. Whitfield preaching at Leeds, 1749 [graphic].
- Published / Created:
- [1749]
- Call Number:
- 749.00.00.03+
- Image Count:
- 1
- Resource Type:
- still image
- Alternative Title:
- Reverend Mr. Whitfield preaching at Leeds, 1749
- Description:
- Title from item., Not in the Catalogue of engraved British portraits ... in the British Museum., Temporary local subject terms: Congregations: country congregations -- Female dress, 1749 -- Male dress, 1749, and Watermark: Pro patria.
- Publisher:
- publisher not identified
- Subject (Geographic):
- England, Leeds, and Leeds (England)
- Subject (Name):
- Whitefield, George, 1714-1770.
- Subject (Topic):
- Preachers
- Found in:
- Lewis Walpole Library > The Revd. Mr. Whitfield preaching at Leeds, 1749 [graphic].
2. O the roast beef of old England [graphic]
- Creator:
- Mosley, Charles, approximately 1720-approximately 1770, printmaker
- Published / Created:
- publish'd according to act of Parliament, March 6th, 1749.
- Call Number:
- Folio Greenberg 75 H67 753
- Collection Title:
- Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
- Alternative Title:
- Gate of Calais, or, The roast beef of old England and Roast beef of old England
- Description:
- Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., 1 print : etching and engraving on laid paper ; plate mark 38.3 x 45.7 cm, on sheet 45 x 56 cm., and Leaf 33 in: Album of William Hogarth prints.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain
- Subject (Name):
- Hogarth, William, 1697-1764 and Catholic Church
- Subject (Topic):
- Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
- Found in:
- Lewis Walpole Library > O the roast beef of old England [graphic]
3. Gulielmus Hogarth [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [1749]
- Call Number:
- Folio Greenberg 75 H67 753
- Collection Title:
- Leaf 1. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Self-portrait after the painting in the Tate; the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin, and palette. On the palette is engraved the title "The line of beauty."
- Description:
- Title engraved below image., State and publisher from Paulson., Earlier state of this plate was used as the frontispiece to Hogarth's Folios., 1 print : engraving with etching on laid paper ; plate mark 37.8 x 28.4 cm, on sheet 43.7 x 33.5 cm., and Mounted on leaf 1 in: Album of William Hogarth prints.
- Publisher:
- Wm. Hogarth
- Subject (Name):
- Hogarth, William, 1697-1764
- Found in:
- Lewis Walpole Library > Gulielmus Hogarth [graphic]
4. Iphigenia [graphic].
- Published / Created:
- [1 May 1749]
- Call Number:
- Quarto 53 C46 776
- Collection Title:
- Opposite page 15. Trial of Elizabeth duchess dowager of Kingston for bigamy, before the Right
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- An engraving, showing a scene from the Venetian Ambassadors Masquerade in which Miss Chudleigh appears wearing stockings, shoes, and a tunic, the last covering only a very small portion of her person, and taking off her mask on being seized round the waist by a gentleman. "Punch", "Judy", and another masquerader, George II?, are behind
- Description:
- Title from text below image., Attributed to Charles Moseley in the British Museum online catalogue, registration no.: 1868,0808.3894., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., "Price 6 d."--Lower right corner of plate., and Bound in opposite page 15 in an extra-illustrated copy of: The trial of Elizabeth duchess dowager of Kingston for bigamy, before the Right Honourable the House of Peers ... London : Printed for Charles Bathurst, in Fleet-Street, MDCCLXXVI [1776].
- Publisher:
- publisher not identified
- Subject (Geographic):
- England and England.
- Subject (Name):
- Bristol, Elizabeth Chudleigh, Countess of, 1720-1788 and Bristol, Elizabeth Chudleigh, Countess of, 1720-1788.
- Subject (Topic):
- Masquerades
- Found in:
- Lewis Walpole Library > Iphigenia [graphic].
5. O the roast beef of old England [graphic]
- Creator:
- Mosley, Charles, approximately 1720-approximately 1770, printmaker
- Published / Created:
- publish'd according to act of Parliament, March 6th, 1749.
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
- Alternative Title:
- Gate of Calais, or, The roast beef of old England and Roast beef of old England
- Description:
- Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., 1 print : etching and engraving on laid paper ; plate mark 38.2 x 45.7 cm, on sheet 46 x 59 cm., and Plate 33 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain
- Subject (Name):
- Hogarth, William, 1697-1764 and Catholic Church
- Subject (Topic):
- Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
- Found in:
- Lewis Walpole Library > O the roast beef of old England [graphic]
6. Gulielmus Hogarth [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [1749]
- Call Number:
- Folio 75 H67 800 v.1 (Oversize)
- Collection Title:
- Leaf 1. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Self-portrait after the painting in the Tate; the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin, and palette. On the palette is engraved the title "The line of beauty."
- Description:
- Title engraved below image., State and publisher from Paulson., Earlier state of this plate was used as the frontispiece to Hogarth's Folios., and On page 1 in volume 1, used as bookplate. Sheet 380 x 285 mm.
- Publisher:
- Wm. Hogarth
- Subject (Name):
- Hogarth, William, 1697-1764
- Found in:
- Lewis Walpole Library > Gulielmus Hogarth [graphic]
7. The beaux nurses, or, The modern cramers acted at the French Theatre in the Haymarket Novr. [the] 14th. [graphic]
- Published / Created:
- [not before 1749]
- Call Number:
- 749.00.00.50
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- An allegorical representation of the nationalistic riot occasioned by a troupe of French comedians in London. This satirical print refers to the controversy and protest surrounding a French theatrical company, nicknamed the 'French Strollers', who applied for and were granted a licence to perform at the Haymarket in the winter of 1749. Their arrival occasioned much discontent; as the Scots Magazine reported, they were 'bitterly pelted in the news-papers'. Asserting their right to perform, they persisted in a show on 14 November, but were met by an audience intent on sabotage. An eyewitness account of the incident appeared in the Monthly Review some years later (July 1761): 'People went early to the Theatre, as a crouded House was certain ... I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the conduct of the Opposition, were known to be there; one of whom called aloud for the song in praise of English roast beef, which was accordingly sung in the gallery, by a person prepared for that purpose; and the whole house besides joining in the chorus, saluted the close with three huzzas! This, Justice Deveil was pleased to say, was a riot'. Despite the Justice's assertions that the play was licensed by the King's command, the crowd had come prepared to produce disruption. They were equipped with instruments which they played discordantly as an accompaniment to their jeers, catcalls, and Francophobic songs: 'as an attempt at speaking was ridiculous, the Actors retired, and opened instead with a grand dance of twelve men and twelve women; but even that was prepared for, and they were directly saluted with a bushel or two of peas, which made their capering very unsafe'. Unable even to dance, and following another abortive attempt by the magistrates to assert the King's authority, the curtain fell for the final time. The eyewitness evidently relished the outcome, venturing 'that at no battle gained over the French, by the immortal Marlborough, the shoutings could be more joyous than on this occasion'. The print embodies similar sentiments; the French strollers attack British theatrical establishment--represented by an affronted Britannia--who stands between them and British theatre-goers. In the foreground stands a perplexed Othello, lamenting the loss of his occupation, and an injured man a man lies on the floor 'Almost kill'd for not understanding French'.
- Alternative Title:
- Modern cramers
- Description:
- Title etched below image., Date of publication based on date of the depicted event., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
- Publisher:
- publisher not identified
- Subject (Geographic):
- Great Britain, England, and London.
- Subject (Topic):
- Britannia (Symbolic character), Foreign public opinion, French, Theater, Actors, Actresses, Fighting, and Riots
- Found in:
- Lewis Walpole Library > The beaux nurses, or, The modern cramers acted at the French Theatre in the Haymarket Novr. [the] 14th. [graphic]
8. A perspective view and section of an engine propos'd to be built by subscription, which will shave sixty men in a minute, also oyl comb and powder their wigs [graphic]
- Creator:
- Booth, Thomas, active 1743-1746, printmaker
- Published / Created:
- [2 November 1749]
- Call Number:
- 749.11.29.01+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "This engraving represents a circular building, with conical roof of tiles, shown in two sections, and partly in perspective. Within the building is a large wheel turned by a horse and giving motion to a considerable number of spindles, to which are attached disks; on each of the disks are several razors, which are thus set in action on the faces of the men who apply their cheeks to openings in the inner wall of the building. Exterior to this inner wall is a gallery where stand the men who are thus expeditiously shaved; their hats hang on pegs, each over the hole to which the owner has applied himself. In the gallery several men are finishing or preparing for their toilettes. The operation of dressing a wig is shown below the wheel, on our right, where many combs are placed on a drum which revolves like a water-wheel before a man's wig, placed on a block near it."--British Museum catalogue, description of an earlier state
- Description:
- Title engraved below image., Text following title: See the explanation., "Price 6d."--Bottom of plate, centered., For an earlier state published in 1745, see no. 2687 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, and English short title catalogue no. T42881., and With watermark of fleur-de-lis. Ms. note on verso in black in ink: Mr. Freeman, Arlington Street.
- Publisher:
- Publish'd according to act of Parliament Novr. [the] 2, 1749, and sold by J. Dubois at [the] Golden Head [the] corner of Burleigh Street near Exeter Chanc[...]
- Subject (Topic):
- Horses, Shaving, Razor blades, Machinery, and Wigs
- Found in:
- Lewis Walpole Library > A perspective view and section of an engine propos'd to be built by subscription, which will shave sixty men in a minute, also oyl comb and powder their wigs [graphic]
9. Mr. Hogarth [graphic].
- Published / Created:
- Sept. 29, 1749.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A portrait of Hogarth in profile, looking right, with a pencil in his right hand poised above an open book in his left hand. He wears a cocked hat on his head. Adapted from his self-portrait in "The Gate of Calais."
- Description:
- Title from engraved text in frame encicling the portrait., Numbered '12' above image., Cf. No. 3066 in the Catalogue of political and personal satires preserved in the Department of Prints and Drawings in the British Museum, v. 3., Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand centered above this print and one to left: See Mr. Nichols's book, 3d. edt., p. 297., and On page 147 in volume 2.
- Publisher:
- Publish'd according to act of Parliament by r. Sayer opposite Fetter Lane
- Subject (Name):
- Hogarth, William, 1697-1764,
- Subject (Topic):
- Artists
- Found in:
- Lewis Walpole Library > Mr. Hogarth [graphic].
10. Solus adest [graphic].
- Published / Created:
- Sept. 29, 1749.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Copy of Hogarth's self-portrait: Round frame with artist's implements
- Description:
- Title etched below image., Sheet trimmed to plate mark., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 181., Ms. note in pencil in Steevens's hand centered above this print and one to right: See Mr. Nichols's book, 3d. edit. p. 297., and On page 147 in volume 2.
- Publisher:
- Publish'd according to act of Parliament by R. Sayer opposite Fetter Lane
- Subject (Name):
- Hogarth, William, 1697-1764,
- Subject (Topic):
- Artists' materials and Artists
- Found in:
- Lewis Walpole Library > Solus adest [graphic].
11. The south-west view of the parish church of Ecton in Northamptonshire [graphic]
- Creator:
- Toms, W. H. (William Henry), approximately 1700-approximately 1750, printmaker
- Published / Created:
- [1749]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 1
- Image Count:
- 1
- Abstract:
- Below larger image of the churth, a portrait of John Palmer, bust to the left, wearing cravat and cap, in circle; arms below and motto 'Visibilia Temporaria'; after Hogarth
- Description:
- Title etched above image., Dedication etched below oval portrait of John Palmer 1749 / W. Hogarth pinx. ; B. Baron sculp.: "To John Palmer of the Inner Temple London, patron of this church this plate is inscribed by his obedient and humble servt. Will. Hen. Toms, Ao. 1749"., Sheet trimmed to plate mark., See Paulson, R. Hogarth's graphic works (2nd ed.), p. 63., Ms. note in pencil in Steevens's hand beneath print: See Mr. Nichols's book., and Formerly on page 146 in volume 2. Removed in 2012 by LWL conservator.
- Publisher:
- publisher not identified
- Subject (Name):
- Palmer, John, active 1749
- Subject (Topic):
- Churches
- Found in:
- Lewis Walpole Library > The south-west view of the parish church of Ecton in Northamptonshire [graphic]
12. To the bold and enterprising lads of Great-Britain
- Published / Created:
- [not before 1749]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Image Count:
- 1
- Description:
- Caption title., Illustration at top of sheet is a copy of a French soldier from Hogarth's Gate of Calais., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 3050., and On page 145 in volume 2.
- Publisher:
- Printed by R. Shaw, Silver-Street, White-Friars, Fleet-Street
- Subject (Topic):
- Ethnic stereotypes and Recruiting & enlistment
- Found in:
- Lewis Walpole Library > To the bold and enterprising lads of Great-Britain
13. To the bold and enterprizing lads of Herfordshire and elsewhere, who prefer the good old English cheer, roast beef and strong beer, to soup maigre and wooden shoes ... Capt. Ord's Independent Company of Volunteer Rangers ...
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [not before 1749]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Image Count:
- 1
- Alternative Title:
- Capt. Ord's Independent Company of Volunteer Rangers
- Description:
- Title from first line of text., Illustration at top of sheet (plate mark 9.2 x 13.8 cm) is a copy of a French soldier from Hogarth's Gate of Calais., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 3050., and On page 145 in volume 2.
- Publisher:
- publisher not identified
- Subject (Topic):
- Ethnic stereotypes and Recruiting & enlistment
- Found in:
- Lewis Walpole Library > To the bold and enterprizing lads of Herfordshire and elsewhere, who prefer the good old English cheer, roast beef and strong beer, to soup maigre and wooden shoes ... Capt. Ord's Independent Company of Volunteer Rangers ...
14. O the roast beef of old England [graphic]
- Creator:
- Mosley, Charles, approximately 1720-approximately 1770, printmaker
- Published / Created:
- publish'd according to act of Parliament, March 6th, 1749.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 1
- Collection Title:
- Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
- Alternative Title:
- Gate of Calais, or, The roast beef of old England and Roast beef of old England
- Description:
- Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., Ms. note in pencil in Steevens's hand to side of print: See Nichols's book, 3d edit. p. 289., Sheet trimmed within plate mark to: 37.7 x 44.5 cm., and Formerly on page 145 in volume 2. Removed in 2012 by LWL conservator.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain
- Subject (Name):
- Hogarth, William, 1697-1764 and Catholic Church
- Subject (Topic):
- Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
- Found in:
- Lewis Walpole Library > O the roast beef of old England [graphic]
15. Captain Coram projector of the Foundling Hospital [graphic]
- Creator:
- Parr, Nathaniel, -1751, printmaker
- Published / Created:
- [1749]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Portrait of philanthropist Thomas Coram, shown bust-length to right within oval frame, eyes to the right, his shoulder-length hair loose, wearing plain, open coat and white necktie; after Hogarth. Below frame, a "frontview of [the] Founding Hospital."
- Description:
- Title from text in image., Imperfect; sheet trimmed within plate mark with loss of printmaker's signature and imprint from bottom edge, and periodical's name and date from top edge. Missing text supplied from impression in the British Museum, registration no.: 1880,1113.4783., Plate from: The London magazine, or, Gentleman's monthly intelligencer. London : R. Baldwin, v. 18 (1749), opposite p. 239., "Engrav'd for [the] London magazine 1749"--Above image., and On page 107 in volume 2.
- Publisher:
- Printed for R. Baldwin Junr. at the Rose in Pater Noster Row
- Subject (Name):
- Coram, Thomas, 1668?-1751,
- Subject (Topic):
- Hospitals and Philanthropists
- Found in:
- Lewis Walpole Library > Captain Coram projector of the Foundling Hospital [graphic]
16. Gulielmus Hogarth [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [1749]
- Call Number:
- Kinnaird 3K(b) Box 300
- Collection Title:
- Leaf 1. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Self-portrait after the painting in the Tate; the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin, and palette. On the palette is engraved the title "The line of beauty."
- Description:
- Title engraved below image., State and publisher from Paulson., Earlier state of this plate was used as the frontispiece to Hogarth's Folios., and Imperfect impression; all but date erased. Sheet trimmed within plate mark.
- Publisher:
- Wm. Hogarth
- Subject (Name):
- Hogarth, William, 1697-1764
- Found in:
- Lewis Walpole Library > Gulielmus Hogarth [graphic]
17. O the roast beef of old England [graphic]
- Creator:
- Mosley, Charles, approximately 1720-approximately 1770, printmaker
- Published / Created:
- publish'd according to act of Parliament, March 6th, 1749.
- Call Number:
- Sotheby 33++ Box 310
- Collection Title:
- Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
- Alternative Title:
- Gate of Calais, or, The roast beef of old England and Roast beef of old England
- Description:
- Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., and Title from Paulson: The gate of Calais, or, The roast beef of old England.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain
- Subject (Name):
- Hogarth, William, 1697-1764 and Catholic Church
- Subject (Topic):
- Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
- Found in:
- Lewis Walpole Library > O the roast beef of old England [graphic]
18. The cropper [graphic].
- Published / Created:
- [June 1749]
- Call Number:
- 749.06.01.01
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A satire on the 9 June 1749 order from His Royal Highness the Duke of Cumberland to have the uniforms of three regiments of footguards shortened some three inches for the sake of convenience on marches. The group of guards are shown protesting (most with speech bubbles above their heads) in an open space with the Banqueting House, Whitehall, and Holbein's Gate, Westminster forming the perimeter
- Description:
- Title from caption below image. and Publication date from British Museum catalogue: [1 June 1794].
- Publisher:
- publisher not identified
- Subject (Name):
- William Augustus, Prince, Duke of Cumberland, 1721-1765 and Great Britain. Army.
- Subject (Topic):
- Military uniforms and Military personnel
- Found in:
- Lewis Walpole Library > The cropper [graphic].
19. The north west prospect of St. Pauls Cathedral in London Vüe perspective de la Cathedrale de St. Paul a Londre / [graphic] =
- Creator:
- Bowles, Thomas, -1767, printmaker
- Published / Created:
- publish'd according to act of Parliament, February 13, 1749.
- Call Number:
- Topos L847 no. 85+
- Image Count:
- 1
- Resource Type:
- still image
- Alternative Title:
- Vüe perspective de la Cathedrale de St. Paul a Londre
- Description:
- Title from text below image. and Description based on imperfect impression; sheet trimmed within plate mark with loss of imprint.
- Publisher:
- publisher not identified
- Subject (Geographic):
- England and London.
- Subject (Name):
- St. Paul's Cathedral (London, England),
- Subject (Topic):
- Cathedrals
- Found in:
- Lewis Walpole Library > The north west prospect of St. Pauls Cathedral in London Vüe perspective de la Cathedrale de St. Paul a Londre / [graphic] =
20. A perspective view of the magnificent structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the general peace Veüe perspective du batiment magnifique, erigé dans le Parc Verd pour le Feu f'Artifice Royal exhibé le 27 d'Avril 1749, sur l'occasion de le paix general. [graphic] =
- Published / Created:
- [1749]
- Call Number:
- Topos L847 no. 30+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "View in Green Park, the structure in question central in the view, Buckingham House beyond on the left, a few more buildings and rolling country side in the background, a number of fashionably dressed figures in foreground"--British Museum online catalogue
- Alternative Title:
- Veüe perspective du batiment magnifique, erigé dans le Parc Verd pour le Feu f'Artifice Royal exhibé le 27 d'Avril 1749, sur l'occasion de le paix general
- Description:
- Title from caption below image., Date of publication from British Museum online catalogue., Sheet trimmed within plate mark., and Sheet numbered "127" (later corrected to "129") in ink in lower right corner.
- Publisher:
- Printed for John Bowles at the Black Horse in Cornhill
- Subject (Geographic):
- England and London.
- Subject (Topic):
- Parks and Fireworks
- Found in:
- Lewis Walpole Library > A perspective view of the magnificent structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the general peace Veüe perspective du batiment magnifique, erigé dans le Parc Verd pour le Feu f'Artifice Royal exhibé le 27 d'Avril 1749, sur l'occasion de le paix general. [graphic] =