Subscription ticket for the "March to Finchley" with an arrangement of Scottish and English weapons (swords, musket, canon, halberd, pickaxe, scimitar, pistol, broad-sward, haversadk, Lochaber axe, etc.), musical instruments (trumpet, drum, kettledrum, fife and bagpipes), and flags; in the center a pair of scissors excises the Scottish lion from the royal coat-of-arms
Alternative Title:
Subscription ticket for the "March to Finchley"
Description:
Title, printmaker, publisher, and date from Paulson., Lettered with subscription receipt: "Recd. [blank] of [blank] 7s:6d: being the whole payment for a print pepresenting a March to Finchly [sic] in the year 1746 which I promise to deliver when finish'd on sight hereof. N.B. Each print will be half a guinea after the subscription is over.", and Sheet 266 x 273 mm and annotated in Hogarth's hand(?): April 28 1750, Ja. Theoball Esqr., N1249. Also signed: "Wm. H[ogarth] 3 shilllings". With his wax seal.
Subscription ticket for the "March to Finchley" with an arrangement of Scottish and English weapons (swords, musket, canon, halberd, pickaxe, scimitar, pistol, broad-sward, haversadk, Lochaber axe, etc.), musical instruments (trumpet, drum, kettledrum, fife and bagpipes), and flags; in the center a pair of scissors excises the Scottish lion from the royal coat-of-arms
Alternative Title:
Subscription ticket for the "March to Finchley"
Description:
Title, printmaker, publisher, and date from Paulson. and Lettered with subscription receipt: "Recd. [blank] of [blank] 7s:6d: being the whole payment for a print pepresenting a March to Finchly [sic] in the year 1746 which I promise to deliver when finish'd on sight hereof. N.B. Each print will be half a guinea after the subscription is over."
A full-length satirical portrait of a man seated in a chair in profile to left, holding a hat under his right arm, his left hand inside his waistcoat. He has a large nose and a protruding lower lip, with almost no chin and is pointing to the left with his right hand
Alternative Title:
In the collection of the Rt. Honble. the Lord Duncannon and In the collection of the Right Honorable. the Lord Duncannon
Description:
Title devised by cataloger., Possibly engraved by Arthur Pond. See another caricature of William Conolly also after Ghezzi and from the collection of Duncannon., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title supplied by cataloger., Date of publication from unverified data in local card catalog record., and Plate numbered 'No. 623' in upper right corner. Probably a book illustration.
Title devised by cataloger., Sheet trimmed to plate mark., Temporary local subject terms: Interiors: library -- Cupids -- Laurel wreath -- Busts -- Writing implements -- Young women., and Window mounted to 23 x 15 cm.
In two rows of three, from top left: a young man, his right knee resting against a rock, pulls back his short cape to reveal a small bouquet of flowers; a young couple embrace and toasting with wine glasses; a young couple seated and in conversation; a young woman in a headdress with feathers and touches to her face a folded fan; a couple dance; an older, short woman stands in profile to the right, her head slightly turned towards the viewer
Description:
Title devised by cataloger., Publication date from an unverified card catalog record., Sheet trimmed within plate mark., and Watermark: royal cipher with initials GR inside a cirle.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Description:
Title, imprint, artist, printmaker and state from Paulson., Sheet trimmed with plate mark., Ms. note in pencil in Steevens's hand below print: Aqua fortis proof. See Mr. Nichols's book, 3d. edit. p. 299., and On page 149 in volume 2.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Description:
Title, imprint, artist, printmaker and state from Paulson., Sheet trimmed within plate mark., and On page 150 in volume 2.
Portrait of Thomas Herring, Archbishop of Canterbury; three-quarter length, seated, to the left, looking to the front; gesturing towards viewer with left hand, his right hand holding a book; a curtain in background to the right; after Hogarth
Alternative Title:
Archbishop Herring
Description:
Title, artist, printmaker, and imprint from finished state., Sheet trimmed to plate mark., See Paulson, R. Hogarth's graphic works, p. 14., Ms. note in pencil in Steevens's hand to left of two impressions of this print: See Mr. Nichols's book, 3d. edit. p. 297., and On page 148 in volume 2. Removed in 2012 by LWL conservator.
Incomplete collection of circular images printed on a single sheet. Two pieces show a lion leaning over a coat of arms with the words "Pax. Qvaeritvr. Bello." printed above. The third piece shows a throne room wtih a queen enthroned and an assembly of men in rows of benches on either side of the long room
Description:
Title devised by cataloger., Date of publication conjectured., and Imperfect. Only three examplars trimmed from larger sheet with printed with larger collection of medallions.