"View across a cornfield to Hogarth's house at Chiswick and neighbouring houses among trees; in the foreground, to left, a man holding a staff is seated beside a tree with a dog at his feet."--British Museum online catalogue
Description:
Title from Paulson., Printmaker and date from British Museum online catalogue, viewed October 2023., Published state with imprint: "Publish'd as the Act directs by Jane Hogarth at the Golden-head Leicester Fields 1st May 1781.", Formerly attributed to William Hogarth and dated ca. 1750. See curator's comments in the British Museum catalogue., Ms. note in pencil in Steevens's hand above print: Ranby's house., and On page 154 in volume 2. Sheet trimmed within plate mark to: 10 x 14.9 cm.
Publisher:
Jane Hogarth
Subject (Geographic):
Chiswick (London, England), England, and Chiswick.
"View across a cornfield to Hogarth's house at Chiswick and neighbouring houses among trees; in the foreground, to left, a man holding a staff is seated beside a tree with a dog at his feet."--British Museum online catalogue
Description:
Title from Paulson., Printmaker and date from British Museum online catalogue, viewed October 2023., Published state with imprint: "Publish'd as the Act directs by Jane Hogarth at the Golden-head Leicester Fields 1st May 1781.", and Formerly attributed to William Hogarth and dated ca. 1750. See curator's comments in the British Museum catalogue.
Publisher:
Jane Hogarth
Subject (Geographic):
Chiswick (London, England), England, and Chiswick.
Incomplete collection of circular images printed on a single sheet. Two pieces show a lion leaning over a coat of arms with the words "Pax. Qvaeritvr. Bello." printed above. The third piece shows a throne room wtih a queen enthroned and an assembly of men in rows of benches on either side of the long room
Description:
Title devised by cataloger., Date of publication conjectured., and Imperfect. Only three examplars trimmed from larger sheet with printed with larger collection of medallions.
Portrait of Thomas Herring, Archbishop of Canterbury; three-quarter length, seated, to the left, looking to the front; gesturing towards viewer with left hand, his right hand holding a book; a curtain in background to the right; after Hogarth
Alternative Title:
Archbishop Herring
Description:
Title, artist, printmaker, and imprint from finished state., Sheet trimmed to plate mark., See Paulson, R. Hogarth's graphic works, p. 14., Ms. note in pencil in Steevens's hand to left of two impressions of this print: See Mr. Nichols's book, 3d. edit. p. 297., and On page 148 in volume 2. Removed in 2012 by LWL conservator.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Description:
Title, imprint, artist, printmaker and state from Paulson., Sheet trimmed within plate mark., and On page 150 in volume 2.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Description:
Title, imprint, artist, printmaker and state from Paulson., Sheet trimmed with plate mark., Ms. note in pencil in Steevens's hand below print: Aqua fortis proof. See Mr. Nichols's book, 3d. edit. p. 299., and On page 149 in volume 2.
In two rows of three, from top left: a young man, his right knee resting against a rock, pulls back his short cape to reveal a small bouquet of flowers; a young couple embrace and toasting with wine glasses; a young couple seated and in conversation; a young woman in a headdress with feathers and touches to her face a folded fan; a couple dance; an older, short woman stands in profile to the right, her head slightly turned towards the viewer
Description:
Title devised by cataloger., Publication date from an unverified card catalog record., Sheet trimmed within plate mark., and Watermark: royal cipher with initials GR inside a cirle.
Title devised by cataloger., Sheet trimmed to plate mark., Temporary local subject terms: Interiors: library -- Cupids -- Laurel wreath -- Busts -- Writing implements -- Young women., and Window mounted to 23 x 15 cm.
Title supplied by cataloger., Date of publication from unverified data in local card catalog record., and Plate numbered 'No. 623' in upper right corner. Probably a book illustration.
A full-length satirical portrait of a man seated in a chair in profile to left, holding a hat under his right arm, his left hand inside his waistcoat. He has a large nose and a protruding lower lip, with almost no chin and is pointing to the left with his right hand
Alternative Title:
In the collection of the Rt. Honble. the Lord Duncannon and In the collection of the Right Honorable. the Lord Duncannon
Description:
Title devised by cataloger., Possibly engraved by Arthur Pond. See another caricature of William Conolly also after Ghezzi and from the collection of Duncannon., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Subscription ticket for the "March to Finchley" with an arrangement of Scottish and English weapons (swords, musket, canon, halberd, pickaxe, scimitar, pistol, broad-sward, haversadk, Lochaber axe, etc.), musical instruments (trumpet, drum, kettledrum, fife and bagpipes), and flags; in the center a pair of scissors excises the Scottish lion from the royal coat-of-arms
Alternative Title:
Subscription ticket for the "March to Finchley"
Description:
Title, printmaker, publisher, and date from Paulson., Lettered with subscription receipt: "Recd. [blank] of [blank] 7s:6d: being the whole payment for a print pepresenting a March to Finchly [sic] in the year 1746 which I promise to deliver when finish'd on sight hereof. N.B. Each print will be half a guinea after the subscription is over.", Ms. note: See Mr. Nichols's book, 3d. edit. p. 284., Subscription ticket is filled in: April 10 1750 and illegible name. A scrap of paper attached at lower right with Hogarth's signature, 3 shillings, and Hogarth's wax seal., and On page 127 in volume 2. Sheet trimmed to: 18.1 x 23 cm.
Subscription ticket for the "March to Finchley" with an arrangement of Scottish and English weapons (swords, musket, canon, halberd, pickaxe, scimitar, pistol, broad-sward, haversadk, Lochaber axe, etc.), musical instruments (trumpet, drum, kettledrum, fife and bagpipes), and flags; in the center a pair of scissors excises the Scottish lion from the royal coat-of-arms
Alternative Title:
Subscription ticket for the "March to Finchley"
Description:
Title, printmaker, publisher, and date from Paulson., Lettered with subscription receipt: "Recd. [blank] of [blank] 7s:6d: being the whole payment for a print pepresenting a March to Finchly [sic] in the year 1746 which I promise to deliver when finish'd on sight hereof. N.B. Each print will be half a guinea after the subscription is over.", and Sheet 266 x 273 mm and annotated in Hogarth's hand(?): April 28 1750, Ja. Theoball Esqr., N1249. Also signed: "Wm. H[ogarth] 3 shilllings". With his wax seal.
Subscription ticket for the "March to Finchley" with an arrangement of Scottish and English weapons (swords, musket, canon, halberd, pickaxe, scimitar, pistol, broad-sward, haversadk, Lochaber axe, etc.), musical instruments (trumpet, drum, kettledrum, fife and bagpipes), and flags; in the center a pair of scissors excises the Scottish lion from the royal coat-of-arms
Alternative Title:
Subscription ticket for the "March to Finchley"
Description:
Title, printmaker, publisher, and date from Paulson. and Lettered with subscription receipt: "Recd. [blank] of [blank] 7s:6d: being the whole payment for a print pepresenting a March to Finchly [sic] in the year 1746 which I promise to deliver when finish'd on sight hereof. N.B. Each print will be half a guinea after the subscription is over."
Subscription ticket for the "March to Finchley" with an arrangement of Scottish and English weapons (swords, musket, canon, halberd, pickaxe, scimitar, pistol, broad-sward, haversadk, Lochaber axe, etc.), musical instruments (trumpet, drum, kettledrum, fife and bagpipes), and flags; in the center a pair of scissors excises the Scottish lion from the royal coat-of-arms
Alternative Title:
Subscription ticket for the "March to Finchley"
Description:
Title, printmaker, publisher, and date from Paulson., Lettered with subscription receipt: "Recd. [blank] of [blank] 7s:6d: being the whole payment for a print pepresenting a March to Finchly [sic] in the year 1746 which I promise to deliver when finish'd on sight hereof. N.B. Each print will be half a guinea after the subscription is over.", and Sheet trimmed to 193 x 231 mm and annotated in Hogarth's hand(?): Aprl 2 1750, Robt. Thomson Esqr., N534. Also signed: "Wm. H[ogarth]".
Ttile from item., Publication date from an unverified card catalog record; dated by costume., Sheet trimmed within plate mark., Engraved throughout, illustrated with etching by Cole at top of sheet., For voice and harpsichord. Music on 2 staves with interlinear words. Additional stanza below. Part for flute at foot of page., and Opening words: Charmer, permit me to make a surrender ...
publish'd according to act of Parliament, May 1, 1750.
Call Number:
Topos L847 no. 47+
Image Count:
1
Resource Type:
still image
Abstract:
"A bird's eye view along the Thames towards London Bridge, with the buildings on the south bank just visible"--British Museum online catalogue, description of a later state of the same composition
Alternative Title:
Veüe de Londres vers le sud ouest
Description:
Title from caption below image.
Publisher:
Printed for John Bowles at the Black Horse in Cornhill
publish'd according to act of Parliament, June 1, 1750.
Call Number:
Topos L847 no. 117+
Image Count:
1
Resource Type:
still image
Abstract:
"View down the River Thames looking towards Westminster, with Somerset House on the right, Westminster Abbey and Bridge in mid-distance; many boats on the water, a pontoon in foreground to left"--British Museum online catalogue
Alternative Title:
Veüe de Westminster vers le sud est : depuis le Palais de Somerset au Pont Neuf
Description:
Titles from text below image, in English and French.
Publisher:
Printed for John Bowles at the Black Horse in Cornhill
Subject (Geographic):
Westminster Bridge (London, England), and Thames River (England),
Subject (Name):
Westminster Abbey, and Somerset House (London, England),
Page 185. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Birds'-eye view down the River Thames, looking towards Westminster; Somerset House is seen on the right, with Westminster Abbey and Bridge in the mid-distance; many boats are on the water
Alternative Title:
Southeast prospect of Westminster
Description:
Title etched below image., "Engrav'd for the Universal Magazine, for J. Hinton in Newgate Street"--Above image., Date of publication from the Yale Center for British Art online catalog., Imperfect; sheet trimmed within plate mark with loss of text from upper margin. Missing text supplied from impression at the Yale Center for British Art, accession no.: B1998.14.676., Mounted to 26 x 32 cm., and Mounted on page 185 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
J. Hinton
Subject (Geographic):
London (England), Thames River (England),, and Westminster Bridge (London, England),
"Portrait of Frances Howard, Duchess of Richmond, three-quarter length standing in a room wearing elaborate jewellery; a deceptive copy of the late XVIIIc of the print by Willem de Passe."--British Museum online catalogue
Alternative Title:
Portraiture of the illustrious Princess Frances Duchess of Richmond and Lennox
Description:
Title etched below image., Title continues: ... daugter [sic] of Thomas Ld. Howard of Bindon, sonne of Thomas Duke of Norfok., whose mother was Elisabeth daughter of Edward Duke of Buckingham., Date of publication from British Museum online catalogue, registration no.: Y,5.116., Text below title: Anno 1623 insculptum a Guilh. Passeo Londinum., Sheet trimmed within plate mark., Mounted on page 147 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching, engraving and stipple engraving on wove paper ; sheet 25.6 x 15.5 cm., Sheet trimmed within plate mark on three sides., and For further information, consult library staff.
"Portrait of Frances Howard, Duchess of Richmond, three-quarter length standing in a room wearing elaborate jewellery; a deceptive copy of the late XVIIIc of the print by Willem de Passe."--British Museum online catalogue
Alternative Title:
Portraiture of the illustrious Princess Frances Duchess of Richmond and Lennox
Description:
Title etched below image., Title continues: ... daugter [sic] of Thomas Ld. Howard of Bindon, sonne of Thomas Duke of Norfok., whose mother was Elisabeth daughter of Edward Duke of Buckingham., Date of publication from British Museum online catalogue, registration no.: Y,5.116., Text below title: Anno 1623 insculptum a Guilh. Passeo Londinum., Sheet trimmed within plate mark., and Mounted on page 129 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
