Incomplete collection of circular images printed on a single sheet. Two pieces show a lion leaning over a coat of arms with the words "Pax. Qvaeritvr. Bello." printed above. The third piece shows a throne room wtih a queen enthroned and an assembly of men in rows of benches on either side of the long room
Description:
Title devised by cataloger., Date of publication conjectured., and Imperfect. Only three examplars trimmed from larger sheet with printed with larger collection of medallions.
Copy in reverse after Hogarth's portrait, with the addition of a clergyman behind Malcolm holding up a wedding ring, and, to left, a view of her execution in Fleet Street. Sarah Malcolm, shown three-quarter length and seated as she leans with her hands on a table to left, looking back over her left shoulder. She wears a white apron and a white shawl over her head. The unidentified printmaker has added a piece of paper and pen and ink stand on the table
Alternative Title:
Sarah Malcom and Sarah Malcolm
Description:
Title from caption below image., Date from British Museum online catalogue: March 1732/3., and Mounted to sheet 226 x 236 mm; with leaf from the Newgate calendar (p. 255-6) about her crime.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
Malcolm, Sarah, approximately 1710-1733,
Subject (Topic):
Murderers, Clergy, Criminals, and Hangings (Executions)
Copy in reverse after Hogarth's portrait, with the addition of a clergyman behind Malcolm holding up a wedding ring, and, to left, a view of her execution in Fleet Street. Sarah Malcolm, shown three-quarter length and seated as she leans with her hands on a table to left, looking back over her left shoulder. She wears a white apron and a white shawl over her head. The unidentified printmaker has added a piece of paper and pen and ink stand on the table
Alternative Title:
Sarah Malcom and Sarah Malcolm
Description:
Title from caption below image., Date from British Museum online catalogue: March 1732/3., On page 53 in volume 1. Plate mark 170 x 121 mm., and Above image: a note in Steevens's hand: See Mr. Nichols Biographical anecdotes &c., edit. 3d, p. 172.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
Malcolm, Sarah, approximately 1710-1733,
Subject (Topic):
Murderers, Clergy, Criminals, and Hangings (Executions)
"In a room, a group watching as a man sitting at a round table builds a house of cards, which tumbles down as a figure leans in at right, the man and a man standing in outdoor clothes behind looks at him with dismay; in the right foreground two young children build their own house on a small table; doors open onto garden in background."--British Museum online catalogue
Description:
Title engraved below image., Publisher inferred from another print in the series: The king and miller of Mansfied., One of a series of engravings after paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743., and Sheet trimmed within plate mark resulting i`n loss of imprint.
Publisher:
Robert Sayer
Subject (Topic):
Chairs, Children, Dogs, Drawing rooms, Furniture, Interiors, Playing cards, Screens, Tables, and Toys
A full-length satirical portrait of a man seated in a chair in profile to left, holding a hat under his right arm, his left hand inside his waistcoat. He has a large nose and a protruding lower lip, with almost no chin and is pointing to the left with his right hand
Alternative Title:
In the collection of the Rt. Honble. the Lord Duncannon and In the collection of the Right Honorable. the Lord Duncannon
Description:
Title devised by cataloger., Possibly engraved by Arthur Pond. See another caricature of William Conolly also after Ghezzi and from the collection of Duncannon., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Façade of the bungalow in Chelsea, with colonnade at front; above at centre the royal arms, with soldiers and men holding scientific instruments on either side
Description:
Title engraved below image., Publication date from British Museum online catalogue., and Formerly dated 1730.
Publisher:
publisher not identified
Subject (Geographic):
Chelsea (London, England), England, and London.
Subject (Topic):
Buildings, structures, etc, Bungalows, Facades, Scientific equipment, British, and Soldiers
In a large paneled room decorated with four paintings, a young couple play at battledore and shuttlecock. Another young woman, sitting on a low stool near the fireplace, appears to be keeping score
Alternative Title:
Diversion of battledore and shuttlecock
Description:
Title from item., Sheet trimmed within plate mark resulting in loss of imprint., Publisher inferred from another print in the series: The king and miller of Mansfied., Publication date from an unverified card catalog record., and One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743.
In the foreground, a young boy and woman play on a see saw. The young woman is prevented from falling off by a young man who weighs her end of the see saw with his foot. A group of other young men and women gathered by the building on the right looks on with consternation. The scene takes place near a building with columns under repair and a beehive-shaped ruin in the background
Description:
Title from item., Sheet trimmed within plate mark resulting in loss of imprint., Publisher from another print in the series: The king and miller of Mansfied., and One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743.
Three young women sit around a table placed under the trees in a garden. On the table are placed a coffee pot and three bowls. The fortune-teller standing by the table points to the inside of a cup in his hand, while a young man looks on from behind a tree. Another young woman standing nearby, probably a serving maid, is looking into a cup she is holding
Description:
Title from item., Publisher inferred from another print in the series: The king and miller of Mansfied., Sheet trimmed within plate mark resulting in loss of imprint., One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743., and Temporary local subject terms: Outdoor scenes: garden -- Fortune-tellers -- Lapdogs -- Furniture: tabouret.
Three young women and three young men play at blindman's buff in front of a cottage, one of the young women hiding behind a tree on the right..
Description:
Title from item., Sheet trimmed within plate mark resulting in loss of imprint., Publisher inferred from another print in the series: The king and miller of Mansfied., One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743., and Temporary local subject terms: Games: blindman's buff -- Buildings: cottage.
A young man sleeps reclining on a chaise-longue, his wig removed and placed on a chair to the left. A richly dressed young woman standing behind the chair leans forward looking at him with a sceptical expression on her face. On the other side, another young woman leans close to him, upsetting in the process a table on which a black servant was about to place a tea tray. In the background on the right, a serving maid walks into the room, her arms raised in alarm
Description:
Title from item., Second line of title and publisher from an impression in the British Museum., Sheet trimmed within plate mark resulting in loss of the second line of title and imprint., and One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743.
Publisher:
Printed for Robt. Sayer in the Golden Buck in Fleet Street
Inside a humble house, a man and woman standing together at right, the woman with hand on hip and leaning against the man, both looking towards a cleric at left who turns away with a rod in his hand, a tankard resting on a table before him, the door opens onto a street behind. In the center of the room is a cobbler's bench with some tools of the trade. Against the back wall is a large cabinet with substantial pillars and with plates lined against the back. See British Museum nline catalogue
Alternative Title:
Humorous farce of Jobson and Nell
Description:
Title from item., Sheet trimmed within plate mark resulting in loss of imprint., Publisher inferred from another print in the series: The king and miller of Mansfied., and One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743.
In a room with casement windows, open fire, cloth covered table set with two candlesticks and pitchers, and older man with clerical bands kneels down before the king who draws his sword. In the background, to his left, stand two men watching the king anxiously. Behind him, a young woman is engaged in conversation with a young man holding a hat behind his back. Another man stands behind the table, his eyes closed, and a large dog climbs on the table with his front paws, over an Elizabethan style bench
Description:
Title from item., Sheet trimmed within plate mark resulting in loss of imprint., One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743., and Temporary local subject terms: Lighting: candlesticks -- Reference to Mansfield.
Publisher:
Printed for Robt. Sayer at the Golden Buck in Fleet Street
Two ladies, a serving maid with a tea tray, and a gentleman kneeling on a chair watch a ragged youth who is kneeling down and displays a richly and fashionably dressed doll who appears to be walking on her own towards the group of observers. Behind the young man are two others, one playing hurdy-gurdy, the other carrying a large box strapped to his back. The scene takes place on a terrace of a large house
Description:
Title from item., Sheet trimmed within plate mark resulting in loss of imprint., Publisher inferred from another print in the series: The king and miller of Mansfied., and One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743.
Publisher:
Robert Sayer
Subject (Topic):
Dolls, Musical instruments, Organ grinders, Servants, and Toys
Two ladies and two gentlemen play at cards in a richly furnished room while another lady and a gentleman look on. In the background on the left a serving maid prepares tea with the help of a black boy in livery
Description:
Title from item., Sheet trimmed within plate mark resulting in loss of imprint., Publisher inferred from another print in the series: The king and miller of Mansfied., One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743., and Temporary local subject terms: Furniture: card table -- Furnishing: carpet -- Domestic service: serving maid -- Black child -- Card playing: quadrille -- Reference to Vauxhall Gardens.
Publisher:
Robert Sayer
Subject (Topic):
Interiors, Card games, Tea tables (Tables), Floor coverings, Tea services, Servants, and Women domestics
MacLaine in leg-irons stands in the middle of his prison cell, surrounded by several women, a cleric, and a man who appears to be saying an emotional good-bye to the prisoner prior to his execution. One of the women dabs her eyes with a large handkerchief. On the far left stands the goaler, with a bunch of keys in his hand
Alternative Title:
Ladys last farewell to MacLean and Ladies last farewell to MacLaine
Description:
Title engraved above image., Date from contemporary ms. annotation., Sheet trimmed within plate mark., Eight lines of verse in two columns below image: Farewell my friends let not your hearts be fill'd, my time is near & I'll with calmness yeild [sic] ..., Watermark: countermark IV., and Mounted to 26 x 31 cm.
Title from item., Publication date from British Museum catalogue., Sheet trimmed within plate mark., 'Price 6 d.', Eight lines of verse in two columns below image: What madness Tom! has thus inflam'd thy mind, to vent thy fury on the female kind ..., Temporary local subject terms: Buildings: military barracks? -- Birch rod -- Curry comb -- Weeping., and Watermark: mostly cut off, on left.
Bubs complements to Ralffo and Bubs compliments to Ralffo
Description:
Title from item. and Temporary local subject terms: Interiors: Windsor Castle -- Buildings: cottages -- Vehicles: cart -- Literature: The remembrancer -- Literature: Hudibras by Samuel Butler, 1612-1680 -- Courtiers.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, and Ralph, James, -1762
Title etched below image and two lines of verse., Publication date inferred from Overton's death date., Eight lines of verse in two columns below image and above title: Two men there are the inward & the out, whom Satan to insnare [sic] still hovereth about ..., Two lines of verse below title: Sing Whitfield and Webber, for ever and ever., Subject identified in a note in 18th-century hand at bottom of sheet as Rev. George Whitefield., Not in the Catalogue of engraved British portraits ... in the British Museum., and Temporary local subject terms: Wall-eyed.
Title from item., Imprint and price from British Museum catalogue., Description based on imperfect imprint; sheet trimmed within plate mark resulting in loss of imprint and price., "Price 6d. plain, 1s. coloured.", Two lines of verse below image: All coursers, the first heat with vigor run ..., Temporary local subject terms: Racing grounds., and Mounted to 30 x 39 cm. and mounted again to 35 x 48 cm.
Publisher:
Printed for Tom Collins near the Rubbing House, according to act of Parliament
Subject (Name):
Bedford, John Russell, Duke of, 1710-1771, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pelham, Henry, 1695?-1754, Hardwicke, Philip Yorke, Earl of, 1690-1764, and Sandwich, John Montagu, Earl of, 1718-1792
