"A young man (left) takes with his left hand the right hand of a young woman, who bows towards him, holding her limp skirt delicately between finger and thumb. Both wear burlesqued versions of the newest fashions. He wears a striped sleeveless vest or waistcoat made in one piece with a pair of pantaloons which reach below his calves where they are tied with bunches of ribbon. A voluminous swathed neckcloth conceals his chin. His powdered hair is frizzed on his head with a long queue. He holds a round hat and a bludgeon in his right hand. She wears in her hair three extravagantly long ostrich feathers, which rise from a small cap or turban and sweep across the design, with an erect brush-aigrette ; long tresses issue from the turban with the feathers and fall below her waist. Her limp high-waisted dress with short sleeves falls from below uncovered breasts, which are decked with a lattice-work of jewels caught together by an oval miniature (cf. BMSat 8521)."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray, working from a design by 'Miss Aynscombe.' See British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject terms: Male costume, 1794 -- Female costume, 1794., 1 print : etching & aquatint with stipple on wove paper, hand-colored ; plate mark 34.9 x 24.9 cm, on sheet 35.7 x 25.6 cm., and Mounted on leaf 56 of volume 8 of 12.
Publisher:
Pubd. May 7th, 1794, by H. Humphrey, No. 18 Old Bond Street
"A young man (left) takes with his left hand the right hand of a young woman, who bows towards him, holding her limp skirt delicately between finger and thumb. Both wear burlesqued versions of the newest fashions. He wears a striped sleeveless vest or waistcoat made in one piece with a pair of pantaloons which reach below his calves where they are tied with bunches of ribbon. A voluminous swathed neckcloth conceals his chin. His powdered hair is frizzed on his head with a long queue. He holds a round hat and a bludgeon in his right hand. She wears in her hair three extravagantly long ostrich feathers, which rise from a small cap or turban and sweep across the design, with an erect brush-aigrette ; long tresses issue from the turban with the feathers and fall below her waist. Her limp high-waisted dress with short sleeves falls from below uncovered breasts, which are decked with a lattice-work of jewels caught together by an oval miniature (cf. BMSat 8521)."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray, working from a design by 'Miss Aynscombe.' See British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject terms: Male costume, 1794 -- Female costume, 1794., Watermark: J Whatman., and Window-mounted to 40 x 28 cm.
Publisher:
Pubd. May 7th, 1794, by H. Humphrey, No. 18 Old Bond Street
"A mother and daughter face each other in profile. An elderly woman, heavily moustached and bearded, sits at a small rectangular table, her right forefinger accusingly pointed at a young woman (closely resembling her), apparently pregnant, who stands holding a fan with an expression of wary apprehension. Beneath the table is a large crow, one foot raised, turning its head towards the elder woman to say "Oh! too bad". A patterned carpet, plain wall, and door (right) form a background."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Pregnancy -- Expressions of speech: I have a crow to pluck with you., 1 print : etching on wove paper, hand-colored ; sheet 28.6 x 33.8 cm., Sheet trimmed within plate mark on right and left edges., and Mounted on leaf 57 of volume 8 of 12.
Publisher:
Pubd. Novr. 1st, 1794, by H. Humphrey, No. 37 New Bond Street
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Restrike for Bohn's "Supressed plates," ii, 44, published in 1849, of No. 8557 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.7., and Temporary local subject terms: Pregnancy -- Expressions of speech: I have a crow to pluck with you.
Publisher:
Pubd. Novr. 1st, 1794, by H. Humphrey, No. 37 New Bond Street
"A mother and daughter face each other in profile. An elderly woman, heavily moustached and bearded, sits at a small rectangular table, her right forefinger accusingly pointed at a young woman (closely resembling her), apparently pregnant, who stands holding a fan with an expression of wary apprehension. Beneath the table is a large crow, one foot raised, turning its head towards the elder woman to say "Oh! too bad". A patterned carpet, plain wall, and door (right) form a background."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Pregnancy -- Expressions of speech: I have a crow to pluck with you.
Publisher:
Pubd. Novr. 1st, 1794, by H. Humphrey, No. 37 New Bond Street
A coach filled with passengers is driven by a coachman (smoking a pipe) and pulled by two teams of horses. The roof of the carriage is loaded with bags and a cage filled with poultry; the one bag is labeled 'Brussels'. Another cage of birds swings off the bottom of the carriage in the back, the top of which is covered in a tarp. The driver whips the lead team. A coat of arms decorates the door to the carriage
Description:
Title etched below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A scene in a kitchen showing a French male cook on his knees beside a cross-looking female cook holding a spatula. In the background, a roaring fire in the hearth with a slab of beef on a spit
Description:
Title etched below image., Printmaker attribution to Isaac Cruikshank from Rosenbach. For the original watercolor drawing by Cruikshank, see Huntington Library object number: 71.79.72., Imperfect; sheet trimmed within plate mark resulting in loss of imprint statement from bottom edge. Imprint supplied from impression at the Bodleian Library, shelfmark: Curzon b.02(065)., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Publish'd 1st March 1794 by Robt. Sayer & Co., Fleet Street, London
Subject (Topic):
Ethnic stereotypes, Kitchens, Cooks, and Pleading (Begging)
"Lansdowne, dressed as a news-boy, steps through a door in the garden wall of Lansdowne House. Across his cap (a bonnet-rouge) is a paper: 'Gazette Extraordiny'. He holds out a sheet headed with his arms and the title 'Gazette \ Extraordinary \ : Published without Authority \ Monday May 26th 1794 \ Berkeley Square'. Beneath, in two columns: 'Intelligence from America Lie the Ist Intelligence from France Lie the 2d Intelligence from Holland Lie ye 3d Intelligence from Italy Lie ye 4th Intelligence from Algiers Lie the 5th [signed] I am &c. Malagrida'. In his left hand is a news-boy's horn and under his left arm a sheaf of his 'Gazette Extraordinary'. Scrolls issue from his mouth: 'bloody News Great News' and similar scrolls float above the gate from the garden of Lansdowne House (where conspirators are supposed to be shouting): 'Ça ira Ça ira' (cf. British Museum Satires No. 8443)."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Text below title: --credat Judaeus Apella", "non ego.", Temporary local subject terms: Newsboys -- Lansdowne House -- Male costume: 'Bonnet rouge' -- Berkeley Square -- Newsboys' horns -- Members of the Opposition., and Mounted to 56 x 37 cm.
Publisher:
Publd. 31st May 1794 by H. Humphrey, No. 18 Old Bond Street
"Lansdowne, dressed as a news-boy, steps through a door in the garden wall of Lansdowne House. Across his cap (a bonnet-rouge) is a paper: 'Gazette Extraordiny'. He holds out a sheet headed with his arms and the title 'Gazette \ Extraordinary \ : Published without Authority \ Monday May 26th 1794 \ Berkeley Square'. Beneath, in two columns: 'Intelligence from America Lie the Ist Intelligence from France Lie the 2d Intelligence from Holland Lie ye 3d Intelligence from Italy Lie ye 4th Intelligence from Algiers Lie the 5th [signed] I am &c. Malagrida'. In his left hand is a news-boy's horn and under his left arm a sheaf of his 'Gazette Extraordinary'. Scrolls issue from his mouth: 'bloody News Great News' and similar scrolls float above the gate from the garden of Lansdowne House (where conspirators are supposed to be shouting): 'Ça ira Ça ira' (cf. British Museum Satires No. 8443)."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Text below title: --credat Judaeus Apella", "non ego.", Temporary local subject terms: Newsboys -- Lansdowne House -- Male costume: 'Bonnet rouge' -- Berkeley Square -- Newsboys' horns -- Members of the Opposition., and Mounted on page 95.
Publisher:
Publd. 31st May 1794 by H. Humphrey, No. 18 Old Bond Street
"Lansdowne, dressed as a news-boy, steps through a door in the garden wall of Lansdowne House. Across his cap (a bonnet-rouge) is a paper: 'Gazette Extraordiny'. He holds out a sheet headed with his arms and the title 'Gazette \ Extraordinary \ : Published without Authority \ Monday May 26th 1794 \ Berkeley Square'. Beneath, in two columns: 'Intelligence from America Lie the Ist Intelligence from France Lie the 2d Intelligence from Holland Lie ye 3d Intelligence from Italy Lie ye 4th Intelligence from Algiers Lie the 5th [signed] I am &c. Malagrida'. In his left hand is a news-boy's horn and under his left arm a sheaf of his 'Gazette Extraordinary'. Scrolls issue from his mouth: 'bloody News Great News' and similar scrolls float above the gate from the garden of Lansdowne House (where conspirators are supposed to be shouting): 'Ça ira Ça ira' (cf. British Museum Satires No. 8443)."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Text below title: --credat Judaeus Apella", "non ego.", Temporary local subject terms: Newsboys -- Lansdowne House -- Male costume: 'Bonnet rouge' -- Berkeley Square -- Newsboys' horns -- Members of the Opposition., 1 print : aquatint and etching on wove paper ; plate mark 38.9 x 27.3 cm, on sheet 40 x 28.1 cm., Mounted on leaf 77 of James Sayers's Folio album of 144 caricatures., and Watermark, trimmed: Edmeads & Pin[e].
Publisher:
Publd. 31st May 1794 by H. Humphrey, No. 18 Old Bond Street
"A young woman standing to left, gesturing outwards with her right hand, wearing a fitted dress with a dark fringed sash, a shawl around her shoulders, a sprig of flowers tucked into one side and a tall bell-shaped hat with thick plumes and flowers, her hair left loose; in a double frame."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray. See Briitsh Museum online catalogue, registration no.: 1851,0901.697., Sheet trimmed within plate mark., Temporary local subject terms: Greek female costume., 1 print : etching & aquatint on wove paper ; plate mark 35.3 x 25.0 cm, on sheet 45.3 x 29.7 cm., and Mounted on leaf 29 of volume 12 of 12.
Publisher:
Pubd. Novr. 1st, 1794, by H. Humphrey, No. 37 New Bond Street
"A young woman standing to left, gesturing outwards with her right hand, wearing a fitted dress with a dark fringed sash, a shawl around her shoulders, a sprig of flowers tucked into one side and a tall bell-shaped hat with thick plumes and flowers, her hair left loose; in a double frame."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray. See Briitsh Museum online catalogue, registration no.: 1851,0901.697., Sheet trimmed within plate mark., and Temporary local subject terms: Greek female costume.
Publisher:
Pubd. Novr. 1st, 1794, by H. Humphrey, No. 37 New Bond Street
"Design in an irregular oval. A Frenchman (bust) glares to the right, showing his teeth fiercely. He has long unkempt hair, a bristly beard, and wears a bonnet rouge with a tricolour cockade, and an ear-ring; his sleeve is splashed with blood. Above the design: 'Vive la Republique! que tous les Tyrans mordent la poussière! - Point de Religion' (cf. BMSat 8350)."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Companion print to: "A Paris belle.", and Mounted on leaf 42 of volume 3 of 12.
Publisher:
Pubd. Feby. 26th, 1794, by H. Humphrey, N. 18 Old Bond Street
Title from item., Two lines of text above image: Vive la Republique! ..., Companion print: A Paris Belle., Plate from: Illustrative description of the genuine works of Mr. James Gillray. T. M'Lean, 1830., Numbered '108' below imprint in contemporary hand., Cf. No. 8430 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local subject terms: Allusion to the French Revolution -- Frenchmen -- Jewelry: earrings -- Emblems: tricolored cockade -- Male costume: bonnet rouge.
Publisher:
Pubd. Feby. 26th, 1794, by H. Humphrey, N. 18 Old Bond Street
"Design in an irregular oval. A woman (bust) glares fiercely to the left, her mouth closed and drawn down. Her cap and fichu are decked with tricolour ribbons, and in her cap is a dagger, point upward and dripping blood. Above the design: 'Des Tetes! - du Sang! - la Mort! - à la Lanterne! - à la Guillotine. - point de Reine! - Je suis la Dèesse de la Libertè [cf. BMSat 8350] - l'egalité! - que Londres soit brulê! - que Paris soit Libre!! - Vive la Guillotine! - '."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Companion print to: "A Paris beau.", and Mounted on leaf 43 of volume 3 of 12.
Publisher:
Pubd. Feby. 26th, 1794, by H. Humphrey, No. 18 Old Bond Street
Title from item., Three lines of text above image: Des tetes! du sang! la mort! ..., Companion printt: A Paris Beau., Plate from: Illustrative description of the genuine works of Mr. James Gillray. T. M'Lean, 1830., Numbered '107' below imprint in contemporary hand., Cf. No. 8431 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local subject terms: Allusion to the French Revolution -- Frenchmen -- Daggers -- Emblems: tricolored cockade.
Publisher:
Pubd. Feby. 26th, 1794, by H. Humphrey, No. 18 Old Bond Street
"A woman standing to left, wearing a long gown with a decorated hem, right arm at her side, left on the edge of the gown and a shawl enveloping her head, leaving only her eyes visible."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray. See Briitsh Museum online catalogue, registration no.: 1851,0901.695., and Mounted on leaf 32 of volume 12 of 12.
Publisher:
Pubd. Novr. 1st, 1794, by H. Humphrey, No. 37 New Bond Street
"A woman standing to right, wearing a burka leaving only her eyes visible, her arms folded at her waist and covered by her shawl, the edge of her pantaloons glimpsed at the base of her gown."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray. See Briitsh Museum online catalogue, registration no.: 1851,0901.694., and Mounted on leaf 31 of volume 12 of 12.
Publisher:
Pubd. Novr. 1st, 1794, by H. Humphrey, No. 37 New Bond Street
"Three visitors regard with amusement a soldier who acts as barber. A soldier sits (left) outside a tent, his hair lank and undressed, his chin lathered, a cloth round his neck. The barber stands flourishing a razor; he is in full regimentals, wearing a busby, with intrenching tools (a spade and axe) thrust through his belt. Facing him in profile to the left stands a lady with a man in riding-dress on each side of her; one points, the others raise their hands in amused surprise. A grinning black boy in livery, wearing a turban and carrying a riding-whip, stands behind them. A sentry stands on duty beside the tent with his musket across his shoulder. Another soldier stands on the extreme right, his hands crossed on his breast. A row of tents, backed by trees and the contour of a hill, forms a background. In the middle distance an officer with another soldier appears to be inspecting the camp."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with different imprint statement, of a print originally published 25 June 1784 by C. White. Cf. No. 6727 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Military barbers -- Military tents -- Military uniforms -- Regimentals uniforms -- Male costume -- Domestic service -- Riding whips -- Guns: Musket., and Watermark.
Publisher:
Published Novr. 17, 1794, by J. Harris, Sweetings Alley & No. 8 Broad Street
Subject (Topic):
Military camps, Soldiers, Tents, Barbering, Shaving equipment, Spades, Axes, Servants, Turbans, Riding habits, Whips, and Rifles
Title from item., No. 122 in Laurie & Whittle Drolls series., Temporary local subject terms: Footmen -- Playing cards -- Furniture: card table., and Watermark.
Publisher:
Published 16th Augt. 1794 by Laurie & Whittle, No. 53 Fleet Street, London
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[12 March 1794]
Call Number:
794.03.12.01+
Image Count:
1
Resource Type:
still image
Description:
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Parsons.
"A bald man with a thick beard and moustache, in profile to right, hands joined in front of him, wearing a long ermine-trimmed gown and a hat with a full plume providing a broad canopy and a small flag; in a double frame."--British Museum online catalogue
Alternative Title:
Colonel of the Janissaries
Description:
Title etched below image., Printmaker identified as Gillray. See Briitsh Museum online catalogue, registration no.: 1851,0901.699., and Mounted on leaf 26 of volume 12 of 12.
Publisher:
Pubd. Novr. 1st, 1794, by H. Humphrey, No. 37 New Bond Street
"A man with a long moustache, standing to right, wearing a long coat with long sleeves, a suit of sprigged silk and pantaloons, with a knife tucked into his broad waist-band and a turban with a tall, striped crown."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray. See Briitsh Museum online catalogue, registration no.: 1851,0901.702., and Mounted on leaf 28 of volume 12 of 12.
Publisher:
Pubd. Novr. 1st, 1794, by H. Humphrey, No. 37 New Bond Street
"A man with a long moustache, wearing a coat, full trousers looped up and fastened with a thick sash around the waist, a blanket with a small emblem tucked into it and hanging down the sides, a tall crescent hat with a veil hanging from it and a decorative plume; in a double frame."--British Museum online catalogue
Alternative Title:
Common soldier of the Janissaries
Description:
Title etched below image., Printmaker identified as Gillray. See Briitsh Museum online catalogue, registration no.: 1851,0901.698., and Mounted on leaf 27 of volume 12 of 12.
Publisher:
Pubd. Novr. 1st, 1794, by H. Humphrey, No. 37 New Bond Street
Title from item., Sheet partially trimmed within plate mark., Two images on one plate, signed below Lambeth and Spital Fields., Publisher's advertisement following imprint: ... where folios of caracatures are lent out for the evening., and Temporary local subject terms: Interiors: Lamabeth Palace -- Interiors: parsonage -- Poverty vs. abundance -- Spitalfields -- Subscriptions for war victims -- Consequences of war -- Banquets -- Dishes: tureen with bishop's mitre -- Food: roasted turkey -- Footmen -- Literature: Samuel Coleridge's Essay on His Own Time, i.45 -- John Moore, 1733-1805, Archibishop of Canterbury.
Title from caption below images., Publisher's advertisement above images: In Holland's exhibition rooms may be seen the largest collection of humorous prints in Europe. Admittance one shilling., Design consists of eight panels arranged in two horizontal strips, with four lines of verse etched below every panel but the last., Sheet trimmed within plate mark on right and left edges., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Male costume, 1794 -- Female costume, 1794 -- Gambling -- Jockeys -- Military uniforms.
Publisher:
Pub. August 1, 1794, by Willm. Holland, No. 50, Oxford Street
"A man with a long moustache, standing to right, wearing a suit of sprigged silk with a fluted skirt and long, broad sleeves falling over the sleeves, a tall hat with a plume, knives tucked into a belt at his waist and another slung across his body, holding a halberd in his right hand; in a double frame."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray. See Briitsh Museum online catalogue, registration no.: 1851,0901.703., and Mounted on leaf 25 of volume 12 of 12.
Publisher:
Pubd. Novr. 1st, 1794, by H. Humphrey, No. 37 New Bond Street
A man looks up in horror at the image of a demon, smoking a pipe and holding a lantern, sitting astride his sleeping wife beside him in their truckle bed. A horse looks on, his head poking through the casement window. Beside their bed is a candle, chamber pot, and a chair on which he has thrown his coat. Probably deriving (remotely) from Fuseli's 'Nightmare'.
Alternative Title:
Nightmare
Description:
Title etched below image., Sheet trimmed to plate mark at top and bottom., and Matted to 41 x 55 cm.
Publisher:
Pub. by W. Holland, October 26, 1794, No. 50 Oxford Steet [sic]
"View looking across a small field towards the Tower, showing the moat and the river on the left; a number of figures and a carriage in foreground"--British Museum online catalogue, description of an earlier state of the same composition
Alternative Title:
Vüe du coté du nord-ouest de la Tour de Londres
Description:
Title from caption below image., Date of publication based on printsellers' street addresses. See British Museum online catalogue., and Reissue of a print originally published in 1753 with the publication line "London, Printed for & Sold by T. Bowles in St. Pauls Church Yard, John Bowles & Son in Cornhill, Robt. Sayer in Fleet Street, & Hen. Overton without Newgate." See British Museum online catalogue.
Publisher:
Printed for Bowles & Carver, 69 St. Paul's Church Yard, R. Wilkinson, 58 Cornhill, & Laurie & Whittle, 53 Fleet Street
"A young woman, elaborately dressed, sits with downcast eyes in profile to the left at a table on which are a book and rosary. On her right sits, on a striped settee, a 'priest' wearing a skull-cap; a hat and cloak on a chair and stool show that he is a visitor. He holds a book, looking towards the 'nun' with a smile. The room is fashionably furnished with two sash-windows, in one of which stands a large vase of flowers. Between them is an oval picture of (?) the Temptation of St. Anthony. Beneath the title: 'At Twelve, I began to think of a Man, At Thirteen, I Sighed for a Man, At Fourteen I was Violently in Love with a Man, At Fifteen I run away with a Man. But he was a Very Pretty Man - therefore I hope youll Pardon me Sir.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., From the Laurie & Whittle Drolls series., Five lines of text below image (first 4 in two columns): At twelve, I began to think of a man ..., Numbered '126' in lower right of plate., Temporary local subject terms: Rosaries -- Furniture -- Pictures amplifying subjects: Temptation of St. Anthony -- Furnishings: window curtains., and Watermark (partial): Strasburg bend at top of sheet.
Publisher:
Published 1st Octr. 1794 by Laurie & Whittle, No. 53 Fleet Street, London
Subject (Topic):
Priests, Prostitutes, Confessions, Religious articles, Sofas, Chairs, and Draperies
On the right a grotesque figure representing the French Republic sits on a pile of gin barrels, serpents writhing in her hair as flames -- labelled Rapine, Murder, Famine, Atheism -- spit from their mouths. At her feet lies the decapitated figure of Justice. Approaching her from the left are Stanhope carrying a model of the House of Lords, a crown, sceptre and the Holy Bible. Following him is Sheridan carrying a model of the Bank of England and Fox who carries a model of India House and the royal arms. The British lion walks in the opposite direction away from the arms. Next, Whitbread hauls three barrels labelled "Whitbreads intire", the Duke of Bedford a promisary note, and finally Erskine carries a pile of books labelled "Treason / Law of / Libel / Misprisons of ..."
Description:
Title from item., Printmaker from British Museum catalogue., "Publ" in imprint partially burnished from plate., and Mounted to 30 x 47 cm.; caricatures partially identified on mount.
Publisher:
Publ. Feby 10, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Whitbread, Samuel, 1764-1815, Bedford, Francis Russell, Duke of, 1765-1802, and Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Justice (Virtue), Sansculottes, History, Foreign public opinion, British, and Foreign relations
Title etched below image., Eight lines of verse in two columns on sides of title: When he came to the Court, oh, what giggle and sport ..., Temporary local subject terms: Costume: Turkish costume -- Plenipotentiaries -- Eye-glasses -- Court -- Turks -- Alllusion to Barbary Coast -- Wands: Lord Chamberlain's wand -- Naval uniforms: admiral's uniform -- Ministers: Turkish minister., and Matted to 41 x 56 cm.
Publisher:
Pub. Janry 1, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Fitzherbert, Maria Anne, 1756-1837, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Salisbury, James Cecil, Marquess of, 1748-1823
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Nudity -- Male costume -- Jewelry -- Watches -- Female costume: fans -- Quizzing glasses -- Female costume: hats.
The equestrian statue of George III dressed as Marcus Aurelius stands behind the brick wall of Lansdowne House in Berkeley Square, London, watching the assembly in the garden through a spy-glass. Above the wall, hats with French republican cockades are being waved while invisible speakers express support shouting "Vive Barrere," and "C̦a ira," in reference to Lord Lansdowne's failed motion for peace with France in February 1794. In the background is the facade of the house
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted to 43 x 35 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
Great Britain and France
Subject (Name):
George III, King of Great Britain, 1738-1820., George III, King of Great Britain, 1738-1820, Lansdowne, William Petty, Marquis of, 1737-1805., Barère, B. 1755-1841. (Bertrand),, and Lansdowne House (London, England),
Subject (Topic):
Statues, Politics and government, Foreign relations, Sculpture, Horses, Garden walls, and Hats
The equestrian statue of George III dressed as Marcus Aurelius stands behind the brick wall of Lansdowne House in Berkeley Square, London, watching the assembly in the garden through a spy-glass. Above the wall, hats with French republican cockades are being waved while invisible speakers express support shouting "Vive Barrere," and "C̦a ira," in reference to Lord Lansdowne's failed motion for peace with France in February 1794. In the background is the facade of the house
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted on page 81 with one other print.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
Great Britain and France
Subject (Name):
George III, King of Great Britain, 1738-1820., George III, King of Great Britain, 1738-1820, Lansdowne, William Petty, Marquis of, 1737-1805., Barère, B. 1755-1841. (Bertrand),, and Lansdowne House (London, England),
Subject (Topic):
Statues, Politics and government, Foreign relations, Sculpture, Horses, Garden walls, and Hats
The equestrian statue of George III dressed as Marcus Aurelius stands behind the brick wall of Lansdowne House in Berkeley Square, London, watching the assembly in the garden through a spy-glass. Above the wall, hats with French republican cockades are being waved while invisible speakers express support shouting "Vive Barrere," and "C̦a ira," in reference to Lord Lansdowne's failed motion for peace with France in February 1794. In the background is the facade of the house
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., 1 print : etching on wove paper ; plate mark 30.4 x 24 cm, on sheet 33.2 x 25.9 cm., and Mounted on leaf 62 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
Great Britain and France
Subject (Name):
George III, King of Great Britain, 1738-1820., George III, King of Great Britain, 1738-1820, Lansdowne, William Petty, Marquis of, 1737-1805., Barère, B. 1755-1841. (Bertrand),, and Lansdowne House (London, England),
Subject (Topic):
Statues, Politics and government, Foreign relations, Sculpture, Horses, Garden walls, and Hats
Perspective view of the north west front of ye parish church St. Brides ... and Vüe de l'eglise pareissiale de St. Bride : dont son cloche est de 242 pieds
Description:
Title from caption below image., Date of publication based on printsellers' street addresses. See British Museum online catalogue., Sheet trimmed to plate mark., and Window mounted to 29 x 43 cm.
Publisher:
Printed for Bowles & Carver, 69 St. Pauls Church Yard, Robt. Wilkinson in Cornhill, and Laurie & Whittle, 53 Fleet Street
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Male dress, 1795 -- Snuff-boxes -- Sheriff's writs.
Publisher:
Published 18th March 1795 by Laurie & Whittle, 53 Fleet Street, London
Two huntsmen are seated at a table outside a wayside inn, one of whom turns to take on his knee a maidservant, a pretty girl who holds a jug in her right hand, and places a hand on her breast; the other (right) eats voraciously a slice of the roast beef. Behind, the innkeeper hurries from the door with a punch-bowl. At a horse-trough (left), placed under the inn-sign of a leaping stag, two saddle-horses are drinking; an ostler stands beside them."--British Museum online catalogue
Description:
Title etched below image. and No. '116' in the series of Drolls.
Publisher:
Published 20th May, 1794, by Laurie & Whittle, No. 53 Fleet Street, London
Subject (Topic):
Hunters, Hotelkeepers, Occupations, Servants, Signs (Notices), and Taverns (Inns)
Title from item., Publisher's advertisement following imprint: ... who has fitted up his caracature exhibition in an entire novel stile [sic]. Admit. 1 s. NB. folios lent out., Temporary local subject terms: Allusion to the French Revolution -- Reference to Louis XVI, King of France -- Symbols: skull and cross-bones -- Daggers -- Guns: pistols -- Executions -- Poverty., Watermark: Strasburg bend with initials G R below., and With S.W. Fores stamp.
Publisher:
Pub. March 10, 1794, by S.W. Fores, N. 3 Piccadilly
Title from item., Temporary local subject terms: Male costume: round hats -- Whips., and Sheet trimmed within plate mark on the right. Possibly etched on one plate together with Lewis Walpole print 794.11.27.02.
Publisher:
Published Novemr. 27th 1794 by H. Humphreys, No. 37 New Bond Street
Title from item., Printmaker and artist from the original issue, of which this reissue of the left half only. See The Attic miscellany, v. ii, p. 195, published by Bentley & Co., 1 March 1791, under title, Overthrow of the arts!, Above image: Engraved for the Carlton House magazine., Plate from: The Carlton House magazine, Oct. 1794., and Temporary local subject terms: Reference to the Somerset House -- Military: French soldiers -- Guns: bayoneted muskets.
"Four men smoking long pipes sit stiffly in upright wooden chairs. One (left) in profile to the right, very obese, is an old military officer with a wooden leg; next is a lean man in back view, next a stout man sits full face, and on the right is a thin man in profile to the left seated beside a rectangular table on which is a glass and a large jug. All have expressions of solemn vacuity. They emit clouds of smoke from mouth or pipe which fill the upper part of the bare room. On the wall (right) is a print of Fox, whole length, declaiming with right arm raised."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with different imprint statement, of a print originally published 1 May 1792 by W. Dickinson. Cf. No. 8205 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Imprint continues: ... where may be had all Mr. Bunbury & Rowlandsons works., Sheet trimmed within plate mark., Temporary local subject terms: Smoking clubs -- Military officer -- Wooden legs -- Male costume, 1792 -- Large jugs -- Pictures amplifying subject -- Reference to Charles James Fox, 1749-1806., and Publisher's stamp (partially trimmmed) in lower right corner of sheet: S.W.[F.].
Publisher:
Publishd. March 15th, 1794, by S.W. Fores, No. 3 Piccadilly ...
"'Cits' (i.e. citizens) ride (left to right) (types of vulgar horsemanship, cf. BMSats 7233, 7242) in a cloud of dust, following a crowded stage-coach inscribed 'To the Races'. A rough two-wheeled cart, crammed with a family party, is drawn by a cantering pony. A signpost points 'To the Race Ground'. A suburban setting is given by the country box and 'grounds' of a 'cit', with a notice-board: 'Spring Blunderbusss on a new Construction - Planted in Various Paths of my Domain & whosown Trample Down or pull up the Shrubs in this Garden shall be Prosecuted - Deputy Dump'. In front of the house the owner (?) and his wife look over the paling at the race-goers. The house is a square box, whose small scale is indicated by the size of a pot-plant on the flat roof; on this are also figures of Neptune, Harlequin, and Mercury. Adjacent (left) is a shed inscribed 'Mr Dumps Stables', with a pretentious cupola."--British Museum online catalogue
Description:
Title from caption below image.
Publisher:
Pub. Feby. 1, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
London (England),
Subject (Topic):
City council members, Dogs, Ducks, Stagecoaches, Signs (Notices), and Spouses
"A man with a long moustache, standing to left with his hands joined in front of him, wearing a long gown of embroidered silk with a broad sash and a tall hat of embroidered material with tassels; in a double frame."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray. See Briitsh Museum online catalogue, registration no.: 1851,0901.692., and Mounted on leaf 23 of volume 12 of 12.
Publisher:
Pubd. Novr. 1st, 1794, by H. Humphrey, No. 37 New Bond Street
Vüe du pais proche de la riviere prise de la Montagne de Richmond
Description:
Title from caption below image., Reissue, with different publication line, of a print published in 1752 by R. Sayer and H. Overton., Plate numbered "62" in upper right corner., and Watermark: W. King.
Publisher:
Published 12th May 1794, by Laurie & Whittle, 53 Fleet Street
"View of St Mary-in-the-Strand; looking down the street to the right of the church into the distance; carriages and pedestrians in foreground"--British Museum online catalogue
Alternative Title:
Vüe de la maison royale de Somerset avec l'eglise de Ste. Marie dans le Strand a Londres
Description:
Title from caption below image., Date of publication based on printsellers' street addresses. See British Museum online catalogue., Reissue, with altered publication line, of a print published in 1753. See British Museum online catalogue., and Plate numbered "17" in upper left corner.
Publisher:
Printed for Laurie & Whittle, 53 Fleet Street, Bowles & Carver, 69 St. Pauls Church Yard, & Robert Wilkinson, 58 Cornhill
Subject (Geographic):
England and London.
Subject (Topic):
Castles & palaces, Official residences, and Churches
"View the Thames with the old Custom House on the left, and the Tower in the distance"--British Museum online catalogue, description of an earlier state of the same composition
Alternative Title:
Vüe de la Doane et une partie de la Tour, prise de la Riviere Thamise a Londres
Description:
Title from caption below image., Date of publication based on printsellers' street addresses. See British Museum online catalogue., Later state of a print originally published in 1753 with the publication line "London, Printed for T. Bowles in St. Pauls Church Yard, John Bowles and Son in Cornhill, Robt. Sayer in Fleet Street, and Heny. Overton without Newgate." See British Museum online catalogue., "Publish'd according to act of Parliament"--Below image., Plate numbered "26" in upper right corner., and Window mounted to 35 x 48 cm.
Publisher:
Printed for Bowles & Carver, 69 St. Paul's Church Yard, R. Wilkinson, 58 Cornhill, & Laurie & Whittle, 53 Fleet Street
"The walk lined with trees continuing to the left; elegantly dressed figures clustered in groups in foreground, the band stand and pavilion to the right"--British Museum online catalogue, description of an earlier state of the same composition
Alternative Title:
Vüe de la Grande Alleé du Jardin de Vauxhall, prise de l'entree
Description:
Title from caption below image., Reissue, with different publication line, of a print published by Robert Sayer in 1751. See British Museum online catalogue., "Publish'd according to act of Parliament"--Below image., and Plate numbered "68" in upper right corner.
Publisher:
Published 12th May, 1794, by Laurie & Whittle, 53 Fleet Street
